Keith Grint
- Published in print:
- 1997
- Published Online:
- October 2011
- ISBN:
- 9780198775003
- eISBN:
- 9780191695346
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198775003.001.0001
- Subject:
- Business and Management, Organization Studies, HRM / IR
This book is designed for those who find current management orthodoxies inadequate, who are interested in alternative ideas and how they might be applied to management practice, but are not ...
More
This book is designed for those who find current management orthodoxies inadequate, who are interested in alternative ideas and how they might be applied to management practice, but are not enthralled by the esoteric world of theoretical books about theory. This book offers a bridge between the ‘esoteric’ world of theory and the practical world of management by exploring and illustrating some current theories (Fuzzy Logic, Actor-Network Theory, Chaos Theory, Constructivism etc.) through discussion of some everyday management issues (strategic decision making, appraisals, negotiation, leadership, culture, and motivation).Less
This book is designed for those who find current management orthodoxies inadequate, who are interested in alternative ideas and how they might be applied to management practice, but are not enthralled by the esoteric world of theoretical books about theory. This book offers a bridge between the ‘esoteric’ world of theory and the practical world of management by exploring and illustrating some current theories (Fuzzy Logic, Actor-Network Theory, Chaos Theory, Constructivism etc.) through discussion of some everyday management issues (strategic decision making, appraisals, negotiation, leadership, culture, and motivation).
Anne Witchard
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9789888139606
- eISBN:
- 9789882208643
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888139606.001.0001
- Subject:
- Society and Culture, Asian Studies
Lao She's life and work have been the subject of volumes of critique, analysis and study. However, the four years the aspiring writer spent in London between 1924 and 1929 have largely been ...
More
Lao She's life and work have been the subject of volumes of critique, analysis and study. However, the four years the aspiring writer spent in London between 1924 and 1929 have largely been overlooked. This book reveals Lao She's encounter with literature in England, from Dickens to Conrad, high modernism and Joyce. Lao She arrived from his native Peking to the whirl of London's West End scene - Bloomsberries, Vorticists, avant-gardists of every stripe, Ezra Pound and the cabaret at the Cave of the Golden Calf, risqué flappers, the tabloid sensation of England's 'most infamous Chinaman', Brilliant Chang and Anna May Wong's scandalous film Piccadilly (1918). Simultaneously Lao She spent time in London's notorious and much sensationalised Chinatown in Limehouse. Out of these experiences came his great novel of London Chinese life and tribulations - Ma & Son: Two Chinese in London. This book examines how Lao She's London years affected his writing and ultimately the course of Chinese literary modernism.Less
Lao She's life and work have been the subject of volumes of critique, analysis and study. However, the four years the aspiring writer spent in London between 1924 and 1929 have largely been overlooked. This book reveals Lao She's encounter with literature in England, from Dickens to Conrad, high modernism and Joyce. Lao She arrived from his native Peking to the whirl of London's West End scene - Bloomsberries, Vorticists, avant-gardists of every stripe, Ezra Pound and the cabaret at the Cave of the Golden Calf, risqué flappers, the tabloid sensation of England's 'most infamous Chinaman', Brilliant Chang and Anna May Wong's scandalous film Piccadilly (1918). Simultaneously Lao She spent time in London's notorious and much sensationalised Chinatown in Limehouse. Out of these experiences came his great novel of London Chinese life and tribulations - Ma & Son: Two Chinese in London. This book examines how Lao She's London years affected his writing and ultimately the course of Chinese literary modernism.
David Quint
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691161914
- eISBN:
- 9781400850488
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691161914.003.0003
- Subject:
- Literature, Criticism/Theory
This chapter focuses on book 2 of Paradise Lost. In book 2, Milton continues the story of the demilitarization of the fallen angels and of his epic more generally when he bases all of its action ...
