Berys Gaut
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780199263219
- eISBN:
- 9780191718854
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199263219.003.0005
- Subject:
- Philosophy, Aesthetics
This chapter discusses artists' ethical aims in their works and the influential role of ethical criticism in critical practice, even in the writings of the New Critics and of post-structuralist ...
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This chapter discusses artists' ethical aims in their works and the influential role of ethical criticism in critical practice, even in the writings of the New Critics and of post-structuralist thinkers, such as Foucault, who ostensibly reject ethical criticism. It shows that the use of the terms, ‘moralistic’ and ‘didactic’, as terms of critical censure are consistent with ethicism. Thus, artistic and critical practices subjected to a process of reflective testing give support to ethicism. But it is also shown that given the sheer diversity of critical practices and the strength of ethicism relative to contextualism, appeals to such practices cannot decisively establish ethicism.Less
This chapter discusses artists' ethical aims in their works and the influential role of ethical criticism in critical practice, even in the writings of the New Critics and of post-structuralist thinkers, such as Foucault, who ostensibly reject ethical criticism. It shows that the use of the terms, ‘moralistic’ and ‘didactic’, as terms of critical censure are consistent with ethicism. Thus, artistic and critical practices subjected to a process of reflective testing give support to ethicism. But it is also shown that given the sheer diversity of critical practices and the strength of ethicism relative to contextualism, appeals to such practices cannot decisively establish ethicism.
Philippe Carles and Jean-Louis Comolli
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781628460391
- eISBN:
- 9781626740846
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628460391.003.0005
- Subject:
- Music, History, American
This transitional section takes stock of the contributions of traditional white, Western jazz criticism. It has reproduced in this specific field the alienation of African American culture at large ...
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This transitional section takes stock of the contributions of traditional white, Western jazz criticism. It has reproduced in this specific field the alienation of African American culture at large and music specifically from Western society. First scorned, African American music was assimilated with the help of critics. They notably contributed to an understanding of the music that eschewed social, historical and economic context in which the music was originally created. Promoting a classically Western understanding of art as distinct from social life, it allowed for a consumption of jazz devoid of political critique. This would change with the advent of black jazz criticism.Less
This transitional section takes stock of the contributions of traditional white, Western jazz criticism. It has reproduced in this specific field the alienation of African American culture at large and music specifically from Western society. First scorned, African American music was assimilated with the help of critics. They notably contributed to an understanding of the music that eschewed social, historical and economic context in which the music was originally created. Promoting a classically Western understanding of art as distinct from social life, it allowed for a consumption of jazz devoid of political critique. This would change with the advent of black jazz criticism.
Philippe Carles and Jean-Louis Comolli
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781628460391
- eISBN:
- 9781626740846
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628460391.001.0001
- Subject:
- Music, History, American
Free Jazz/Black Power is a treatise on the racial and political implications of jazz and jazz criticism published in 1971 by two French jazz critics, Philippe Carles and Jean-Louis Comolli. The goal ...
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Free Jazz/Black Power is a treatise on the racial and political implications of jazz and jazz criticism published in 1971 by two French jazz critics, Philippe Carles and Jean-Louis Comolli. The goal of the book was to show that the strong and mostly negative reactions provoked by free jazz among classic jazz critics on both sides of the Atlantic could be better understood by analyzing the social, cultural and political origins of jazz itself, exposing its ties to African American culture, history, and the political struggle that was still raging in early 1970s USA. The authors analyze the circumstances of the production of jazz criticism as discourse, a work of cultural studies in a time and place where the practice as such was completely unknown. The book owes much to African American cultural and political thought. Carles and Comolli suggest that the African American struggle had to be seen as a singular branch of a worldwide class struggle, echoing more famous figures of the French Left of the time, such as Jean-Paul Sartre, Simone de Beauvoir, or Jean Genêt. Yet few were those that had articulated this de rigueur political backing with an in-depth cultural critique and analysis of the condition of African Americans informed by African Americans themselves.Less
Free Jazz/Black Power is a treatise on the racial and political implications of jazz and jazz criticism published in 1971 by two French jazz critics, Philippe Carles and Jean-Louis Comolli. The goal of the book was to show that the strong and mostly negative reactions provoked by free jazz among classic jazz critics on both sides of the Atlantic could be better understood by analyzing the social, cultural and political origins of jazz itself, exposing its ties to African American culture, history, and the political struggle that was still raging in early 1970s USA. The authors analyze the circumstances of the production of jazz criticism as discourse, a work of cultural studies in a time and place where the practice as such was completely unknown. The book owes much to African American cultural and political thought. Carles and Comolli suggest that the African American struggle had to be seen as a singular branch of a worldwide class struggle, echoing more famous figures of the French Left of the time, such as Jean-Paul Sartre, Simone de Beauvoir, or Jean Genêt. Yet few were those that had articulated this de rigueur political backing with an in-depth cultural critique and analysis of the condition of African Americans informed by African Americans themselves.
