S. C. Williams
- Published in print:
- 1999
- Published Online:
- October 2011
- ISBN:
- 9780198207696
- eISBN:
- 9780191677786
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198207696.003.0002
- Subject:
- History, British and Irish Modern History, History of Religion
The Metropolitan Borough of Southwark was formed in 1900 from the amalgamation of the civil parishes of St Saviour's Southwark, St George's, Christ Church, and St Mary Newington. Old local ...
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The Metropolitan Borough of Southwark was formed in 1900 from the amalgamation of the civil parishes of St Saviour's Southwark, St George's, Christ Church, and St Mary Newington. Old local attachments continued to predominate even after the amalgamation of the civil parishes. In Southwark these attachments centred on three principal focuses: first, the area in the north around Borough High Street, historically known as the Borough; secondly, the Elephant and Castle; and thirdly, the eastern part of Walworth in the immediate vicinity of the East Street Market. The characteristics for which Southwark was famed during the 19th century were low life, criminality, and heathenism.Less
The Metropolitan Borough of Southwark was formed in 1900 from the amalgamation of the civil parishes of St Saviour's Southwark, St George's, Christ Church, and St Mary Newington. Old local attachments continued to predominate even after the amalgamation of the civil parishes. In Southwark these attachments centred on three principal focuses: first, the area in the north around Borough High Street, historically known as the Borough; secondly, the Elephant and Castle; and thirdly, the eastern part of Walworth in the immediate vicinity of the East Street Market. The characteristics for which Southwark was famed during the 19th century were low life, criminality, and heathenism.
Madhav Gadgil and Ramachandra Guha
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780198077442
- eISBN:
- 9780199082155
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198077442.003.0002
- Subject:
- Sociology, Science, Technology and Environment
Agricultural-pastoral people spread over the Indian subcontinent in many phases. Hunting-gathering, along with shifting cultivation, dominated all the moister tracts of this region. The pattern of ...
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Agricultural-pastoral people spread over the Indian subcontinent in many phases. Hunting-gathering, along with shifting cultivation, dominated all the moister tracts of this region. The pattern of resource use became grounded in a continual march of agriculture and pastoralism over territory held by food gatherers. The highest concentration of agricultural-pastoral populations was along the Gangetic plains. Buddhism and Jainism did not succeed in destroying the social hierarchy of Indian society then. The eight centuries from 500 bc to ad 300, which followed the colonization of the fertile lands of northern India, appear to have been characterized by the availability of large surpluses of agricultural production for activities outside food production. Elephant forests and hunting preserves brought in a new form of territorial control over living resources—control by the state. Protection to cattle has undoubtedly been significant in influencing the practices of mixed agriculture and animal husbandry, which are so characteristic of India.Less
Agricultural-pastoral people spread over the Indian subcontinent in many phases. Hunting-gathering, along with shifting cultivation, dominated all the moister tracts of this region. The pattern of resource use became grounded in a continual march of agriculture and pastoralism over territory held by food gatherers. The highest concentration of agricultural-pastoral populations was along the Gangetic plains. Buddhism and Jainism did not succeed in destroying the social hierarchy of Indian society then. The eight centuries from 500 bc to ad 300, which followed the colonization of the fertile lands of northern India, appear to have been characterized by the availability of large surpluses of agricultural production for activities outside food production. Elephant forests and hunting preserves brought in a new form of territorial control over living resources—control by the state. Protection to cattle has undoubtedly been significant in influencing the practices of mixed agriculture and animal husbandry, which are so characteristic of India.
Christian McCrea
- Published in print:
- 2019
- Published Online:
- February 2021
- ISBN:
- 9781911325826
- eISBN:
- 9781800342446
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781911325826.003.0003
- Subject:
- Film, Television and Radio, Film
This chapter talks about the production of David Lynch's Dune through the lens of the film's reputation, histories, and key players. It discusses the collaboration with El Topo director Alejandro ...