More
This chapter focuses on book 2 of Paradise Lost. In book 2, Milton continues the story of the demilitarization of the fallen angels and of his epic more generally when he bases all of its action around the figure of Ulysses, the hero of eloquence and fraud, whose own epic comes in the aftermath of the Trojan War. The chapter demonstrates that the Odyssey, imitated and parodied in Satan's voyage through Chaos to God's newly created universe in the book's last section, is just one of the classical stories about the career of Ulysses that Milton evokes as models for its different episodes. The various parts of book 2 are held together by this pattern of allusion, as well as by the Odyssean figures of Scylla and Charybdis, the emblem of bad choices, or of loss of choice itself.Less
This chapter focuses on book 2 of Paradise Lost. In book 2, Milton continues the story of the demilitarization of the fallen angels and of his epic more generally when he bases all of its action around the figure of Ulysses, the hero of eloquence and fraud, whose own epic comes in the aftermath of the Trojan War. The chapter demonstrates that the Odyssey, imitated and parodied in Satan's voyage through Chaos to God's newly created universe in the book's last section, is just one of the classical stories about the career of Ulysses that Milton evokes as models for its different episodes. The various parts of book 2 are held together by this pattern of allusion, as well as by the Odyssean figures of Scylla and Charybdis, the emblem of bad choices, or of loss of choice itself.
David Quint
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691161914
- eISBN:
- 9781400850488
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691161914.003.0004
- Subject:
- Literature, Criticism/Theory
This chapter demonstrates how—through a complicated chain of intermediary texts—the depiction of Satan's fall through Chaos in book 2, which invokes the myth of Icarus, and the Son's successful ride ...
More
This chapter demonstrates how—through a complicated chain of intermediary texts—the depiction of Satan's fall through Chaos in book 2, which invokes the myth of Icarus, and the Son's successful ride in the paternal chariot of God at the end of the War in Heaven in book 6, which rewrites the story of Phaethon, both trace back to the De rerum natura of Lucretius. They counter the Roman poet's depiction of an Epicurean cosmos ordered by chance and in a constant state of falling through an infinite void—the “vast vacuity” of Chaos. The myths of these highfliers who fall are further countered in Paradise Lost by the motif of poetic flight. The shaping power of poetry itself and the epic high style counteract the specter of a universe without bound and dimension, or of the shapelessness of Death; poetry raises the poet over his fallen condition.Less
This chapter demonstrates how—through a complicated chain of intermediary texts—the depiction of Satan's fall through Chaos in book 2, which invokes the myth of Icarus, and the Son's successful ride in the paternal chariot of God at the end of the War in Heaven in book 6, which rewrites the story of Phaethon, both trace back to the De rerum natura of Lucretius. They counter the Roman poet's depiction of an Epicurean cosmos ordered by chance and in a constant state of falling through an infinite void—the “vast vacuity” of Chaos. The myths of these highfliers who fall are further countered in Paradise Lost by the motif of poetic flight. The shaping power of poetry itself and the epic high style counteract the specter of a universe without bound and dimension, or of the shapelessness of Death; poetry raises the poet over his fallen condition.
David Quint
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691161914
- eISBN:
- 9781400850488
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691161914.003.0008
- Subject:
- Literature, Criticism/Theory
This chapter places the reconciliation of Adam and Eve in book 10 against the preceding first two-thirds of book 10, which have described the building by Sin and Death of their bridge over Chaos and ...
More
This chapter places the reconciliation of Adam and Eve in book 10 against the preceding first two-thirds of book 10, which have described the building by Sin and Death of their bridge over Chaos and Satan's return to hell. Each of these appears to be a “triumphal act,” allusively associated with the triumph of Augustus depicted on the shield of Aeneas in Aeneid 8, the chronological “ending” of Virgil's poem. However, allusion equally returns both demonic acts to the beginning of the Aeneid, the storm and shipwreck off of Carthage, and suggests the recursive shape of evil in the larger book 10—a book in which the narrative sequence of events seems to run in a loop. Therefore, these satanic acts of heroism are now understood as mock-triumphs that parody the real triumphs of the Son—true endings that foreshadow apocalyptic ones—at the respective ends of books 6 and 7.Less
This chapter places the reconciliation of Adam and Eve in book 10 against the preceding first two-thirds of book 10, which have described the building by Sin and Death of their bridge over Chaos and Satan's return to hell. Each of these appears to be a “triumphal act,” allusively associated with the triumph of Augustus depicted on the shield of Aeneas in Aeneid 8, the chronological “ending” of Virgil's poem. However, allusion equally returns both demonic acts to the beginning of the Aeneid, the storm and shipwreck off of Carthage, and suggests the recursive shape of evil in the larger book 10—a book in which the narrative sequence of events seems to run in a loop. Therefore, these satanic acts of heroism are now understood as mock-triumphs that parody the real triumphs of the Son—true endings that foreshadow apocalyptic ones—at the respective ends of books 6 and 7.