Philippe Carles and Jean-Louis Comolli
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781628460391
- eISBN:
- 9781626740846
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628460391.003.0010
- Subject:
- Music, History, American
This final chapter is also the conclusion of the book. The authors reiterate their central argument, i.e. that ultimately what makes the originality of free jazz is its intrinsically political ...
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This final chapter is also the conclusion of the book. The authors reiterate their central argument, i.e. that ultimately what makes the originality of free jazz is its intrinsically political approach to music. As such, it is a challenge to Western bourgeois values not just in music, but also in the appreciation of music. Free jazz demands that we reconsider the way we evaluate music.Less
This final chapter is also the conclusion of the book. The authors reiterate their central argument, i.e. that ultimately what makes the originality of free jazz is its intrinsically political approach to music. As such, it is a challenge to Western bourgeois values not just in music, but also in the appreciation of music. Free jazz demands that we reconsider the way we evaluate music.
Anthony Cordingley
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781474440608
- eISBN:
- 9781474453868
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474440608.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
The first sustained exegesis of a neglected masterpiece of twentieth-century literature, Samuel Beckett’s How It Is.
This book maps out the novel’s complex network of intertexts, sources and echoes, ...
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The first sustained exegesis of a neglected masterpiece of twentieth-century literature, Samuel Beckett’s How It Is.
This book maps out the novel’s complex network of intertexts, sources and echoes, interprets its highly experimental writing and explains the work’s great significance for twentieth-century literature. It offers a clear pathway into this remarkable bilingual novel, identifying Beckett’s use of previously unknown sources in the history of Western philosophy, from the ancient and modern periods, and challenging critical orthodoxies. Through careful archival scholarship and attention to the dynamics of self-translation, the book traces Beckett’s transformation of his narrator’s ‘ancient voice’, his intellectual heritage, into a mode of aesthetic representation that offers the means to think beyond intractable paradoxes of philosophy. This shift in the work’s relation to tradition marks a hiatus in literary modernism, a watershed moment whose deep and enduring significance may now be appreciated.Less
The first sustained exegesis of a neglected masterpiece of twentieth-century literature, Samuel Beckett’s How It Is.
This book maps out the novel’s complex network of intertexts, sources and echoes, interprets its highly experimental writing and explains the work’s great significance for twentieth-century literature. It offers a clear pathway into this remarkable bilingual novel, identifying Beckett’s use of previously unknown sources in the history of Western philosophy, from the ancient and modern periods, and challenging critical orthodoxies. Through careful archival scholarship and attention to the dynamics of self-translation, the book traces Beckett’s transformation of his narrator’s ‘ancient voice’, his intellectual heritage, into a mode of aesthetic representation that offers the means to think beyond intractable paradoxes of philosophy. This shift in the work’s relation to tradition marks a hiatus in literary modernism, a watershed moment whose deep and enduring significance may now be appreciated.
Ruth Bush
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781381953
- eISBN:
- 9781786945181
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381953.001.0001
- Subject:
- Literature, Criticism/Theory
Publishing Africa in French provides a critical analysis of the global dynamics and cultural and publishing history of French and African literature. It focuses on French readership and the French ...
