Keith Grint
- Published in print:
- 1997
- Published Online:
- October 2011
- ISBN:
- 9780198775003
- eISBN:
- 9780191695346
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198775003.001.0001
- Subject:
- Business and Management, Organization Studies, HRM / IR
This book is designed for those who find current management orthodoxies inadequate, who are interested in alternative ideas and how they might be applied to management practice, but are not ...
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This book is designed for those who find current management orthodoxies inadequate, who are interested in alternative ideas and how they might be applied to management practice, but are not enthralled by the esoteric world of theoretical books about theory. This book offers a bridge between the ‘esoteric’ world of theory and the practical world of management by exploring and illustrating some current theories (Fuzzy Logic, Actor-Network Theory, Chaos Theory, Constructivism etc.) through discussion of some everyday management issues (strategic decision making, appraisals, negotiation, leadership, culture, and motivation).Less
This book is designed for those who find current management orthodoxies inadequate, who are interested in alternative ideas and how they might be applied to management practice, but are not enthralled by the esoteric world of theoretical books about theory. This book offers a bridge between the ‘esoteric’ world of theory and the practical world of management by exploring and illustrating some current theories (Fuzzy Logic, Actor-Network Theory, Chaos Theory, Constructivism etc.) through discussion of some everyday management issues (strategic decision making, appraisals, negotiation, leadership, culture, and motivation).
Anne Witchard
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9789888139606
- eISBN:
- 9789882208643
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888139606.001.0001
- Subject:
- Society and Culture, Asian Studies
Lao She's life and work have been the subject of volumes of critique, analysis and study. However, the four years the aspiring writer spent in London between 1924 and 1929 have largely been ...
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Lao She's life and work have been the subject of volumes of critique, analysis and study. However, the four years the aspiring writer spent in London between 1924 and 1929 have largely been overlooked. This book reveals Lao She's encounter with literature in England, from Dickens to Conrad, high modernism and Joyce. Lao She arrived from his native Peking to the whirl of London's West End scene - Bloomsberries, Vorticists, avant-gardists of every stripe, Ezra Pound and the cabaret at the Cave of the Golden Calf, risqué flappers, the tabloid sensation of England's 'most infamous Chinaman', Brilliant Chang and Anna May Wong's scandalous film Piccadilly (1918). Simultaneously Lao She spent time in London's notorious and much sensationalised Chinatown in Limehouse. Out of these experiences came his great novel of London Chinese life and tribulations - Ma & Son: Two Chinese in London. This book examines how Lao She's London years affected his writing and ultimately the course of Chinese literary modernism.Less
Lao She's life and work have been the subject of volumes of critique, analysis and study. However, the four years the aspiring writer spent in London between 1924 and 1929 have largely been overlooked. This book reveals Lao She's encounter with literature in England, from Dickens to Conrad, high modernism and Joyce. Lao She arrived from his native Peking to the whirl of London's West End scene - Bloomsberries, Vorticists, avant-gardists of every stripe, Ezra Pound and the cabaret at the Cave of the Golden Calf, risqué flappers, the tabloid sensation of England's 'most infamous Chinaman', Brilliant Chang and Anna May Wong's scandalous film Piccadilly (1918). Simultaneously Lao She spent time in London's notorious and much sensationalised Chinatown in Limehouse. Out of these experiences came his great novel of London Chinese life and tribulations - Ma & Son: Two Chinese in London. This book examines how Lao She's London years affected his writing and ultimately the course of Chinese literary modernism.
David Quint
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691161914
- eISBN:
- 9781400850488
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691161914.003.0003
- Subject:
- Literature, Criticism/Theory
This chapter focuses on book 2 of Paradise Lost. In book 2, Milton continues the story of the demilitarization of the fallen angels and of his epic more generally when he bases all of its action ...
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This chapter focuses on book 2 of Paradise Lost. In book 2, Milton continues the story of the demilitarization of the fallen angels and of his epic more generally when he bases all of its action around the figure of Ulysses, the hero of eloquence and fraud, whose own epic comes in the aftermath of the Trojan War. The chapter demonstrates that the Odyssey, imitated and parodied in Satan's voyage through Chaos to God's newly created universe in the book's last section, is just one of the classical stories about the career of Ulysses that Milton evokes as models for its different episodes. The various parts of book 2 are held together by this pattern of allusion, as well as by the Odyssean figures of Scylla and Charybdis, the emblem of bad choices, or of loss of choice itself.Less
This chapter focuses on book 2 of Paradise Lost. In book 2, Milton continues the story of the demilitarization of the fallen angels and of his epic more generally when he bases all of its action around the figure of Ulysses, the hero of eloquence and fraud, whose own epic comes in the aftermath of the Trojan War. The chapter demonstrates that the Odyssey, imitated and parodied in Satan's voyage through Chaos to God's newly created universe in the book's last section, is just one of the classical stories about the career of Ulysses that Milton evokes as models for its different episodes. The various parts of book 2 are held together by this pattern of allusion, as well as by the Odyssean figures of Scylla and Charybdis, the emblem of bad choices, or of loss of choice itself.