David Sedley
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780199236343
- eISBN:
- 9780191717130
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199236343.003.0013
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This chapter asks what the Theogony can teach us about the advent of evil in the Timaeus, and in so doing, uncovers a ‘a remarkably deep isomorphism’ between the two texts: both, for example, ...
More
This chapter asks what the Theogony can teach us about the advent of evil in the Timaeus, and in so doing, uncovers a ‘a remarkably deep isomorphism’ between the two texts: both, for example, introduce first the potential for evil (Hesiodic Chaos and its descendants, Platonic matter) and then its realization (Hesiodic and Platonic woman).Less
This chapter asks what the Theogony can teach us about the advent of evil in the Timaeus, and in so doing, uncovers a ‘a remarkably deep isomorphism’ between the two texts: both, for example, introduce first the potential for evil (Hesiodic Chaos and its descendants, Platonic matter) and then its realization (Hesiodic and Platonic woman).
Nevill Drury
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780199750993
- eISBN:
- 9780199894871
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199750993.001.0001
- Subject:
- Religion, Religion and Society
Twentieth-century Western magic has been shaped by many diverse influences, including Gnosticism and the Hermetica, the medieval Kabbalah, Tarot, and Alchemy, and more recently, Rosicrucianism and ...
More
Twentieth-century Western magic has been shaped by many diverse influences, including Gnosticism and the Hermetica, the medieval Kabbalah, Tarot, and Alchemy, and more recently, Rosicrucianism and Freemasonry. It also draws on Classical Graeco-Roman mythology, Celtic cosmology, Kundalini yoga, Tantra, shamanism, Chaos theory, and the various spiritual traditions associated in many different cultures with the Universal Goddess. This book traces the rise of various forms of magical belief and practice from the influential late nineteenth-century Hermetic Order of the Golden Dawn through to the emergence in more recent times of Wicca and Goddess worship as expressions of contemporary feminine spirituality. It also explores Chaos Magick and the occult practices of the so-called Left-Hand Path, as well as tenty-first-century magical forays into cyberspace. Key figures profiled here include Aleister Crowley, Dion Fortune, Austin Osman Spare, Rosaleen Norton, Gerald Gardner, Starhawk, Z. Budapest, Anton LaVey, Michael Aquino, Michael Bertiaux, H.R. Giger, Carlos Castaneda, Michael Harner, Peter J. Carroll, and Terence McKenna; all have contributed in different ways to the increasing fascination with mythic consciousness and archaic spirituality.Less
Twentieth-century Western magic has been shaped by many diverse influences, including Gnosticism and the Hermetica, the medieval Kabbalah, Tarot, and Alchemy, and more recently, Rosicrucianism and Freemasonry. It also draws on Classical Graeco-Roman mythology, Celtic cosmology, Kundalini yoga, Tantra, shamanism, Chaos theory, and the various spiritual traditions associated in many different cultures with the Universal Goddess. This book traces the rise of various forms of magical belief and practice from the influential late nineteenth-century Hermetic Order of the Golden Dawn through to the emergence in more recent times of Wicca and Goddess worship as expressions of contemporary feminine spirituality. It also explores Chaos Magick and the occult practices of the so-called Left-Hand Path, as well as tenty-first-century magical forays into cyberspace. Key figures profiled here include Aleister Crowley, Dion Fortune, Austin Osman Spare, Rosaleen Norton, Gerald Gardner, Starhawk, Z. Budapest, Anton LaVey, Michael Aquino, Michael Bertiaux, H.R. Giger, Carlos Castaneda, Michael Harner, Peter J. Carroll, and Terence McKenna; all have contributed in different ways to the increasing fascination with mythic consciousness and archaic spirituality.
