DEBORAH HOWARD
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780197265055
- eISBN:
- 9780191754166
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265055.003.0001
- Subject:
- Music, History, Western
The introduction sets the forthcoming chapters in the broader context of musical life in Early Modern France and Italy, with reference to existing scholarship on the subject. The occasions and ...
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The introduction sets the forthcoming chapters in the broader context of musical life in Early Modern France and Italy, with reference to existing scholarship on the subject. The occasions and locations in which musical performance took place are outlined, and the scope of the book is defined, stressing the close connections between France and Italy. A growing number of studies of secular music-making consider the social and ideological framework for performance, but usually without serious consideration of architectural settings. Yet these were crucial to the acoustic quality of the performance, for both players and listeners. The chapter therefore underlines the need for an interdisciplinary approach, to establish the background for the study of the emergence of the permanent theatre.Less
The introduction sets the forthcoming chapters in the broader context of musical life in Early Modern France and Italy, with reference to existing scholarship on the subject. The occasions and locations in which musical performance took place are outlined, and the scope of the book is defined, stressing the close connections between France and Italy. A growing number of studies of secular music-making consider the social and ideological framework for performance, but usually without serious consideration of architectural settings. Yet these were crucial to the acoustic quality of the performance, for both players and listeners. The chapter therefore underlines the need for an interdisciplinary approach, to establish the background for the study of the emergence of the permanent theatre.
Deborah Howard and Laura Moretti (eds)
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780197265055
- eISBN:
- 9780191754166
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265055.001.0001
- Subject:
- Music, History, Western
This book investigates the use of secular space for music-making in Early Modern France and Italy. This era is remarkable for the growing importance of music in domestic life, ranging from elaborate ...
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This book investigates the use of secular space for music-making in Early Modern France and Italy. This era is remarkable for the growing importance of music in domestic life, ranging from elaborate court festivities to family recreation. In parallel with the emergence of the theatre as a separate building type, music-making in elite circles became more specialised through the employment of paid musicians, as opposed to amateur participation by the inhabitants and their guests. Meanwhile, however, music printing and the mass-production of instruments, especially lutes, allowed music-making to diffuse down the social scale. The book shows how spaces specifically designed for music began to appear in private dwellings, while existing rooms became adapted for the purpose. At first, the number of rooms specifically identifiable as ‘music rooms’ was very small, but gradually, over the following 150 years, specialised music rooms began to appear in larger residences in both France and Italy. A major theme of the book is the relationship between the size and purpose of the room and the kinds of music performed – depending on the size, portability and loudness of different instruments; the types of music suited to spaces of different dimensions; the role of music in dancing and banqueting; and the positions of players and listeners. Musical instruments were often elaborately decorated to become works of art in their own right.Less
This book investigates the use of secular space for music-making in Early Modern France and Italy. This era is remarkable for the growing importance of music in domestic life, ranging from elaborate court festivities to family recreation. In parallel with the emergence of the theatre as a separate building type, music-making in elite circles became more specialised through the employment of paid musicians, as opposed to amateur participation by the inhabitants and their guests. Meanwhile, however, music printing and the mass-production of instruments, especially lutes, allowed music-making to diffuse down the social scale. The book shows how spaces specifically designed for music began to appear in private dwellings, while existing rooms became adapted for the purpose. At first, the number of rooms specifically identifiable as ‘music rooms’ was very small, but gradually, over the following 150 years, specialised music rooms began to appear in larger residences in both France and Italy. A major theme of the book is the relationship between the size and purpose of the room and the kinds of music performed – depending on the size, portability and loudness of different instruments; the types of music suited to spaces of different dimensions; the role of music in dancing and banqueting; and the positions of players and listeners. Musical instruments were often elaborately decorated to become works of art in their own right.
Cynthia L. Allen
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780199216680
- eISBN:
- 9780191711893
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199216680.003.0006
- Subject:
- Linguistics, Historical Linguistics, English Language
This chapter looks at the ‘his genitive’ in earlier stages of English. It is concluded that except for a brief period in Early Modern English, there is no evidence for a possessor doubling ...
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This chapter looks at the ‘his genitive’ in earlier stages of English. It is concluded that except for a brief period in Early Modern English, there is no evidence for a possessor doubling construction parallel to those found in many Germanic languages. The possessor doubling construction found in Early Modern English appears to have arisen as a re-analysis of the phrase-final -s genitive.Less
This chapter looks at the ‘his genitive’ in earlier stages of English. It is concluded that except for a brief period in Early Modern English, there is no evidence for a possessor doubling construction parallel to those found in many Germanic languages. The possessor doubling construction found in Early Modern English appears to have arisen as a re-analysis of the phrase-final -s genitive.
