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This chapter discusses categories of long-, mid-, and short-distance connectivity in the Mediterranean in relation to Phokaian emporia (trading stations) and colonies (notably Massalia and Emporion). Nodes that appear physically distant from each other were sometimes more rapidly connected because of reduced degrees of separation within the network, which itself lasted for centuries. Massalia, a coastal foundational colony, illustrates the maritime perspective and orientation (cf. Arles, by the River Rhône and oriented to the hinterland, was a mixed settlement). Conflicts over Alalia (Corsica) with Carthaginians and Etruscans indicate the transition from “many-to-many” networks to more hub-oriented networks as zones of influence. Regional clusters may contain not only hegemonic centers but also mixed settlements, some of which were founded in response to Greek settlement (“antipolis” foundations). It is a porous middle ground, both concretely and metaphorically, and it is the middle ground, with its material and cultural “dialogue” among various “actors” (as we see, e.g., at Emporion or in commercial transactions on lead tablets), that constitutes the “edges” of Mediterranean networks.

The importance of the Etruscans does not simply lie in the painted tombs whose lively designs captivated D. H. Lawrence, nor in the puzzle of where their distinctive language originated, nor in the heavy imprint they left on early Rome. Theirs was the first civilization to emerge in the western Mediterranean under the impetus of the cultures of the eastern Mediterranean. Etruscan culture is sometimes derided as derivative, and the Etruscans have been labelled ‘artless barbarians’ by one of the most distinguished experts on Greek art; anything they produced that meets Greek standards is classified as the work of Greek artists, and the rest is discarded as proof of their artistic incompetence. Most, though, would find common cause with Lawrence in praising the vitality and expressiveness of their art even when it breaks with classical notions of taste or perfection. But what matters here is precisely the depth of the Greek and oriental imprint on Etruria, the westward spread of a variety of east Mediterranean cultures, and the building of close commercial ties between central Italy, rarely visited by the Mycenaeans, and both the Aegean and the Levant. This was part of a wider movement that also embraced, in different ways, Sardinia and Mediterranean Spain. With the rise of the Etruscans – the building of the first cities in Italy, apart from the very earliest Greek colonies, the creation of Etruscan sea power, the formation of trading links between central Italy and the Levant – the cultural geography of the Mediterranean underwent a lasting transformation. Highly complex urban societies developed along the shores of the western Mediterranean; there, the products of Phoenicia and the Aegean were in constant demand, and new artistic styles came into existence, marrying native traditions with those of the East. Along the new trade routes linking Etruria to the east came not just Greek and Phoenician merchants but the gods and goddesses of the Greeks and the Phoenicians, and it was the former (along with a full panoply of myths about Olympus, tales of Troy and legends of the heroes) that decisively conquered the minds of the peoples of central Italy.

The impact of contact with the eastern Mediterranean was felt in very different ways within what we now call Italy. Greek culture seeped more slowly into the everyday life of the native peoples of Sicily – Sikans, Sikels and Elymians – than into the life of the peoples of Tuscany and Latium. In Sicily, both the Greeks and the Carthaginians kept themselves largely apart from the native population. Sardinia, rich in minerals, had for centuries been the seat of a lively civilization characterized by the stone towers known as nuraghi, of which many thousands still dot the island; they were surrounded by what seem to have been prosperous villages, firmly rooted in the rich agricultural resources of the island. They began to be built around 1400 BC, but new nuraghi were still being constructed well into the Iron Age. In the Mycenaean era, there had been some contact with the outside world, as eastern Mediterranean traders arrived in search of copper. The wealth of the native elite as far back as the second millennium BC can be measured from the tombs of Anghelu Ruju, near Alghero in north-western Sardinia; these are among the richest to have been unearthed in late Neolithic and early Bronze Age western Europe, and they indicate contact with Spain, southern France and the eastern Mediterranean. The Spanish influence can be traced in the bell beaker jars found at this site. Another Spanish connection was linguistic. The Sardinians left no written records, whether because they did not use writing or because they used friable materials that have failed to survive. But place-names, many in current use, provide suggestive evidence, as does the Sard language, a distinctive form of late vulgar Latin that incorporates a number of pre-Latin words within its many dialects. It appears that the nuraghic peoples spoke a language or languages related to the non-Indo-European language Basque. Thus a Sard word for a young lamb, bitti, is very similar to a Basque term for a young goat, bitin.