John Hatcher and Mark Bailey
- Published in print:
- 2001
- Published Online:
- October 2011
- ISBN:
- 9780199244119
- eISBN:
- 9780191697333
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199244119.003.0006
- Subject:
- History, European Medieval History, Economic History
This chapter summarises the theme of the book and introduces new models such as the Chaos theory, Pewter theory, and path dependency. The central theme of this book has been an exploration of the ...
More
This chapter summarises the theme of the book and introduces new models such as the Chaos theory, Pewter theory, and path dependency. The central theme of this book has been an exploration of the intellectual strength, clarity, and historical accuracy of the three traditional supermodels of economic development in the Middle Ages and beyond. Its purpose is to provide a clear and accessible introduction to the conceptual frameworks, and to assess the extent to which these frameworks retain relevance and credibility. The development of extremely powerful computers has facilitated the rise of Chaos Theory, which analyses the manner in which many and varied forces interact in complex ways to produce organised networks and structured systems. However, this chapter concludes that writing of history is on the whole a progressive craft, and advances will continue to be made.Less
This chapter summarises the theme of the book and introduces new models such as the Chaos theory, Pewter theory, and path dependency. The central theme of this book has been an exploration of the intellectual strength, clarity, and historical accuracy of the three traditional supermodels of economic development in the Middle Ages and beyond. Its purpose is to provide a clear and accessible introduction to the conceptual frameworks, and to assess the extent to which these frameworks retain relevance and credibility. The development of extremely powerful computers has facilitated the rise of Chaos Theory, which analyses the manner in which many and varied forces interact in complex ways to produce organised networks and structured systems. However, this chapter concludes that writing of history is on the whole a progressive craft, and advances will continue to be made.
Graciela Chao Carbonero and Melba Núñez Isalbe (eds)
- Published in print:
- 2010
- Published Online:
- September 2012
- ISBN:
- 9780813034676
- eISBN:
- 9780813046303
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813034676.003.0005
- Subject:
- Music, Dance
Cuban dance researcher Graciela Chao Carbonero discusses how the African element penetrates all aspects of Cuban dance. She begins with the African-based danced religions of Cuba, Regla de Ocha or ...
More
Cuban dance researcher Graciela Chao Carbonero discusses how the African element penetrates all aspects of Cuban dance. She begins with the African-based danced religions of Cuba, Regla de Ocha or Santería (the religion of the Yoruba orishas), Palo Monte and other Congolese-based sects, Arará, and Abakuá, and how steps from such traditions merge with secular Cuban folk dances such as carnival comparsas and sones miméticos and also influence the dances that descend from European contradanza. Chao delves into contemporary casino and casino rueda and the African underpinnings of such dances and also of Cuban modern dance, with its training technique, técnica cubana, developed by Ramiro Guerra and others, and of Cuban variety dance in clubs and pn television.Less
Cuban dance researcher Graciela Chao Carbonero discusses how the African element penetrates all aspects of Cuban dance. She begins with the African-based danced religions of Cuba, Regla de Ocha or Santería (the religion of the Yoruba orishas), Palo Monte and other Congolese-based sects, Arará, and Abakuá, and how steps from such traditions merge with secular Cuban folk dances such as carnival comparsas and sones miméticos and also influence the dances that descend from European contradanza. Chao delves into contemporary casino and casino rueda and the African underpinnings of such dances and also of Cuban modern dance, with its training technique, técnica cubana, developed by Ramiro Guerra and others, and of Cuban variety dance in clubs and pn television.
David Martin-Jones
- Published in print:
- 2006
- Published Online:
- March 2012
- ISBN:
- 9780748622443
- eISBN:
- 9780748651085
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748622443.003.0007
- Subject:
- Film, Television and Radio, Film
This chapter examines three films from Asian Pacific Rim countries: Too Many Ways to be Number One (Hong Kong, 1997), Chaos (Japan, 1999) and Peppermint Candy (South Korea, 2000), which are singled ...
