Tullio Scovazzi
- Published in print:
- 2006
- Published Online:
- January 2010
- ISBN:
- 9780199299614
- eISBN:
- 9780191714887
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199299614.003.0007
- Subject:
- Law, Public International Law
On November 6, 2001, the Convention on the Protection of the Underwater Cultural Heritage (CPUCH) was signed in Paris, France, with the United Nations Educational, Scientific, and Cultural ...
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On November 6, 2001, the Convention on the Protection of the Underwater Cultural Heritage (CPUCH) was signed in Paris, France, with the United Nations Educational, Scientific, and Cultural Organisation; or, UNESCO. When entered into force, it will apply to ‘all traces of human existence having a cultural, historical, or archaeological character, which have been partially or totally under water, periodically or continuously, for at least 100 years’. To explain the merit of the CPUCH, a basic consideration must be made. Any attempts to deal with the cultural heritage at sea inevitably have to face an unexpected obstacle; that is Article 303 of the United Nations Convention on the Law of the Sea (LOSC). This provision is not only incomplete but also counterproductive, and can be interpreted in a way which undermines the very objective of protecting the underwater cultural heritage. This chapter looks at some of the issues surrounding Article 303, including the law of salvage and finds, ‘first come, first served’ approach for archaeological and historical objects found on the continental shelf, regional cooperation, and freedom of the seas.Less
On November 6, 2001, the Convention on the Protection of the Underwater Cultural Heritage (CPUCH) was signed in Paris, France, with the United Nations Educational, Scientific, and Cultural Organisation; or, UNESCO. When entered into force, it will apply to ‘all traces of human existence having a cultural, historical, or archaeological character, which have been partially or totally under water, periodically or continuously, for at least 100 years’. To explain the merit of the CPUCH, a basic consideration must be made. Any attempts to deal with the cultural heritage at sea inevitably have to face an unexpected obstacle; that is Article 303 of the United Nations Convention on the Law of the Sea (LOSC). This provision is not only incomplete but also counterproductive, and can be interpreted in a way which undermines the very objective of protecting the underwater cultural heritage. This chapter looks at some of the issues surrounding Article 303, including the law of salvage and finds, ‘first come, first served’ approach for archaeological and historical objects found on the continental shelf, regional cooperation, and freedom of the seas.
Michael Falser
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719096525
- eISBN:
- 9781526104335
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719096525.003.0006
- Subject:
- History, Imperialism and Colonialism
The topos of inheriting the built legacy of the temples of Angkor (9th to 13th centuries CE) had been a vital element of the French-colonial civilizing mission in Cambodia from 1863 onwards. Yet this ...
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The topos of inheriting the built legacy of the temples of Angkor (9th to 13th centuries CE) had been a vital element of the French-colonial civilizing mission in Cambodia from 1863 onwards. Yet this claim on ‘cultural heritage’ (or cultural inheritance) was subject to a novel ideological twist when Cambodia became independent in 1953. The classic ‘salvage paradigm’ once practiced by the European colonial power was now appropriated by the newly independent, quasi-‘Neo-Angkorian’ nation state (1954–1970). In this chapter, three different scenarios of this process are discussed: first, the reinvention (as continuation) of the genealogical and religious tradition of the ancient Khmer kings as central element of a new Buddhist socialism of the Non-Aligned country of Cambodia; second, the revival of the grandeur of the built Angkorian antiquity in a modern-day architectural interpretation in vast building programmes for the new-old capital of Phnom Penh and the provinces under state architect Vann Molyvann; and third, the staging of various cultural performances and re-enactments è la Angkorienne within Sihanouk’s strategies of cultural diplomacy, both inside Cambodia with sound-and-light shows inside the Archaeological Park of Angkor, and around the globe through the king’s private Royal Khmer Ballet.Less
The topos of inheriting the built legacy of the temples of Angkor (9th to 13th centuries CE) had been a vital element of the French-colonial civilizing mission in Cambodia from 1863 onwards. Yet this claim on ‘cultural heritage’ (or cultural inheritance) was subject to a novel ideological twist when Cambodia became independent in 1953. The classic ‘salvage paradigm’ once practiced by the European colonial power was now appropriated by the newly independent, quasi-‘Neo-Angkorian’ nation state (1954–1970). In this chapter, three different scenarios of this process are discussed: first, the reinvention (as continuation) of the genealogical and religious tradition of the ancient Khmer kings as central element of a new Buddhist socialism of the Non-Aligned country of Cambodia; second, the revival of the grandeur of the built Angkorian antiquity in a modern-day architectural interpretation in vast building programmes for the new-old capital of Phnom Penh and the provinces under state architect Vann Molyvann; and third, the staging of various cultural performances and re-enactments è la Angkorienne within Sihanouk’s strategies of cultural diplomacy, both inside Cambodia with sound-and-light shows inside the Archaeological Park of Angkor, and around the globe through the king’s private Royal Khmer Ballet.
