Sharon Macdonald and Jennie Morgan
- Published in print:
- 2019
- Published Online:
- May 2019
- ISBN:
- 9781526118196
- eISBN:
- 9781526142016
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526118196.003.0003
- Subject:
- Anthropology, Anthropology, Global
A key – some might even say _the _key – curatorial role is to decide what to collect. What, that is, should be preserved for the future? In this essay, we present ethnographic research with curators ...
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A key – some might even say _the _key – curatorial role is to decide what to collect. What, that is, should be preserved for the future? In this essay, we present ethnographic research with curators of contemporary everyday life. As we show, these curators struggle with a profusion of things, stories and information that could potentially be collected. Moreover, they widely report the struggle to be intensifying. Exploring their perceptions and what these mean in practice in their work, we argue that while neo-liberal and especially austerity politics has an important role in intensifying their sense of anxiety, their experience cannot be reduced to this. On the contrary, their intimation of dystopia is as much a function of other – in some ways utopian – aspirations and politics, as well as of a relativisation of value. These all contribute to transforming the nature of curatorship more widely.Less
A key – some might even say _the _key – curatorial role is to decide what to collect. What, that is, should be preserved for the future? In this essay, we present ethnographic research with curators of contemporary everyday life. As we show, these curators struggle with a profusion of things, stories and information that could potentially be collected. Moreover, they widely report the struggle to be intensifying. Exploring their perceptions and what these mean in practice in their work, we argue that while neo-liberal and especially austerity politics has an important role in intensifying their sense of anxiety, their experience cannot be reduced to this. On the contrary, their intimation of dystopia is as much a function of other – in some ways utopian – aspirations and politics, as well as of a relativisation of value. These all contribute to transforming the nature of curatorship more widely.
William Stenhouse
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781526117045
- eISBN:
- 9781526141910
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526117045.003.0007
- Subject:
- Art, Art History
This essay examines attitudes towards the display, study and protection of Roman antiquities, including inscriptions, bas-reliefs, and statues, in southern France, looking particularly at the towns ...
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This essay examines attitudes towards the display, study and protection of Roman antiquities, including inscriptions, bas-reliefs, and statues, in southern France, looking particularly at the towns of Arles, Nîmes and Vienne. There are plenty of examples of the destruction of ancient remains in this period, especially ancient structures that obstructed modern building projects, but various people and institutions also laid claim to Roman material. Kings and their lieutenants removed objects, but also told towns to maintain what they had. Civic governments began to display pieces that affirmed their cities’ ancient past and tried to preserve ancient buildings, sometimes by collaborating with religious orders. Collectively, the efforts of these different individuals and institutions contributed to a shared sense of local heritage.Less
This essay examines attitudes towards the display, study and protection of Roman antiquities, including inscriptions, bas-reliefs, and statues, in southern France, looking particularly at the towns of Arles, Nîmes and Vienne. There are plenty of examples of the destruction of ancient remains in this period, especially ancient structures that obstructed modern building projects, but various people and institutions also laid claim to Roman material. Kings and their lieutenants removed objects, but also told towns to maintain what they had. Civic governments began to display pieces that affirmed their cities’ ancient past and tried to preserve ancient buildings, sometimes by collaborating with religious orders. Collectively, the efforts of these different individuals and institutions contributed to a shared sense of local heritage.
Fernando Marías
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781526117045
- eISBN:
- 9781526141910
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526117045.003.0008
- Subject:
- Art, Art History
The study of Local Roman Antiquities developed in Spain from the end of the 15th Century focusing on the ancient remains of Roman cities as Mérida, Segovia, Murviedro and Tarragona. Foreign and ...