More
This chapter examines three films from Asian Pacific Rim countries: Too Many Ways to be Number One (Hong Kong, 1997), Chaos (Japan, 1999) and Peppermint Candy (South Korea, 2000), which are singled out because they have, by turns, a multiple, a jumbled and a reversed narrative structure. They are examined chronologically, each time with reference to a number of other films from their respective national cinemas. Although there are numerous difficulties attached to labelling South Korea and Hong Kong ‘nations’, the unusual narratives of these three films are, nevertheless, again viewed as attempts to negotiate ‘national’ identity in the face of changing historical circumstances. The extent to which each film de- or reterritorialises the movement-image is to a large degree a product of the national context in which it was produced.Less
This chapter examines three films from Asian Pacific Rim countries: Too Many Ways to be Number One (Hong Kong, 1997), Chaos (Japan, 1999) and Peppermint Candy (South Korea, 2000), which are singled out because they have, by turns, a multiple, a jumbled and a reversed narrative structure. They are examined chronologically, each time with reference to a number of other films from their respective national cinemas. Although there are numerous difficulties attached to labelling South Korea and Hong Kong ‘nations’, the unusual narratives of these three films are, nevertheless, again viewed as attempts to negotiate ‘national’ identity in the face of changing historical circumstances. The extent to which each film de- or reterritorialises the movement-image is to a large degree a product of the national context in which it was produced.
Martine Beugnet
- Published in print:
- 2007
- Published Online:
- September 2012
- ISBN:
- 9780748620425
- eISBN:
- 9780748670840
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748620425.003.0003
- Subject:
- Film, Television and Radio, Film
This chapter looks at the kind of processes of synaesthesia and correspondences by which contemporary filmmakers seek to destabilise the relationship between the subjective body and the objective ...
More
This chapter looks at the kind of processes of synaesthesia and correspondences by which contemporary filmmakers seek to destabilise the relationship between the subjective body and the objective world. Drawing on Bataille's concept of the formless, the chapter looks anew at techniques and effects such as the close-up, distortion and blurring.Less
This chapter looks at the kind of processes of synaesthesia and correspondences by which contemporary filmmakers seek to destabilise the relationship between the subjective body and the objective world. Drawing on Bataille's concept of the formless, the chapter looks anew at techniques and effects such as the close-up, distortion and blurring.
Robert Hymes
- Published in print:
- 2002
- Published Online:
- May 2012
- ISBN:
- 9780520207585
- eISBN:
- 9780520935136
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520207585.003.0006
- Subject:
- Religion, Religious Studies
This chapter investigates the combination or alternation of the two models in Taoists' own self-representations, discussing Wang Wen-ch'ing as Taoist practitioner and as local god. In Yü Chi's ...
More
This chapter investigates the combination or alternation of the two models in Taoists' own self-representations, discussing Wang Wen-ch'ing as Taoist practitioner and as local god. In Yü Chi's account, Wang's special character is inborn, but it grows through contact with others as special as he. The records of Wang that come directly from Household Talk and Chao Taoi's biography reveal Wang as a celestial official in regular communication with both superiors and underlings, and treat his acts as exercises of delegated power commanded or authorized by a celestial court and emperor. Almost all elements of the representation of the Three Immortals in the Hua-kai texts are at least available in Taoist practitioners' own habits of self-representation. To treat Immortals like the Hua-kai Three as embodiments of locality and of a power that modeled in ideal form the local gentleman's own real and wished-for power, only two changes were necessary.Less
This chapter investigates the combination or alternation of the two models in Taoists' own self-representations, discussing Wang Wen-ch'ing as Taoist practitioner and as local god. In Yü Chi's account, Wang's special character is inborn, but it grows through contact with others as special as he. The records of Wang that come directly from Household Talk and Chao Taoi's biography reveal Wang as a celestial official in regular communication with both superiors and underlings, and treat his acts as exercises of delegated power commanded or authorized by a celestial court and emperor. Almost all elements of the representation of the Three Immortals in the Hua-kai texts are at least available in Taoist practitioners' own habits of self-representation. To treat Immortals like the Hua-kai Three as embodiments of locality and of a power that modeled in ideal form the local gentleman's own real and wished-for power, only two changes were necessary.
Hugh B. Urban
- Published in print:
- 2006
- Published Online:
- May 2012
- ISBN:
- 9780520247765
- eISBN:
- 9780520932883
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520247765.003.0010
- Subject:
- Religion, Religious Studies
This chapter explores the proliferation of a whole new array of sexual magic at the turn of the third millennium, including cybersex and Chaos Magic. It explains that Chaos Magic uses sexual magic as ...
