Myra S. Washington
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496814227
- eISBN:
- 9781496814265
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496814227.001.0001
- Subject:
- Sociology, Race and Ethnicity
This book examines the racialization of Blasians – mixed race people with Black and Asian ancestry – that neither sees them as new or unique, nor as a racial salve to move the United States past the ...
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This book examines the racialization of Blasians – mixed race people with Black and Asian ancestry – that neither sees them as new or unique, nor as a racial salve to move the United States past the problem of the colour line. The emergence of Blasian celebrities and the analyses of these stars acknowledges that to understand what and who is a Blasian means to first understand hegemonic notions of both Blacks and Asian/Americans. Contextualized against those dominant discourses Blasians explode the narrow boundaries of authenticity around racialized categories. Multiracial people are just as capable as monoracial people of upholding hierarchies of identity, as well as dismantling those hierarchies. Thus, in this book Blasians do not escape race, or erase race, but they do deconstruct normative instantiations of identity. The presence, mobility, and utility of these multiracial celebrities within both U.S. and global racial schemas simultaneously realize and complicate potential alternatives to racial and racist paradigms. These mixed race stars draw attention to how risible and absurd the biological and cultural premises for racialization truly are, and demonstrate potential alternatives for affiliation that do not rely on genetic material.Less
This book examines the racialization of Blasians – mixed race people with Black and Asian ancestry – that neither sees them as new or unique, nor as a racial salve to move the United States past the problem of the colour line. The emergence of Blasian celebrities and the analyses of these stars acknowledges that to understand what and who is a Blasian means to first understand hegemonic notions of both Blacks and Asian/Americans. Contextualized against those dominant discourses Blasians explode the narrow boundaries of authenticity around racialized categories. Multiracial people are just as capable as monoracial people of upholding hierarchies of identity, as well as dismantling those hierarchies. Thus, in this book Blasians do not escape race, or erase race, but they do deconstruct normative instantiations of identity. The presence, mobility, and utility of these multiracial celebrities within both U.S. and global racial schemas simultaneously realize and complicate potential alternatives to racial and racist paradigms. These mixed race stars draw attention to how risible and absurd the biological and cultural premises for racialization truly are, and demonstrate potential alternatives for affiliation that do not rely on genetic material.
Joel Nathan Rosen and Maureen M. Smith (eds)
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781496809889
- eISBN:
- 9781496809926
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496809889.001.0001
- Subject:
- Sociology, Sport and Leisure
This collection takes a critical look at athletic celebrity on the part of athletes who enjoy worldwide reputations without necessarily breaking into the more narrowly defined North American sporting ...
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This collection takes a critical look at athletic celebrity on the part of athletes who enjoy worldwide reputations without necessarily breaking into the more narrowly defined North American sporting terrain. This volume, which chronicles the reputational arcs of athletes in such diverse sports as surfing, motocross, Grand Prix Racing, distance running, and even sumo wrestling, as well as more widespread competitions including tennis, cricket, and world football, to name but a few, are presented as a means to underscore the notion that sport, regardless of type and place, helps foster individual reputations that creates celebrities unique to those games.Less
This collection takes a critical look at athletic celebrity on the part of athletes who enjoy worldwide reputations without necessarily breaking into the more narrowly defined North American sporting terrain. This volume, which chronicles the reputational arcs of athletes in such diverse sports as surfing, motocross, Grand Prix Racing, distance running, and even sumo wrestling, as well as more widespread competitions including tennis, cricket, and world football, to name but a few, are presented as a means to underscore the notion that sport, regardless of type and place, helps foster individual reputations that creates celebrities unique to those games.
Murray Pomerance and Kyle Stevens (eds)
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.001.0001
- Subject:
- Film, Television and Radio, Film
This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes ...
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This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.
This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Gael Garcia Bernal, Nikolai Cherkassov, Alec Guinness, Setsuko Hara, Isabelle Huppert, Peter Lorre, Madhubala, Anna Magnani, Toshirô Mifune, and Choi Min Sik, amongst many others.Less
This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.