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This chapter talks about the production of David Lynch's Dune through the lens of the film's reputation, histories, and key players. It discusses the collaboration with El Topo director Alejandro Jodorowsky and famed French comic artist Jean 'Moebius' Giraud for the filming of Dune. It also recounts how the project for Dune sparked to life with the arrival of Lynch, who was fresh off the success of the Academy Award-nominated film The Elephant Man. The chapter mentions Lynch's reputation before and since Dune, which became part of its story, especially how the film sits both inside and outside a canonical view of his work. It outlines the events of the energetic phase that brought the Dune project to fruition.Less
This chapter talks about the production of David Lynch's Dune through the lens of the film's reputation, histories, and key players. It discusses the collaboration with El Topo director Alejandro Jodorowsky and famed French comic artist Jean 'Moebius' Giraud for the filming of Dune. It also recounts how the project for Dune sparked to life with the arrival of Lynch, who was fresh off the success of the Academy Award-nominated film The Elephant Man. The chapter mentions Lynch's reputation before and since Dune, which became part of its story, especially how the film sits both inside and outside a canonical view of his work. It outlines the events of the energetic phase that brought the Dune project to fruition.
Nadja Durbach
- Published in print:
- 2009
- Published Online:
- March 2012
- ISBN:
- 9780520257689
- eISBN:
- 9780520944893
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520257689.001.0001
- Subject:
- History, European Modern History
In 1847, during the great age of the freak show, the British periodical Punch bemoaned the public's “prevailing taste for deformity.” This detailed work argues that far from being purely ...
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In 1847, during the great age of the freak show, the British periodical Punch bemoaned the public's “prevailing taste for deformity.” This detailed work argues that far from being purely exploitative, displays of anomalous bodies served a deeper social purpose as they generated popular and scientific debates over the meanings attached to bodily difference. The book examines freaks both well-known and obscure including the Elephant Man; “Lalloo, the Double-Bodied Hindoo Boy,” a set of conjoined twins advertised as half male, half female; Krao, a seven-year-old hairy Laotian girl who was marketed as Darwin's “missing link”; the “Last of the Mysterious Aztecs” and African “Cannibal Kings,” who were often merely Irishmen in blackface. Upending our tendency to read late twentieth-century conceptions of disability onto the bodies of freak show performers, the book shows that these spectacles helped to articulate the cultural meanings invested in otherness—and thus clarified what it meant to be British—at a key moment in the making of modern and imperial ideologies and identities.Less
In 1847, during the great age of the freak show, the British periodical Punch bemoaned the public's “prevailing taste for deformity.” This detailed work argues that far from being purely exploitative, displays of anomalous bodies served a deeper social purpose as they generated popular and scientific debates over the meanings attached to bodily difference. The book examines freaks both well-known and obscure including the Elephant Man; “Lalloo, the Double-Bodied Hindoo Boy,” a set of conjoined twins advertised as half male, half female; Krao, a seven-year-old hairy Laotian girl who was marketed as Darwin's “missing link”; the “Last of the Mysterious Aztecs” and African “Cannibal Kings,” who were often merely Irishmen in blackface. Upending our tendency to read late twentieth-century conceptions of disability onto the bodies of freak show performers, the book shows that these spectacles helped to articulate the cultural meanings invested in otherness—and thus clarified what it meant to be British—at a key moment in the making of modern and imperial ideologies and identities.
Dave Rolinson
- Published in print:
- 2011
- Published Online:
- July 2012
- ISBN:
- 9780719068300
- eISBN:
- 9781781702987
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719068300.001.0001
- Subject:
- Film, Television and Radio, Television
The British television director Alan Clarke is primarily associated with the visceral social realism of such works as his banned borstal play, Scum, and his study of football hooliganism, The Firm. ...
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The British television director Alan Clarke is primarily associated with the visceral social realism of such works as his banned borstal play, Scum, and his study of football hooliganism, The Firm. This book uncovers the full range of his work from the mythic fantasy of Penda's Fen, to the radical short film on terrorism, Elephant. The author uses original research to examine the development of Clarke's career from the theatre and the ‘studio system’ of provocative television play strands of the 1960s and 1970s, to the increasingly personal work of the 1980s, which established him as one of Britain's greatest auteur directors. The book examines techniques of television direction and proposes new methodologies as it questions the critical neglect of directors in what is traditionally seen as a writer's medium. It raises issues in television studies, including aesthetics, authorship, censorship, the convergence of film and television, drama-documentary form, narrative and realism.Less
The British television director Alan Clarke is primarily associated with the visceral social realism of such works as his banned borstal play, Scum, and his study of football hooliganism, The Firm. This book uncovers the full range of his work from the mythic fantasy of Penda's Fen, to the radical short film on terrorism, Elephant. The author uses original research to examine the development of Clarke's career from the theatre and the ‘studio system’ of provocative television play strands of the 1960s and 1970s, to the increasingly personal work of the 1980s, which established him as one of Britain's greatest auteur directors. The book examines techniques of television direction and proposes new methodologies as it questions the critical neglect of directors in what is traditionally seen as a writer's medium. It raises issues in television studies, including aesthetics, authorship, censorship, the convergence of film and television, drama-documentary form, narrative and realism.