David Quint
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691161914
- eISBN:
- 9781400850488
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691161914.003.0004
- Subject:
- Literature, Criticism/Theory
This chapter demonstrates how—through a complicated chain of intermediary texts—the depiction of Satan's fall through Chaos in book 2, which invokes the myth of Icarus, and the Son's successful ride ...
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This chapter demonstrates how—through a complicated chain of intermediary texts—the depiction of Satan's fall through Chaos in book 2, which invokes the myth of Icarus, and the Son's successful ride in the paternal chariot of God at the end of the War in Heaven in book 6, which rewrites the story of Phaethon, both trace back to the De rerum natura of Lucretius. They counter the Roman poet's depiction of an Epicurean cosmos ordered by chance and in a constant state of falling through an infinite void—the “vast vacuity” of Chaos. The myths of these highfliers who fall are further countered in Paradise Lost by the motif of poetic flight. The shaping power of poetry itself and the epic high style counteract the specter of a universe without bound and dimension, or of the shapelessness of Death; poetry raises the poet over his fallen condition.Less
This chapter demonstrates how—through a complicated chain of intermediary texts—the depiction of Satan's fall through Chaos in book 2, which invokes the myth of Icarus, and the Son's successful ride in the paternal chariot of God at the end of the War in Heaven in book 6, which rewrites the story of Phaethon, both trace back to the De rerum natura of Lucretius. They counter the Roman poet's depiction of an Epicurean cosmos ordered by chance and in a constant state of falling through an infinite void—the “vast vacuity” of Chaos. The myths of these highfliers who fall are further countered in Paradise Lost by the motif of poetic flight. The shaping power of poetry itself and the epic high style counteract the specter of a universe without bound and dimension, or of the shapelessness of Death; poetry raises the poet over his fallen condition.
David Quint
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691161914
- eISBN:
- 9781400850488
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691161914.003.0008
- Subject:
- Literature, Criticism/Theory
This chapter places the reconciliation of Adam and Eve in book 10 against the preceding first two-thirds of book 10, which have described the building by Sin and Death of their bridge over Chaos and ...
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This chapter places the reconciliation of Adam and Eve in book 10 against the preceding first two-thirds of book 10, which have described the building by Sin and Death of their bridge over Chaos and Satan's return to hell. Each of these appears to be a “triumphal act,” allusively associated with the triumph of Augustus depicted on the shield of Aeneas in Aeneid 8, the chronological “ending” of Virgil's poem. However, allusion equally returns both demonic acts to the beginning of the Aeneid, the storm and shipwreck off of Carthage, and suggests the recursive shape of evil in the larger book 10—a book in which the narrative sequence of events seems to run in a loop. Therefore, these satanic acts of heroism are now understood as mock-triumphs that parody the real triumphs of the Son—true endings that foreshadow apocalyptic ones—at the respective ends of books 6 and 7.Less
This chapter places the reconciliation of Adam and Eve in book 10 against the preceding first two-thirds of book 10, which have described the building by Sin and Death of their bridge over Chaos and Satan's return to hell. Each of these appears to be a “triumphal act,” allusively associated with the triumph of Augustus depicted on the shield of Aeneas in Aeneid 8, the chronological “ending” of Virgil's poem. However, allusion equally returns both demonic acts to the beginning of the Aeneid, the storm and shipwreck off of Carthage, and suggests the recursive shape of evil in the larger book 10—a book in which the narrative sequence of events seems to run in a loop. Therefore, these satanic acts of heroism are now understood as mock-triumphs that parody the real triumphs of the Son—true endings that foreshadow apocalyptic ones—at the respective ends of books 6 and 7.
David Sedley
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780199236343
- eISBN:
- 9780191717130
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199236343.003.0013
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This chapter asks what the Theogony can teach us about the advent of evil in the Timaeus, and in so doing, uncovers a ‘a remarkably deep isomorphism’ between the two texts: both, for example, ...