This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Gael Garcia Bernal, Nikolai Cherkassov, Alec Guinness, Setsuko Hara, Isabelle Huppert, Peter Lorre, Madhubala, Anna Magnani, Toshirô Mifune, and Choi Min Sik, amongst many others.
Gian Maria Annovi
- Published in print:
- 2017
- Published Online:
- January 2019
- ISBN:
- 9780231180306
- eISBN:
- 9780231542708
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231180306.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of ...
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Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship. Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.Less
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship. Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.
John Street, Sanna Inthorn, and Martin Scott
- Published in print:
- 2013
- Published Online:
- May 2015
- ISBN:
- 9780719085383
- eISBN:
- 9781781706121
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719085383.001.0001
- Subject:
- Political Science, UK Politics
The relationship between politics and popular culture is often seen to take one of two forms. Either popular culture is seen to disengage or pacify citizens; or it is portrayed as a source of ...
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The relationship between politics and popular culture is often seen to take one of two forms. Either popular culture is seen to disengage or pacify citizens; or it is portrayed as a source of political knowledge and expression. Such claims are rarely subjected to detailed scrutiny. From Entertainment to Citizenship is an attempt to make up this deficit by examining carefully how popular culture’s politics is understood and used. Focusing on the lives and experiences of 17-18 year olds in the UK, it explores the extent to which these young people use popular culture to think about and engage with politics. The book compares the political role of different forms of popular culture (video games, music and entertainment television), and it considers different dimensions of the relationship. It looks at the phenomenon of the ‘celebrity politician’, at popular culture as a source of knowledge about the ‘real world’ and at the group identities forged around the pleasures of music, TV and video games. We conclude that popular culture is an important source of knowledge about the world, that it helps forge identities and the interests associated with them, and it gives form to the evaluations of power and its exercise. Rarely, though, does this interplay of politics and popular culture happen in neat or straightforward ways.Less
The relationship between politics and popular culture is often seen to take one of two forms. Either popular culture is seen to disengage or pacify citizens; or it is portrayed as a source of political knowledge and expression. Such claims are rarely subjected to detailed scrutiny. From Entertainment to Citizenship is an attempt to make up this deficit by examining carefully how popular culture’s politics is understood and used. Focusing on the lives and experiences of 17-18 year olds in the UK, it explores the extent to which these young people use popular culture to think about and engage with politics. The book compares the political role of different forms of popular culture (video games, music and entertainment television), and it considers different dimensions of the relationship. It looks at the phenomenon of the ‘celebrity politician’, at popular culture as a source of knowledge about the ‘real world’ and at the group identities forged around the pleasures of music, TV and video games. We conclude that popular culture is an important source of knowledge about the world, that it helps forge identities and the interests associated with them, and it gives form to the evaluations of power and its exercise. Rarely, though, does this interplay of politics and popular culture happen in neat or straightforward ways.
Joanne Begiato
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781526128577
- eISBN:
- 9781526152046
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7765/9781526128584.00009
- Subject:
- Society and Culture, Gender Studies
This chapter brings together bodies, emotions, and objects through the most desirable idealised man of all: the martial man. Fictional and real military men were imagined through emotionalised ...