Caroline Bassett
- Published in print:
- 2007
- Published Online:
- July 2012
- ISBN:
- 9780719073427
- eISBN:
- 9781781700907
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719073427.003.0006
- Subject:
- Society and Culture, Media Studies
This chapter turns to Elephant, Gus Van Sant's film about the Columbine killings, which may be regarded as interactive and which provokes consideration of non-linearity as a new form of composition, ...
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This chapter turns to Elephant, Gus Van Sant's film about the Columbine killings, which may be regarded as interactive and which provokes consideration of non-linearity as a new form of composition, rather than as a form of decomposition or simple disruption. This opens the way to a broader consideration of the cultural forms and practices of everyday life within informational culture. The logic of narrative as an ongoing response to information may be generalized: there is an elephant called narrative in the room.Less
This chapter turns to Elephant, Gus Van Sant's film about the Columbine killings, which may be regarded as interactive and which provokes consideration of non-linearity as a new form of composition, rather than as a form of decomposition or simple disruption. This opens the way to a broader consideration of the cultural forms and practices of everyday life within informational culture. The logic of narrative as an ongoing response to information may be generalized: there is an elephant called narrative in the room.
Peter North
- Published in print:
- 2003
- Published Online:
- March 2012
- ISBN:
- 9781861343802
- eISBN:
- 9781447304159
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781861343802.003.0006
- Subject:
- Sociology, Urban and Rural Studies
This chapter focuses on the reality of rhetoric of community involvement in urban-regeneration partnership in Great Britain. It evaluates the effectiveness of Elephant Links Single Regeneration ...
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This chapter focuses on the reality of rhetoric of community involvement in urban-regeneration partnership in Great Britain. It evaluates the effectiveness of Elephant Links Single Regeneration Budget (SRB) and Project Vauxhall, two resident-based organisations that claimed to represent local people and use confrontational tactics. The chapter investigates whether these organisations were able to advance the arguments they made using these tactics, and whether they could have advanced them more effectively within or outside the partnership. It argues that early regeneration policy under Tony Blair's first term as Prime Minister was characterised as an uncritical and poorly conceptualised idea of community.Less
This chapter focuses on the reality of rhetoric of community involvement in urban-regeneration partnership in Great Britain. It evaluates the effectiveness of Elephant Links Single Regeneration Budget (SRB) and Project Vauxhall, two resident-based organisations that claimed to represent local people and use confrontational tactics. The chapter investigates whether these organisations were able to advance the arguments they made using these tactics, and whether they could have advanced them more effectively within or outside the partnership. It argues that early regeneration policy under Tony Blair's first term as Prime Minister was characterised as an uncritical and poorly conceptualised idea of community.
Timothy S. Miller and John W. Nesbitt
- Published in print:
- 2014
- Published Online:
- August 2016
- ISBN:
- 9780801451355
- eISBN:
- 9780801470776
- Item type:
- chapter
- Publisher:
- Cornell University Press
- DOI:
- 10.7591/cornell/9780801451355.003.0002
- Subject:
- History, European Medieval History
This chapter traces the chronology of leprosy in the ancient world, as well as the attempts of the physicians of the time to identify and treat the disease. From the time of Rufus of Ephesus to the ...