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The study of Local Roman Antiquities developed in Spain from the end of the 15th Century focusing on the ancient remains of Roman cities as Mérida, Segovia, Murviedro and Tarragona. Foreign and Spanish scholars contributed with field research and drawings, and architects tried to dig up the past of their respective towns through excavation and interpretation of the architectural remains, and to put into practice what they thought could have been their own local Roman models as well. Córdoba, the ancient Roman Baetica and Umayyad capital is one of our best examples for studying the way its architecture, orders and ornate could have been analysed and interpreted, and how its architects could use Roman and Umayyad models, by the end of the 16th Century, for their modern local buildings.Less
The study of Local Roman Antiquities developed in Spain from the end of the 15th Century focusing on the ancient remains of Roman cities as Mérida, Segovia, Murviedro and Tarragona. Foreign and Spanish scholars contributed with field research and drawings, and architects tried to dig up the past of their respective towns through excavation and interpretation of the architectural remains, and to put into practice what they thought could have been their own local Roman models as well. Córdoba, the ancient Roman Baetica and Umayyad capital is one of our best examples for studying the way its architecture, orders and ornate could have been analysed and interpreted, and how its architects could use Roman and Umayyad models, by the end of the 16th Century, for their modern local buildings.
Sarah Longair
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781474435734
- eISBN:
- 9781474453721
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474435734.003.0007
- Subject:
- Literature, 19th-century and Victorian Literature
For over a thousand years, the Swahili culture of coastal East Africa had developed by synthesising myriad influences from the African continent, Arabia and across the Indian Ocean. By the ...
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For over a thousand years, the Swahili culture of coastal East Africa had developed by synthesising myriad influences from the African continent, Arabia and across the Indian Ocean. By the mid-Victorian period Zanzibar was a key Indian Ocean commercial centre, and in 1890 was established as a British Protectorate. This chapter examines, through writings, collections of material culture and photographs, the British encounter with Zanzibar and the island’s cosmopolitan culture. British officers described themselves as going to ‘the East’ when departing for the island. The word itself epitomised mysterious otherness and exoticism, while its Arabian-Nights charm contrasted with the stereotypes about the African interior. Yet its skyline was criticised for lacking minarets and domes and being insufficiently Islamic. It was also described as unhealthy and dirty, making British intervention necessary to transform it into ‘an island paradise’. This chapter analyses how the British response to Zanzibar as a liminal space between Africa and the East shifted in this period of economic and political transformation on the coast.Less
For over a thousand years, the Swahili culture of coastal East Africa had developed by synthesising myriad influences from the African continent, Arabia and across the Indian Ocean. By the mid-Victorian period Zanzibar was a key Indian Ocean commercial centre, and in 1890 was established as a British Protectorate. This chapter examines, through writings, collections of material culture and photographs, the British encounter with Zanzibar and the island’s cosmopolitan culture. British officers described themselves as going to ‘the East’ when departing for the island. The word itself epitomised mysterious otherness and exoticism, while its Arabian-Nights charm contrasted with the stereotypes about the African interior. Yet its skyline was criticised for lacking minarets and domes and being insufficiently Islamic. It was also described as unhealthy and dirty, making British intervention necessary to transform it into ‘an island paradise’. This chapter analyses how the British response to Zanzibar as a liminal space between Africa and the East shifted in this period of economic and political transformation on the coast.
Jemma Field
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781526142498
- eISBN:
- 9781526155542
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7765/9781526142504
- Subject:
- History, British and Irish Early Modern History
This book analyses Anna of Denmark’s material and visual patronage at the Stuart courts, examining her engagement with a wide array of expressive media including architecture, garden design, ...