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This chapter brings together bodies, emotions, and objects through the most desirable idealised man of all: the martial man. Fictional and real military men were imagined through emotionalised bodies, with material culture often acting as the point of entry for the cultural work they performed in producing and disseminating manliness. Drawing on the concept of emotional objects, three types of material culture are examined, which inspired feelings that reinforced ideas about idealised manliness. The first group are the artefacts of war and the military, including uniforms, weaponry, battle-field-objects, medals, ships, and regimental colours. The second are the objects encountered at the domestic level including toys, ceramics, and textiles, which depicted martial manliness or had intimate connections with soldiers and sailors. They appealed to all age groups, genders, and social classes, and had a domestic function or ornamental appeal. The third type considered consists of the material culture that celebrity military heroes generated, from consumable products that deployed their names and images, to the monuments that memorialised them, to the very stuff of their bodies. This irresistible nexus of emotionalised bodies and objects prompted affective responses, which disseminated, reinforced, and maintained civilian masculinities. (192 words)Less
This chapter brings together bodies, emotions, and objects through the most desirable idealised man of all: the martial man. Fictional and real military men were imagined through emotionalised bodies, with material culture often acting as the point of entry for the cultural work they performed in producing and disseminating manliness. Drawing on the concept of emotional objects, three types of material culture are examined, which inspired feelings that reinforced ideas about idealised manliness. The first group are the artefacts of war and the military, including uniforms, weaponry, battle-field-objects, medals, ships, and regimental colours. The second are the objects encountered at the domestic level including toys, ceramics, and textiles, which depicted martial manliness or had intimate connections with soldiers and sailors. They appealed to all age groups, genders, and social classes, and had a domestic function or ornamental appeal. The third type considered consists of the material culture that celebrity military heroes generated, from consumable products that deployed their names and images, to the monuments that memorialised them, to the very stuff of their bodies. This irresistible nexus of emotionalised bodies and objects prompted affective responses, which disseminated, reinforced, and maintained civilian masculinities. (192 words)
Margaret Schwartz
- Published in print:
- 2015
- Published Online:
- September 2016
- ISBN:
- 9780816694334
- eISBN:
- 9781452953588
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816694334.001.0001
- Subject:
- Society and Culture, Media Studies
An Iconography of the Flesh theorizes the relationship between the body and the image by looking at the corpse as a special instance of a body that is both thing and representation. Unlike ...
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An Iconography of the Flesh theorizes the relationship between the body and the image by looking at the corpse as a special instance of a body that is both thing and representation. Unlike sociological or anthropological studies of death and funerary practice, this work takes as its starting point the special role of the photograph in modern mourning practices, particularly those surrounding public figures. Arguing that the evolving cultural understanding of photographic realism structures our relationship to the corpse, the book outlines a new politics of representation in which some bodies are more visible (and vulnerable) in death than others. An Iconography of the Flesh ultimately argues that death without a body is specific to the capitalist mode of social reproduction and its attendant alienation of meaningful representations of death in favor of ghostly figures of bare life that reflect the exploitation of those whose bodies are considered expendable.Less
An Iconography of the Flesh theorizes the relationship between the body and the image by looking at the corpse as a special instance of a body that is both thing and representation. Unlike sociological or anthropological studies of death and funerary practice, this work takes as its starting point the special role of the photograph in modern mourning practices, particularly those surrounding public figures. Arguing that the evolving cultural understanding of photographic realism structures our relationship to the corpse, the book outlines a new politics of representation in which some bodies are more visible (and vulnerable) in death than others. An Iconography of the Flesh ultimately argues that death without a body is specific to the capitalist mode of social reproduction and its attendant alienation of meaningful representations of death in favor of ghostly figures of bare life that reflect the exploitation of those whose bodies are considered expendable.
Janet Bergstrom
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.003.0006
- Subject:
- Film, Television and Radio, Film
A discussion of Peter Lorre in M
A discussion of Peter Lorre in M
Sergio Rigoletto
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.003.0007
- Subject:
- Film, Television and Radio, Film
A discussion of Anna Magnani in The Golden Coach
A discussion of Anna Magnani in The Golden Coach
R. Barton Palmer
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.003.0008
- Subject:
- Film, Television and Radio, Film
A discussion of Alec Guinness in Last Holiday
A discussion of Alec Guinness in Last Holiday
Victoria Duckett
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.003.0009
- Subject:
- Film, Television and Radio, Film
A discussion of Ingrid Bergman in Stromboli
A discussion of Ingrid Bergman in Stromboli
Adrian Danks
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.003.0013
- Subject:
- Film, Television and Radio, Film
A discussion of Jeanne Moreau in The Bride Wore Black
A discussion of Jeanne Moreau in The Bride Wore Black
Kyle Stevens
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.003.0014
- Subject:
- Film, Television and Radio, Film
A discussion of Michel Serrault in La cage aux folles
A discussion of Michel Serrault in La cage aux folles
Corey K. Creekmur
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.003.0015
- Subject:
- Film, Television and Radio, Film
A discussion of Madhubala in Mughal-e-Azam
A discussion of Madhubala in Mughal-e-Azam
Myra S. Washington
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496814227
- eISBN:
- 9781496814265
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496814227.003.0001
- Subject:
- Sociology, Race and Ethnicity
This chapter provides a foundation for understanding how media processes, institutions, and discourses have branded mixed race Black and Asian/American stars, making them legible and marketable ...