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This chapter asks what the Theogony can teach us about the advent of evil in the Timaeus, and in so doing, uncovers a ‘a remarkably deep isomorphism’ between the two texts: both, for example, introduce first the potential for evil (Hesiodic Chaos and its descendants, Platonic matter) and then its realization (Hesiodic and Platonic woman).Less
This chapter asks what the Theogony can teach us about the advent of evil in the Timaeus, and in so doing, uncovers a ‘a remarkably deep isomorphism’ between the two texts: both, for example, introduce first the potential for evil (Hesiodic Chaos and its descendants, Platonic matter) and then its realization (Hesiodic and Platonic woman).
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781789620979
- eISBN:
- 9781800341418
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620979.001.0001
- Subject:
- Society and Culture, Cultural Studies
This book reproduces the texts of four lectures, followed by discussions, and two interviews with Lise Gauvin published in Introduction à une poétique du divers (1996); and also four further ...
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This book reproduces the texts of four lectures, followed by discussions, and two interviews with Lise Gauvin published in Introduction à une poétique du divers (1996); and also four further interviews from L’Imaginaire des langues (Lise Gauvin, 2010). It covers a wide range of topics but key recurring themes are creolization, language and langage, culture and identity, ‘monolingualism’, the ‘Chaos-world’ and the role of the writer. Migration and the various different kinds of migrants are also discussed, as is the difference between ‘atavistic’ and ‘composite’ communities, the art of translation, identity as a ‘rhizome’ rather than a single root, the Chaos-World and chaos theory, ‘trace thought’ as opposed to ‘systematic thought’, the relation between ‘place’ and the Whole-World, exoticism, utopias, a new definition of beauty as the realized quantity of differences, the status of literary genres and the possibility that literature as a whole will disappear. Four of the interviews (Chapters 6, 7, 8 and 9) relate to particular works that Glissant has published: Tout-monde, Le monde incrée, La Cohée du Lamentin, Une nouvelle région du monde. Many of these themes have been explored in his previous works, but here, because in all the chapters we see Glissant interacting with the questions and views of other people, they are presented in a particularly accessible form.Less
This book reproduces the texts of four lectures, followed by discussions, and two interviews with Lise Gauvin published in Introduction à une poétique du divers (1996); and also four further interviews from L’Imaginaire des langues (Lise Gauvin, 2010). It covers a wide range of topics but key recurring themes are creolization, language and langage, culture and identity, ‘monolingualism’, the ‘Chaos-world’ and the role of the writer. Migration and the various different kinds of migrants are also discussed, as is the difference between ‘atavistic’ and ‘composite’ communities, the art of translation, identity as a ‘rhizome’ rather than a single root, the Chaos-World and chaos theory, ‘trace thought’ as opposed to ‘systematic thought’, the relation between ‘place’ and the Whole-World, exoticism, utopias, a new definition of beauty as the realized quantity of differences, the status of literary genres and the possibility that literature as a whole will disappear. Four of the interviews (Chapters 6, 7, 8 and 9) relate to particular works that Glissant has published: Tout-monde, Le monde incrée, La Cohée du Lamentin, Une nouvelle région du monde. Many of these themes have been explored in his previous works, but here, because in all the chapters we see Glissant interacting with the questions and views of other people, they are presented in a particularly accessible form.
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781789620986
- eISBN:
- 9781800341760
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620986.001.0001
- Subject:
- Society and Culture, Cultural Studies
This exciting, challenging book covers a wide range of subject matter, but all linked together through the key ideas of diversity and ‘Relation’. It sees our modern world, shaped by immigration and ...