Lucas Lixinski
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9780813056579
- eISBN:
- 9780813053349
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813056579.003.0009
- Subject:
- Archaeology, Historical Archaeology
This chapter explores some of the convergences and divergences between religion and cultural heritage and international law’s place in attempting to mediate these tensions. I argue that, in the event ...
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This chapter explores some of the convergences and divergences between religion and cultural heritage and international law’s place in attempting to mediate these tensions. I argue that, in the event of conflict, heritage values tend to prevail over religious ones, at least inasmuch as heritage is a proxy for secularism and cosmopolitanism, whereas religion can still be seen as a slippery slope toward fundamentalism and division. Thus, privileging religion is incompatible with a worldview of peace and dialogue among nations, which international law tends to privilege.Less
This chapter explores some of the convergences and divergences between religion and cultural heritage and international law’s place in attempting to mediate these tensions. I argue that, in the event of conflict, heritage values tend to prevail over religious ones, at least inasmuch as heritage is a proxy for secularism and cosmopolitanism, whereas religion can still be seen as a slippery slope toward fundamentalism and division. Thus, privileging religion is incompatible with a worldview of peace and dialogue among nations, which international law tends to privilege.
Melissa L. Cooper
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9781469632681
- eISBN:
- 9781469632704
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469632681.003.0007
- Subject:
- History, African-American History
Chapter 6 explores the legacies of 1920s and 1930s studies within the Gullah revival and the land battles raging throughout the region. This chapter recounts the marriage of low country blacks' newly ...
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Chapter 6 explores the legacies of 1920s and 1930s studies within the Gullah revival and the land battles raging throughout the region. This chapter recounts the marriage of low country blacks' newly embraced Gullah identity, and their fight for the survival of coastal black communities like Sapelo. Chapter 6 investigates cultural preservation and historic preservation—ideas that became deeply contested categories as Gullah Geechee Cultural Heritage Corridor Commissioners and Gullah communities try to define their past and plan their future.Less
Chapter 6 explores the legacies of 1920s and 1930s studies within the Gullah revival and the land battles raging throughout the region. This chapter recounts the marriage of low country blacks' newly embraced Gullah identity, and their fight for the survival of coastal black communities like Sapelo. Chapter 6 investigates cultural preservation and historic preservation—ideas that became deeply contested categories as Gullah Geechee Cultural Heritage Corridor Commissioners and Gullah communities try to define their past and plan their future.
Robin P. Harris
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780252041280
- eISBN:
- 9780252099885
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252041280.003.0005
- Subject:
- Society and Culture, Cultural Studies
Research into the key factors in olonkho revitalization reveals a remarkable consistency among Sakha voices, pointing toward the pivotal role of UNESCO’s Masterpiece program and the Convention for ...
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Research into the key factors in olonkho revitalization reveals a remarkable consistency among Sakha voices, pointing toward the pivotal role of UNESCO’s Masterpiece program and the Convention for the Safeguarding of Intangible Cultural Heritage (ICH). For this reason, chapter 4 focuses exclusively on UNESCO and its ICH initiatives. Topics include a description of the Masterpiece proclamation and its absorption into other ICH programs, a clarification of the term “safeguarding,” a comparison between UNESCO’s desired outcomes and Yakutia’s Action Plan for olonkho revitalization, and a discussion of Yakutia’s funding for that Action Plan in the face of budgetary crises. Less
Research into the key factors in olonkho revitalization reveals a remarkable consistency among Sakha voices, pointing toward the pivotal role of UNESCO’s Masterpiece program and the Convention for the Safeguarding of Intangible Cultural Heritage (ICH). For this reason, chapter 4 focuses exclusively on UNESCO and its ICH initiatives. Topics include a description of the Masterpiece proclamation and its absorption into other ICH programs, a clarification of the term “safeguarding,” a comparison between UNESCO’s desired outcomes and Yakutia’s Action Plan for olonkho revitalization, and a discussion of Yakutia’s funding for that Action Plan in the face of budgetary crises.