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This chapter provides a foundation for understanding how media processes, institutions, and discourses have branded mixed race Black and Asian/American stars, making them legible and marketable vis-à-vis the celebrity industrial complex. The use of transracial to denaturalize and disrupt normative racial categories is an attempt to theorize the ways mixed race people access or eschew racialized identities. Ultimately, representations of Blasians may push the limits of mediatized racialization and as such also push the limits for understanding racial authenticity.Less
This chapter provides a foundation for understanding how media processes, institutions, and discourses have branded mixed race Black and Asian/American stars, making them legible and marketable vis-à-vis the celebrity industrial complex. The use of transracial to denaturalize and disrupt normative racial categories is an attempt to theorize the ways mixed race people access or eschew racialized identities. Ultimately, representations of Blasians may push the limits of mediatized racialization and as such also push the limits for understanding racial authenticity.
Peter Marks
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474411592
- eISBN:
- 9781474444873
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474411592.003.0006
- Subject:
- Literature, 20th-century and Contemporary Literature
The nineties was a decade in thrall to the tremendous cultural and commercial attractions of celebrity. If, in hindsight, the seventies seem forever marked by memories of the Winter of Discontent, ...
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The nineties was a decade in thrall to the tremendous cultural and commercial attractions of celebrity. If, in hindsight, the seventies seem forever marked by memories of the Winter of Discontent, and the eighties by the dominating presence of Margaret Thatcher, perhaps the signature cultural moment of the nineties was the extravagant national
response to the unexpected death of Diana, Princess of Wales. Diana embodied the glamour, beauty and charisma associated with celebrity, and enjoyed the capacity to furnish people with dreams that took them outside their workaday existence. Diana’s alluring public persona was founded on the fabricated fairy tale princess narrative constructed for
her by the Royal Family, a compliant and sometimes complicit media, and by herself. The truth was murkier and far more complex.Less
The nineties was a decade in thrall to the tremendous cultural and commercial attractions of celebrity. If, in hindsight, the seventies seem forever marked by memories of the Winter of Discontent, and the eighties by the dominating presence of Margaret Thatcher, perhaps the signature cultural moment of the nineties was the extravagant national
response to the unexpected death of Diana, Princess of Wales. Diana embodied the glamour, beauty and charisma associated with celebrity, and enjoyed the capacity to furnish people with dreams that took them outside their workaday existence. Diana’s alluring public persona was founded on the fabricated fairy tale princess narrative constructed for
her by the Royal Family, a compliant and sometimes complicit media, and by herself. The truth was murkier and far more complex.
Homer B. Pettey
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.003.0002
- Subject:
- Film, Television and Radio, Film
A discussion of Victor Sjöström in Wild Strawberries
A discussion of Victor Sjöström in Wild Strawberries
Jerry Mosher
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.003.0003
- Subject:
- Film, Television and Radio, Film
A discussion of Emil Jannings in The Blue Angel
A discussion of Emil Jannings in The Blue Angel
Marcia Landy
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.003.0004
- Subject:
- Film, Television and Radio, Film
A discussion of Charles Laughton in Hobson’s Choice
A discussion of Charles Laughton in Hobson’s Choice
Karla Oeler
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.003.0005
- Subject:
- Film, Television and Radio, Film
A discussion of Nikolai Cherkasov in Ivan the Terrible
A discussion of Nikolai Cherkasov in Ivan the Terrible