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This exciting, challenging book covers a wide range of subject matter, but all linked together through the key ideas of diversity and ‘Relation’. It sees our modern world, shaped by immigration and the aftermath of colonization, as a multiplicity of different communities interacting and evolving together, and argues passionately against all political and philosophical attempts to impose uniformity, universal or absolute values. This is the ‘Whole-World’, which includes not only these objective phenomena but also our consciousness of them. Glissant constantly stresses the unpredictable, ‘chaotic’ nature of the world, which, he claims, we must adapt to and not attempt to limit or control. ‘Creolization’ is not restricted to the Creole societies of the Caribbean but describes all societies in which different cultures with equal status interact to produce new configurations. This perspective produces brilliant new insights into the politicization of culture, but also language, poetry, our relationship to place and to landscapes, globalization, history, and other topics. The book is not written in the style conventionally associated with essays, but is a mixture of argument, proclamation, and poetic evocations of landscapes, lifestyles and people. Its structure is intentionally ‘chaotic’, returning several times to the same themes but seen from a slightly different point of view.Less
This exciting, challenging book covers a wide range of subject matter, but all linked together through the key ideas of diversity and ‘Relation’. It sees our modern world, shaped by immigration and the aftermath of colonization, as a multiplicity of different communities interacting and evolving together, and argues passionately against all political and philosophical attempts to impose uniformity, universal or absolute values. This is the ‘Whole-World’, which includes not only these objective phenomena but also our consciousness of them. Glissant constantly stresses the unpredictable, ‘chaotic’ nature of the world, which, he claims, we must adapt to and not attempt to limit or control. ‘Creolization’ is not restricted to the Creole societies of the Caribbean but describes all societies in which different cultures with equal status interact to produce new configurations. This perspective produces brilliant new insights into the politicization of culture, but also language, poetry, our relationship to place and to landscapes, globalization, history, and other topics. The book is not written in the style conventionally associated with essays, but is a mixture of argument, proclamation, and poetic evocations of landscapes, lifestyles and people. Its structure is intentionally ‘chaotic’, returning several times to the same themes but seen from a slightly different point of view.
Nevill Drury
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780199750993
- eISBN:
- 9780199894871
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199750993.001.0001
- Subject:
- Religion, Religion and Society
Twentieth-century Western magic has been shaped by many diverse influences, including Gnosticism and the Hermetica, the medieval Kabbalah, Tarot, and Alchemy, and more recently, Rosicrucianism and ...
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Twentieth-century Western magic has been shaped by many diverse influences, including Gnosticism and the Hermetica, the medieval Kabbalah, Tarot, and Alchemy, and more recently, Rosicrucianism and Freemasonry. It also draws on Classical Graeco-Roman mythology, Celtic cosmology, Kundalini yoga, Tantra, shamanism, Chaos theory, and the various spiritual traditions associated in many different cultures with the Universal Goddess. This book traces the rise of various forms of magical belief and practice from the influential late nineteenth-century Hermetic Order of the Golden Dawn through to the emergence in more recent times of Wicca and Goddess worship as expressions of contemporary feminine spirituality. It also explores Chaos Magick and the occult practices of the so-called Left-Hand Path, as well as tenty-first-century magical forays into cyberspace. Key figures profiled here include Aleister Crowley, Dion Fortune, Austin Osman Spare, Rosaleen Norton, Gerald Gardner, Starhawk, Z. Budapest, Anton LaVey, Michael Aquino, Michael Bertiaux, H.R. Giger, Carlos Castaneda, Michael Harner, Peter J. Carroll, and Terence McKenna; all have contributed in different ways to the increasing fascination with mythic consciousness and archaic spirituality.Less
Twentieth-century Western magic has been shaped by many diverse influences, including Gnosticism and the Hermetica, the medieval Kabbalah, Tarot, and Alchemy, and more recently, Rosicrucianism and Freemasonry. It also draws on Classical Graeco-Roman mythology, Celtic cosmology, Kundalini yoga, Tantra, shamanism, Chaos theory, and the various spiritual traditions associated in many different cultures with the Universal Goddess. This book traces the rise of various forms of magical belief and practice from the influential late nineteenth-century Hermetic Order of the Golden Dawn through to the emergence in more recent times of Wicca and Goddess worship as expressions of contemporary feminine spirituality. It also explores Chaos Magick and the occult practices of the so-called Left-Hand Path, as well as tenty-first-century magical forays into cyberspace. Key figures profiled here include Aleister Crowley, Dion Fortune, Austin Osman Spare, Rosaleen Norton, Gerald Gardner, Starhawk, Z. Budapest, Anton LaVey, Michael Aquino, Michael Bertiaux, H.R. Giger, Carlos Castaneda, Michael Harner, Peter J. Carroll, and Terence McKenna; all have contributed in different ways to the increasing fascination with mythic consciousness and archaic spirituality.
John Hatcher and Mark Bailey
- Published in print:
- 2001
- Published Online:
- October 2011
- ISBN:
- 9780199244119
- eISBN:
- 9780191697333
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199244119.003.0006
- Subject:
- History, European Medieval History, Economic History
This chapter summarises the theme of the book and introduces new models such as the Chaos theory, Pewter theory, and path dependency. The central theme of this book has been an exploration of the ...