Yue Zhang
- Published in print:
- 2013
- Published Online:
- August 2015
- ISBN:
- 9780816683680
- eISBN:
- 9781452948836
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816683680.001.0001
- Subject:
- Architecture, Architectural History
The practice of urban preservation has become increasingly controversial in modern cities. In some places, historic monuments dismantled decades ago are rebuilt in exactly the same fashion, whereas ...
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The practice of urban preservation has become increasingly controversial in modern cities. In some places, historic monuments dismantled decades ago are rebuilt in exactly the same fashion, whereas centuries-old urban dwellings are demolished and replaced by new structures with historic appearances. In other places, heritage status becomes the equivalent of tax benefits, which encourages the renovation of historic houses but leads to the displacement of longtime residents. Based on extensive fieldwork and archival data, this book explores how the joint force of policy discourse and political institution shapes the policy process and creates distinct patterns of urban preservation in Beijing, Paris, and Chicago. It argues that the policy concept of urban preservation has become a strategic device for political and social actors to frame their propositions and promote their favored course of action. At the same time, the fragmented urban power structure serves as a filter that constrains the implementation of the preservation initiatives. In particular, the book developed a typology of political fragmentation (i.e., functional, intergovernmental, and territorial) to compare how different types of political fragmentation have shaped the policy process of urban preservation in predictable ways. By wedding political science theory and method to the study of urban preservation, this book is one of the first efforts to reveal the political underpinnings of the topic. The cross-national comparative approach is not only critical to test the theoretical framework presented, but also depicts a richer picture of the modes of spatial and social governance in the urban world.Less
The practice of urban preservation has become increasingly controversial in modern cities. In some places, historic monuments dismantled decades ago are rebuilt in exactly the same fashion, whereas centuries-old urban dwellings are demolished and replaced by new structures with historic appearances. In other places, heritage status becomes the equivalent of tax benefits, which encourages the renovation of historic houses but leads to the displacement of longtime residents. Based on extensive fieldwork and archival data, this book explores how the joint force of policy discourse and political institution shapes the policy process and creates distinct patterns of urban preservation in Beijing, Paris, and Chicago. It argues that the policy concept of urban preservation has become a strategic device for political and social actors to frame their propositions and promote their favored course of action. At the same time, the fragmented urban power structure serves as a filter that constrains the implementation of the preservation initiatives. In particular, the book developed a typology of political fragmentation (i.e., functional, intergovernmental, and territorial) to compare how different types of political fragmentation have shaped the policy process of urban preservation in predictable ways. By wedding political science theory and method to the study of urban preservation, this book is one of the first efforts to reveal the political underpinnings of the topic. The cross-national comparative approach is not only critical to test the theoretical framework presented, but also depicts a richer picture of the modes of spatial and social governance in the urban world.
- Published in print:
- 2009
- Published Online:
- March 2013
- ISBN:
- 9780226729459
- eISBN:
- 9780226729435
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226729435.003.0010
- Subject:
- Society and Culture, Middle Eastern Studies
This chapter discusses the future of the National Museum of Iraq. The museum has been reduced from a repository into a prison for antiquities, with little prospect to reopen for years to come. There ...
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This chapter discusses the future of the National Museum of Iraq. The museum has been reduced from a repository into a prison for antiquities, with little prospect to reopen for years to come. There is no group showing interest to devote the resources needed to help Iraq salvage what remains of its archaeological heritage before it is entirely broken up and its jumbled remnants disappear altogether into warehouses, dealers' galleries, and the living rooms of the well-to-do. The U.S. government allocated $13 million for the Iraq Cultural Heritage Project but it focuses solely on professional development for conservators and other museum professionals and does not provide any funding to improve the security of archaeological sites.Less
This chapter discusses the future of the National Museum of Iraq. The museum has been reduced from a repository into a prison for antiquities, with little prospect to reopen for years to come. There is no group showing interest to devote the resources needed to help Iraq salvage what remains of its archaeological heritage before it is entirely broken up and its jumbled remnants disappear altogether into warehouses, dealers' galleries, and the living rooms of the well-to-do. The U.S. government allocated $13 million for the Iraq Cultural Heritage Project but it focuses solely on professional development for conservators and other museum professionals and does not provide any funding to improve the security of archaeological sites.