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This chapter traces the chronology of leprosy in the ancient world, as well as the attempts of the physicians of the time to identify and treat the disease. From the time of Rufus of Ephesus to the writing of Aretaios's On Acute and Chronic Diseases, professional physicians came to agree on “elephantiasis” and “Elephant Disease” as the scientific terms for leprosy. And from the works of Galen and Aretaios, Elephant Disease remained the standard scientific name for this disfiguring illness until the end of the Eastern Roman Empire in 1453. The term “leprosy” however finds its true etymological origins in the Greek word lepra, which referred to more benign skin diseases but were, nevertheless, used to identify a contagious skin disease known in Hebrew as “tsa'arath” by translators of the Bible. From there the chapter traces further references and attitudes to the disease by the early Christian writers.Less
This chapter traces the chronology of leprosy in the ancient world, as well as the attempts of the physicians of the time to identify and treat the disease. From the time of Rufus of Ephesus to the writing of Aretaios's On Acute and Chronic Diseases, professional physicians came to agree on “elephantiasis” and “Elephant Disease” as the scientific terms for leprosy. And from the works of Galen and Aretaios, Elephant Disease remained the standard scientific name for this disfiguring illness until the end of the Eastern Roman Empire in 1453. The term “leprosy” however finds its true etymological origins in the Greek word lepra, which referred to more benign skin diseases but were, nevertheless, used to identify a contagious skin disease known in Hebrew as “tsa'arath” by translators of the Bible. From there the chapter traces further references and attitudes to the disease by the early Christian writers.
Suzana Herculano-Houzel
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780262034258
- eISBN:
- 9780262333214
- Item type:
- chapter
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262034258.003.0006
- Subject:
- Neuroscience, Behavioral Neuroscience
Difficulties of measuring cognitive capabilities; comparison between elephant and human brain; turning an elephant brain into soup; more neurons in the elephant brain, but fewer in the elephant ...
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Difficulties of measuring cognitive capabilities; comparison between elephant and human brain; turning an elephant brain into soup; more neurons in the elephant brain, but fewer in the elephant cerebral cortex than in the human cerebral cortex; ranking species by numbers of cortical neurons; cetaceans also have fewer cortical neurons than humansLess
Difficulties of measuring cognitive capabilities; comparison between elephant and human brain; turning an elephant brain into soup; more neurons in the elephant brain, but fewer in the elephant cerebral cortex than in the human cerebral cortex; ranking species by numbers of cortical neurons; cetaceans also have fewer cortical neurons than humans
Andrew E. Stoner
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9780252042485
- eISBN:
- 9780252051326
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042485.003.0006
- Subject:
- Society and Culture, Gay and Lesbian Studies
Shilts struggles to overcome obstacles from being an openly gay reporter as his job at KQED officially comes to an end. Jobless again with no prospects in view, Shilts falls into a hole of drinking ...
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Shilts struggles to overcome obstacles from being an openly gay reporter as his job at KQED officially comes to an end. Jobless again with no prospects in view, Shilts falls into a hole of drinking and marijuana use. Going back to freelance writing jobs to survive, Shilts’s coverage of the assassination of Milk and Moscone draws the attention of New York City editors who ask him to write up a proposal for a biography of Milk. Shilts undertakes well-researched and positively reviewed book on Milk’s life. Shilts’s work on the Milk bio also takes in important aspects of the growing gay community in San Francisco. Shilts embraces a “new journalism” writing style he admires from novelist James Michener.Less
Shilts struggles to overcome obstacles from being an openly gay reporter as his job at KQED officially comes to an end. Jobless again with no prospects in view, Shilts falls into a hole of drinking and marijuana use. Going back to freelance writing jobs to survive, Shilts’s coverage of the assassination of Milk and Moscone draws the attention of New York City editors who ask him to write up a proposal for a biography of Milk. Shilts undertakes well-researched and positively reviewed book on Milk’s life. Shilts’s work on the Milk bio also takes in important aspects of the growing gay community in San Francisco. Shilts embraces a “new journalism” writing style he admires from novelist James Michener.
C. Scott Combs
- Published in print:
- 2014
- Published Online:
- November 2015
- ISBN:
- 9780231163477
- eISBN:
- 9780231538039
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231163477.001.0001
- Subject:
- Film, Television and Radio, Film
This book unpacks American cinema's long history of representing death and considers movie sequences in which the process of dying becomes an exercise in legibility and exploration for the camera. It ...