Bart van Es
- Published in print:
- 2002
- Published Online:
- January 2010
- ISBN:
- 9780199249701
- eISBN:
- 9780191719332
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199249701.003.0008
- Subject:
- Literature, 16th-century and Renaissance Literature
This chapter discusses that the book tried to place Edmund Spenser in the context of different and coexisting conceptions of the past, particularly those influenced by religious, nationalistic, and ...
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This chapter discusses that the book tried to place Edmund Spenser in the context of different and coexisting conceptions of the past, particularly those influenced by religious, nationalistic, and scholarly perspectives on history. It investigates Early Modern England's absorption, use, and critical awareness of diverse modes of historical narrative, and argues for the significance of these modes in determining the writer's or reader's outlook on distant events. It illustrates the ways in which the poet engaged with the languages of history surrounding him. It concludes that the poet has a profound, playful, and above all, multiform sense of the past for he was deeply knowledgeable about the historical writing of his day—using it extensively across the full range of his literary production.Less
This chapter discusses that the book tried to place Edmund Spenser in the context of different and coexisting conceptions of the past, particularly those influenced by religious, nationalistic, and scholarly perspectives on history. It investigates Early Modern England's absorption, use, and critical awareness of diverse modes of historical narrative, and argues for the significance of these modes in determining the writer's or reader's outlook on distant events. It illustrates the ways in which the poet engaged with the languages of history surrounding him. It concludes that the poet has a profound, playful, and above all, multiform sense of the past for he was deeply knowledgeable about the historical writing of his day—using it extensively across the full range of his literary production.
Steven Matthews
- Published in print:
- 2013
- Published Online:
- May 2013
- ISBN:
- 9780199574773
- eISBN:
- 9780191760037
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199574773.003.0001
- Subject:
- Literature, 20th-century and Contemporary Literature, Poetry
The Introduction provides the literary and methodological context out of which T.S. Eliot's lifelong preoccupation with Early Modern literature arose. It presents the significance of Eliot's writings ...
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The Introduction provides the literary and methodological context out of which T.S. Eliot's lifelong preoccupation with Early Modern literature arose. It presents the significance of Eliot's writings on Early Modern drama (principally) and poetry for subsequent critics and writers, but takes into consideration his own contention that his views of the Early Modern canon were themselves derived from the critical context just prior to his own work. The importance of late nineteenth-century ideas about Early Modern writing upon him is described, mainly through consideration of a connection between the criticism and the novel Marius the Epicurean by Walter Pater. The later part of this opening discussion makes the case for the book's methodology, by arguing, contra various scholars, that Eliot's knowledge of the literary and critical resonances of the earlier literature impacted on his imagination and determined the development of his poetry and drama.Less
The Introduction provides the literary and methodological context out of which T.S. Eliot's lifelong preoccupation with Early Modern literature arose. It presents the significance of Eliot's writings on Early Modern drama (principally) and poetry for subsequent critics and writers, but takes into consideration his own contention that his views of the Early Modern canon were themselves derived from the critical context just prior to his own work. The importance of late nineteenth-century ideas about Early Modern writing upon him is described, mainly through consideration of a connection between the criticism and the novel Marius the Epicurean by Walter Pater. The later part of this opening discussion makes the case for the book's methodology, by arguing, contra various scholars, that Eliot's knowledge of the literary and critical resonances of the earlier literature impacted on his imagination and determined the development of his poetry and drama.
Ann Moss
- Published in print:
- 1996
- Published Online:
- October 2011
- ISBN:
- 9780198159087
- eISBN:
- 9780191673474
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198159087.001.0001
- Subject:
- Literature, 16th-century and Renaissance Literature
This is a study of the Renaissance commonplace-book. Commonplace-books were the information-organizers of Early Modern Europe, notebooks of quotations methodically arranged for easy retrieval. From ...