More
This chapter explores the proliferation of a whole new array of sexual magic at the turn of the third millennium, including cybersex and Chaos Magic. It explains that Chaos Magic uses sexual magic as one of many ways to shatter fixed ways of thinking, and to unleash the power of Chaos as radical freedom from all social, religious, or institutional structures, and that the rise of various forms of Chaos Magic occurred at roughly the same time as the birth of the intellectual movements of postmodernism and deconstruction. The chapter argues that the rise of Chaos Magic and various forms of cybermagic brought together many of the recurring themes which have appeared throughout the history of modern sexual magic.Less
This chapter explores the proliferation of a whole new array of sexual magic at the turn of the third millennium, including cybersex and Chaos Magic. It explains that Chaos Magic uses sexual magic as one of many ways to shatter fixed ways of thinking, and to unleash the power of Chaos as radical freedom from all social, religious, or institutional structures, and that the rise of various forms of Chaos Magic occurred at roughly the same time as the birth of the intellectual movements of postmodernism and deconstruction. The chapter argues that the rise of Chaos Magic and various forms of cybermagic brought together many of the recurring themes which have appeared throughout the history of modern sexual magic.
Wolfgang Banzhaf and Lidia Yamamoto
- Published in print:
- 2015
- Published Online:
- September 2016
- ISBN:
- 9780262029438
- eISBN:
- 9780262329460
- Item type:
- chapter
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262029438.003.0014
- Subject:
- Public Health and Epidemiology, Public Health
Here we study self-organization, which refers to a class of systems that are able to form and maintain their organization by themselves. Related to self-organization (and sometimes mixed with it) is ...
More
Here we study self-organization, which refers to a class of systems that are able to form and maintain their organization by themselves. Related to self-organization (and sometimes mixed with it) is the term emergent phenomena which encompasses the observation of phenomena that come about by self-organization. Both terms emphasize different characteristics of a systems behavior, but they appear often together. We start with laying out examples of self-organization. We then delve into the fascinating topic of the emergence of phenomena which are found everywhere around us. The last two sections are devoted to explain how the mechanism of emergence could work with a particular emphasis on top-down causation.Less
Here we study self-organization, which refers to a class of systems that are able to form and maintain their organization by themselves. Related to self-organization (and sometimes mixed with it) is the term emergent phenomena which encompasses the observation of phenomena that come about by self-organization. Both terms emphasize different characteristics of a systems behavior, but they appear often together. We start with laying out examples of self-organization. We then delve into the fascinating topic of the emergence of phenomena which are found everywhere around us. The last two sections are devoted to explain how the mechanism of emergence could work with a particular emphasis on top-down causation.
Herman Beavers
- Published in print:
- 2016
- Published Online:
- May 2018
- ISBN:
- 9781496806796
- eISBN:
- 9781496806833
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496806796.003.0004
- Subject:
- Literature, African-American Literature
Herman Beavers’s “The Noisy Lostness: Oppositionality and Acousmatic Subjectivity in Invisible Man” explores Ellison’s complex analyses of jazz and bebop music, situating Ellison’s views in the ...
More
Herman Beavers’s “The Noisy Lostness: Oppositionality and Acousmatic Subjectivity in Invisible Man” explores Ellison’s complex analyses of jazz and bebop music, situating Ellison’s views in the larger context of modernism. Drawing upon the nascent discipline of Sound Studies, Beavers emphasizes the quality of “oppositionality” in such jazz greats as Louis Armstrong to interpret Invisible Man as an instance of oppositional, as opposed to revolutionary, narrative. Beavers views the novel as a study of the disruption of the feedback loop between listening and speaking, in which Ellison uses noise as a disruptive, “acousmatic” presentation of the black body. By showing how the narrator shifts from the prison of sight to the freedom of sound, and thus from regulation to improvisation, Beavers argues that the narrator finally moves from a misguided trust in false systems of protection to a tactical realization of the security of chaos.Less
Herman Beavers’s “The Noisy Lostness: Oppositionality and Acousmatic Subjectivity in Invisible Man” explores Ellison’s complex analyses of jazz and bebop music, situating Ellison’s views in the larger context of modernism. Drawing upon the nascent discipline of Sound Studies, Beavers emphasizes the quality of “oppositionality” in such jazz greats as Louis Armstrong to interpret Invisible Man as an instance of oppositional, as opposed to revolutionary, narrative. Beavers views the novel as a study of the disruption of the feedback loop between listening and speaking, in which Ellison uses noise as a disruptive, “acousmatic” presentation of the black body. By showing how the narrator shifts from the prison of sight to the freedom of sound, and thus from regulation to improvisation, Beavers argues that the narrator finally moves from a misguided trust in false systems of protection to a tactical realization of the security of chaos.