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This book unpacks American cinema's long history of representing death and considers movie sequences in which the process of dying becomes an exercise in legibility and exploration for the camera. It reviews attractions-based cinema, narrative films, early sound cinema and films using voiceover or images of medical technology. In this way it connects the slow or static process of dying to formal film innovation throughout the twentieth century. It looks at Thomas Edison's Electrocuting an Elephant (1903), D. W. Griffith's The Country Doctor (1909), John Ford's How Green Was My Valley (1941), Billy Wilder's Sunset Boulevard (1950), Stanley Kubrick's 2001: A Space Odyssey (1968), and Clint Eastwood's Million Dollar Baby (2004), among other films. It argues against the notion that film cannot capture the end of life because it cannot stop moving forward. Instead, it shows how the end of dying occurs more than once and in more than one place, and argues that the understanding of death in cinema is constantly in flux, wedged between technological precision and embodied perception.Less
This book unpacks American cinema's long history of representing death and considers movie sequences in which the process of dying becomes an exercise in legibility and exploration for the camera. It reviews attractions-based cinema, narrative films, early sound cinema and films using voiceover or images of medical technology. In this way it connects the slow or static process of dying to formal film innovation throughout the twentieth century. It looks at Thomas Edison's Electrocuting an Elephant (1903), D. W. Griffith's The Country Doctor (1909), John Ford's How Green Was My Valley (1941), Billy Wilder's Sunset Boulevard (1950), Stanley Kubrick's 2001: A Space Odyssey (1968), and Clint Eastwood's Million Dollar Baby (2004), among other films. It argues against the notion that film cannot capture the end of life because it cannot stop moving forward. Instead, it shows how the end of dying occurs more than once and in more than one place, and argues that the understanding of death in cinema is constantly in flux, wedged between technological precision and embodied perception.
Thomas R. Trautmann
- Published in print:
- 2015
- Published Online:
- January 2016
- ISBN:
- 9780226264226
- eISBN:
- 9780226264530
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226264530.003.0008
- Subject:
- History, Asian History
Ming period records show the Chinese confronting “bandit” armies in Yunnan using war elephants in the Indian manner, but the Chinese themselves refused to do so. The “land ethic” of India allows for ...
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Ming period records show the Chinese confronting “bandit” armies in Yunnan using war elephants in the Indian manner, but the Chinese themselves refused to do so. The “land ethic” of India allows for the juxtaposition of cropland, pasture and forest; that of China proper maximizes cropland at the expense of pasture, forest and wild animals including elephants. After the demise of the war elephant there was a two-century reign of the timber elephant, now coming to an end except in Myanmar. Prospects for the persistence of Asian elephants, now protected in the wild, are reasonably good, though elephant-human conflict will be a continuing problem, while African elephants are rapidly being killed off for the ivory trade.Less
Ming period records show the Chinese confronting “bandit” armies in Yunnan using war elephants in the Indian manner, but the Chinese themselves refused to do so. The “land ethic” of India allows for the juxtaposition of cropland, pasture and forest; that of China proper maximizes cropland at the expense of pasture, forest and wild animals including elephants. After the demise of the war elephant there was a two-century reign of the timber elephant, now coming to an end except in Myanmar. Prospects for the persistence of Asian elephants, now protected in the wild, are reasonably good, though elephant-human conflict will be a continuing problem, while African elephants are rapidly being killed off for the ivory trade.
Sebastian D.G. Knowles
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780813056920
- eISBN:
- 9780813053691
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813056920.003.0005
- Subject:
- Literature, 20th-century Literature and Modernism
Chapter 4 takes as its point of departure one single line from the “Cyclops” section of Ulysses about an elephant called Jumbo. It follows Jumbo the elephant through a thicket of cultural history in ...
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Chapter 4 takes as its point of departure one single line from the “Cyclops” section of Ulysses about an elephant called Jumbo. It follows Jumbo the elephant through a thicket of cultural history in the 1880s to discover the elephant as a symbol of imperial ambition, of the carnivalesque and the tragic, of a Victorian age. The approach to Jumbo the Elephant reveals a way in to Joyce through exhumation, through the recovery of a world that has been lost, just as Ulysses is a recovery of a pre-war world.Less
Chapter 4 takes as its point of departure one single line from the “Cyclops” section of Ulysses about an elephant called Jumbo. It follows Jumbo the elephant through a thicket of cultural history in the 1880s to discover the elephant as a symbol of imperial ambition, of the carnivalesque and the tragic, of a Victorian age. The approach to Jumbo the Elephant reveals a way in to Joyce through exhumation, through the recovery of a world that has been lost, just as Ulysses is a recovery of a pre-war world.