Ken Nicolson
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9789622093393
- eISBN:
- 9789888313822
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622093393.003.0009
- Subject:
- History, Social History
The concluding chapter stresses the need for Hong Kong to recognise the concept of cultural landscapes and apply it in conservation studies. Instead of the current ad hoc ‘fire-fighting’ approach to ...
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The concluding chapter stresses the need for Hong Kong to recognise the concept of cultural landscapes and apply it in conservation studies. Instead of the current ad hoc ‘fire-fighting’ approach to conservation, Hong Kong needs to get ahead of the curve by taking proper stock of its natural and built heritage resources and mapping cultural landscapes would be an effective way to integrate these data.
In the absence of formal government guidelines, a simple 5-step process is set out to guide the layman and practitioner how to assess the heritage value of a cultural landscape.
The importance of understanding the dynamic, evolving interrelationship between nature and mankind that has shaped and will continue to shape cultural landscapes is stressed with a final reminder that conservation is not preservation. Instead, conservation is concerned with the sensible management of change.Less
The concluding chapter stresses the need for Hong Kong to recognise the concept of cultural landscapes and apply it in conservation studies. Instead of the current ad hoc ‘fire-fighting’ approach to conservation, Hong Kong needs to get ahead of the curve by taking proper stock of its natural and built heritage resources and mapping cultural landscapes would be an effective way to integrate these data.
In the absence of formal government guidelines, a simple 5-step process is set out to guide the layman and practitioner how to assess the heritage value of a cultural landscape.
The importance of understanding the dynamic, evolving interrelationship between nature and mankind that has shaped and will continue to shape cultural landscapes is stressed with a final reminder that conservation is not preservation. Instead, conservation is concerned with the sensible management of change.
James Early
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9781496805980
- eISBN:
- 9781496806024
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496805980.003.0017
- Subject:
- Society and Culture, Cultural Studies
The epilogue is by James Early, former director of cultural heritage at the Smithsonian Center for Folklife and Cultural. His long tenure extends across his experiences as a graduate student ...
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The epilogue is by James Early, former director of cultural heritage at the Smithsonian Center for Folklife and Cultural. His long tenure extends across his experiences as a graduate student researcher in the 1970s, supportive assistant secretary, curator, international spokesperson, mentor, and champion of the Festival’s potential for advancing cultural democracy. In this piece, he reflects on the Festival's past and legacies and looks forward, raising questions about future inclinations and directions.Less
The epilogue is by James Early, former director of cultural heritage at the Smithsonian Center for Folklife and Cultural. His long tenure extends across his experiences as a graduate student researcher in the 1970s, supportive assistant secretary, curator, international spokesperson, mentor, and champion of the Festival’s potential for advancing cultural democracy. In this piece, he reflects on the Festival's past and legacies and looks forward, raising questions about future inclinations and directions.
Yue Zhang
- Published in print:
- 2013
- Published Online:
- August 2015
- ISBN:
- 9780816683680
- eISBN:
- 9781452948836
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816683680.003.0002
- Subject:
- Architecture, Architectural History
This chapter examines how local officials’ purposes of pursuing urban growth and enhancing the global image of Beijing are filtered through the structure of functional fragmentation, thus generated a ...
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This chapter examines how local officials’ purposes of pursuing urban growth and enhancing the global image of Beijing are filtered through the structure of functional fragmentation, thus generated a pattern of symbolic preservation in Beijing.Less
This chapter examines how local officials’ purposes of pursuing urban growth and enhancing the global image of Beijing are filtered through the structure of functional fragmentation, thus generated a pattern of symbolic preservation in Beijing.
Diana Baird N’Diaye, Olivia Cadaval, and Sojin Kim
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9781496805980
- eISBN:
- 9781496806024
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496805980.003.0003
- Subject:
- Society and Culture, Cultural Studies
The volume editors frame and contextualize Smithsonian Folklife Festival history with attention to the role of curatorial practice in mediating and negotiating the concerns and interests of the ...