Judith H. Anderson
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9780823272778
- eISBN:
- 9780823272822
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823272778.003.0008
- Subject:
- Literature, 16th-century and Renaissance Literature
This chapter begins with the setting of hell and the viewpoint of its demons, which are fundamental to what follows and not merely a conventional beginning in medias res. These opening books provide ...
More
This chapter begins with the setting of hell and the viewpoint of its demons, which are fundamental to what follows and not merely a conventional beginning in medias res. These opening books provide the contrast so important to wisdom and choice and, more exactly, the initial, experiential sight and locus of evil and death in the poem: here blackness and the sunlight figured in epic similes are focal. Concentrating next on Light in Book III and moving out to make connections with Night, twilight, and darkness in heaven and Chaos, the argument focuses on the relation of Night to Milton’s God. Both the cave in the mount of God and the deep of Chaos and Night not only figure womb and tomb but do so bi-sexually. This chapter ends with God’s analogy of redemption, the analogy of Edenic being, Satan’s parody of it, and the analogical reading of history.Less
This chapter begins with the setting of hell and the viewpoint of its demons, which are fundamental to what follows and not merely a conventional beginning in medias res. These opening books provide the contrast so important to wisdom and choice and, more exactly, the initial, experiential sight and locus of evil and death in the poem: here blackness and the sunlight figured in epic similes are focal. Concentrating next on Light in Book III and moving out to make connections with Night, twilight, and darkness in heaven and Chaos, the argument focuses on the relation of Night to Milton’s God. Both the cave in the mount of God and the deep of Chaos and Night not only figure womb and tomb but do so bi-sexually. This chapter ends with God’s analogy of redemption, the analogy of Edenic being, Satan’s parody of it, and the analogical reading of history.
Jana Arsovska
- Published in print:
- 2015
- Published Online:
- September 2015
- ISBN:
- 9780520282803
- eISBN:
- 9780520958715
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520282803.003.0007
- Subject:
- Sociology, Law, Crime and Deviance
The concluding chapter of this book elaborates on the alleged threat posed by Albanian organized crime groups to both Balkan and Western societies. It summarizes the main findings of the book and it ...
More
The concluding chapter of this book elaborates on the alleged threat posed by Albanian organized crime groups to both Balkan and Western societies. It summarizes the main findings of the book and it attempts to demystify the term “Albanian Mafia.” It reminds readers that the power of politically and economically dominant groups often defines the parameters of the debate and largely determines the contours of the dominant ideology of what is socially perceived. Criticism assumes that alternative truths can be found by continuously attempting to expose the assumptions on which claims of knowledge are based. There are many “truth claims” about the so-called Albanian Mafia in the Balkans, yet while some are accepted, others are dismissed or ignored. In searching for a more objective knowledge, the concluding chapter explains why these claims must be analyzed in the context of the political, historical, and socio-economic environment of the Balkan region, as well as the Western world.Less
The concluding chapter of this book elaborates on the alleged threat posed by Albanian organized crime groups to both Balkan and Western societies. It summarizes the main findings of the book and it attempts to demystify the term “Albanian Mafia.” It reminds readers that the power of politically and economically dominant groups often defines the parameters of the debate and largely determines the contours of the dominant ideology of what is socially perceived. Criticism assumes that alternative truths can be found by continuously attempting to expose the assumptions on which claims of knowledge are based. There are many “truth claims” about the so-called Albanian Mafia in the Balkans, yet while some are accepted, others are dismissed or ignored. In searching for a more objective knowledge, the concluding chapter explains why these claims must be analyzed in the context of the political, historical, and socio-economic environment of the Balkan region, as well as the Western world.