Roei Amit
- Published in print:
- 2008
- Published Online:
- June 2013
- ISBN:
- 9780804754057
- eISBN:
- 9780804768122
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804754057.003.0005
- Subject:
- Political Science, International Relations and Politics
This chapter offers a reading of the film Elephant, questioning the nature of the trauma-image. It argues that Elephant is among the first type of films, those that do not ignore the mental component ...
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This chapter offers a reading of the film Elephant, questioning the nature of the trauma-image. It argues that Elephant is among the first type of films, those that do not ignore the mental component of the image but take it seriously into consideration. The reality and images in the Columbine High School shootings are discussed. Eric Harris and Dylan Klebold, Columbine High School students, shot and killed 13 of their classmates and teachers, leaving another 23 wounded before killing themselves at the scene. When Eric is found being mocked at school, a classmate throwing cream on him, an explanation of social rejection might be suggested. Eric and Alex purchased rifles on the Internet, received within 24 hours, with no questions asked. The film Elephant reported the opportunity of reflecting on a tragic occurrence. It proposed a new kind of image, one that improves the concepts of the mental-image and time-image.Less
This chapter offers a reading of the film Elephant, questioning the nature of the trauma-image. It argues that Elephant is among the first type of films, those that do not ignore the mental component of the image but take it seriously into consideration. The reality and images in the Columbine High School shootings are discussed. Eric Harris and Dylan Klebold, Columbine High School students, shot and killed 13 of their classmates and teachers, leaving another 23 wounded before killing themselves at the scene. When Eric is found being mocked at school, a classmate throwing cream on him, an explanation of social rejection might be suggested. Eric and Alex purchased rifles on the Internet, received within 24 hours, with no questions asked. The film Elephant reported the opportunity of reflecting on a tragic occurrence. It proposed a new kind of image, one that improves the concepts of the mental-image and time-image.
Jeffrey J. Williams
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780823263806
- eISBN:
- 9780823266432
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823263806.003.0028
- Subject:
- Literature, Criticism/Theory
This chapter recounts the author's experiences working in prison as a correction officer. It describes the day-to-day tasks of a guard and debunks many of the myths about prisons. Like George ...
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This chapter recounts the author's experiences working in prison as a correction officer. It describes the day-to-day tasks of a guard and debunks many of the myths about prisons. Like George Orwell's "Shooting an Elephant," it tells some of the lessons the author, subsequently an academic, learned about justice. It also compares the university system with the prison system, finding uncanny similarities.Less
This chapter recounts the author's experiences working in prison as a correction officer. It describes the day-to-day tasks of a guard and debunks many of the myths about prisons. Like George Orwell's "Shooting an Elephant," it tells some of the lessons the author, subsequently an academic, learned about justice. It also compares the university system with the prison system, finding uncanny similarities.
C. Scott Combs
- Published in print:
- 2014
- Published Online:
- November 2015
- ISBN:
- 9780231163477
- eISBN:
- 9780231538039
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231163477.003.0001
- Subject:
- Film, Television and Radio, Film
This chapter examines the transformation of bodies from “alive” to “dead” in early American films by focusing on the way they pictured execution and emulated the structure and logic of the electric ...