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The volume editors frame and contextualize Smithsonian Folklife Festival history with attention to the role of curatorial practice in mediating and negotiating the concerns and interests of the event’s varied publics and stakeholders. The editors address how the articles create a step towards systematically examining institutional Festival principles and the particular curatorial process of the Festival, unpacking the challenges, responsibilities, and forms of conversation that cultural representation entails; the ideals upon which the Festival is based; and places of friction and contestation that arise among the many parties involved in producing it.Less
The volume editors frame and contextualize Smithsonian Folklife Festival history with attention to the role of curatorial practice in mediating and negotiating the concerns and interests of the event’s varied publics and stakeholders. The editors address how the articles create a step towards systematically examining institutional Festival principles and the particular curatorial process of the Festival, unpacking the challenges, responsibilities, and forms of conversation that cultural representation entails; the ideals upon which the Festival is based; and places of friction and contestation that arise among the many parties involved in producing it.
Janna Jones
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780813041926
- eISBN:
- 9780813043906
- Item type:
- book
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813041926.001.0001
- Subject:
- History, American History: 20th Century
The Past Is a Moving Picture is a cultural analysis of how and why people have rescued, protected, and restored old film and how their efforts have created a massive memory bank of life in the ...
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The Past Is a Moving Picture is a cultural analysis of how and why people have rescued, protected, and restored old film and how their efforts have created a massive memory bank of life in the twentieth century. Focusing on the film archives at the Library of Congress, the Museum of Modern Art, the National Archives and UCLA Film and Television Archives, The Past Is a Moving Picture interprets the dominant film preservation practices and archiving principles of the nation's renowned film archives and analyzes how old movies and their advocates have shaped the way we see and understand film history and our cultural heritage. It chronicles the film archive while reflecting on cultural memory and complexities of preserving our nation's past by saving cinema.Less
The Past Is a Moving Picture is a cultural analysis of how and why people have rescued, protected, and restored old film and how their efforts have created a massive memory bank of life in the twentieth century. Focusing on the film archives at the Library of Congress, the Museum of Modern Art, the National Archives and UCLA Film and Television Archives, The Past Is a Moving Picture interprets the dominant film preservation practices and archiving principles of the nation's renowned film archives and analyzes how old movies and their advocates have shaped the way we see and understand film history and our cultural heritage. It chronicles the film archive while reflecting on cultural memory and complexities of preserving our nation's past by saving cinema.
Kwame Dixon and John Burdick
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780813037561
- eISBN:
- 9780813043098
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813037561.003.0002
- Subject:
- Society and Culture, Latin American Studies
Chapter 1 examines the spiritual, social, and philosophical basis of Bantu Blackness as well as the social justice ethos of Bantu activists in Bahia, Brazil.
Chapter 1 examines the spiritual, social, and philosophical basis of Bantu Blackness as well as the social justice ethos of Bantu activists in Bahia, Brazil.
Stuart Moulthrop and Dene Grigar
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9780262035972
- eISBN:
- 9780262339018
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262035972.001.0001
- Subject:
- Information Science, Communications
Many pioneering works of electronic literature are now largely inaccessible because of changes in hardware, software, and platforms. The virtual disappearance of these works--created on floppy disks, ...