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This chapter summarises the theme of the book and introduces new models such as the Chaos theory, Pewter theory, and path dependency. The central theme of this book has been an exploration of the intellectual strength, clarity, and historical accuracy of the three traditional supermodels of economic development in the Middle Ages and beyond. Its purpose is to provide a clear and accessible introduction to the conceptual frameworks, and to assess the extent to which these frameworks retain relevance and credibility. The development of extremely powerful computers has facilitated the rise of Chaos Theory, which analyses the manner in which many and varied forces interact in complex ways to produce organised networks and structured systems. However, this chapter concludes that writing of history is on the whole a progressive craft, and advances will continue to be made.Less
This chapter summarises the theme of the book and introduces new models such as the Chaos theory, Pewter theory, and path dependency. The central theme of this book has been an exploration of the intellectual strength, clarity, and historical accuracy of the three traditional supermodels of economic development in the Middle Ages and beyond. Its purpose is to provide a clear and accessible introduction to the conceptual frameworks, and to assess the extent to which these frameworks retain relevance and credibility. The development of extremely powerful computers has facilitated the rise of Chaos Theory, which analyses the manner in which many and varied forces interact in complex ways to produce organised networks and structured systems. However, this chapter concludes that writing of history is on the whole a progressive craft, and advances will continue to be made.
Gwyneth Jones
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9780252042638
- eISBN:
- 9780252051487
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042638.003.0002
- Subject:
- Literature, 20th-century and Contemporary Literature
“Experiment and Experience” covers Joanna’s first years as a reviewer for the Magazine of Fantasy and Science Fiction, under the editorship of Judith Merril, and her first post as a university ...
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“Experiment and Experience” covers Joanna’s first years as a reviewer for the Magazine of Fantasy and Science Fiction, under the editorship of Judith Merril, and her first post as a university teacher at Cornell, and discusses modernism in sf, Joanna’s role as interpreter of the British “New Worlds” writers and the American New Wave and her
response to the protest movements and cultural revolutions of the 1960s (in the psychedelic “Modernist novel by a Star Trek fan”) And Chaos Died. Essays and stories (1968-1971) examined include the important “The Wearing Out of Genre Materials,” and autobiographical short fictions that foreshadow The Female Man and illuminate And Chaos Died.Less
“Experiment and Experience” covers Joanna’s first years as a reviewer for the Magazine of Fantasy and Science Fiction, under the editorship of Judith Merril, and her first post as a university teacher at Cornell, and discusses modernism in sf, Joanna’s role as interpreter of the British “New Worlds” writers and the American New Wave and her
response to the protest movements and cultural revolutions of the 1960s (in the psychedelic “Modernist novel by a Star Trek fan”) And Chaos Died. Essays and stories (1968-1971) examined include the important “The Wearing Out of Genre Materials,” and autobiographical short fictions that foreshadow The Female Man and illuminate And Chaos Died.
David G. Lewis
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781474454766
- eISBN:
- 9781474480611
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474454766.003.0001
- Subject:
- Political Science, Political Theory
This chapter explores different theoretical approaches to Russian authoritarianism and proposes an alternative conceptual framework that prioritises the importance of ideas. In contrast to accounts ...
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This chapter explores different theoretical approaches to Russian authoritarianism and proposes an alternative conceptual framework that prioritises the importance of ideas. In contrast to accounts that view Putinism as ‘post-ideological’, this chapter explains that an investigation of the ideational worldviews of Russian political elites are central to understanding the nature of contemporary Russian politics. Rather than focusing on democratisation, this chapter argues that the key political debate in Russia was over how to achieve and maintain political order. An emphasis on political order over other values has a long tradition in Russian conservative thought, but it became particularly relevant after the 1990s, which were widely viewed in Russia as a period of chaos and collapse.Less
This chapter explores different theoretical approaches to Russian authoritarianism and proposes an alternative conceptual framework that prioritises the importance of ideas. In contrast to accounts that view Putinism as ‘post-ideological’, this chapter explains that an investigation of the ideational worldviews of Russian political elites are central to understanding the nature of contemporary Russian politics. Rather than focusing on democratisation, this chapter argues that the key political debate in Russia was over how to achieve and maintain political order. An emphasis on political order over other values has a long tradition in Russian conservative thought, but it became particularly relevant after the 1990s, which were widely viewed in Russia as a period of chaos and collapse.