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This chapter examines the transformation of bodies from “alive” to “dead” in early American films by focusing on the way they pictured execution and emulated the structure and logic of the electric chair. Aspiring to shock and titillate with moving images, filmmakers resourced executions for a quick fix. Planned killing appealed as a chance to control time and inspired tricks of the cinematic frame. This chapter first considers the influence of execution on film editing and the importance of timing in editing screen events, as well as the way the electric chair hovers over the cinema of attractions. It then considers the change from “dying” to “dead” in films such as The Execution of Mary, Queen of Scots (1895), McKinley's Funeral Cortege at Washington, DC (1901), Execution of Czolgosz with Panorama of Auburn Prison (1901), and Electrocuting an Elephant (1903). It also discusses human executions in American cinema as an illustration of electricity's theoretical instantaneity.Less
This chapter examines the transformation of bodies from “alive” to “dead” in early American films by focusing on the way they pictured execution and emulated the structure and logic of the electric chair. Aspiring to shock and titillate with moving images, filmmakers resourced executions for a quick fix. Planned killing appealed as a chance to control time and inspired tricks of the cinematic frame. This chapter first considers the influence of execution on film editing and the importance of timing in editing screen events, as well as the way the electric chair hovers over the cinema of attractions. It then considers the change from “dying” to “dead” in films such as The Execution of Mary, Queen of Scots (1895), McKinley's Funeral Cortege at Washington, DC (1901), Execution of Czolgosz with Panorama of Auburn Prison (1901), and Electrocuting an Elephant (1903). It also discusses human executions in American cinema as an illustration of electricity's theoretical instantaneity.
Justus Nieland
- Published in print:
- 2012
- Published Online:
- April 2017
- ISBN:
- 9780252036934
- eISBN:
- 9780252094057
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252036934.003.0001
- Subject:
- Film, Television and Radio, Film
This chapter presents a commentary on David Lynch's film career. It focuses on how plastic is the prime matter of his filmmaking, essential to his understanding of cinema. It takes up plasticity's ...
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This chapter presents a commentary on David Lynch's film career. It focuses on how plastic is the prime matter of his filmmaking, essential to his understanding of cinema. It takes up plasticity's capacity for infinite transformation as an architectural and design dynamic, a feature of mise-enscène, and a mode of fashioning and psychologizing cinematic space. It then explores the emotional registers of plasticity, attempting to explain a key affective paradox in Lynch's work: the way it seems both so manifestly insincere and so emotionally powerful, so impersonal and so intense. Finally, it considers Lynch's persistent tendency to think of forms of media and forms of life as related species. Here, plastic is useful for conceptualizing his picture of the human organism as malleable and heterogeneous. The films examined in this chapter include Eraserhead (1977), The Elephant Man (1980), and Lost Highway (1997).Less
This chapter presents a commentary on David Lynch's film career. It focuses on how plastic is the prime matter of his filmmaking, essential to his understanding of cinema. It takes up plasticity's capacity for infinite transformation as an architectural and design dynamic, a feature of mise-enscène, and a mode of fashioning and psychologizing cinematic space. It then explores the emotional registers of plasticity, attempting to explain a key affective paradox in Lynch's work: the way it seems both so manifestly insincere and so emotionally powerful, so impersonal and so intense. Finally, it considers Lynch's persistent tendency to think of forms of media and forms of life as related species. Here, plastic is useful for conceptualizing his picture of the human organism as malleable and heterogeneous. The films examined in this chapter include Eraserhead (1977), The Elephant Man (1980), and Lost Highway (1997).
Guy Westwell
- Published in print:
- 2014
- Published Online:
- November 2015
- ISBN:
- 9780231172035
- eISBN:
- 9780231850728
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231172035.003.0004
- Subject:
- Film, Television and Radio, Film
This chapter explores a range of films that seek to reveal a more complex reality to be found by resisting, refusing, and digging through the officially endorsed accounts of 9/11. Michael Moore's ...
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This chapter explores a range of films that seek to reveal a more complex reality to be found by resisting, refusing, and digging through the officially endorsed accounts of 9/11. Michael Moore's polemic documentary Fahrenheit 9/11 is a reminder of the divided political climate that had developed in the three years after 9/11. The film suggests how the public sphere had been co-opted by a self-serving political elite, and how seductive media images and spin had been used to exploit the events of 9/11 in order to embark on an imperialist war in the Middle East. A number of web-based conspiracy films were also produced, including 9/11: In Plane Site, The Elephant in the Room, and the most widely viewed Loose Change, which claim that the official version of 9/11 was some kind of cover up.Less
This chapter explores a range of films that seek to reveal a more complex reality to be found by resisting, refusing, and digging through the officially endorsed accounts of 9/11. Michael Moore's polemic documentary Fahrenheit 9/11 is a reminder of the divided political climate that had developed in the three years after 9/11. The film suggests how the public sphere had been co-opted by a self-serving political elite, and how seductive media images and spin had been used to exploit the events of 9/11 in order to embark on an imperialist war in the Middle East. A number of web-based conspiracy films were also produced, including 9/11: In Plane Site, The Elephant in the Room, and the most widely viewed Loose Change, which claim that the official version of 9/11 was some kind of cover up.
