Chiou-Ling Yeh
- Published in print:
- 2008
- Published Online:
- March 2012
- ISBN:
- 9780520253506
- eISBN:
- 9780520942431
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520253506.003.0007
- Subject:
- History, American History: 20th Century
The 1977 Chinese New Year Festival featured a Qing dynasty wedding procession. This cultural representation sparked a debate centered on the definition of Chinese American culture, as well as on who ...
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The 1977 Chinese New Year Festival featured a Qing dynasty wedding procession. This cultural representation sparked a debate centered on the definition of Chinese American culture, as well as on who could determine what constituted that culture. This chapter focuses on the constellation of complex meanings behind various memories and narratives selected by Chinese Americans to express their identities. It explores several competing cultural productions that strove for authority in ethnic-identity formation. The rise of ethnic consciousness loosened the Chinese Chamber of Commerce's singular hold on the celebration and resulted in the growth of social service and political organizations. Beginning in 1975, the Chinese Culture Center began to host an alternative Chinese New Year celebration, the Spring Festival. Moreover, the changes in U.S. foreign policy not only compelled parade organizers to alter their transnational politics, but also transformed Chinatown's internal political dynamics.Less
The 1977 Chinese New Year Festival featured a Qing dynasty wedding procession. This cultural representation sparked a debate centered on the definition of Chinese American culture, as well as on who could determine what constituted that culture. This chapter focuses on the constellation of complex meanings behind various memories and narratives selected by Chinese Americans to express their identities. It explores several competing cultural productions that strove for authority in ethnic-identity formation. The rise of ethnic consciousness loosened the Chinese Chamber of Commerce's singular hold on the celebration and resulted in the growth of social service and political organizations. Beginning in 1975, the Chinese Culture Center began to host an alternative Chinese New Year celebration, the Spring Festival. Moreover, the changes in U.S. foreign policy not only compelled parade organizers to alter their transnational politics, but also transformed Chinatown's internal political dynamics.
Ying-shih Yü
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780231178587
- eISBN:
- 9780231542012
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231178587.001.0001
- Subject:
- History, Asian History
The recipient of the Kluge Prize for lifetime achievement in the humanities, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring his extraordinary ...
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The recipient of the Kluge Prize for lifetime achievement in the humanities, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring his extraordinary oeuvre to English-speaking readers. Spanning two thousand years of social, intellectual, and political change, the essays in these volumes investigate two central questions through all aspects of Chinese life: what core values sustained this ancient civilization through centuries of upheaval, and in what ways did these values survive in modern times?
From Yü Ying-shih’s perspective, the Dao, or the Way, constitutes the inner core of Chinese civilization. His work explores the unique dynamics between Chinese intellectuals’ discourse on the Dao, or moral principles for a symbolized ideal world order, and their criticism of contemporary reality throughout Chinese history. Volume 1 of Chinese History and Culture explores how the Dao was reformulated, expanded, defended, and preserved by Chinese intellectuals up to the seventeenth century, guiding them through history’s darkest turns. Essays incorporate the evolving conception of the soul and the afterlife in pre- and post-Buddhist China, the significance of eating practices and social etiquette, the move toward greater individualism, the rise of the Neo-Daoist movement, the spread of Confucian ethics, and the growth of merchant culture and capitalism. A true panorama of Chinese culture’s continuities and transition, Yü Ying-shih’s two-volume Chinese History and Culture gives readers of all backgrounds a unique education in the meaning of Chinese civilization.Less
The recipient of the Kluge Prize for lifetime achievement in the humanities, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring his extraordinary oeuvre to English-speaking readers. Spanning two thousand years of social, intellectual, and political change, the essays in these volumes investigate two central questions through all aspects of Chinese life: what core values sustained this ancient civilization through centuries of upheaval, and in what ways did these values survive in modern times?
From Yü Ying-shih’s perspective, the Dao, or the Way, constitutes the inner core of Chinese civilization. His work explores the unique dynamics between Chinese intellectuals’ discourse on the Dao, or moral principles for a symbolized ideal world order, and their criticism of contemporary reality throughout Chinese history. Volume 1 of Chinese History and Culture explores how the Dao was reformulated, expanded, defended, and preserved by Chinese intellectuals up to the seventeenth century, guiding them through history’s darkest turns. Essays incorporate the evolving conception of the soul and the afterlife in pre- and post-Buddhist China, the significance of eating practices and social etiquette, the move toward greater individualism, the rise of the Neo-Daoist movement, the spread of Confucian ethics, and the growth of merchant culture and capitalism. A true panorama of Chinese culture’s continuities and transition, Yü Ying-shih’s two-volume Chinese History and Culture gives readers of all backgrounds a unique education in the meaning of Chinese civilization.