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Publishing Africa in French provides a critical analysis of the global dynamics and cultural and publishing history of French and African literature. It focuses on French readership and the French literary-political sphere, and engages with issues of authorial authenticity, literary value, and author autonomy. The study is built on careful documentations of the pre- and post-publication process, and explores the relentless interweaving of ideas expressed in literary form, their institutional contexts and underlying human relationships, and asks: Who writes about Africa and who is Africa written for? The book is split into two sections, ‘Institutions’ and ‘Mediations’. The first part of the book, ‘Institutions’, situates three institutions of particular significance, the publishing houses of Le Seuil and Présence Africaine, and the Association nationale des écrivains de la mer et de l’outre-mer. ‘Mediations’, the second section of the book, concludes with a consideration on how institutional structures work into or against the literary texture of selected publications, and examines readers’ reports and editorial revision; the use of pseudonyms; the development of named collections and the process of literary translation from English. Publishing Africa in French aims to bring book-historical principles to bear on a decisive period in French literary history and foregrounds the influencing factors on literary expression and its material impressions in the period of decolonization.Less
Publishing Africa in French provides a critical analysis of the global dynamics and cultural and publishing history of French and African literature. It focuses on French readership and the French literary-political sphere, and engages with issues of authorial authenticity, literary value, and author autonomy. The study is built on careful documentations of the pre- and post-publication process, and explores the relentless interweaving of ideas expressed in literary form, their institutional contexts and underlying human relationships, and asks: Who writes about Africa and who is Africa written for? The book is split into two sections, ‘Institutions’ and ‘Mediations’. The first part of the book, ‘Institutions’, situates three institutions of particular significance, the publishing houses of Le Seuil and Présence Africaine, and the Association nationale des écrivains de la mer et de l’outre-mer. ‘Mediations’, the second section of the book, concludes with a consideration on how institutional structures work into or against the literary texture of selected publications, and examines readers’ reports and editorial revision; the use of pseudonyms; the development of named collections and the process of literary translation from English. Publishing Africa in French aims to bring book-historical principles to bear on a decisive period in French literary history and foregrounds the influencing factors on literary expression and its material impressions in the period of decolonization.
PARK HONAN
- Published in print:
- 1995
- Published Online:
- October 2011
- ISBN:
- 9780198182894
- eISBN:
- 9780191673917
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198182894.003.0013
- Subject:
- Literature, Criticism/Theory
This chapter considers the concepts of New Criticism and the New Historicism by looking a novelist, a poet, and a playwright in the light of a few of the ideas of deconstruction. The chapter tries to ...
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This chapter considers the concepts of New Criticism and the New Historicism by looking a novelist, a poet, and a playwright in the light of a few of the ideas of deconstruction. The chapter tries to see Jane Austen, Matthew Arnold, and Shakespeare in a biographical light. It is stated that the New Critical paradigm is workable but may be less useful if there are insufficient author's letters. There is still a need to ‘take in’ author and opus.Less
This chapter considers the concepts of New Criticism and the New Historicism by looking a novelist, a poet, and a playwright in the light of a few of the ideas of deconstruction. The chapter tries to see Jane Austen, Matthew Arnold, and Shakespeare in a biographical light. It is stated that the New Critical paradigm is workable but may be less useful if there are insufficient author's letters. There is still a need to ‘take in’ author and opus.
Hugh Grady
- Published in print:
- 1994
- Published Online:
- October 2011
- ISBN:
- 9780198183228
- eISBN:
- 9780191673962
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198183228.003.0004
- Subject:
- Literature, Shakespeare Studies, Criticism/Theory
This chapter discusses how Shakespeare and his age played a privileged and important part in New Critical literary history and critical practice, whilst recognizing that the methodology and practice ...
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This chapter discusses how Shakespeare and his age played a privileged and important part in New Critical literary history and critical practice, whilst recognizing that the methodology and practice of this had wider and more general parameters. It begins with a general account of New Criticism, with emphasis on its relations to Modernism and modernization, showing how the early political phase of the founding New Critics survived in displaced form in the criticism. It then examines in this light the highly influential New Critical textbook Understanding Drama's approach to 1 Henry IV as a way into the impact of New Criticism on Shakespeare studies. A section on British analogues briefly charts New Criticism's complex relations with its British sources and counterparts, especially with Scrutiny. This leads into an assessment of the larger cultural affinities of New Criticism, including unexpected, if limited, links to the Frankfurt School, suggestive of possibilities never actualized as New Criticism took its place as the hegemonic professionalized critical discourse in the expanding English departments of the Fifties and Sixties in a completely depoliticized form.Less
This chapter discusses how Shakespeare and his age played a privileged and important part in New Critical literary history and critical practice, whilst recognizing that the methodology and practice of this had wider and more general parameters. It begins with a general account of New Criticism, with emphasis on its relations to Modernism and modernization, showing how the early political phase of the founding New Critics survived in displaced form in the criticism. It then examines in this light the highly influential New Critical textbook Understanding Drama's approach to 1 Henry IV as a way into the impact of New Criticism on Shakespeare studies. A section on British analogues briefly charts New Criticism's complex relations with its British sources and counterparts, especially with Scrutiny. This leads into an assessment of the larger cultural affinities of New Criticism, including unexpected, if limited, links to the Frankfurt School, suggestive of possibilities never actualized as New Criticism took its place as the hegemonic professionalized critical discourse in the expanding English departments of the Fifties and Sixties in a completely depoliticized form.