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Many pioneering works of electronic literature are now largely inaccessible because of changes in hardware, software, and platforms. The virtual disappearance of these works--created on floppy disks, in Apple’s defunct HyperCard, and on other early systems and platforms--not only puts important electronic literary work out of reach but also signals the fragility of most works of culture in the digital age. In response, Dene Grigar and Stuart Moulthrop have been working to document and preserve electronic literature, work that has culminated in the Pathfinders project and its series of “Traversals”--video and audio recordings of demonstrations performed on historically appropriate platforms, with participation and commentary by the authors of the works. In Traversals, Moulthrop and Grigar mine this material to examine four influential early works: Judy Malloy’s Uncle Roger (1986), John McDaid’s Uncle Buddy’s Phantom Funhouse (1993), Shelley Jackson’s Patchwork Girl (1995) and Bill Bly’s We Descend (1997), offering “deep readings” that consider the works as both literary artifacts and computational constructs. For each work, Moulthrop and Grigar explore the interplay between the text’s material circumstances and the patterns of meaning it engages and creates, paying attention both to specificities of media and purposes of expression.Less
Many pioneering works of electronic literature are now largely inaccessible because of changes in hardware, software, and platforms. The virtual disappearance of these works--created on floppy disks, in Apple’s defunct HyperCard, and on other early systems and platforms--not only puts important electronic literary work out of reach but also signals the fragility of most works of culture in the digital age. In response, Dene Grigar and Stuart Moulthrop have been working to document and preserve electronic literature, work that has culminated in the Pathfinders project and its series of “Traversals”--video and audio recordings of demonstrations performed on historically appropriate platforms, with participation and commentary by the authors of the works. In Traversals, Moulthrop and Grigar mine this material to examine four influential early works: Judy Malloy’s Uncle Roger (1986), John McDaid’s Uncle Buddy’s Phantom Funhouse (1993), Shelley Jackson’s Patchwork Girl (1995) and Bill Bly’s We Descend (1997), offering “deep readings” that consider the works as both literary artifacts and computational constructs. For each work, Moulthrop and Grigar explore the interplay between the text’s material circumstances and the patterns of meaning it engages and creates, paying attention both to specificities of media and purposes of expression.
Maurizio Peleggi
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780824866068
- eISBN:
- 9780824876913
- Item type:
- chapter
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824866068.003.0001
- Subject:
- History, Asian History
The Intro grounds the book’s subject matter conceptually with a discussion of cultural memory.
The Intro grounds the book’s subject matter conceptually with a discussion of cultural memory.
Yue Zhang
- Published in print:
- 2013
- Published Online:
- August 2015
- ISBN:
- 9780816683680
- eISBN:
- 9781452948836
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816683680.003.0004
- Subject:
- Architecture, Architectural History
This chapter shows that, whereas urban preservation in Paris had long been a privilege of the state, the municipal government has begun to claim more autonomy over its urban territory and attempted ...
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This chapter shows that, whereas urban preservation in Paris had long been a privilege of the state, the municipal government has begun to claim more autonomy over its urban territory and attempted to incorporate urban preservation into a larger frame of urban development. Hence, urban preservation in Paris is gradually transformed from the monopoly of the state to a joint venture between the city and the state.Less
This chapter shows that, whereas urban preservation in Paris had long been a privilege of the state, the municipal government has begun to claim more autonomy over its urban territory and attempted to incorporate urban preservation into a larger frame of urban development. Hence, urban preservation in Paris is gradually transformed from the monopoly of the state to a joint venture between the city and the state.
Jean Smith
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719096525
- eISBN:
- 9781526104335
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719096525.003.0007
- Subject:
- History, Imperialism and Colonialism
Focusing on the national museums of Ghana and Mali, this chapter examines the ways in which cultural heritage was dealt with in these institutions, alongside the modernisation projects of these ...
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Focusing on the national museums of Ghana and Mali, this chapter examines the ways in which cultural heritage was dealt with in these institutions, alongside the modernisation projects of these emerging nation states. The National Museum of Ghana occupied a complex conceptual space in the years preceding and following independence. By displaying material culture from across the nation, the museum participated in Ghana’s ongoing nation building. However, it also had a duty to avoid presenting the diversity of cultures in a divisive way to accord with Nkrumahist efforts to promote national unity as well as Pan-Africanism. In contrast, The National Museum of Mali suffered during the decolonisation era and was not recognised as a public space for displaying cultural heritage. For young Malians, the processes of transmitting cultural values from the state to the citizens were more successfully achieved by the hugely popular annual events (les semaines de la jeunesse) launched by the ‘pioneers’ in 1960 than by their own museums.Less
Focusing on the national museums of Ghana and Mali, this chapter examines the ways in which cultural heritage was dealt with in these institutions, alongside the modernisation projects of these emerging nation states. The National Museum of Ghana occupied a complex conceptual space in the years preceding and following independence. By displaying material culture from across the nation, the museum participated in Ghana’s ongoing nation building. However, it also had a duty to avoid presenting the diversity of cultures in a divisive way to accord with Nkrumahist efforts to promote national unity as well as Pan-Africanism. In contrast, The National Museum of Mali suffered during the decolonisation era and was not recognised as a public space for displaying cultural heritage. For young Malians, the processes of transmitting cultural values from the state to the citizens were more successfully achieved by the hugely popular annual events (les semaines de la jeunesse) launched by the ‘pioneers’ in 1960 than by their own museums.
