Kathleen M. German
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496812353
- eISBN:
- 9781496812391
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496812353.003.0004
- Subject:
- Film, Television and Radio, Film
This chapter explores the long history of visual stereotypes of African Americans from the print era through the celluloid images rooted in the minstrel tradition. It also recognizes the tremendous ...
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This chapter explores the long history of visual stereotypes of African Americans from the print era through the celluloid images rooted in the minstrel tradition. It also recognizes the tremendous influence of mass media on American culture and public opinion, particularly during war. Beginning in World War I, governments on both sides of the conflict used the medium of film to recruit, train, and influence soldiers and citizens.Less
This chapter explores the long history of visual stereotypes of African Americans from the print era through the celluloid images rooted in the minstrel tradition. It also recognizes the tremendous influence of mass media on American culture and public opinion, particularly during war. Beginning in World War I, governments on both sides of the conflict used the medium of film to recruit, train, and influence soldiers and citizens.
James Chandler
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780226034959
- eISBN:
- 9780226035000
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226035000.001.0001
- Subject:
- Literature, 18th-century Literature
In the middle of the eighteenth century, something new made itself felt in European culture—a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just ...
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In the middle of the eighteenth century, something new made itself felt in European culture—a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people's very structures of feeling, their ways of doing and being. This book challenges Sergei Eisenstein's influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. It begins with a look at Frank Capra and the Capraesque in American public life, and then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, the author reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capra's It Happened One Night, Mr. Deeds Goes to Town, and It's a Wonderful Life. He then moves forward to romanticism and modernism—two cultural movements often seen as defined by their rejection of the sentimental—examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, the book casts new light on the long eighteenth century, and on the novelistic forebears of cinema and our modern world.Less
In the middle of the eighteenth century, something new made itself felt in European culture—a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people's very structures of feeling, their ways of doing and being. This book challenges Sergei Eisenstein's influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. It begins with a look at Frank Capra and the Capraesque in American public life, and then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, the author reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capra's It Happened One Night, Mr. Deeds Goes to Town, and It's a Wonderful Life. He then moves forward to romanticism and modernism—two cultural movements often seen as defined by their rejection of the sentimental—examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, the book casts new light on the long eighteenth century, and on the novelistic forebears of cinema and our modern world.
Ian Scott and Henry Thompson
- Published in print:
- 2016
- Published Online:
- January 2017
- ISBN:
- 9780719099168
- eISBN:
- 9781526115010
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719099168.003.0003
- Subject:
- Film, Television and Radio, Film
This chapter traces the evolution of Stone’s political consciousness and his articulation of America’s twentieth century outlook by revisiting JFK, the film that placed Stone centre-stage in this ...
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This chapter traces the evolution of Stone’s political consciousness and his articulation of America’s twentieth century outlook by revisiting JFK, the film that placed Stone centre-stage in this assault on establishment doctrine and routine. It then considers how that critique was honed in his subsequent feature films – W. - documentary work and in particular Comandante (2003) and South of the Border (2010). The chapter also revisits the debate about drama as history as well as locating Stone’s documentary work within that genre’s tradition and trends over recent years including the increasing presence of feature film aesthetics and entertainment values.Less
This chapter traces the evolution of Stone’s political consciousness and his articulation of America’s twentieth century outlook by revisiting JFK, the film that placed Stone centre-stage in this assault on establishment doctrine and routine. It then considers how that critique was honed in his subsequent feature films – W. - documentary work and in particular Comandante (2003) and South of the Border (2010). The chapter also revisits the debate about drama as history as well as locating Stone’s documentary work within that genre’s tradition and trends over recent years including the increasing presence of feature film aesthetics and entertainment values.
James Chandler
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780226034959
- eISBN:
- 9780226035000
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226035000.003.0002
- Subject:
- Literature, 18th-century Literature
This chapter discusses the films of Frank Capra, including Mr. Smith Goes to Washington (1939) and It's a Wonderful Life (1946); how Capra appeared to realize the long-term significance of television ...
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This chapter discusses the films of Frank Capra, including Mr. Smith Goes to Washington (1939) and It's a Wonderful Life (1946); how Capra appeared to realize the long-term significance of television sooner than many directors of his generation; the preoccupation with the Capraesque in the cinema of the 1990s; the publication in 1971 of Capra's autobiography, The Name above the Title; and the link between Capra's claim to auteurism and the issue of his sentimentality.Less
This chapter discusses the films of Frank Capra, including Mr. Smith Goes to Washington (1939) and It's a Wonderful Life (1946); how Capra appeared to realize the long-term significance of television sooner than many directors of his generation; the preoccupation with the Capraesque in the cinema of the 1990s; the publication in 1971 of Capra's autobiography, The Name above the Title; and the link between Capra's claim to auteurism and the issue of his sentimentality.