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This book analyses Anna of Denmark’s material and visual patronage at the Stuart courts, examining her engagement with a wide array of expressive media including architecture, garden design, painting, music, dress, and jewellery. Encompassing Anna’s time in Denmark, England, and Scotland, it establishes patterns of interest and influence in her agency, while furthering our knowledge of Baltic-British transfer in the early modern period. Substantial archival work has facilitated a formative re-conceptualisation of James and Anna’s relationship, extended our knowledge of the constituents of consortship in the period, and has uncovered evidence to challenge the view that Anna followed the cultural accomplishments of her son, Prince Henry. This book reclaims Anna of Denmark as the influential and culturally active royal woman that her contemporaries knew. Combining politics, culture, and religion across the courts of Denmark, Scotland, and England, it enriches our understanding of royal women’s roles in early modern patriarchal societies and their impact on the development of cultural modes and fashions. This book will be of interest to upper level undergraduate and postgraduate students taking courses on early modern Europe in the disciplines of Art and Architectural History, English Literature, Theatre Studies, History, and Gender Studies. It will also attract a wide range of academics working on early modern material and visual culture, and female patronage, while members of the public who enjoy the history of courts and the British royals will also find it distinctively appealing.Less
This book analyses Anna of Denmark’s material and visual patronage at the Stuart courts, examining her engagement with a wide array of expressive media including architecture, garden design, painting, music, dress, and jewellery. Encompassing Anna’s time in Denmark, England, and Scotland, it establishes patterns of interest and influence in her agency, while furthering our knowledge of Baltic-British transfer in the early modern period. Substantial archival work has facilitated a formative re-conceptualisation of James and Anna’s relationship, extended our knowledge of the constituents of consortship in the period, and has uncovered evidence to challenge the view that Anna followed the cultural accomplishments of her son, Prince Henry. This book reclaims Anna of Denmark as the influential and culturally active royal woman that her contemporaries knew. Combining politics, culture, and religion across the courts of Denmark, Scotland, and England, it enriches our understanding of royal women’s roles in early modern patriarchal societies and their impact on the development of cultural modes and fashions. This book will be of interest to upper level undergraduate and postgraduate students taking courses on early modern Europe in the disciplines of Art and Architectural History, English Literature, Theatre Studies, History, and Gender Studies. It will also attract a wide range of academics working on early modern material and visual culture, and female patronage, while members of the public who enjoy the history of courts and the British royals will also find it distinctively appealing.
Anca I. Lasc
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781526113382
- eISBN:
- 9781526138781
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526113382.003.0002
- Subject:
- Art, Art History
This chapter examines influential collecting and taste manuals from the second half of the nineteenth century dedicated to both a male, respectively a female, audience. After providing a brief ...
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This chapter examines influential collecting and taste manuals from the second half of the nineteenth century dedicated to both a male, respectively a female, audience. After providing a brief history of collecting and its development in post-revolutionary France, the chapter explains how the visual and critical discourses about the proper appearance of the modern, private interior and about the arrangement of objects displayed therein informed the development of a new historicist, themed aesthetic. This new aesthetic required a mastermind to supervise the organization of each interior decorating ensemble within the upper as well as the middle-class private home - increasingly more decorated in the aftermath of the Industrial and Consumer Revolutions - paving the way to the work of the later interior decorators at the end of the nineteenth and the beginning of the twentieth century.Less
This chapter examines influential collecting and taste manuals from the second half of the nineteenth century dedicated to both a male, respectively a female, audience. After providing a brief history of collecting and its development in post-revolutionary France, the chapter explains how the visual and critical discourses about the proper appearance of the modern, private interior and about the arrangement of objects displayed therein informed the development of a new historicist, themed aesthetic. This new aesthetic required a mastermind to supervise the organization of each interior decorating ensemble within the upper as well as the middle-class private home - increasingly more decorated in the aftermath of the Industrial and Consumer Revolutions - paving the way to the work of the later interior decorators at the end of the nineteenth and the beginning of the twentieth century.
- Published in print:
- 2012
- Published Online:
- May 2013
- ISBN:
- 9789888139590
- eISBN:
- 9789888180202
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888139590.003.0002
- Subject:
- History, Asian History
Ayscough first developed as a connoisseur, under the guidance of collectors she met through the Royal Asiatic Society, including John C. Ferguson. She curated exhibitions of Chinese art in Shanghai, ...