Gianluigi Colalucci and Adolfo Plasencia
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9780262036016
- eISBN:
- 9780262339308
- Item type:
- chapter
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262036016.003.0032
- Subject:
- Society and Culture, Technology and Society
The restorer-scientist, Gianluigi Colalucci, starts this dialogue explaining the difference between an artist or creator and a restorer. He then describes the emotions he felt and the importance ...
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The restorer-scientist, Gianluigi Colalucci, starts this dialogue explaining the difference between an artist or creator and a restorer. He then describes the emotions he felt and the importance played by touch in his restoration work of Michelangelo’s frescoes in the Sistine Chapel, and what spiritual trace he encountered beneath their surface. Next, he explains the differences existing today between the concepts of 'Restoration' and 'Conservation', which is followed by a reflection on the concept of ‘original’ and how it is interpreted differently in the Eastern and Western worlds. Later, he argues why both the artist and the restorer should clear up their doubts before beginning to work, and finally explains the reasons why a work of art is for everyone and is part of the human condition.Less
The restorer-scientist, Gianluigi Colalucci, starts this dialogue explaining the difference between an artist or creator and a restorer. He then describes the emotions he felt and the importance played by touch in his restoration work of Michelangelo’s frescoes in the Sistine Chapel, and what spiritual trace he encountered beneath their surface. Next, he explains the differences existing today between the concepts of 'Restoration' and 'Conservation', which is followed by a reflection on the concept of ‘original’ and how it is interpreted differently in the Eastern and Western worlds. Later, he argues why both the artist and the restorer should clear up their doubts before beginning to work, and finally explains the reasons why a work of art is for everyone and is part of the human condition.
Sargon Donabed
- Published in print:
- 2015
- Published Online:
- September 2015
- ISBN:
- 9780748686025
- eISBN:
- 9781474408646
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748686025.001.0001
- Subject:
- History, Middle East History
Who are the Assyrians and what role did they play in shaping modern Iraq? Were they simply bystanders, victims of collateral damage who played a passive role in the history of the country? How have ...
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Who are the Assyrians and what role did they play in shaping modern Iraq? Were they simply bystanders, victims of collateral damage who played a passive role in the history of the country? How have they negotiated their position throughout various periods of Iraq's state-building processes? This book details the narrative and history of Iraq in the 20th century and reinserts the Assyrian experience as an integral part of Iraq's broader contemporary historiography. It is the first comprehensive account to contextualize this native people's experience alongside the developmental processes of the modern Iraqi state. Using primary and secondary data, this book offers a nuanced exploration of the dynamics that have affected and determined the trajectory of the Assyrians' experience in 20th century Iraq.Less
Who are the Assyrians and what role did they play in shaping modern Iraq? Were they simply bystanders, victims of collateral damage who played a passive role in the history of the country? How have they negotiated their position throughout various periods of Iraq's state-building processes? This book details the narrative and history of Iraq in the 20th century and reinserts the Assyrian experience as an integral part of Iraq's broader contemporary historiography. It is the first comprehensive account to contextualize this native people's experience alongside the developmental processes of the modern Iraqi state. Using primary and secondary data, this book offers a nuanced exploration of the dynamics that have affected and determined the trajectory of the Assyrians' experience in 20th century Iraq.
Yue Zhang
- Published in print:
- 2013
- Published Online:
- August 2015
- ISBN:
- 9780816683680
- eISBN:
- 9781452948836
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816683680.003.0003
- Subject:
- Architecture, Architectural History
This chapter demonstrates that, while urban preservation in Chicago has become a tool to increase property value and promote community revitalization, the territorial fragmentation along ward ...
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This chapter demonstrates that, while urban preservation in Chicago has become a tool to increase property value and promote community revitalization, the territorial fragmentation along ward boundaries has divided local communities and generated a model of mosaic preservation in the city.Less
This chapter demonstrates that, while urban preservation in Chicago has become a tool to increase property value and promote community revitalization, the territorial fragmentation along ward boundaries has divided local communities and generated a model of mosaic preservation in the city.
