Stuart Murray
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781789621648
- eISBN:
- 9781800341159
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789621648.001.0001
- Subject:
- Sociology, Culture
Disability and the Posthuman is the first study to analyse cultural representations and deployments of disability as they interact with posthumanist theories of technology and embodiment. Working ...
More
Disability and the Posthuman is the first study to analyse cultural representations and deployments of disability as they interact with posthumanist theories of technology and embodiment. Working across a wide range of texts, many new to critical enquiry, in contemporary writing, film and cultural practice from North America, Europe, the Middle East and Japan, it covers a diverse range of topics, including: contemporary cultural theory and aesthetics; design, engineering and gender; the visualisation of prosthetic technologies in the representation of war and conflict; and depictions of work, time and sleep. While noting the potential limitations of posthumanist assessments of the technologized body, the study argues that there are exciting, productive possibilities and subversive potentials in the dialogue between disability and posthumanism as they generate dissident crossings of cultural spaces. Such intersections cover both fictional/imagined and material/grounded examples of disability and look to a future in which the development of technology and complex embodiment of disability presence align to produce sustainable yet radical creative and critical voices.Less
Disability and the Posthuman is the first study to analyse cultural representations and deployments of disability as they interact with posthumanist theories of technology and embodiment. Working across a wide range of texts, many new to critical enquiry, in contemporary writing, film and cultural practice from North America, Europe, the Middle East and Japan, it covers a diverse range of topics, including: contemporary cultural theory and aesthetics; design, engineering and gender; the visualisation of prosthetic technologies in the representation of war and conflict; and depictions of work, time and sleep. While noting the potential limitations of posthumanist assessments of the technologized body, the study argues that there are exciting, productive possibilities and subversive potentials in the dialogue between disability and posthumanism as they generate dissident crossings of cultural spaces. Such intersections cover both fictional/imagined and material/grounded examples of disability and look to a future in which the development of technology and complex embodiment of disability presence align to produce sustainable yet radical creative and critical voices.
Stuart Murray
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781789621648
- eISBN:
- 9781800341159
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789621648.003.0004
- Subject:
- Sociology, Culture
This chapter looks at the ways technologized bodies are designed and engineered, and especially how these processes are gendered. It argues that it is vital to understand the logic and techniques of ...
More
This chapter looks at the ways technologized bodies are designed and engineered, and especially how these processes are gendered. It argues that it is vital to understand the logic and techniques of design and engineering given that many disability experiences are produced through the intersection between body and technology, and the chapter analyses science and speculative fiction and film in which artificial, robotic and cyborg bodies are designed and produced, outlining how this production needs to be understood through a disability lens. The chapter will focus on texts where women are engineered, but also where they undertake the engineering; it also asserts that a disability-inflected conception of female engineering animates contemporary cultural production, highlighting the ideas of subject and community this produces.Less
This chapter looks at the ways technologized bodies are designed and engineered, and especially how these processes are gendered. It argues that it is vital to understand the logic and techniques of design and engineering given that many disability experiences are produced through the intersection between body and technology, and the chapter analyses science and speculative fiction and film in which artificial, robotic and cyborg bodies are designed and produced, outlining how this production needs to be understood through a disability lens. The chapter will focus on texts where women are engineered, but also where they undertake the engineering; it also asserts that a disability-inflected conception of female engineering animates contemporary cultural production, highlighting the ideas of subject and community this produces.
Brandon Grafius
- Published in print:
- 2020
- Published Online:
- September 2021
- ISBN:
- 9781800348356
- eISBN:
- 9781800850989
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781800348356.001.0001
- Subject:
- Film, Television and Radio, Film
The book offers an overview of the religious history, generic background, and folklore influences on Robert Eggers’ film The Witch (2015). In addition, it provides close readings of the film and the ...
More
The book offers an overview of the religious history, generic background, and folklore influences on Robert Eggers’ film The Witch (2015). In addition, it provides close readings of the film and the individual characters which argues for the film as a critique of patriarchal family structures. The religious background of the film’s Puritan context is explored, including a discussion of some of the documents which Eggers used for his screenplay. The film is placed in the context of 21st century horror cinema, with an argument for its place in the context of the current wave of folk horror.Less
The book offers an overview of the religious history, generic background, and folklore influences on Robert Eggers’ film The Witch (2015). In addition, it provides close readings of the film and the individual characters which argues for the film as a critique of patriarchal family structures. The religious background of the film’s Puritan context is explored, including a discussion of some of the documents which Eggers used for his screenplay. The film is placed in the context of 21st century horror cinema, with an argument for its place in the context of the current wave of folk horror.
Stuart Murray
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781789621648
- eISBN:
- 9781800341159
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789621648.003.0002
- Subject:
- Sociology, Culture
Introduces the central features of the book: a concentration of critical disability studies and posthuman theory; questions of embodiment and technology; the focus on twenty- and twenty-first- ...
More
Introduces the central features of the book: a concentration of critical disability studies and posthuman theory; questions of embodiment and technology; the focus on twenty- and twenty-first- century literatures and twenty-first-century film. The introduction also outlines the contents of the chapters and has a particular focus on the writings of L. Frank Baum, especially The Wonderful Wizard of Oz.Less
Introduces the central features of the book: a concentration of critical disability studies and posthuman theory; questions of embodiment and technology; the focus on twenty- and twenty-first- century literatures and twenty-first-century film. The introduction also outlines the contents of the chapters and has a particular focus on the writings of L. Frank Baum, especially The Wonderful Wizard of Oz.
