Daniel Katz
- Published in print:
- 2007
- Published Online:
- March 2012
- ISBN:
- 9780748625260
- eISBN:
- 9780748652006
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748625260.003.0005
- Subject:
- Literature, American, 20th Century Literature
This chapter outlines Gertrude Stein's clear dialectic of expatriate estrangement as preservation of cultural identity in the context of Wyndham Lewis's article ‘The Dumb Ox’, a largely negative if ...
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This chapter outlines Gertrude Stein's clear dialectic of expatriate estrangement as preservation of cultural identity in the context of Wyndham Lewis's article ‘The Dumb Ox’, a largely negative if ultimately ambivalent account of what Lewis sees as Stein's pernicious influence on Ernest Hemingway. The spoken, democratic and demotic for Lewis inevitably lead to the ‘vulgar’ and ‘vernacular’ in the strictest sense, as the American idiom threatens to become a vector of enslavement for all the groups Lewis believes should occupy the position of Master. According to Lewis, Hemingway's style is notable above all for two elements: its use of the language of the ‘urban proletariat’ and its incorporation of certain techniques derived from Stein. The ‘Jews’ are not simply a ‘low’ race within a complex fantasmatic hierarchy. Stein frequently asserts that America is the ‘oldest’ nation, as it was the first to enter the twentieth century.Less
This chapter outlines Gertrude Stein's clear dialectic of expatriate estrangement as preservation of cultural identity in the context of Wyndham Lewis's article ‘The Dumb Ox’, a largely negative if ultimately ambivalent account of what Lewis sees as Stein's pernicious influence on Ernest Hemingway. The spoken, democratic and demotic for Lewis inevitably lead to the ‘vulgar’ and ‘vernacular’ in the strictest sense, as the American idiom threatens to become a vector of enslavement for all the groups Lewis believes should occupy the position of Master. According to Lewis, Hemingway's style is notable above all for two elements: its use of the language of the ‘urban proletariat’ and its incorporation of certain techniques derived from Stein. The ‘Jews’ are not simply a ‘low’ race within a complex fantasmatic hierarchy. Stein frequently asserts that America is the ‘oldest’ nation, as it was the first to enter the twentieth century.
