Alfredo J. Sosa-Velasco
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9781846318337
- eISBN:
- 9781846317880
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781846318337.003.0011
- Subject:
- Society and Culture, Cultural Studies
This essay discusses how Riera's Dins el darrer blau (1994) revisits the past in order to create a “culture of memory,” a process whereby society confronts its traumatic past and the history of exile ...
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This essay discusses how Riera's Dins el darrer blau (1994) revisits the past in order to create a “culture of memory,” a process whereby society confronts its traumatic past and the history of exile and repression. Riera's novel is based on historical events that occurred in the City of Mallorca from 1687 to 1691. I suggest that this work engages with ideas of collective memory relating to the Jewish historical experience. Much of Dins el darrer blau corresponds to the writing on diaspora, implicitly questioning the relation between collective memory and nation. Riera shows what happens when the process of memory transcends ethnic national boundaries—what Daniel Levy and Nathan Sznaider (2002) have referred to as “cosmopolitan memory”. From this perspective, the persecution of Jewish converts in Mallorca can be remembered beyond the personal or even the group identities of the Jewish victims and the Catholic perpetrators on the island.Less
This essay discusses how Riera's Dins el darrer blau (1994) revisits the past in order to create a “culture of memory,” a process whereby society confronts its traumatic past and the history of exile and repression. Riera's novel is based on historical events that occurred in the City of Mallorca from 1687 to 1691. I suggest that this work engages with ideas of collective memory relating to the Jewish historical experience. Much of Dins el darrer blau corresponds to the writing on diaspora, implicitly questioning the relation between collective memory and nation. Riera shows what happens when the process of memory transcends ethnic national boundaries—what Daniel Levy and Nathan Sznaider (2002) have referred to as “cosmopolitan memory”. From this perspective, the persecution of Jewish converts in Mallorca can be remembered beyond the personal or even the group identities of the Jewish victims and the Catholic perpetrators on the island.
- Published in print:
- 2009
- Published Online:
- June 2013
- ISBN:
- 9781846311833
- eISBN:
- 9781846315947
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846315947.004
- Subject:
- Literature, European Literature
This chapter explores the cultural and political implications of the perceived domination of the experiential school. It specifically analyses the poetry from the view of ‘Cultural Studies’, ...
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This chapter explores the cultural and political implications of the perceived domination of the experiential school. It specifically analyses the poetry from the view of ‘Cultural Studies’, addressing the causes and effects of the definition of the ‘poetry of experience’ as dominant or hegemonic within the cultural field. It considers the works of Eduardo Subirats, Carme Riera, and Félix de Azúa. It shows that the ‘poetry of experience’ has achieved quasi-official status in post-Franco Spain. The identity of the ‘poetry of experience’ appears to be derived almost wholly from its semi-official status. It has also risen to prominence by introducing a narrative of triumphant normalisation consonant with the self-image of Spanish political elite.Less
This chapter explores the cultural and political implications of the perceived domination of the experiential school. It specifically analyses the poetry from the view of ‘Cultural Studies’, addressing the causes and effects of the definition of the ‘poetry of experience’ as dominant or hegemonic within the cultural field. It considers the works of Eduardo Subirats, Carme Riera, and Félix de Azúa. It shows that the ‘poetry of experience’ has achieved quasi-official status in post-Franco Spain. The identity of the ‘poetry of experience’ appears to be derived almost wholly from its semi-official status. It has also risen to prominence by introducing a narrative of triumphant normalisation consonant with the self-image of Spanish political elite.