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This is a study of the Renaissance commonplace-book. Commonplace-books were the information-organizers of Early Modern Europe, notebooks of quotations methodically arranged for easy retrieval. From their first introduction to the rudiments of Latin to the specialized studies of leisure reading of their later years, the pupils of humanist schools were trained to use commonplace-books, which formed an immensely important element of Renaissance education. The common-place book mapped and resourced Renaissance culture's moral thinking, its accepted strategies of argumentation, its rhetoric, and its deployment of knowledge. This book investigates the commonplace-book's medieval antecedents, its methodology and use as promulgated by its humanist advocates, its varieties as exemplified in its printed manifestations, and the reasons for its gradual decline in the 17th century. The book covers the Latin culture of Early Modern Europe and its vernacular counterparts and continuations, particularly in France.Less
This is a study of the Renaissance commonplace-book. Commonplace-books were the information-organizers of Early Modern Europe, notebooks of quotations methodically arranged for easy retrieval. From their first introduction to the rudiments of Latin to the specialized studies of leisure reading of their later years, the pupils of humanist schools were trained to use commonplace-books, which formed an immensely important element of Renaissance education. The common-place book mapped and resourced Renaissance culture's moral thinking, its accepted strategies of argumentation, its rhetoric, and its deployment of knowledge. This book investigates the commonplace-book's medieval antecedents, its methodology and use as promulgated by its humanist advocates, its varieties as exemplified in its printed manifestations, and the reasons for its gradual decline in the 17th century. The book covers the Latin culture of Early Modern Europe and its vernacular counterparts and continuations, particularly in France.
Doyeeta Majumder
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781786941688
- eISBN:
- 9781789623260
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941688.001.0001
- Subject:
- Literature, 16th-century and Renaissance Literature
This book examines the fraught relationship between the sixteenth-century formulations of the theories of sovereign violence, tyranny and usurpation and the manifestations of these ideas on the ...
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This book examines the fraught relationship between the sixteenth-century formulations of the theories of sovereign violence, tyranny and usurpation and the manifestations of these ideas on the contemporary English stage. It will attempt to trace an evolution of the poetics of English and Scottish political drama through the early, middle, and late decades of the sixteenth-century in conjunction with developments in the political thought of the century, linking theatre and politics through the representations of the problematic figure of the usurper or, in Machiavellian terms, the ‘New Prince’. While the early Tudor morality plays are concerned with the legitimate monarch who becomes a tyrant, the later historical and tragic drama of the century foregrounds the figure of the illegitimate monarch who is a tyrant by default. On the one hand the sudden proliferation of usurpation plots in Elizabethan drama and the transition from the legitimate tyrant to the usurper tyrant is linked to the dramaturgical shift from the allegorical morality play tradition to later history plays and tragedies, and on the other it is reflective of a poetic turn in political thought which impelled political writers to conceive of the state and sovereignty as a product of human ‘poiesis’, independent of transcendental legitimization. The poetics of political drama and the emergence of the idea of ‘poiesis’ in the political context merge in the figure of the nuove principe: the prince without dynastic claims who creates his sovereignty by dint of his own ‘virtu’ and through an act of law-making violence.Less
This book examines the fraught relationship between the sixteenth-century formulations of the theories of sovereign violence, tyranny and usurpation and the manifestations of these ideas on the contemporary English stage. It will attempt to trace an evolution of the poetics of English and Scottish political drama through the early, middle, and late decades of the sixteenth-century in conjunction with developments in the political thought of the century, linking theatre and politics through the representations of the problematic figure of the usurper or, in Machiavellian terms, the ‘New Prince’. While the early Tudor morality plays are concerned with the legitimate monarch who becomes a tyrant, the later historical and tragic drama of the century foregrounds the figure of the illegitimate monarch who is a tyrant by default. On the one hand the sudden proliferation of usurpation plots in Elizabethan drama and the transition from the legitimate tyrant to the usurper tyrant is linked to the dramaturgical shift from the allegorical morality play tradition to later history plays and tragedies, and on the other it is reflective of a poetic turn in political thought which impelled political writers to conceive of the state and sovereignty as a product of human ‘poiesis’, independent of transcendental legitimization. The poetics of political drama and the emergence of the idea of ‘poiesis’ in the political context merge in the figure of the nuove principe: the prince without dynastic claims who creates his sovereignty by dint of his own ‘virtu’ and through an act of law-making violence.
Cynthia L. Allen
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780199216680
- eISBN:
- 9780191711893
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199216680.003.0007
- Subject:
- Linguistics, Historical Linguistics, English Language
This chapter examines combinations of determiners and possessives in earlier English. While the combination determiner + possessive is well attested in other Germanic languages, the combination ...
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This chapter examines combinations of determiners and possessives in earlier English. While the combination determiner + possessive is well attested in other Germanic languages, the combination possessor and determiner is rarer and has received scant attention. Arguments for the non-definiteness of possessives based on their co-occurrence with determiners are dismissed.Less
This chapter examines combinations of determiners and possessives in earlier English. While the combination determiner + possessive is well attested in other Germanic languages, the combination possessor and determiner is rarer and has received scant attention. Arguments for the non-definiteness of possessives based on their co-occurrence with determiners are dismissed.
