Wen Hua
- Published in print:
- 2013
- Published Online:
- September 2013
- ISBN:
- 9789888139811
- eISBN:
- 9789888180691
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888139811.003.0003
- Subject:
- Society and Culture, Asian Studies
The term “artificial beauty” (renzaomeinü) became popular in China after a young Chinese woman, Hao Lulu, was dubbed as China’s first “artificial beauty” in 2003.Her story caused an upsurge of ...
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The term “artificial beauty” (renzaomeinü) became popular in China after a young Chinese woman, Hao Lulu, was dubbed as China’s first “artificial beauty” in 2003.Her story caused an upsurge of interest in cosmetic surgery and triggered a nationwide debate in China.This chapter provides a quick yet telling glimpse into the burgeoning cosmetic surgery industry and women’s involvement in it. While some people condemn the pursuit of beauty through cosmetic surgery as women’s submission to the male gaze, Hao Lulu and women like her claim their rights to cosmetic surgery as a way of self-improvement and self-fulfilment. Through discussing controversial debates concerning Hao Lulu, the author explores the newly emerging body politics and market discourse of post-Mao China. The author argues that cosmetic surgery involves both exploitation and liberation of the body, and both enslavement and empowerment of women.Less
The term “artificial beauty” (renzaomeinü) became popular in China after a young Chinese woman, Hao Lulu, was dubbed as China’s first “artificial beauty” in 2003.Her story caused an upsurge of interest in cosmetic surgery and triggered a nationwide debate in China.This chapter provides a quick yet telling glimpse into the burgeoning cosmetic surgery industry and women’s involvement in it. While some people condemn the pursuit of beauty through cosmetic surgery as women’s submission to the male gaze, Hao Lulu and women like her claim their rights to cosmetic surgery as a way of self-improvement and self-fulfilment. Through discussing controversial debates concerning Hao Lulu, the author explores the newly emerging body politics and market discourse of post-Mao China. The author argues that cosmetic surgery involves both exploitation and liberation of the body, and both enslavement and empowerment of women.