Ying-shih Yü
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780231178600
- eISBN:
- 9780231542005
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231178600.001.0001
- Subject:
- History, Asian History
The recipient of the Kluge Prize for lifetime achievement in the humanities, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring his extraordinary ...
More
The recipient of the Kluge Prize for lifetime achievement in the humanities, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring his extraordinary oeuvre to English-speaking readers. Spanning two thousand years of social, intellectual, and political change, the essays in these volumes investigate two central questions through all aspects of Chinese life: what core values sustained this ancient civilization through centuries of upheaval, and in what ways did these values survive in modern times?Less
The recipient of the Kluge Prize for lifetime achievement in the humanities, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring his extraordinary oeuvre to English-speaking readers. Spanning two thousand years of social, intellectual, and political change, the essays in these volumes investigate two central questions through all aspects of Chinese life: what core values sustained this ancient civilization through centuries of upheaval, and in what ways did these values survive in modern times?
Jenny Lin
- Published in print:
- 2019
- Published Online:
- May 2019
- ISBN:
- 9781526132604
- eISBN:
- 9781526139047
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526132604.001.0001
- Subject:
- Art, Art History
Shanghai, long known as mainland China’s most cosmopolitan metropolis, has recently re-emerged as a global capital. Above sea: Contemporary art, urban culture, and the fashioning of global Shanghai ...
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Shanghai, long known as mainland China’s most cosmopolitan metropolis, has recently re-emerged as a global capital. Above sea: Contemporary art, urban culture, and the fashioning of global Shanghai offers the first in-depth examination of turn of the twenty-first century Shanghai-based art and design – from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. This book offers a counter-touristic view of one of the world’s fastest developing megacities that penetrates the contradictions and buried layers of specific locales and artifacts of visual culture. Informed by years of in-situ research including interviews with artists and designers, the book looks beyond contemporary art’s global hype to reveal persistent socio-political tensions accompanying Shanghai’s explosive transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Analyses of exemplary design projects such as Xintiandi and Shanghai Tang, and artworks by Liu Jianhua, Yang Fudong, Gu Wenda and more reveal how Shanghai’s global aesthetics construct glamorizing artifices that mask historically-rooted cross-cultural conflicts between vying notions of foreign-influenced modernity versus anti-colonialist nationalism, and the city’s repressed socialist past versus consumerist present. The book focuses on Shanghai-based art and design from the 1990s-2000s, the decades of the city’s most rapid post-socialist development, while also attending to pivotal Republican and Mao Era examples. Challenging the “East-meets-West” clichés that characterize discussions of urban Shanghai and contemporary Chinese art, this book illuminates critical issues facing today’s artists, architects, and designers, and provides an essential field guide for students of art, design, art history, urban studies, and Chinese culture.Less
Shanghai, long known as mainland China’s most cosmopolitan metropolis, has recently re-emerged as a global capital. Above sea: Contemporary art, urban culture, and the fashioning of global Shanghai offers the first in-depth examination of turn of the twenty-first century Shanghai-based art and design – from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. This book offers a counter-touristic view of one of the world’s fastest developing megacities that penetrates the contradictions and buried layers of specific locales and artifacts of visual culture. Informed by years of in-situ research including interviews with artists and designers, the book looks beyond contemporary art’s global hype to reveal persistent socio-political tensions accompanying Shanghai’s explosive transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Analyses of exemplary design projects such as Xintiandi and Shanghai Tang, and artworks by Liu Jianhua, Yang Fudong, Gu Wenda and more reveal how Shanghai’s global aesthetics construct glamorizing artifices that mask historically-rooted cross-cultural conflicts between vying notions of foreign-influenced modernity versus anti-colonialist nationalism, and the city’s repressed socialist past versus consumerist present. The book focuses on Shanghai-based art and design from the 1990s-2000s, the decades of the city’s most rapid post-socialist development, while also attending to pivotal Republican and Mao Era examples. Challenging the “East-meets-West” clichés that characterize discussions of urban Shanghai and contemporary Chinese art, this book illuminates critical issues facing today’s artists, architects, and designers, and provides an essential field guide for students of art, design, art history, urban studies, and Chinese culture.