Jan Luiten van Zanden
- Published in print:
- 2005
- Published Online:
- July 2005
- ISBN:
- 9780199280681
- eISBN:
- 9780191602467
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199280681.003.0008
- Subject:
- Economics and Finance, Economic History
Presents improved estimates of the cost of living and the real wages of labourers in the western part of the Netherlands. The results show that even in this relatively dynamic economy there was a ...
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Presents improved estimates of the cost of living and the real wages of labourers in the western part of the Netherlands. The results show that even in this relatively dynamic economy there was a decline in real wages during the Early Modern Period.Less
Presents improved estimates of the cost of living and the real wages of labourers in the western part of the Netherlands. The results show that even in this relatively dynamic economy there was a decline in real wages during the Early Modern Period.
Javier Pérez-Guerra
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199860210
- eISBN:
- 9780199949601
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199860210.003.0006
- Subject:
- Linguistics, English Language
This chapter deals with the study of the discourse status of noun phrases occupying a topicalized, left-dislocated, or (in there-sentences) postverbal position, and discusses the connection between ...
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This chapter deals with the study of the discourse status of noun phrases occupying a topicalized, left-dislocated, or (in there-sentences) postverbal position, and discusses the connection between the quantitative spread of these patterns and the increase in the range of the discourse functions fulfilled by such noun phrases. Using a corpus of Early Modern and Late Modern English, the variables taken into account are: overall frequencies for topicalization, left-dislocation, and there-sentences; the type of information conveyed by the noun phrases in question; and the anaphoric distance between the noun phrases and their antecedents. The connection between the informative characterization and propagation of the three constructions and the genre(s) in which they are attested are also discussed. In light of the corpus data, which contains samples of both formal writing and speech-based discourse, the chapter assesses whether the unmarked informative functions of the noun phrases occurring in the database examples of topicalization, left-dislocation, and there-sentences are fulfilled more naturally in formal or informal language.Less
This chapter deals with the study of the discourse status of noun phrases occupying a topicalized, left-dislocated, or (in there-sentences) postverbal position, and discusses the connection between the quantitative spread of these patterns and the increase in the range of the discourse functions fulfilled by such noun phrases. Using a corpus of Early Modern and Late Modern English, the variables taken into account are: overall frequencies for topicalization, left-dislocation, and there-sentences; the type of information conveyed by the noun phrases in question; and the anaphoric distance between the noun phrases and their antecedents. The connection between the informative characterization and propagation of the three constructions and the genre(s) in which they are attested are also discussed. In light of the corpus data, which contains samples of both formal writing and speech-based discourse, the chapter assesses whether the unmarked informative functions of the noun phrases occurring in the database examples of topicalization, left-dislocation, and there-sentences are fulfilled more naturally in formal or informal language.
Edith Hall
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780199232536
- eISBN:
- 9780191716003
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199232536.003.0017
- Subject:
- Classical Studies, Plays and Playwrights: Classical, Early, and Medieval
It was ancient pantomime's destiny to play a seminal role in the emergence of classical ballet, and subsequently, in the twentieth century, of avant‐garde Tanztheater. It is well known that the ...
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It was ancient pantomime's destiny to play a seminal role in the emergence of classical ballet, and subsequently, in the twentieth century, of avant‐garde Tanztheater. It is well known that the founding fathers of opera in the Florentine Camerata looked to ancient myth, and above all what they believed to have been the all‐sung form taken by ancient theatrical tragic performances, as the model for their new medium. But considerably less exposure has been given to the genealogy traced by the inventors of ballet in Enlightenment Italy, Spain, France and England, to the dancers described in the ancient texts on pantomime. The ancient dances, brought to such a high level of artistry and skill by the ancient star performers named Pylades or Bathyllus, Hylas, or Paris, fundamentally informed, many centuries later, the nature of modern dance theatre in Early Modern culture. The final chapter in this volume therefore briefly outlines some of the uses to which some late seventeenth‐ and eighteenth‐century dance theorists, such as Weaver and Noverre, put their knowledge of ancient pantomime in their treatises on dance.Less
It was ancient pantomime's destiny to play a seminal role in the emergence of classical ballet, and subsequently, in the twentieth century, of avant‐garde Tanztheater. It is well known that the founding fathers of opera in the Florentine Camerata looked to ancient myth, and above all what they believed to have been the all‐sung form taken by ancient theatrical tragic performances, as the model for their new medium. But considerably less exposure has been given to the genealogy traced by the inventors of ballet in Enlightenment Italy, Spain, France and England, to the dancers described in the ancient texts on pantomime. The ancient dances, brought to such a high level of artistry and skill by the ancient star performers named Pylades or Bathyllus, Hylas, or Paris, fundamentally informed, many centuries later, the nature of modern dance theatre in Early Modern culture. The final chapter in this volume therefore briefly outlines some of the uses to which some late seventeenth‐ and eighteenth‐century dance theorists, such as Weaver and Noverre, put their knowledge of ancient pantomime in their treatises on dance.