Graciela Chao Carbonero and Melba Núñez Isalbe (eds)
- Published in print:
- 2010
- Published Online:
- September 2012
- ISBN:
- 9780813034676
- eISBN:
- 9780813046303
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813034676.003.0005
- Subject:
- Music, Dance
Cuban dance researcher Graciela Chao Carbonero discusses how the African element penetrates all aspects of Cuban dance. She begins with the African-based danced religions of Cuba, Regla de Ocha or ...
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Cuban dance researcher Graciela Chao Carbonero discusses how the African element penetrates all aspects of Cuban dance. She begins with the African-based danced religions of Cuba, Regla de Ocha or Santería (the religion of the Yoruba orishas), Palo Monte and other Congolese-based sects, Arará, and Abakuá, and how steps from such traditions merge with secular Cuban folk dances such as carnival comparsas and sones miméticos and also influence the dances that descend from European contradanza. Chao delves into contemporary casino and casino rueda and the African underpinnings of such dances and also of Cuban modern dance, with its training technique, técnica cubana, developed by Ramiro Guerra and others, and of Cuban variety dance in clubs and pn television.Less
Cuban dance researcher Graciela Chao Carbonero discusses how the African element penetrates all aspects of Cuban dance. She begins with the African-based danced religions of Cuba, Regla de Ocha or Santería (the religion of the Yoruba orishas), Palo Monte and other Congolese-based sects, Arará, and Abakuá, and how steps from such traditions merge with secular Cuban folk dances such as carnival comparsas and sones miméticos and also influence the dances that descend from European contradanza. Chao delves into contemporary casino and casino rueda and the African underpinnings of such dances and also of Cuban modern dance, with its training technique, técnica cubana, developed by Ramiro Guerra and others, and of Cuban variety dance in clubs and pn television.
Filippo Del Lucchese
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781474456203
- eISBN:
- 9781474476935
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474456203.003.0002
- Subject:
- Philosophy, History of Philosophy
This chaper explores the question of monstrosity through the conflictual nature of the archaic and ancient mythology. Already in the early cosmogonies, monstrosity fights for alternative orders of ...
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This chaper explores the question of monstrosity through the conflictual nature of the archaic and ancient mythology. Already in the early cosmogonies, monstrosity fights for alternative orders of being. Against them, normality is established through a long, painful, and challenging process in which, curiously, monstrosity is not only the principal enemy, but also one of the tools that paradoxically helps the mainstream forces to establish themselves. The material analysed in this chapter constitutes the ground to present the passage from myth to logos and to better understand the genealogy of two alternative visions of nature, i.e. materialism and idealism which, long before the great Attic systematisations, divide the field of pre-Platonic philosophy.Less
This chaper explores the question of monstrosity through the conflictual nature of the archaic and ancient mythology. Already in the early cosmogonies, monstrosity fights for alternative orders of being. Against them, normality is established through a long, painful, and challenging process in which, curiously, monstrosity is not only the principal enemy, but also one of the tools that paradoxically helps the mainstream forces to establish themselves. The material analysed in this chapter constitutes the ground to present the passage from myth to logos and to better understand the genealogy of two alternative visions of nature, i.e. materialism and idealism which, long before the great Attic systematisations, divide the field of pre-Platonic philosophy.
Katelyn E. Knox
- Published in print:
- 2016
- Published Online:
- January 2017
- ISBN:
- 9781781383094
- eISBN:
- 9781781384152
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781383094.003.0003
- Subject:
- History, European Modern History
This chapter develops the notion of ‘self-spectacularization’ to describe racial and ethnic minorities’ late-twentieth century efforts to draw attention to and counter the many exoticizing ‘gazes’ to ...