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Ayscough first developed as a connoisseur, under the guidance of collectors she met through the Royal Asiatic Society, including John C. Ferguson. She curated exhibitions of Chinese art in Shanghai, as well as in America, including an exhibit at the Panama Pacific International Exposition. Her writings helped introduce western audiences to Chinese painting, and in particular, Chinese Modernism.Less
Ayscough first developed as a connoisseur, under the guidance of collectors she met through the Royal Asiatic Society, including John C. Ferguson. She curated exhibitions of Chinese art in Shanghai, as well as in America, including an exhibit at the Panama Pacific International Exposition. Her writings helped introduce western audiences to Chinese painting, and in particular, Chinese Modernism.
Graeme Pedlingham
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781526124340
- eISBN:
- 9781526136206
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526124340.003.0009
- Subject:
- Literature, Criticism/Theory
This chapter explores the treatment of objects, things, in Marsh’s major Gothic works: The Beetle, The Goddess and The Joss. The increasing popularity in the late nineteenth century of collecting and ...
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This chapter explores the treatment of objects, things, in Marsh’s major Gothic works: The Beetle, The Goddess and The Joss. The increasing popularity in the late nineteenth century of collecting and consuming objects offers a context in which boundaries between people and things become uncertain, with objects seemingly exercising a disturbing agency. Marsh’s texts present mutually transforming encounters between objects and characters that question the stability of identity. The chapter suggests that whilst transgressing boundaries between self and not-self is often explored in critical analysis through mesmerism, a more appropriate conceptual framework for Marsh is provided by object relations psychoanalysis, and specifically Christopher Bollas’s notion of ‘transformational objects’. Developing this notion in relation to Bill Brown’s ‘thing theory’, the chapter identifies Marsh’s objects as ‘transformational things’, encounters with which often lead to terrifying breakdowns of selfhood, conveying a pervasive sense of existential horror and exposing the precariousness of late-nineteenth-century identity.Less
This chapter explores the treatment of objects, things, in Marsh’s major Gothic works: The Beetle, The Goddess and The Joss. The increasing popularity in the late nineteenth century of collecting and consuming objects offers a context in which boundaries between people and things become uncertain, with objects seemingly exercising a disturbing agency. Marsh’s texts present mutually transforming encounters between objects and characters that question the stability of identity. The chapter suggests that whilst transgressing boundaries between self and not-self is often explored in critical analysis through mesmerism, a more appropriate conceptual framework for Marsh is provided by object relations psychoanalysis, and specifically Christopher Bollas’s notion of ‘transformational objects’. Developing this notion in relation to Bill Brown’s ‘thing theory’, the chapter identifies Marsh’s objects as ‘transformational things’, encounters with which often lead to terrifying breakdowns of selfhood, conveying a pervasive sense of existential horror and exposing the precariousness of late-nineteenth-century identity.
Daniel Orrells
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781526124340
- eISBN:
- 9781526136206
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526124340.003.0010
- Subject:
- Literature, Criticism/Theory
Richard Marsh’s fiction made a significant contribution to the arguments that circulated during the 1890s about aesthetics and the commodification of culture. The plots of sensational popular novels ...