David Edwards
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780719097218
- eISBN:
- 9781526104472
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719097218.003.0001
- Subject:
- History, British and Irish Modern History
Studies of the three kingdoms have focussed chiefly on how between 1603-49 the realms of Scotland and Ireland inter-related with the major realm, of England. Though such studies have enriched the ...
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Studies of the three kingdoms have focussed chiefly on how between 1603-49 the realms of Scotland and Ireland inter-related with the major realm, of England. Though such studies have enriched the histories of each kingdom, it might also be said that understanding developments across the ‘Three Kingdoms’ in the early seventeenth century has become unduly Anglo-centric because of the sheer coverage given to England. By concentrating on Irish-Scottish relations however, another world can be perceived, where the objectives of England were not as critical as is often supposed. Summarising the recent surge in Irish-Scottish studies Edwards observes how King James’s notion of using Ireland to forge a closer Anglo-Scottish/Protestant union foundered on the divergent aspirations of the thousands of Scottish planters who settled in Ireland and the relationships formed with the Irish and English. Instead of submitting to English power, the Scots advanced their own position in large parts of Ireland, especially in Ulster. Many Scots preferred co-existence and/or co-operation with the Irish, as tenants, business associates, even marriage partners rather than helping the English subjugate them. This exposed the limits of English power in Ireland just as the Anglo-Scottish union was coming asunder precipitating the wider British civil wars.Less
Studies of the three kingdoms have focussed chiefly on how between 1603-49 the realms of Scotland and Ireland inter-related with the major realm, of England. Though such studies have enriched the histories of each kingdom, it might also be said that understanding developments across the ‘Three Kingdoms’ in the early seventeenth century has become unduly Anglo-centric because of the sheer coverage given to England. By concentrating on Irish-Scottish relations however, another world can be perceived, where the objectives of England were not as critical as is often supposed. Summarising the recent surge in Irish-Scottish studies Edwards observes how King James’s notion of using Ireland to forge a closer Anglo-Scottish/Protestant union foundered on the divergent aspirations of the thousands of Scottish planters who settled in Ireland and the relationships formed with the Irish and English. Instead of submitting to English power, the Scots advanced their own position in large parts of Ireland, especially in Ulster. Many Scots preferred co-existence and/or co-operation with the Irish, as tenants, business associates, even marriage partners rather than helping the English subjugate them. This exposed the limits of English power in Ireland just as the Anglo-Scottish union was coming asunder precipitating the wider British civil wars.
Natasha F. H. O'Hear
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780199590100
- eISBN:
- 9780191725678
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199590100.001.0001
- Subject:
- Religion, Church History
This study is firstly, a contribution to the history of interpretation of the Book of Revelation in the Late Medieval and Early Modern period in the form of seven visual case studies ranging from ...
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This study is firstly, a contribution to the history of interpretation of the Book of Revelation in the Late Medieval and Early Modern period in the form of seven visual case studies ranging from 1250 to 1522. Secondly, it is an attempt to understand the different ways in which images exhibit hermeneutical strategies akin to what is found in textual exegesis, but with those peculiar properties of synchronicity of both subject‐matter and effect that separate them off from the experience of leading a text. Thirdly, therefore, it explores the multi faceted character of visual exegesis as a way of exploring both the content as well as the character of a biblical text such as The Book of Revelation. The study ends with a consideration of the potential for a complementery relationship between textual and visual exegesis, if visual exegesis were taken more seriously by the biblical academy.Less
This study is firstly, a contribution to the history of interpretation of the Book of Revelation in the Late Medieval and Early Modern period in the form of seven visual case studies ranging from 1250 to 1522. Secondly, it is an attempt to understand the different ways in which images exhibit hermeneutical strategies akin to what is found in textual exegesis, but with those peculiar properties of synchronicity of both subject‐matter and effect that separate them off from the experience of leading a text. Thirdly, therefore, it explores the multi faceted character of visual exegesis as a way of exploring both the content as well as the character of a biblical text such as The Book of Revelation. The study ends with a consideration of the potential for a complementery relationship between textual and visual exegesis, if visual exegesis were taken more seriously by the biblical academy.
Ann Moss
- Published in print:
- 1996
- Published Online:
- October 2011
- ISBN:
- 9780198159087
- eISBN:
- 9780191673474
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198159087.003.0001
- Subject:
- Literature, 16th-century and Renaissance Literature
This book is concerned with commonplace-books during the Renaissance in Early Modern Europe. While it is certainly be part of the book's brief to point to factors which explain the eventual disgrace ...