Hugh Grady
- Published in print:
- 1994
- Published Online:
- October 2011
- ISBN:
- 9780198183228
- eISBN:
- 9780191673962
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198183228.003.0005
- Subject:
- Literature, Shakespeare Studies, Criticism/Theory
This chapter considers E. M. W. Tillyard's alienation from the direction that Cambridge New Criticism had taken from Empson to Leavis. It argues that in one sense, Tillyard's effort was a holding ...
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This chapter considers E. M. W. Tillyard's alienation from the direction that Cambridge New Criticism had taken from Empson to Leavis. It argues that in one sense, Tillyard's effort was a holding action against the Modernist encroachments into academia — a reversion to the positivist literary history which had never really had a chance to develop at Cambridge, though it was ensconced elsewhere. The enthusiastic reception of Tillyard's work in America was in part a grateful reaction from practitioners of the older paradigm towards a work that promised to make their own efforts relevant again. Thus, Tillyard's work on the histories can be read as an attempt to re-function the 19th-century ‘historical values’ which G. Wilson Knight and the New Critics had frontally attacked. The refunctioning was such, however, that it led to an accommodation with Modernism, which ‘seeped through’ Tillyard's surface historicism. The result was an enormously successful synthesis that collapsed with unexpected rapidity with the overturning of the Modernist paradigm which it had mediated into a new critical synthesis — and a fascinating case-study of the functioning of professional literary criticism as a social institution in modern capitalism.Less
This chapter considers E. M. W. Tillyard's alienation from the direction that Cambridge New Criticism had taken from Empson to Leavis. It argues that in one sense, Tillyard's effort was a holding action against the Modernist encroachments into academia — a reversion to the positivist literary history which had never really had a chance to develop at Cambridge, though it was ensconced elsewhere. The enthusiastic reception of Tillyard's work in America was in part a grateful reaction from practitioners of the older paradigm towards a work that promised to make their own efforts relevant again. Thus, Tillyard's work on the histories can be read as an attempt to re-function the 19th-century ‘historical values’ which G. Wilson Knight and the New Critics had frontally attacked. The refunctioning was such, however, that it led to an accommodation with Modernism, which ‘seeped through’ Tillyard's surface historicism. The result was an enormously successful synthesis that collapsed with unexpected rapidity with the overturning of the Modernist paradigm which it had mediated into a new critical synthesis — and a fascinating case-study of the functioning of professional literary criticism as a social institution in modern capitalism.
Christopher Hilliard
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199695171
- eISBN:
- 9780199949946
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199695171.003.0009
- Subject:
- Literature, Criticism/Theory, 20th-century Literature and Modernism
This chapter moves beyond Britain to examine the Scrutiny movement's fortunes overseas. In the late 1940s and 1950s, the Kenyon School of English and Eric Bentley's anthology for American readers ...