Molly Hoff
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9780979606670
- eISBN:
- 9781786945129
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780979606670.003.0005
- Subject:
- Literature, 20th-century Literature and Modernism
Chapter two offers a synopsis and analysis of the second section of Mrs. Dalloway. It focuses on the novel’s introduction to new characters and examines Woolf’s thinking behind her decision to use ...
More
Chapter two offers a synopsis and analysis of the second section of Mrs. Dalloway. It focuses on the novel’s introduction to new characters and examines Woolf’s thinking behind her decision to use descriptions of appearance as a mode of characterisation. The chapter also provides a useful offering of context surrounding the First World War, royalty, and the city of London in the 1920s, as well as referencing various scholars, including Mary Shelley, William Shakespeare and Henri Poincaré.Less
Chapter two offers a synopsis and analysis of the second section of Mrs. Dalloway. It focuses on the novel’s introduction to new characters and examines Woolf’s thinking behind her decision to use descriptions of appearance as a mode of characterisation. The chapter also provides a useful offering of context surrounding the First World War, royalty, and the city of London in the 1920s, as well as referencing various scholars, including Mary Shelley, William Shakespeare and Henri Poincaré.
Molly Hoff
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9780979606670
- eISBN:
- 9781786945129
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780979606670.003.0012
- Subject:
- Literature, 20th-century Literature and Modernism
In this chapter, Hoff provides annotations on the ninth section of Mrs. Dalloway. She explores the book’s metanarrative and linguistic style whilst placing the text in the light of Greek literary ...
More
In this chapter, Hoff provides annotations on the ninth section of Mrs. Dalloway. She explores the book’s metanarrative and linguistic style whilst placing the text in the light of Greek literary tropes, and biblical and philosophical references. In this chapter, Hoff also provides the reader with a useful cultural context and re-touches on the book’s allusion to the previously discussed theory of the Butterfly Effect.Less
In this chapter, Hoff provides annotations on the ninth section of Mrs. Dalloway. She explores the book’s metanarrative and linguistic style whilst placing the text in the light of Greek literary tropes, and biblical and philosophical references. In this chapter, Hoff also provides the reader with a useful cultural context and re-touches on the book’s allusion to the previously discussed theory of the Butterfly Effect.
Peter D. Norton
- Published in print:
- 2008
- Published Online:
- August 2013
- ISBN:
- 9780262141000
- eISBN:
- 9780262280754
- Item type:
- chapter
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262141000.003.0003
- Subject:
- History, History of Science, Technology, and Medicine
This chapter discusses how initial traffic casualties influenced police traffic regulation, and how police authorities in response struggled to restore order on the streets. One individual that ...
More
This chapter discusses how initial traffic casualties influenced police traffic regulation, and how police authorities in response struggled to restore order on the streets. One individual that people looked to for answers on police traffic regulation was William Phelps Eno, a New York aristocrat turned gentleman traffic reformer. The motto of Eno’s campaign was “Ex Chao Ordo” or order from chaos. His mission to search for order in the city streets took on a scientific approach. A journalist called Eno’s work, “The Science of Street Traffic”, despite there not being based on any empirical data in it. He based his findings more on common sense. In 1903 he formulated the “Rules for Driving” which were really no more than a codification of custom. Signaling was conducted via trial and error.Less
This chapter discusses how initial traffic casualties influenced police traffic regulation, and how police authorities in response struggled to restore order on the streets. One individual that people looked to for answers on police traffic regulation was William Phelps Eno, a New York aristocrat turned gentleman traffic reformer. The motto of Eno’s campaign was “Ex Chao Ordo” or order from chaos. His mission to search for order in the city streets took on a scientific approach. A journalist called Eno’s work, “The Science of Street Traffic”, despite there not being based on any empirical data in it. He based his findings more on common sense. In 1903 he formulated the “Rules for Driving” which were really no more than a codification of custom. Signaling was conducted via trial and error.