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This book is concerned with commonplace-books during the Renaissance in Early Modern Europe. While it is certainly be part of the book's brief to point to factors which explain the eventual disgrace of the commonplace, its understanding of the commonplace encompasses the understanding of those who compiled, promoted, and employed commonplace-books before the great change in ideas about knowledge and verbal expression took them off the cultural map. The use of the word will, therefore, be the ancient and the archaic use, and our sense of the commonplace anything but trivial. The rest of the book describes the wide variety of the senses of the word ‘commonplace’ (or simply ‘place’) which were already available at the beginning of the 16th century and the potential for future development which its already long history had built into it.Less
This book is concerned with commonplace-books during the Renaissance in Early Modern Europe. While it is certainly be part of the book's brief to point to factors which explain the eventual disgrace of the commonplace, its understanding of the commonplace encompasses the understanding of those who compiled, promoted, and employed commonplace-books before the great change in ideas about knowledge and verbal expression took them off the cultural map. The use of the word will, therefore, be the ancient and the archaic use, and our sense of the commonplace anything but trivial. The rest of the book describes the wide variety of the senses of the word ‘commonplace’ (or simply ‘place’) which were already available at the beginning of the 16th century and the potential for future development which its already long history had built into it.
Ruth Möhlig-Falke
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199777723
- eISBN:
- 9780199933310
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199777723.003.0007
- Subject:
- Linguistics, English Language
The morphosyntactic analysis of the verbs that were capable of impersonal use in Old English (OE) was undertaken with the aim of determining the role that the impersonal construction had in the OE ...
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The morphosyntactic analysis of the verbs that were capable of impersonal use in Old English (OE) was undertaken with the aim of determining the role that the impersonal construction had in the OE grammatical system, its function, and use. This chapter places the findings for OE into the context of the further diachronic development of impersonal verbs and the impersonal construction in Middle English (ME) and Early Modern English (EModE). Since a corpus study of ME and EModE is outside the scope of the present investigation, all statements made here either rely on the evidence provided by the Middle English Dictionary and Oxford English Dictionary online resources or on secondary literature. The material is preselected for the purpose of pointing out tendencies in the diachronic development of individual verbs and their range of syntactic uses, such as the loss of impersonal uses and the development of syntactic alternatives.Less
The morphosyntactic analysis of the verbs that were capable of impersonal use in Old English (OE) was undertaken with the aim of determining the role that the impersonal construction had in the OE grammatical system, its function, and use. This chapter places the findings for OE into the context of the further diachronic development of impersonal verbs and the impersonal construction in Middle English (ME) and Early Modern English (EModE). Since a corpus study of ME and EModE is outside the scope of the present investigation, all statements made here either rely on the evidence provided by the Middle English Dictionary and Oxford English Dictionary online resources or on secondary literature. The material is preselected for the purpose of pointing out tendencies in the diachronic development of individual verbs and their range of syntactic uses, such as the loss of impersonal uses and the development of syntactic alternatives.
Bart van Es
- Published in print:
- 2002
- Published Online:
- January 2010
- ISBN:
- 9780199249701
- eISBN:
- 9780191719332
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199249701.003.0001
- Subject:
- Literature, 16th-century and Renaissance Literature
This chapter discusses the conflict that arises from different readings of the past, with the historical visions in Poly-Olbion as an example. It explains that this conflict provides the snapshot of ...
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This chapter discusses the conflict that arises from different readings of the past, with the historical visions in Poly-Olbion as an example. It explains that this conflict provides the snapshot of a changing situation that is of vital importance for understanding Edmund Spenser. It examines Drayton's and Selden's position as a Spenserian, as well as how they view the Poly-Olbion. It adds that each age develops its own readings of the past. It discusses the main goal of this book, which is to build upon a very long tradition of ‘reading Spenser historically’. It highlights that above all, it is the choice of form that determines and expresses a writer's historiographic perspective. It explains that in Early Modern history, the method of history and substance depend greatly on one another. It investigates the different forms of history in the works of Spenser.Less
This chapter discusses the conflict that arises from different readings of the past, with the historical visions in Poly-Olbion as an example. It explains that this conflict provides the snapshot of a changing situation that is of vital importance for understanding Edmund Spenser. It examines Drayton's and Selden's position as a Spenserian, as well as how they view the Poly-Olbion. It adds that each age develops its own readings of the past. It discusses the main goal of this book, which is to build upon a very long tradition of ‘reading Spenser historically’. It highlights that above all, it is the choice of form that determines and expresses a writer's historiographic perspective. It explains that in Early Modern history, the method of history and substance depend greatly on one another. It investigates the different forms of history in the works of Spenser.