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This chapter develops the notion of ‘self-spectacularization’ to describe racial and ethnic minorities’ late-twentieth century efforts to draw attention to and counter the many exoticizing ‘gazes’ to which they were subjected. It focuses primarily on the sans-papiers’ socio-political movement, as well as representations of undocumented or clandestine migrants in literature (J. R. Essomba’s Le Paradis du Nord) and popular music (Salif Keïta’s ‘Nou Pas Bouger’, Meiway’s ‘Je suis sans-papiers’, and Manu Chao’s ‘Clandestino’). In so doing, however, it also contends that the ways Francophone authors and musicians were ‘packaged’ by their respective industries effectively places the author or artist in the role of spokesperson for the communities to which s/he belongs. The works examined in chapter 5 return to and contest this role ascribed to minority authors, arguing that it is yet another manifestation of the ‘exotic gaze’ that allows whiteness and its latent association with notions of ‘normalcy’ to evade critical scrutiny. Chapter 2 therefore ultimately considers whether these early efforts to ‘speak out’ through ‘spectacularizing the self’ nevertheless perpetuate the very ways of looking they seek to contest.Less
This chapter develops the notion of ‘self-spectacularization’ to describe racial and ethnic minorities’ late-twentieth century efforts to draw attention to and counter the many exoticizing ‘gazes’ to which they were subjected. It focuses primarily on the sans-papiers’ socio-political movement, as well as representations of undocumented or clandestine migrants in literature (J. R. Essomba’s Le Paradis du Nord) and popular music (Salif Keïta’s ‘Nou Pas Bouger’, Meiway’s ‘Je suis sans-papiers’, and Manu Chao’s ‘Clandestino’). In so doing, however, it also contends that the ways Francophone authors and musicians were ‘packaged’ by their respective industries effectively places the author or artist in the role of spokesperson for the communities to which s/he belongs. The works examined in chapter 5 return to and contest this role ascribed to minority authors, arguing that it is yet another manifestation of the ‘exotic gaze’ that allows whiteness and its latent association with notions of ‘normalcy’ to evade critical scrutiny. Chapter 2 therefore ultimately considers whether these early efforts to ‘speak out’ through ‘spectacularizing the self’ nevertheless perpetuate the very ways of looking they seek to contest.
Robert Hymes
- Published in print:
- 2002
- Published Online:
- May 2012
- ISBN:
- 9780520207585
- eISBN:
- 9780520935136
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520207585.003.0006
- Subject:
- Religion, Religious Studies
This chapter investigates the combination or alternation of the two models in Taoists' own self-representations, discussing Wang Wen-ch'ing as Taoist practitioner and as local god. In Yü Chi's ...
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This chapter investigates the combination or alternation of the two models in Taoists' own self-representations, discussing Wang Wen-ch'ing as Taoist practitioner and as local god. In Yü Chi's account, Wang's special character is inborn, but it grows through contact with others as special as he. The records of Wang that come directly from Household Talk and Chao Taoi's biography reveal Wang as a celestial official in regular communication with both superiors and underlings, and treat his acts as exercises of delegated power commanded or authorized by a celestial court and emperor. Almost all elements of the representation of the Three Immortals in the Hua-kai texts are at least available in Taoist practitioners' own habits of self-representation. To treat Immortals like the Hua-kai Three as embodiments of locality and of a power that modeled in ideal form the local gentleman's own real and wished-for power, only two changes were necessary.Less
This chapter investigates the combination or alternation of the two models in Taoists' own self-representations, discussing Wang Wen-ch'ing as Taoist practitioner and as local god. In Yü Chi's account, Wang's special character is inborn, but it grows through contact with others as special as he. The records of Wang that come directly from Household Talk and Chao Taoi's biography reveal Wang as a celestial official in regular communication with both superiors and underlings, and treat his acts as exercises of delegated power commanded or authorized by a celestial court and emperor. Almost all elements of the representation of the Three Immortals in the Hua-kai texts are at least available in Taoist practitioners' own habits of self-representation. To treat Immortals like the Hua-kai Three as embodiments of locality and of a power that modeled in ideal form the local gentleman's own real and wished-for power, only two changes were necessary.
Hugh B. Urban
- Published in print:
- 2006
- Published Online:
- May 2012
- ISBN:
- 9780520247765
- eISBN:
- 9780520932883
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520247765.003.0010
- Subject:
- Religion, Religious Studies
This chapter explores the proliferation of a whole new array of sexual magic at the turn of the third millennium, including cybersex and Chaos Magic. It explains that Chaos Magic uses sexual magic as ...
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This chapter explores the proliferation of a whole new array of sexual magic at the turn of the third millennium, including cybersex and Chaos Magic. It explains that Chaos Magic uses sexual magic as one of many ways to shatter fixed ways of thinking, and to unleash the power of Chaos as radical freedom from all social, religious, or institutional structures, and that the rise of various forms of Chaos Magic occurred at roughly the same time as the birth of the intellectual movements of postmodernism and deconstruction. The chapter argues that the rise of Chaos Magic and various forms of cybermagic brought together many of the recurring themes which have appeared throughout the history of modern sexual magic.Less
This chapter explores the proliferation of a whole new array of sexual magic at the turn of the third millennium, including cybersex and Chaos Magic. It explains that Chaos Magic uses sexual magic as one of many ways to shatter fixed ways of thinking, and to unleash the power of Chaos as radical freedom from all social, religious, or institutional structures, and that the rise of various forms of Chaos Magic occurred at roughly the same time as the birth of the intellectual movements of postmodernism and deconstruction. The chapter argues that the rise of Chaos Magic and various forms of cybermagic brought together many of the recurring themes which have appeared throughout the history of modern sexual magic.