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Richard Marsh’s fiction made a significant contribution to the arguments that circulated during the 1890s about aesthetics and the commodification of culture. The plots of sensational popular novels and the sights and sounds of the music hall were all deemed unworthy, addiction-inducing forces by cultural commentators at the time. This chapter focuses on The Mystery of Philip Bennion’s Death (1892/1897), a murder-mystery novel in which a work of art – a poisoned Renaissance cabinet – apparently kills its owner, a collector of curios: the dangers of art could hardly be more pressing. Marsh’s novel looks back on a century of writers who have associated fine art with crime, from De Quincey’s provocation that murder could be a fine art to Pater’s and Wilde’s interest in the aesthetics of transgression and the entertaining nature of murder. This chapter explores how Marsh's writing was at the heart of 1890s debates about collecting, aestheticism and decadence.Less
Richard Marsh’s fiction made a significant contribution to the arguments that circulated during the 1890s about aesthetics and the commodification of culture. The plots of sensational popular novels and the sights and sounds of the music hall were all deemed unworthy, addiction-inducing forces by cultural commentators at the time. This chapter focuses on The Mystery of Philip Bennion’s Death (1892/1897), a murder-mystery novel in which a work of art – a poisoned Renaissance cabinet – apparently kills its owner, a collector of curios: the dangers of art could hardly be more pressing. Marsh’s novel looks back on a century of writers who have associated fine art with crime, from De Quincey’s provocation that murder could be a fine art to Pater’s and Wilde’s interest in the aesthetics of transgression and the entertaining nature of murder. This chapter explores how Marsh's writing was at the heart of 1890s debates about collecting, aestheticism and decadence.
Janna Jones
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780813041926
- eISBN:
- 9780813043906
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813041926.003.0005
- Subject:
- History, American History: 20th Century
Where archivists and researchers once felt confounded by a lack of artifactual evidence, today, fueled in part by contemporary culture's compulsion to collect, many archives are overflowing with ...
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Where archivists and researchers once felt confounded by a lack of artifactual evidence, today, fueled in part by contemporary culture's compulsion to collect, many archives are overflowing with moving images and related artifacts. This chapter reveals the ways in which attempts to manage the archive are routinely thwarted by the overwhelming amount of cinematic materials requiring accession, cataloging, and storage, as well as insufficient funding and archival labor. As a result, ideological formations cannot take hold, making it impossible for the archivists to construct an entirely linear, singular path toward history; instead, the archive tends toward an indeterminate state that cultivates a way of looking at cultural memory that is neither fixed nor complete.Less
Where archivists and researchers once felt confounded by a lack of artifactual evidence, today, fueled in part by contemporary culture's compulsion to collect, many archives are overflowing with moving images and related artifacts. This chapter reveals the ways in which attempts to manage the archive are routinely thwarted by the overwhelming amount of cinematic materials requiring accession, cataloging, and storage, as well as insufficient funding and archival labor. As a result, ideological formations cannot take hold, making it impossible for the archivists to construct an entirely linear, singular path toward history; instead, the archive tends toward an indeterminate state that cultivates a way of looking at cultural memory that is neither fixed nor complete.
Mary Glowacki
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9781683400738
- eISBN:
- 9781683400875
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9781683400738.003.0009
- Subject:
- Archaeology, Prehistoric Archaeology
This chapter addresses issue of the illicit digging, collections, and sales of artifacts from archaeological sites, specifically North and Central Florida. The problems with site protection, and ...
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This chapter addresses issue of the illicit digging, collections, and sales of artifacts from archaeological sites, specifically North and Central Florida. The problems with site protection, and sites specifically stewarded by the State, are addressed. The authors discuss both how these problems evolved in and the future trajectory of site preservation of Florida. For many participants of the 2015 First Floridians Conference, site preservation directly influenced their livelihood (if there are no sites or site data, there can be no research). For others, it dictates their cultural legacy (if society does not preserve heritage, it will not exist for posterity). As for the State of Florida, state-owned and managed lands are a legislative imperative (Floridians create laws that govern the protection of sites in state stewardship). State actions such as the Isolated Finds program was discontinued at the recommendation of the Florida Historical Commission (FHC) because of its contribution to illicit collecting and sales.Less
This chapter addresses issue of the illicit digging, collections, and sales of artifacts from archaeological sites, specifically North and Central Florida. The problems with site protection, and sites specifically stewarded by the State, are addressed. The authors discuss both how these problems evolved in and the future trajectory of site preservation of Florida. For many participants of the 2015 First Floridians Conference, site preservation directly influenced their livelihood (if there are no sites or site data, there can be no research). For others, it dictates their cultural legacy (if society does not preserve heritage, it will not exist for posterity). As for the State of Florida, state-owned and managed lands are a legislative imperative (Floridians create laws that govern the protection of sites in state stewardship). State actions such as the Isolated Finds program was discontinued at the recommendation of the Florida Historical Commission (FHC) because of its contribution to illicit collecting and sales.