Bill Angus
- Published in print:
- 2019
- Published Online:
- September 2019
- ISBN:
- 9781474432917
- eISBN:
- 9781474459648
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474432917.001.0001
- Subject:
- Literature, Criticism/Theory
Intelligence and in the Early Modern Theatre explores intrinsic connections between early modern intelligencers and metadrama in the plays of Shakespeare’s contemporaries.
It offers insight into why ...
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Intelligence and in the Early Modern Theatre explores intrinsic connections between early modern intelligencers and metadrama in the plays of Shakespeare’s contemporaries.
It offers insight into why the early modern stage abounds with informer and intelligencer figures. Analysing both the nature of intelligence at the time and the metadrama that such characters generate, the book highlights the significance of intrigue and corruption to dramatic narrative and structure. This study of metadrama reveals some of the most fundamental questions being posed about the legitimacy of authority, authorship, and audience interpretation in this seminal era of English drama.Less
Intelligence and in the Early Modern Theatre explores intrinsic connections between early modern intelligencers and metadrama in the plays of Shakespeare’s contemporaries.
It offers insight into why the early modern stage abounds with informer and intelligencer figures. Analysing both the nature of intelligence at the time and the metadrama that such characters generate, the book highlights the significance of intrigue and corruption to dramatic narrative and structure. This study of metadrama reveals some of the most fundamental questions being posed about the legitimacy of authority, authorship, and audience interpretation in this seminal era of English drama.
Andrew Garrett
- Published in print:
- 2011
- Published Online:
- January 2012
- ISBN:
- 9780199582624
- eISBN:
- 9780191731068
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199582624.003.0003
- Subject:
- Linguistics, Historical Linguistics, Syntax and Morphology
This chapter suggests that the interest in reanalysis as a mechanism of change, while rightly focusing attention on syntactic structure, also contributes to a blinkered view of diachrony. It ...
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This chapter suggests that the interest in reanalysis as a mechanism of change, while rightly focusing attention on syntactic structure, also contributes to a blinkered view of diachrony. It exemplifies this view with accounts of two widely discussed changes: the Middle English emergence of for noun phrase (NP) to verb phrase (VP) infinitivals, and the Early Modern English emergence of the be going to future. These accounts illustrate an approach whose goal is not just to characterize reanalyses but to understand what lies behind them. The chapter is organized as follows. Section 3.2 comments on the modern interest in reanalysis and then treats alleged reanalysis changes as cases of analogy or grammaticalization. Section 3.3 shows that radical reanalysis in syntactic change has been overemphasized, and that most of the changes involved in one well-known alleged case (the English for NP to VP pattern) are broadly analogical. Section 3.4 proposes a new account of the emergence of the English be going to future. This case shows how the combinatorial properties of a source pattern give rise to the properties of an emergent one in grammaticalization. Section 3.5 concludes.Less
This chapter suggests that the interest in reanalysis as a mechanism of change, while rightly focusing attention on syntactic structure, also contributes to a blinkered view of diachrony. It exemplifies this view with accounts of two widely discussed changes: the Middle English emergence of for noun phrase (NP) to verb phrase (VP) infinitivals, and the Early Modern English emergence of the be going to future. These accounts illustrate an approach whose goal is not just to characterize reanalyses but to understand what lies behind them. The chapter is organized as follows. Section 3.2 comments on the modern interest in reanalysis and then treats alleged reanalysis changes as cases of analogy or grammaticalization. Section 3.3 shows that radical reanalysis in syntactic change has been overemphasized, and that most of the changes involved in one well-known alleged case (the English for NP to VP pattern) are broadly analogical. Section 3.4 proposes a new account of the emergence of the English be going to future. This case shows how the combinatorial properties of a source pattern give rise to the properties of an emergent one in grammaticalization. Section 3.5 concludes.
Aoife Duignan
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780719097218
- eISBN:
- 9781526104472
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719097218.003.0009
- Subject:
- History, British and Irish Modern History
This essay examines the evidence behind the brutal reputation of Sir Frederick Hamilton. Drawing upon contemporary pamphlet literature, state papers and private correspondence, it suggests his ...