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This chapter moves beyond Britain to examine the Scrutiny movement's fortunes overseas. In the late 1940s and 1950s, the Kenyon School of English and Eric Bentley's anthology for American readers drew Scrutiny into efforts to enshrine criticism (and in particular the New Criticism) in American universities’ English programmes. University English departments were reorganized along Leavisian lines in Ceylon in the 1940s and Australia in the 1960s. Australian literature was not a major concern for Samuel Goldberg, the architect of the ‘Leavisite’ experiment at the University of Sydney in the 1960s, but Goldberg's plans were nevertheless based on an interpretation of colonial culture that borrowed heavily from F. R. Leavis and Denys Thompson's early work. The cultural or ‘sociological’ interests of early Scrutiny writings would also function as models or suggestions for ways of writing about colonial or national literary cultures in contexts as various as India, New Zealand, and Scotland.Less
This chapter moves beyond Britain to examine the Scrutiny movement's fortunes overseas. In the late 1940s and 1950s, the Kenyon School of English and Eric Bentley's anthology for American readers drew Scrutiny into efforts to enshrine criticism (and in particular the New Criticism) in American universities’ English programmes. University English departments were reorganized along Leavisian lines in Ceylon in the 1940s and Australia in the 1960s. Australian literature was not a major concern for Samuel Goldberg, the architect of the ‘Leavisite’ experiment at the University of Sydney in the 1960s, but Goldberg's plans were nevertheless based on an interpretation of colonial culture that borrowed heavily from F. R. Leavis and Denys Thompson's early work. The cultural or ‘sociological’ interests of early Scrutiny writings would also function as models or suggestions for ways of writing about colonial or national literary cultures in contexts as various as India, New Zealand, and Scotland.
Mary Jacobus
- Published in print:
- 1999
- Published Online:
- October 2011
- ISBN:
- 9780198184348
- eISBN:
- 9780191674211
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198184348.003.0002
- Subject:
- Literature, Criticism/Theory, 19th-century Literature and Romanticism
In an essay entitled ‘Criticism and Interiority’, Georges Poulet presents his phenomenological view of a book's effect with a scene of reading as an empty rooms holds a book within a book. This ...
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In an essay entitled ‘Criticism and Interiority’, Georges Poulet presents his phenomenological view of a book's effect with a scene of reading as an empty rooms holds a book within a book. This literary criticism presented by Poulet is not too close nor too distant from its object. Another question is raised in that essay regarding how the book, as an object, is transformed into an equivalent subjectivity or into what he referred to as ‘interiority’. The book's openness is what encourages others to think about whether it exists outside itself, or if one would exist in it. This chapter highlights what is meant by the ‘scene of reading’ — a scene where in imagining an open book in an empty room allows several equivalences like ‘inside me’ or ‘inside the book’.Less
In an essay entitled ‘Criticism and Interiority’, Georges Poulet presents his phenomenological view of a book's effect with a scene of reading as an empty rooms holds a book within a book. This literary criticism presented by Poulet is not too close nor too distant from its object. Another question is raised in that essay regarding how the book, as an object, is transformed into an equivalent subjectivity or into what he referred to as ‘interiority’. The book's openness is what encourages others to think about whether it exists outside itself, or if one would exist in it. This chapter highlights what is meant by the ‘scene of reading’ — a scene where in imagining an open book in an empty room allows several equivalences like ‘inside me’ or ‘inside the book’.
Jerome J. McGann
- Published in print:
- 1988
- Published Online:
- March 2012
- ISBN:
- 9780198117506
- eISBN:
- 9780191670961
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198117506.001.0001
- Subject:
- Literature, Criticism/Theory
As well as exploring the fault-lines marking the various kinds of historical literary studies from the New Criticism to Post-Structuralism, this book develops a fully elaborated socio-historical ...
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As well as exploring the fault-lines marking the various kinds of historical literary studies from the New Criticism to Post-Structuralism, this book develops a fully elaborated socio-historical criticism for literary works. It achieves this by means of four special sets of investigations: into the relation between the so-called ‘autonomous’ poem and its political/historical contexts; into the relation of reception and history to literary interpretation; into the problems of canon and the characterisation of period; and, finally, into the ideological dimensions of both literary works and the criticism of such works. Whilst focusing largely on 19th-century works — among them those of Keats, Byron, Tennyson, and Christina Rossetti — its arguments are applicable to literary studies in general, and its emphasis throughout is theoretical and methodological.Less
As well as exploring the fault-lines marking the various kinds of historical literary studies from the New Criticism to Post-Structuralism, this book develops a fully elaborated socio-historical criticism for literary works. It achieves this by means of four special sets of investigations: into the relation between the so-called ‘autonomous’ poem and its political/historical contexts; into the relation of reception and history to literary interpretation; into the problems of canon and the characterisation of period; and, finally, into the ideological dimensions of both literary works and the criticism of such works. Whilst focusing largely on 19th-century works — among them those of Keats, Byron, Tennyson, and Christina Rossetti — its arguments are applicable to literary studies in general, and its emphasis throughout is theoretical and methodological.