George E. Haggerty
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9781474427777
- eISBN:
- 9781474465083
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474427777.003.0008
- Subject:
- Literature, Criticism/Theory
The queerness of Gothic fiction is so deeply engrained that it offers a queer theory of its own. Indeed, the Gothic-ness of Queer Theory is so automatic that the latter often itself becomes a mode of ...
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The queerness of Gothic fiction is so deeply engrained that it offers a queer theory of its own. Indeed, the Gothic-ness of Queer Theory is so automatic that the latter often itself becomes a mode of Gothic fiction. This chapter explores that interplay by first showing how Gothic fiction gives rise to queer theory and then responding with the ways in which queer theory depends on the Gothic. Examples come from Gothic works ranging from The Castle of Otranto to Frankenstein, Dracula, and The Haunting of Hill House. Also considered closely are theoretical statements by Sedgwick, Freccero, Edelman, and Muñoz. In the main, this chapter poses and begins answers to two key questions: What is it about the primary Gothic tropes that make them always already queer, and what is it about queer theory that makes it Gothic in its most intense moments? If Gothic fiction anticipates the work of queer theory, too, how does queer theory answer that obsession?Less
The queerness of Gothic fiction is so deeply engrained that it offers a queer theory of its own. Indeed, the Gothic-ness of Queer Theory is so automatic that the latter often itself becomes a mode of Gothic fiction. This chapter explores that interplay by first showing how Gothic fiction gives rise to queer theory and then responding with the ways in which queer theory depends on the Gothic. Examples come from Gothic works ranging from The Castle of Otranto to Frankenstein, Dracula, and The Haunting of Hill House. Also considered closely are theoretical statements by Sedgwick, Freccero, Edelman, and Muñoz. In the main, this chapter poses and begins answers to two key questions: What is it about the primary Gothic tropes that make them always already queer, and what is it about queer theory that makes it Gothic in its most intense moments? If Gothic fiction anticipates the work of queer theory, too, how does queer theory answer that obsession?
Michelle Levy
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781474457064
- eISBN:
- 9781474481205
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474457064.003.0007
- Subject:
- Literature, 18th-century Literature
Chapter 6 draws the consideration of Romantic literary manuscripts forward to the present moment, examining their shifting cultural status from the late eighteenth century onward, including their ...
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Chapter 6 draws the consideration of Romantic literary manuscripts forward to the present moment, examining their shifting cultural status from the late eighteenth century onward, including their preservation and dissemination in print and now in digital form. Significant changes to the treatment and valuation of literary manuscripts began in the late eighteenth century, as they began to be preserved and collected as never before. The attention to contemporary manuscripts arose from a growing scholarly and public interest in ancient scripts and manuscripts, and a new devotion to handwriting and to handwritten manuscripts. The second half of this chapter turns to critical treatments of the period’s manuscripts in its textual scholarship, to ask how the privileging of the textual has impacted our engagements with the period’s literary manuscripts. It investigates the major scholarly critical editions of the last five decades to understand how editorial practice has grappled with the period’s literary manuscripts and the literary culture in which they were embedded. It examines how recent digital editions of the period’s manuscripts have improved our access to and revived our interest in literary manuscripts as bearers of cultural meaning beyond the textual.Less
Chapter 6 draws the consideration of Romantic literary manuscripts forward to the present moment, examining their shifting cultural status from the late eighteenth century onward, including their preservation and dissemination in print and now in digital form. Significant changes to the treatment and valuation of literary manuscripts began in the late eighteenth century, as they began to be preserved and collected as never before. The attention to contemporary manuscripts arose from a growing scholarly and public interest in ancient scripts and manuscripts, and a new devotion to handwriting and to handwritten manuscripts. The second half of this chapter turns to critical treatments of the period’s manuscripts in its textual scholarship, to ask how the privileging of the textual has impacted our engagements with the period’s literary manuscripts. It investigates the major scholarly critical editions of the last five decades to understand how editorial practice has grappled with the period’s literary manuscripts and the literary culture in which they were embedded. It examines how recent digital editions of the period’s manuscripts have improved our access to and revived our interest in literary manuscripts as bearers of cultural meaning beyond the textual.