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This essay examines the evidence behind the brutal reputation of Sir Frederick Hamilton. Drawing upon contemporary pamphlet literature, state papers and private correspondence, it suggests his methods owed as much to prevailing Irish and Scottish military practice as to continental influences. By investigating Hamilton’s pre-1641 Irish career it determines the circumstances that may have moved him to adopt a hard line with the Irish rebels. A scion of a leading Scottish Catholic family in Ireland, Hamilton embraced Protestantism, yet struggled to develop a career of his own under successive English Protestant administrations in Dublin. Awarded a sizeable plantation estate in Leitrim he experienced financial difficulties before departing on military service to Swedish in 1631. Upon returning, he fell out with government officers, but the slow response of servitors to the rebellion in autumn 1641 enabled him to assume the leading role in counter-insurgency measures in northern Connacht and west Ulster. His brutal methods provoked a major rebel backlash against English and Scottish settlers across the region. Though initially his endeavours earned him praise from Dublin, by 1643 his hopes of advancement to a senior command in Derry were frustrated, and he departed for Scotland.Less
This essay examines the evidence behind the brutal reputation of Sir Frederick Hamilton. Drawing upon contemporary pamphlet literature, state papers and private correspondence, it suggests his methods owed as much to prevailing Irish and Scottish military practice as to continental influences. By investigating Hamilton’s pre-1641 Irish career it determines the circumstances that may have moved him to adopt a hard line with the Irish rebels. A scion of a leading Scottish Catholic family in Ireland, Hamilton embraced Protestantism, yet struggled to develop a career of his own under successive English Protestant administrations in Dublin. Awarded a sizeable plantation estate in Leitrim he experienced financial difficulties before departing on military service to Swedish in 1631. Upon returning, he fell out with government officers, but the slow response of servitors to the rebellion in autumn 1641 enabled him to assume the leading role in counter-insurgency measures in northern Connacht and west Ulster. His brutal methods provoked a major rebel backlash against English and Scottish settlers across the region. Though initially his endeavours earned him praise from Dublin, by 1643 his hopes of advancement to a senior command in Derry were frustrated, and he departed for Scotland.
Jon Balserak
- Published in print:
- 2014
- Published Online:
- April 2014
- ISBN:
- 9780198703259
- eISBN:
- 9780191772481
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198703259.001.0001
- Subject:
- Religion, Theology, Church History
This book examines John Calvin’s sense of vocation. It argues that Calvin believed himself to be a prophet “placed over nations and kingdoms to tear down and destroy, to build and to plant” (Jer. 1: ...
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This book examines John Calvin’s sense of vocation. It argues that Calvin believed himself to be a prophet “placed over nations and kingdoms to tear down and destroy, to build and to plant” (Jer. 1: 10). With this authority, he pursued an expansionist agenda which blended the religious, political, and social towards making France, upon which he turned his attentions especially after 1555, Protestant. Beginning with an analysis of the two trajectories of thought existing within Christian discourse on prophecy from the patristic to the Early Modern era, this monograph goes on to find Calvin within a non-mystical, non-apocalyptic prophetic tradition that focused on scriptural interpretation. This study, then, demonstrates how Calvin developed a plan to win France for the gospel; a plan which included the possibility of armed conflict. To pursue his designs, he trained “prophets” who were sent into France to labor intensely to undermine the king’s authority on the grounds that he supported idolatry, convince the French Reformed congregations that they were already in a war with him, and prepare them for a possible military uprising. An additional part of this plan saw Calvin search for a French noble willing to support the evangelical religion, even if it meant initiating a coup. Calvin began ruminating over these ideas in the 1550s or possibly earlier. The war which commenced in 1562 represents, this monograph argues, the culmination of years of preparation by Calvin.Less
This book examines John Calvin’s sense of vocation. It argues that Calvin believed himself to be a prophet “placed over nations and kingdoms to tear down and destroy, to build and to plant” (Jer. 1: 10). With this authority, he pursued an expansionist agenda which blended the religious, political, and social towards making France, upon which he turned his attentions especially after 1555, Protestant. Beginning with an analysis of the two trajectories of thought existing within Christian discourse on prophecy from the patristic to the Early Modern era, this monograph goes on to find Calvin within a non-mystical, non-apocalyptic prophetic tradition that focused on scriptural interpretation. This study, then, demonstrates how Calvin developed a plan to win France for the gospel; a plan which included the possibility of armed conflict. To pursue his designs, he trained “prophets” who were sent into France to labor intensely to undermine the king’s authority on the grounds that he supported idolatry, convince the French Reformed congregations that they were already in a war with him, and prepare them for a possible military uprising. An additional part of this plan saw Calvin search for a French noble willing to support the evangelical religion, even if it meant initiating a coup. Calvin began ruminating over these ideas in the 1550s or possibly earlier. The war which commenced in 1562 represents, this monograph argues, the culmination of years of preparation by Calvin.
