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Becoming Hebrew is a study of the ways in which a Zionist national culture was generated in the Jewish Yishuv (prestate community) of Palestine between 1900 and 1914. The book addresses three principal lacunae in the study of Zionist culture to date. The first of these is chronological. Much of the literature to date has assumed that a distinctive Zionist national culture began to appear in Palestine during the interwar period, whereas Becoming Hebrew argues that its formative period in fact predates the war. Out of this chronological claim emerge the two additional, more conceptually and theoretically substantive, correctives. In the first instance, the book shows that the relationship between the Zionist cultural undertaking and traditional Jewish culture is far more complicated and nuanced than has often been recognized. Joining a new and important historiographical trend, the book suggests further that the Zionist case sheds important light on nationalism generally, which itself emerges in a more complex and dialectical relationship with the religious cultures and traditional societies out of which it grows than has often been acknowledged in much of the now classical literature. Finally, in its conceptualization of “culture” as created in Zionist Palestine, the book synthesizes a literary‐like study of imageries and discourses and a more anthropological examination of observable cultural practices and tangible, public social processes to produce a history of culture as a broad interweaving of many aspects of human life.

Building the British Atlantic World is the first book to articulate the shared architectural history of the British Atlantic world; the first to consider British, North American, Caribbean and African colonial architectures, spaces and places together as the products of a common British Atlantic culture. Atlantic History is a well-established field, however, of the numerous studies available buildings and their fundamental role in framing and maintaining public and private space are rarely considered. Building the British Atlantic World is architecture’s overdue contribution to Atlantic History. From the pioneer colonists of the early seventeenth-century through to American Independence and the maintenance of a very different, much smaller, disparate British Atlantic in the nineteenth century, this book introduces a shared history of building and buildings that transcends national narratives in order to outline a set of complex cultural exchanges between Britain (England, Scotland, Ireland and Wales), America (the North, Mid and Southern Atlantic states), Canada, the Caribbean, Bermuda and West Africa. The ‘British Atlantic World’ and ‘transatlanticism’ are relatively new terms to architectural history but are well-established fields/approaches within social and political History and Literary Studies. Therefore, a further aim of the book is to set out these concepts and, through case studies, demonstrate their value to architectural history.

Archaeologists routinely interpret the archaeological record in terms of microscale processes – individual-level processes that operate within the human lifespan. In embracing this goal, archaeologists have borrowed an agenda designed by, and for, disciplines that study humans in the present-time and use data with a quality that is orders of magnitude different than archaeological data. By forcing such an agenda on the record, archaeologists are offering explanations for the human past that are merely consistent with the record, instead of being supported beyond a reasonable doubt by a smoking gun. As a result, their research suffers from an inordinate equifinality. This book addresses this problem by developing a theory of the various pathways leading to equifinality and underdetermination, that links them to various aspects of the quality of the archaeological record, and that articulates how these different aspects are shaped by various forces such as site formation processes. Using published literature, archaeological data are found to be dominated with sampling intervals and resolutions in the order of 102-3 years – too long for the study of microscale processes. The history of archaeology, archaeologists’ view of uniformitarianism, and the way they are trained to confirm hypotheses have allowed archaeologists to ignore the underdetermination problem that plagues their research. I argue that archaeologists should recalibrate their research program to the quality of the archaeological record by focusing primarily on cultural historical reconstruction and macroarchaeology, i.e. the search for macroscale patterns and processes in the global archaeological record.

This book collects eleven original essays in the cultural history of the British Empire since the eighteenth century. It is geographically capacious, taking in the United Kingdom, India, West Africa, Hong Kong, and Australia, as well as sites of informal British influence such as the Ottoman Empire and southern China. The book considers the ways in which British culture circulated within what John Darwin has called the British “world system”. In this, the book builds on existing imperial scholarship while innovating in several ways: it focuses on the movement of ideas and cultural praxis, whereas Darwin has focused mostly on imperial structures —financial, demographic, and military. The book examines the transmission, reception, and adaptation of British culture in the Metropole, the empire and informal colonial spaces, whereas many recent scholars have considered British imperial influence on the Metropole alone. It examines Britain's Atlantic and Asian imperial experiences from the eighteenth to the twentieth century together. Through focusing on political ideology, literary movements, material culture, marriage, and the construction of national identities, the essays demonstrate the salience of culture in making a “British World”.

This book provides an exhaustive reading of the significant yet understudied intellectual review Lignes, from 1987 to 2017, to demonstrate how it has managed to preserve and develop the legacy of French radical thought often referred to as ‘French Theory’ or ‘la pensée 68’. Whilst many studies on intellectual reviews from the 1930s to the 1980s exist, this book crucially illuminates the shifting intellectual and political culture of France since the 1980s, filling a major gap in contemporary debates on the continued relevance of French intellectuals. This book provides a strong counter-narrative to the received account that, after the anti-totalitarian ‘liberal moment’ of the late 1970s, Marxism and structuralism were completely banished from the French intellectual sphere. It provides the historical context behind the rise of such internationally renowned thinkers such as Alain Badiou, Jacques Rancière Jean-Luc Nancy, whilst placing them within an intellectual genealogy stretching back to Georges Bataille and Maurice Blanchot in the 1930s. The book also introduces the reader to lesser known but nonetheless significant thinkers, including Lignes editor Michel Surya, Dionys Mascolo, Daniel Bensaïd, Fethi Benslama, Anselm Jappe and Robert Kurz. Through the review’s pages, a novel cultural history of France emerges as intellectuals respond to pressing contemporary issues, such as the fall of Communism, the European migrant crisis and rising nationalist tensions, the globalisation of financial capitalism and the 2008 economic crisis, scandals surrounding paedophilia and the return of religious thought to France, as well as debates on literature and the political value of art.