Bruce Arroll
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780195383263
- eISBN:
- 9780199344871
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195383263.003.0022
- Subject:
- Social Work, Health and Mental Health
In Chapter 22, the author discusses his career as a physician in general practice. He describes an especially harrowing experience accompanying a patient on a helicopter ride to the hospital with ...
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In Chapter 22, the author discusses his career as a physician in general practice. He describes an especially harrowing experience accompanying a patient on a helicopter ride to the hospital with severe wounds that suddenly stopped breathing. The lessons learned from his career are both practical and theoretical. A practical lesson is the need to train rural physicians and staff in the skills and issues of transferring sick patients. The author also discusses self-criticism limitations and the need to accept one’s limitations and try to learn from mistakes.Less
In Chapter 22, the author discusses his career as a physician in general practice. He describes an especially harrowing experience accompanying a patient on a helicopter ride to the hospital with severe wounds that suddenly stopped breathing. The lessons learned from his career are both practical and theoretical. A practical lesson is the need to train rural physicians and staff in the skills and issues of transferring sick patients. The author also discusses self-criticism limitations and the need to accept one’s limitations and try to learn from mistakes.
Timothy Ward
- Published in print:
- 2002
- Published Online:
- September 2011
- ISBN:
- 9780199244386
- eISBN:
- 9780191697364
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199244386.003.0004
- Subject:
- Religion, Biblical Studies, Theology
This chapter focuses on the Bible as text, constructing an approach to texts as in some way sufficient, and to the Bible as materially sufficient. The first section looks at two ‘nonsupplementing’ ...
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This chapter focuses on the Bible as text, constructing an approach to texts as in some way sufficient, and to the Bible as materially sufficient. The first section looks at two ‘nonsupplementing’ accounts, both of which are often said to treat texts as in some way sufficient, or, more usually, ‘self-sufficient’. One of these approaches, New Criticism, comes from the field of literary theory; the other is the theological application of a basically formalist approach to Scripture by the theologian Hans Frei. Subsequent sections look at attempts to locate the text in relation to authors, and then to readers. In dealing with these topics, the chapter addresses some of the most serious objections to the claim that a text could be said in any way to be sufficient for anything — that is, those coming from poststructuralist and deconstructive positions. It focuses on the interpretative practices of Jacques Derrida, and on one particular example of how a certain kind of deconstructive reading has been practised on the Bible.Less
This chapter focuses on the Bible as text, constructing an approach to texts as in some way sufficient, and to the Bible as materially sufficient. The first section looks at two ‘nonsupplementing’ accounts, both of which are often said to treat texts as in some way sufficient, or, more usually, ‘self-sufficient’. One of these approaches, New Criticism, comes from the field of literary theory; the other is the theological application of a basically formalist approach to Scripture by the theologian Hans Frei. Subsequent sections look at attempts to locate the text in relation to authors, and then to readers. In dealing with these topics, the chapter addresses some of the most serious objections to the claim that a text could be said in any way to be sufficient for anything — that is, those coming from poststructuralist and deconstructive positions. It focuses on the interpretative practices of Jacques Derrida, and on one particular example of how a certain kind of deconstructive reading has been practised on the Bible.
Paul C. Gutjahr
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780199740420
- eISBN:
- 9780199894703
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199740420.003.0036
- Subject:
- Religion, Church History
Chapter thirty-six is primarily concerned with the rise of Transcendentalism in America and Princeton’s response to this new variation of American Unitarianism. Hodge, along with Albert Dod and James ...
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Chapter thirty-six is primarily concerned with the rise of Transcendentalism in America and Princeton’s response to this new variation of American Unitarianism. Hodge, along with Albert Dod and James W. Alexander, wrote early, stinging critiques of Transcendentalism for the Repertory. The articles were so well argued that the Unitarian Andrews Norton had them republished in his own battle against the rising influence of Transcendentalism in New England.Less
Chapter thirty-six is primarily concerned with the rise of Transcendentalism in America and Princeton’s response to this new variation of American Unitarianism. Hodge, along with Albert Dod and James W. Alexander, wrote early, stinging critiques of Transcendentalism for the Repertory. The articles were so well argued that the Unitarian Andrews Norton had them republished in his own battle against the rising influence of Transcendentalism in New England.