Christine L. Marran
- Published in print:
- 2013
- Published Online:
- November 2016
- ISBN:
- 9780824836924
- eISBN:
- 9780824871109
- Item type:
- chapter
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824836924.003.0009
- Subject:
- History, Asian History
This chapter examines the role of humans in the biological dispersal of nonhuman animals such as seals and elephants. It begins with the story of “Tamachan,” a bearded seal that navigated his way ...
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This chapter examines the role of humans in the biological dispersal of nonhuman animals such as seals and elephants. It begins with the story of “Tamachan,” a bearded seal that navigated his way through the complex engineered water systems of the global commercial hubs of Tokyo and Yokohama for almost two years. The appearance of Tamachan in Tokyo Bay, far beyond its normal habitat, invites reflection on how it managed to swim such a distance in the first place. For animals, the impetus to migrate or move can be a genetic or active adaptation to changes in the environment. One of the popular discussions around Tamachan involved global warming and pollution. This chapter considers how Tamachan, following his unusual appearance in Tokyo's urban rivers, emerged as a figurative symbol for how radically humans have become distant from the natural world. It also discusses Tamachan's disappearance as suddenly as his appearance and concludes with a story of another disappearing animal, but one in literature: “The Elephant Vanishes” by Murakami Haruki.Less
This chapter examines the role of humans in the biological dispersal of nonhuman animals such as seals and elephants. It begins with the story of “Tamachan,” a bearded seal that navigated his way through the complex engineered water systems of the global commercial hubs of Tokyo and Yokohama for almost two years. The appearance of Tamachan in Tokyo Bay, far beyond its normal habitat, invites reflection on how it managed to swim such a distance in the first place. For animals, the impetus to migrate or move can be a genetic or active adaptation to changes in the environment. One of the popular discussions around Tamachan involved global warming and pollution. This chapter considers how Tamachan, following his unusual appearance in Tokyo's urban rivers, emerged as a figurative symbol for how radically humans have become distant from the natural world. It also discusses Tamachan's disappearance as suddenly as his appearance and concludes with a story of another disappearing animal, but one in literature: “The Elephant Vanishes” by Murakami Haruki.
A.B. Dickinson
- Published in print:
- 2007
- Published Online:
- January 2019
- ISBN:
- 9780973893441
- eISBN:
- 9781786944603
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780973893441.003.0007
- Subject:
- History, Maritime History
This chapter discusses the twentieth century sealing industry in the Falklands, paying particular attention to the Falklands Islands and Dependencies Sealing Company - established in 1928 - and their ...
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This chapter discusses the twentieth century sealing industry in the Falklands, paying particular attention to the Falklands Islands and Dependencies Sealing Company - established in 1928 - and their subsequent operation in the Falklands. It examines the company’s catch distribution; catch and production rates; and assets and liabilities in the 1920s and 1930s. It also explores the government’s role in twentieth-century sealing, noting the laudable attempts at re-establishing a stable industry, but that ultimately they made several major errors of judgement, such as basing quotas on outdated statistics. The conclusion identifies declining stock, poor demand, and high operating costs as key reasons for the failure of the Falkland Islands to establish a successful sealing industry in the twentieth century.Less
This chapter discusses the twentieth century sealing industry in the Falklands, paying particular attention to the Falklands Islands and Dependencies Sealing Company - established in 1928 - and their subsequent operation in the Falklands. It examines the company’s catch distribution; catch and production rates; and assets and liabilities in the 1920s and 1930s. It also explores the government’s role in twentieth-century sealing, noting the laudable attempts at re-establishing a stable industry, but that ultimately they made several major errors of judgement, such as basing quotas on outdated statistics. The conclusion identifies declining stock, poor demand, and high operating costs as key reasons for the failure of the Falkland Islands to establish a successful sealing industry in the twentieth century.
