Shih-chen Chao
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9789888390809
- eISBN:
- 9789888390441
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888390809.003.0003
- Subject:
- Society and Culture, Gay and Lesbian Studies
This paper analyzes gender performativity in the form of cross-dressing cuteness through cosplaying by a popular male-cosplaying-female fan group “Ailisi Weiniang Tuan (Alice Cos Group)” based in ...
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This paper analyzes gender performativity in the form of cross-dressing cuteness through cosplaying by a popular male-cosplaying-female fan group “Ailisi Weiniang Tuan (Alice Cos Group)” based in China. Drawing from cute studies, gender/queer studies, and fan studies, this paper examines the phenomenon of fake girls as a venue of redefining the boundaries of identity and gender using cosplaying and the notion of cuteness to achieve queerness to address the issue of gender performativity through queered cuteness in today’s China.Less
This paper analyzes gender performativity in the form of cross-dressing cuteness through cosplaying by a popular male-cosplaying-female fan group “Ailisi Weiniang Tuan (Alice Cos Group)” based in China. Drawing from cute studies, gender/queer studies, and fan studies, this paper examines the phenomenon of fake girls as a venue of redefining the boundaries of identity and gender using cosplaying and the notion of cuteness to achieve queerness to address the issue of gender performativity through queered cuteness in today’s China.
Christopher McGunnigle
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9781496818805
- eISBN:
- 9781496818843
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496818805.003.0007
- Subject:
- Literature, Comics Studies
Genderswapped characters are rarely a canonical part of a company’s intellectual property, but rather a concoction of fan creativity. However, as Rule 63 made its way around the internet, variations ...
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Genderswapped characters are rarely a canonical part of a company’s intellectual property, but rather a concoction of fan creativity. However, as Rule 63 made its way around the internet, variations in its wording showed a bias in the adage’s primacy of gender. The male character and his female genderswapped version is shown to be the rule while female to male genderswapping is an often-missing corollary. Such a gendered hegemony is present not only online but also in general fan culture. This chapter interrogates the processes that underpin this and also investigates the nature of cosplay through ethnography.Less
Genderswapped characters are rarely a canonical part of a company’s intellectual property, but rather a concoction of fan creativity. However, as Rule 63 made its way around the internet, variations in its wording showed a bias in the adage’s primacy of gender. The male character and his female genderswapped version is shown to be the rule while female to male genderswapping is an often-missing corollary. Such a gendered hegemony is present not only online but also in general fan culture. This chapter interrogates the processes that underpin this and also investigates the nature of cosplay through ethnography.
Jeffrey L. Richey
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9781496819215
- eISBN:
- 9781496819253
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496819215.003.0010
- Subject:
- Literature, Comics Studies
This chapter describes and analyzes the ways in which Japanese youth interest in onmyōji—particularly the disproportionate interest shown by young Japanese women—engages the social realities of ...
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This chapter describes and analyzes the ways in which Japanese youth interest in onmyōji—particularly the disproportionate interest shown by young Japanese women—engages the social realities of contemporary Japanese life., where feelings of uncertainty and precariousness abound.
By utilizing a variety of disciplinary approaches to culture—among them those of anthropology, gender theory, history, literary criticism, and religious studies—it seeks to produce a fresh look at how the onmyōji “boom,” now some thirty years in duration with apparently enduring appeal, is relevant to contemporary concerns about cultural authenticity and identity, gender and sexuality, and spirituality and religion in Japan.Less
This chapter describes and analyzes the ways in which Japanese youth interest in onmyōji—particularly the disproportionate interest shown by young Japanese women—engages the social realities of contemporary Japanese life., where feelings of uncertainty and precariousness abound.
By utilizing a variety of disciplinary approaches to culture—among them those of anthropology, gender theory, history, literary criticism, and religious studies—it seeks to produce a fresh look at how the onmyōji “boom,” now some thirty years in duration with apparently enduring appeal, is relevant to contemporary concerns about cultural authenticity and identity, gender and sexuality, and spirituality and religion in Japan.