David Martin-Jones
- Published in print:
- 2006
- Published Online:
- March 2012
- ISBN:
- 9780748622443
- eISBN:
- 9780748651085
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748622443.003.0007
- Subject:
- Film, Television and Radio, Film
This chapter examines three films from Asian Pacific Rim countries: Too Many Ways to be Number One (Hong Kong, 1997), Chaos (Japan, 1999) and Peppermint Candy (South Korea, 2000), which are singled ...
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This chapter examines three films from Asian Pacific Rim countries: Too Many Ways to be Number One (Hong Kong, 1997), Chaos (Japan, 1999) and Peppermint Candy (South Korea, 2000), which are singled out because they have, by turns, a multiple, a jumbled and a reversed narrative structure. They are examined chronologically, each time with reference to a number of other films from their respective national cinemas. Although there are numerous difficulties attached to labelling South Korea and Hong Kong ‘nations’, the unusual narratives of these three films are, nevertheless, again viewed as attempts to negotiate ‘national’ identity in the face of changing historical circumstances. The extent to which each film de- or reterritorialises the movement-image is to a large degree a product of the national context in which it was produced.Less
This chapter examines three films from Asian Pacific Rim countries: Too Many Ways to be Number One (Hong Kong, 1997), Chaos (Japan, 1999) and Peppermint Candy (South Korea, 2000), which are singled out because they have, by turns, a multiple, a jumbled and a reversed narrative structure. They are examined chronologically, each time with reference to a number of other films from their respective national cinemas. Although there are numerous difficulties attached to labelling South Korea and Hong Kong ‘nations’, the unusual narratives of these three films are, nevertheless, again viewed as attempts to negotiate ‘national’ identity in the face of changing historical circumstances. The extent to which each film de- or reterritorialises the movement-image is to a large degree a product of the national context in which it was produced.
Martine Beugnet
- Published in print:
- 2007
- Published Online:
- September 2012
- ISBN:
- 9780748620425
- eISBN:
- 9780748670840
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748620425.003.0003
- Subject:
- Film, Television and Radio, Film
This chapter looks at the kind of processes of synaesthesia and correspondences by which contemporary filmmakers seek to destabilise the relationship between the subjective body and the objective ...
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This chapter looks at the kind of processes of synaesthesia and correspondences by which contemporary filmmakers seek to destabilise the relationship between the subjective body and the objective world. Drawing on Bataille's concept of the formless, the chapter looks anew at techniques and effects such as the close-up, distortion and blurring.Less
This chapter looks at the kind of processes of synaesthesia and correspondences by which contemporary filmmakers seek to destabilise the relationship between the subjective body and the objective world. Drawing on Bataille's concept of the formless, the chapter looks anew at techniques and effects such as the close-up, distortion and blurring.
Wolfgang Banzhaf and Lidia Yamamoto
- Published in print:
- 2015
- Published Online:
- September 2016
- ISBN:
- 9780262029438
- eISBN:
- 9780262329460
- Item type:
- chapter
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262029438.003.0014
- Subject:
- Public Health and Epidemiology, Public Health
Here we study self-organization, which refers to a class of systems that are able to form and maintain their organization by themselves. Related to self-organization (and sometimes mixed with it) is ...
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Here we study self-organization, which refers to a class of systems that are able to form and maintain their organization by themselves. Related to self-organization (and sometimes mixed with it) is the term emergent phenomena which encompasses the observation of phenomena that come about by self-organization. Both terms emphasize different characteristics of a systems behavior, but they appear often together. We start with laying out examples of self-organization. We then delve into the fascinating topic of the emergence of phenomena which are found everywhere around us. The last two sections are devoted to explain how the mechanism of emergence could work with a particular emphasis on top-down causation.Less
Here we study self-organization, which refers to a class of systems that are able to form and maintain their organization by themselves. Related to self-organization (and sometimes mixed with it) is the term emergent phenomena which encompasses the observation of phenomena that come about by self-organization. Both terms emphasize different characteristics of a systems behavior, but they appear often together. We start with laying out examples of self-organization. We then delve into the fascinating topic of the emergence of phenomena which are found everywhere around us. The last two sections are devoted to explain how the mechanism of emergence could work with a particular emphasis on top-down causation.