Emma Smith
- Published in print:
- 2016
- Published Online:
- April 2017
- ISBN:
- 9780198754367
- eISBN:
- 9780191844416
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198754367.003.0002
- Subject:
- Literature, Shakespeare Studies, 16th-century and Renaissance Literature
Three case studies, which trace copies of the First Folio from the seventeenth into the twenty-first century, set out some of the characters, movements, and motivations that have structured the ...
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Three case studies, which trace copies of the First Folio from the seventeenth into the twenty-first century, set out some of the characters, movements, and motivations that have structured the circulation of this book. How, when, and for what purposes, did it travel across Europe and into Empire, and how are these residual legacies seen in the modern day? Why did individuals want to own it, particularly in the USA, and how has the book passed between institutions, private owners, and across countries? Considering the rising price of First Folios, this chapter also identifies the role of the book in tourism, in Shakespeare’s critical reception, in economics and conspicuous consumption, in education, and in the establishment of academic libraries. Finally, it discusses the ways in which the Folio has been constructed as a secular relic.Less
Three case studies, which trace copies of the First Folio from the seventeenth into the twenty-first century, set out some of the characters, movements, and motivations that have structured the circulation of this book. How, when, and for what purposes, did it travel across Europe and into Empire, and how are these residual legacies seen in the modern day? Why did individuals want to own it, particularly in the USA, and how has the book passed between institutions, private owners, and across countries? Considering the rising price of First Folios, this chapter also identifies the role of the book in tourism, in Shakespeare’s critical reception, in economics and conspicuous consumption, in education, and in the establishment of academic libraries. Finally, it discusses the ways in which the Folio has been constructed as a secular relic.
Jemma Field
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781526142498
- eISBN:
- 9781526155542
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7765/9781526142504.00011
- Subject:
- History, British and Irish Early Modern History
Nuances the male-dominated history of collecting and display at the Stuart court, and the use of the “Italianate” as the benchmark of cultural erudition. Confirms that Anna’s palaces were largely ...
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Nuances the male-dominated history of collecting and display at the Stuart court, and the use of the “Italianate” as the benchmark of cultural erudition. Confirms that Anna’s palaces were largely filled with Flemish and Dutch artworks and argues that, far from being a sign of her disinterest or naïveté, these goods were a tool for building affinity with her Danish ancestors and siblings while highlighting the continued currency of artistic centres outside of Italy. It further shows the queen facilitating cultural transfer between the Stuart and Oldenburg courts as numerous parallels link Anna’ tastes, interests, and patronage, with those of her brother, King Christian IV of Denmark (1577-1648), which are particularly noticeable in the realms of painting and music.Less
Nuances the male-dominated history of collecting and display at the Stuart court, and the use of the “Italianate” as the benchmark of cultural erudition. Confirms that Anna’s palaces were largely filled with Flemish and Dutch artworks and argues that, far from being a sign of her disinterest or naïveté, these goods were a tool for building affinity with her Danish ancestors and siblings while highlighting the continued currency of artistic centres outside of Italy. It further shows the queen facilitating cultural transfer between the Stuart and Oldenburg courts as numerous parallels link Anna’ tastes, interests, and patronage, with those of her brother, King Christian IV of Denmark (1577-1648), which are particularly noticeable in the realms of painting and music.