Alan M. Wald
- Published in print:
- 2012
- Published Online:
- July 2014
- ISBN:
- 9780807835869
- eISBN:
- 9781469601502
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/9780807837344_wald
- Subject:
- Literature, American, 20th Century Literature
This book, the final volume of a trilogy, brings the author's multigenerational history of Communist writers to a climax. Using new research to explore the intimate lives of novelists, poets, and ...
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This book, the final volume of a trilogy, brings the author's multigenerational history of Communist writers to a climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, it reveals a radical community longing for the rebirth of the social vision of the 1930s and struggling with a loss of moral certainty as the Communist worldview was being called into question. The resulting literature, the author shows, is a haunting record of fracture and struggle linked by common structures of feeling, ones more suggestive of the “negative dialectics” of Theodor Adorno than the traditional social realism of the Left. Establishing new points of contact among Kenneth Fearing, Ann Petry, Alexander Saxton, Richard Wright, Jo Sinclair, Thomas McGrath, and Carlos Bulosan, the author argues that these writers were in dialogue with psychoanalysis, existentialism, and postwar modernism, often generating moods of piercing emotional acuity and cosmic dissent. He also recounts the contributions of lesser-known cultural workers, with a unique accent on gays and lesbians, secular Jews, and people of color. The vexing ambiguities of an era the author labels “late antifascism” serve to frame a collective biography.Less
This book, the final volume of a trilogy, brings the author's multigenerational history of Communist writers to a climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, it reveals a radical community longing for the rebirth of the social vision of the 1930s and struggling with a loss of moral certainty as the Communist worldview was being called into question. The resulting literature, the author shows, is a haunting record of fracture and struggle linked by common structures of feeling, ones more suggestive of the “negative dialectics” of Theodor Adorno than the traditional social realism of the Left. Establishing new points of contact among Kenneth Fearing, Ann Petry, Alexander Saxton, Richard Wright, Jo Sinclair, Thomas McGrath, and Carlos Bulosan, the author argues that these writers were in dialogue with psychoanalysis, existentialism, and postwar modernism, often generating moods of piercing emotional acuity and cosmic dissent. He also recounts the contributions of lesser-known cultural workers, with a unique accent on gays and lesbians, secular Jews, and people of color. The vexing ambiguities of an era the author labels “late antifascism” serve to frame a collective biography.
Alan M. Wald
- Published in print:
- 2012
- Published Online:
- July 2014
- ISBN:
- 9780807835869
- eISBN:
- 9781469601502
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/9780807837344_wald.4
- Subject:
- Literature, American, 20th Century Literature
This book discusses several generations of Communist writers committed to the 1930s vision of advancing a new society. This introduction considers the problematical meanings for literature of the ...
More
This book discusses several generations of Communist writers committed to the 1930s vision of advancing a new society. This introduction considers the problematical meanings for literature of the prevailing political strategy of the pro-Communist Left. It describes the enigma of the evolving meaning of “antifascism,” which is captured in Howard Fast's “An Epitaph for Sidney.”Less
This book discusses several generations of Communist writers committed to the 1930s vision of advancing a new society. This introduction considers the problematical meanings for literature of the prevailing political strategy of the pro-Communist Left. It describes the enigma of the evolving meaning of “antifascism,” which is captured in Howard Fast's “An Epitaph for Sidney.”
Alan M. Wald
- Published in print:
- 2007
- Published Online:
- July 2014
- ISBN:
- 9780807830758
- eISBN:
- 9781469603285
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/9780807882368_wald
- Subject:
- Literature, American, 20th Century Literature
The second of three volumes that track the political and personal lives of several generations of U.S. left-wing writers, this book carries forward the chronicle launched in Exiles from a Future ...
More
The second of three volumes that track the political and personal lives of several generations of U.S. left-wing writers, this book carries forward the chronicle launched in Exiles from a Future Time: The Forging of the Mid-Twentieth-Century Literary Left. In this volume, the author delves into literary, emotional, and ideological trajectories of radical cultural workers in the era when the International Brigades fought in the Spanish Civil War (1936–39) and the United States battled in World War II (1941–45). Probing in detail the controversial impact of the Popular Front on literary culture, he explores the ethical and aesthetic challenges that pro-Communist writers faced, and presents a cross-section of literary talent, from the famous to the forgotten, the major to the minor. The writers examined include Len Zinberg (a.k.a. Ed Lacy), John Oliver Killens, Irwin Shaw, Albert Maltz, Ann Petry, Chester Himes, Henry Roth, Lauren Gilfillan, Ruth Mc-Kenney, Morris U. Schappes, and Jo Sinclair. The author also uncovers dramatic new information about Arthur Miller's complex commitment to the Left. Confronting heartfelt questions about Jewish masculinity, racism at the core of liberal democracy, the corrosion of utopian dreams, and the thorny interaction between antifascism and Communism, he re-creates the intellectual and cultural landscape of a remarkable era.Less
The second of three volumes that track the political and personal lives of several generations of U.S. left-wing writers, this book carries forward the chronicle launched in Exiles from a Future Time: The Forging of the Mid-Twentieth-Century Literary Left. In this volume, the author delves into literary, emotional, and ideological trajectories of radical cultural workers in the era when the International Brigades fought in the Spanish Civil War (1936–39) and the United States battled in World War II (1941–45). Probing in detail the controversial impact of the Popular Front on literary culture, he explores the ethical and aesthetic challenges that pro-Communist writers faced, and presents a cross-section of literary talent, from the famous to the forgotten, the major to the minor. The writers examined include Len Zinberg (a.k.a. Ed Lacy), John Oliver Killens, Irwin Shaw, Albert Maltz, Ann Petry, Chester Himes, Henry Roth, Lauren Gilfillan, Ruth Mc-Kenney, Morris U. Schappes, and Jo Sinclair. The author also uncovers dramatic new information about Arthur Miller's complex commitment to the Left. Confronting heartfelt questions about Jewish masculinity, racism at the core of liberal democracy, the corrosion of utopian dreams, and the thorny interaction between antifascism and Communism, he re-creates the intellectual and cultural landscape of a remarkable era.