Singing and fighting for freedom have been inseparable in African American history. May We Forever Stand: A History of the Black National Anthem, tells an essential yet understudied part of that story. Lift Every Voice and Sing, penned by James Weldon Johnson and composed by his brother Rosamond in 1900, was embraced as an anthem that captured the story and the aspirations of Black Americans almost immediately. This book shares the story of that song, as it traveled from South to North, from churches to schools, and from civil rights to Black power, and beyond. Because it is an anthem, the story of this song is also a social and cultural history. Readers will learn of the institutions and organizations, as well as the lessons and the emotions shared by those who sang together. Drawing on a wide array of materials including: letters, newspaper articles, essays, poems, novels, school curricula, speeches and the programs of hundreds of organizations, readers have a window into the robust social, cultural and political world that African Americans organized in the face of an unequal society, and how that world produced people who were capable of transforming the nation and world.

When the revolutionary technology of photography erupted in American culture in 1839, it swiftly became, in the day’s parlance, a “mania.” This richly illustrated book positions vernacular photography at the center of the study of nineteenth-century American religious life. As an empirical tool, photography captured many of the signal scenes of American life, from the gold rush to the bloody battlefields of the Civil War. But photographs did not simply display neutral records of people, places, and things; rather, commonplace photographs became inscribed with spiritual meaning, disclosing, not merely signifying, a power that lay beyond. Rachel McBride Lindsey demonstrates that what people beheld when they looked at a photograph had as much to do with what lay outside the frame--theological expectations, for example--as with what the camera had recorded. Whether studio portraits tucked into Bibles, postmortem portraits with locks of hair attached, “spirit” photography, stereographs of the Holy Land, or magic lanterns used in biblical instruction, photographs were curated, beheld, displayed, and valued as physical artifacts that functioned both as relics and as icons of religious practice. Lindsey’s interpretation of “vernacular” as an analytic introduces a way to consider anew the cultural, social, and material reach of religion.

Mothering India concentrates on early Indian women’s fiction, not only evaluating their contribution to the rise of Indian Writing in English (IWE), but also exploring how they reassessed and challenged stereotypes about Indian womanhood, thereby partaking in the larger debate about social reform legislations relating to women’s rights in British India. Early women’s writings are of immense archival significance by virtue of the time period they were conceived in. In wielding their pens, these trend-setting women writers (such as Krupa Satthianadhan, Shevantibai Nikambe, Cornelia Sorabji, Nalini Turkhud, among others) stepped into the literary landscape as ‘speaking subjects,’ refusing to remain confined into the passivity of ‘spoken-of objects.’ In focusing on the literary contribution of pioneering Indian women writers, this book also endeavours to explore their contribution to the formation of the image of their nation and womanhood. Some of the complex questions this book tackles are: Particularly when India was forming a vague idea of her nationhood and was getting increasingly portrayed in terms of femaleness (via the figure of an enchained ‘Mother India’), what role did women and their literary endeavours play in shaping both their nation and their femininity/feminism? How and how far did these pioneering authors use fiction as a tool of protest against and as resistance to the Raj and/or native patriarchy, and also to express their gender-based solidarity? How do they view and review the stereotypes about their fellow women, and thereby ‘mother’ India by redefining her image? Without studying women’s perspective in the movement for women’s rights (as expressed in their literature) and their role in ‘mothering India’, our knowledge and understanding of those issues are far from holistic. A detailed study of these largely understudied, sadly forgotten and/or deliberately overlooked ‘mothers’ of IWE is long overdue and this book aims to redress that critical oversight.

Agitating Images explores the early history of Communist organization among small dispersed groups of indigenous Evenki peoples of Central Siberia. It draws this history into an examination of the destabilizing role of photographs in the production of history. While documenting the development of Soviet Nationalities policy in context of people who were considered to be socially and technologically ‘backwards,’ the project is resolutely committed to the demonstration of what I call photographic agitation. It performs this agitation all the while presenting a ‘nervous’ history of the momentous encounter between Soviet socialism and indigenous peoples in the Siberian North. This book will have broad appeal. Not only is it the first book to present a comprehensive treatment of the remote soviet outpost called the Culture Base but it adds to a lively historical and ethnological discourse on the colonial experience of the indigenous minorities of the Siberian North. Scholars working on histories of soviet socialism will be interested in this book for its counter-narrative of socialist modernity. For scholars interested in photography’s colonial histories, Agitating Images demonstrates the muddy role of photography in producing coherent scopic regimes.

The discovery of ancient Egypt and the development of Egyptology are momentous events in intellectual and cultural history. The history of Egyptology is the story of the people, famous and obscure, who constructed the picture of ancient Egypt that we have today, recovered the Egyptian past while inventing it anew, and made a lost civilization comprehensible to generations of enchanted readers and viewers thousands of years later. This, the first of a three-volume survey of the history of Egyptology, follows the fascination with ancient Egypt from antiquity until 1881, tracing the recovery of ancient Egypt and its impact on the human imagination in a saga filled with intriguing mysteries, great discoveries, and scholarly creativity. Wonderful Things affirms that the history of ancient Egypt has proved continually fascinating, but it also demonstrates that the history of Egyptology is no less so. Only by understanding how Egyptology has developed can we truly understand the Egyptian past.