Jerome J. McGann
- Published in print:
- 1988
- Published Online:
- March 2012
- ISBN:
- 9780198117506
- eISBN:
- 9780191670961
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198117506.003.0001
- Subject:
- Literature, Criticism/Theory
The chapters in this book looks into the issue that literary studies today is experiencing the effects of internal divisions and contradictions, and that the disciplinary crisis will not be overcome ...
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The chapters in this book looks into the issue that literary studies today is experiencing the effects of internal divisions and contradictions, and that the disciplinary crisis will not be overcome until these contradictions are overcome. Most imperative is the need to reintegrate the entire range of socio-historical and philological methods with an aesthetic and ideological criticism of individual works. These chapters represent a series of initial and exploratory ventures toward such a programme of reintegration. This chapter sketches the general historical context within which the issues taken up in these chapters ought to be placed.Less
The chapters in this book looks into the issue that literary studies today is experiencing the effects of internal divisions and contradictions, and that the disciplinary crisis will not be overcome until these contradictions are overcome. Most imperative is the need to reintegrate the entire range of socio-historical and philological methods with an aesthetic and ideological criticism of individual works. These chapters represent a series of initial and exploratory ventures toward such a programme of reintegration. This chapter sketches the general historical context within which the issues taken up in these chapters ought to be placed.
Jerome J. McGann
- Published in print:
- 1988
- Published Online:
- March 2012
- ISBN:
- 9780198117506
- eISBN:
- 9780191670961
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198117506.003.0009
- Subject:
- Literature, Criticism/Theory
One of the difficulties which an explicitly Christian poem, or artwork, presents for criticism is its appearance of thematic uniformity. Readers of such a poem frequently seem to think that the ideas ...
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One of the difficulties which an explicitly Christian poem, or artwork, presents for criticism is its appearance of thematic uniformity. Readers of such a poem frequently seem to think that the ideas are transcendent rather than historically particular. The enormous revival of interest in Christian and even Catholic poetry which began in the Modern Period and which flourished with New Criticism did not take any serious account of the work of Christina Rossetti. This chapter asks why is it that not a single critic associated with the New Critical movement ever wrote anything about Christina Rossetti. Fortunately, the ultimate marginality of Rossetti 's particular Christian stance was to become the source of its final strength, the privilege of its historical backwardness.Less
One of the difficulties which an explicitly Christian poem, or artwork, presents for criticism is its appearance of thematic uniformity. Readers of such a poem frequently seem to think that the ideas are transcendent rather than historically particular. The enormous revival of interest in Christian and even Catholic poetry which began in the Modern Period and which flourished with New Criticism did not take any serious account of the work of Christina Rossetti. This chapter asks why is it that not a single critic associated with the New Critical movement ever wrote anything about Christina Rossetti. Fortunately, the ultimate marginality of Rossetti 's particular Christian stance was to become the source of its final strength, the privilege of its historical backwardness.
Jason Herbeck
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781786940391
- eISBN:
- 9781786944948
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781786940391.001.0001
- Subject:
- Literature, World Literature
Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, ...
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Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, departmentalization, dictatorship, overseas collectivity and occupation. Given the strictures and structures of colonialism long imposed upon the colonized subject, the (re)makings of identity have proven anything but evident when it comes to determining authentic expressions and perceptions of the postcolonial self. By way of close readings of both constructions in literature and the construction of literature, Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean proposes an original, informative frame of reference for understanding the long and ever-evolving struggle for social, cultural, historical and political autonomy in the region. Taking as its point of focus diverse canonical and lesser-known texts from Guadeloupe, Martinique and Haiti published between 1958 and 2013, this book examines the trope of the house (architecture) and the meta-textual construction of texts (architexture) as a means of conceptualizing and articulating how authentic means of expression are and have been created in French-Caribbean literature over the greater part of the past half-century—whether it be in the context of the years leading up to or following the departmentalization of France’s overseas colonies in the 1940’s, the wrath of Hurricane Hugo in 1989, or the devastating Haiti earthquake of 2010.Less
Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, departmentalization, dictatorship, overseas collectivity and occupation. Given the strictures and structures of colonialism long imposed upon the colonized subject, the (re)makings of identity have proven anything but evident when it comes to determining authentic expressions and perceptions of the postcolonial self. By way of close readings of both constructions in literature and the construction of literature, Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean proposes an original, informative frame of reference for understanding the long and ever-evolving struggle for social, cultural, historical and political autonomy in the region. Taking as its point of focus diverse canonical and lesser-known texts from Guadeloupe, Martinique and Haiti published between 1958 and 2013, this book examines the trope of the house (architecture) and the meta-textual construction of texts (architexture) as a means of conceptualizing and articulating how authentic means of expression are and have been created in French-Caribbean literature over the greater part of the past half-century—whether it be in the context of the years leading up to or following the departmentalization of France’s overseas colonies in the 1940’s, the wrath of Hurricane Hugo in 1989, or the devastating Haiti earthquake of 2010.
Zeljka Doljanin and Máire Doyle (eds)
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9781526100566
- eISBN:
- 9781526132321
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526100566.001.0001
- Subject:
- Literature, Criticism/Theory
John McGahern was acknowledged as one of the greatest Irish writers of the twentieth century. This study of his work, John McGahern: Authority and vision, is a unique collection that brings together ...
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John McGahern was acknowledged as one of the greatest Irish writers of the twentieth century. This study of his work, John McGahern: Authority and vision, is a unique collection that brings together essays by experts from a variety of disciplines that include history, sociology, education, journalism, creative writing and literary criticism, to offer fresh perspectives and new insights into the writer, his work and his legacy. Comprising essays from a range of distinguished contributors that includes Roy Foster, Paula Meehan, Frank McGuinness and Melvyn Bragg, along with a previously unpublished interview by Stanley van der Ziel, this collection extends the existing body of criticism into new areas to deepen our appreciation of the McGahern’s considerable achievements. This volume, which also features an original poem by Paula Meehan written in honour of McGahern, will stimulate the interest of students, researchers and general readers of Irish literature and Irish studies.
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John McGahern was acknowledged as one of the greatest Irish writers of the twentieth century. This study of his work, John McGahern: Authority and vision, is a unique collection that brings together essays by experts from a variety of disciplines that include history, sociology, education, journalism, creative writing and literary criticism, to offer fresh perspectives and new insights into the writer, his work and his legacy. Comprising essays from a range of distinguished contributors that includes Roy Foster, Paula Meehan, Frank McGuinness and Melvyn Bragg, along with a previously unpublished interview by Stanley van der Ziel, this collection extends the existing body of criticism into new areas to deepen our appreciation of the McGahern’s considerable achievements. This volume, which also features an original poem by Paula Meehan written in honour of McGahern, will stimulate the interest of students, researchers and general readers of Irish literature and Irish studies.
Molly Hoff
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9780979606670
- eISBN:
- 9781786945129
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780979606670.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
This book provides a synopsis and analysis of Virginia Woolf’s Mrs. Dalloway. In her close reading, Molly Hoff collects the literary fragments scattered in the novel and gathers them into a ...
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This book provides a synopsis and analysis of Virginia Woolf’s Mrs. Dalloway. In her close reading, Molly Hoff collects the literary fragments scattered in the novel and gathers them into a discussion of style, narrative and intertextual references. The author supplements her breakdown of individual lines and words in the novel with her own knowledge of the city of London and the idioms used by its residents, therefore providing a useful context on place and language. Hoff also draws on poetic convention from Classical and modern literature, including Greek myth and Alexandrian poetry, to supplement her discussion of the novel’s use of characterisation, recurring motifs and imagery. Hoff’s annotations are organised according to the novel’s twelve unnumbered ‘section’ breaks, indicated by Woolf with vertical spacing.Less
This book provides a synopsis and analysis of Virginia Woolf’s Mrs. Dalloway. In her close reading, Molly Hoff collects the literary fragments scattered in the novel and gathers them into a discussion of style, narrative and intertextual references. The author supplements her breakdown of individual lines and words in the novel with her own knowledge of the city of London and the idioms used by its residents, therefore providing a useful context on place and language. Hoff also draws on poetic convention from Classical and modern literature, including Greek myth and Alexandrian poetry, to supplement her discussion of the novel’s use of characterisation, recurring motifs and imagery. Hoff’s annotations are organised according to the novel’s twelve unnumbered ‘section’ breaks, indicated by Woolf with vertical spacing.
