A. Bernard Knapp
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780199237371
- eISBN:
- 9780191717208
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199237371.001.0001
- Subject:
- Classical Studies, Archaeology: Classical
This book provides a new island archaeology and island history of Bronze Age and Early Iron Age Cyprus, set in its eastern Mediterranean context. By drawing out tensions between different ways of ...
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This book provides a new island archaeology and island history of Bronze Age and Early Iron Age Cyprus, set in its eastern Mediterranean context. By drawing out tensions between different ways of thinking about theoretical issues such as insularity and connectivity, ethnicity, migration, and hybridization, it addresses a dynamic new field of archaeological enquiry — the social identity of prehistoric and early historic Mediterranean islanders. The archaeological record of Cyprus during the centuries between about 2700–1000 BC — including architecture, the mortuary record, pottery, figurines, seals and sealings, ivories, metalwork, and the broader Cypriot landscape — is presented. Using this material evidence, the book re‐evaluates from the postcolonial perspective of hybridization long‐standing notions about ethnicity, migration, and colonization on the island at the beginning and end of the Bronze Age, and concludes that the Cypriotes themselves provided the main impetus for social development and change on the island. By addressing directly the theoretical underpinnings of various interpretations of the material record, and by comparing and contrasting that record with all relevant documentary evidence, this book considers how a more contextualized, nuanced treatment of the motivations and practices involved in demographic movement, individual or group identification, cultural entanglement, and social change can help us to re‐present several complex aspects of the Cypriot past, and in turn bring them to bear upon Mediterranean archaeologies.Less
This book provides a new island archaeology and island history of Bronze Age and Early Iron Age Cyprus, set in its eastern Mediterranean context. By drawing out tensions between different ways of thinking about theoretical issues such as insularity and connectivity, ethnicity, migration, and hybridization, it addresses a dynamic new field of archaeological enquiry — the social identity of prehistoric and early historic Mediterranean islanders. The archaeological record of Cyprus during the centuries between about 2700–1000 BC — including architecture, the mortuary record, pottery, figurines, seals and sealings, ivories, metalwork, and the broader Cypriot landscape — is presented. Using this material evidence, the book re‐evaluates from the postcolonial perspective of hybridization long‐standing notions about ethnicity, migration, and colonization on the island at the beginning and end of the Bronze Age, and concludes that the Cypriotes themselves provided the main impetus for social development and change on the island. By addressing directly the theoretical underpinnings of various interpretations of the material record, and by comparing and contrasting that record with all relevant documentary evidence, this book considers how a more contextualized, nuanced treatment of the motivations and practices involved in demographic movement, individual or group identification, cultural entanglement, and social change can help us to re‐present several complex aspects of the Cypriot past, and in turn bring them to bear upon Mediterranean archaeologies.
Peter S. Wells
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691143385
- eISBN:
- 9781400844777
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691143385.003.0005
- Subject:
- Archaeology, Historical Archaeology
This chapter analyzes the pottery of late prehistoric Europe. Jars, bowls, and cups were the three main categories of pottery vessels that were in use in the Early Bronze Age. Bowls and cups were ...
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This chapter analyzes the pottery of late prehistoric Europe. Jars, bowls, and cups were the three main categories of pottery vessels that were in use in the Early Bronze Age. Bowls and cups were decorated differently from jars, and their surfaces were finished differently. Jars are the only category that had a purposely roughened surface. Bowls and cups were polished smooth. And jars are the only category within which each individual vessel was distinguished from every other by the pattern of its ornament. From the latter fact, it is argued that jars in the Early and Middle Bronze Age were individualized in a way that bowls and cups were not; each was deliberately made different from all others in order that the household that owned it could mark it as its own, and perhaps even use it to display to others in the community that it had abundant stores of grain.Less
This chapter analyzes the pottery of late prehistoric Europe. Jars, bowls, and cups were the three main categories of pottery vessels that were in use in the Early Bronze Age. Bowls and cups were decorated differently from jars, and their surfaces were finished differently. Jars are the only category that had a purposely roughened surface. Bowls and cups were polished smooth. And jars are the only category within which each individual vessel was distinguished from every other by the pattern of its ornament. From the latter fact, it is argued that jars in the Early and Middle Bronze Age were individualized in a way that bowls and cups were not; each was deliberately made different from all others in order that the household that owned it could mark it as its own, and perhaps even use it to display to others in the community that it had abundant stores of grain.
Peter S. Wells
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691143385
- eISBN:
- 9781400844777
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691143385.003.0004
- Subject:
- Archaeology, Historical Archaeology
This chapter first discusses the concept of the frame and how it helps us to understand the visual patterning of space in late prehistoric Europe. Frames, whether they are wooden picture frames that ...
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This chapter first discusses the concept of the frame and how it helps us to understand the visual patterning of space in late prehistoric Europe. Frames, whether they are wooden picture frames that hold paintings on museum walls or boundary ditches around prehistoric sites, perform the important function of establishing for the viewer the boundaries of that which is to be viewed. The frame tells the viewer what is inside and therefore to be considered and what is outside and therefore can be ignored. The things that prehistoric Europeans placed within frames, their foci of attention, can be understood as diagrams. The chapter then considers some of the visual patterns that persist from the Early Bronze Age through the Late Iron Age, before turning to the character of the changes that took place in ways of seeing in later prehistoric Europe.Less
This chapter first discusses the concept of the frame and how it helps us to understand the visual patterning of space in late prehistoric Europe. Frames, whether they are wooden picture frames that hold paintings on museum walls or boundary ditches around prehistoric sites, perform the important function of establishing for the viewer the boundaries of that which is to be viewed. The frame tells the viewer what is inside and therefore to be considered and what is outside and therefore can be ignored. The things that prehistoric Europeans placed within frames, their foci of attention, can be understood as diagrams. The chapter then considers some of the visual patterns that persist from the Early Bronze Age through the Late Iron Age, before turning to the character of the changes that took place in ways of seeing in later prehistoric Europe.
Peter S. Wells
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691143385
- eISBN:
- 9781400844777
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691143385.003.0003
- Subject:
- Archaeology, Historical Archaeology
This chapter discusses the visual world of late prehistoric Europe. It first uses Teniers's painting of the interior of an inn at the beginning of the chapter in order to introduce the topic of light ...
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This chapter discusses the visual world of late prehistoric Europe. It first uses Teniers's painting of the interior of an inn at the beginning of the chapter in order to introduce the topic of light as an important issue in any consideration of seeing in times previous to the ready availability of electric light. It then describes changes in the landscape, in the character of settlements, houses, and in other aspects of the visual environment during the two millennia between the beginning of the Early Bronze Age and the end of the Iron Age. These changes were most often gradual. A number of significant trends are recognizable in the environmental evidence pertaining to changes in the landscape; and there is archaeological evidence pertaining to changes in tool use, the digging of ditches, the building of walls, and the construction of settlements and houses.Less
This chapter discusses the visual world of late prehistoric Europe. It first uses Teniers's painting of the interior of an inn at the beginning of the chapter in order to introduce the topic of light as an important issue in any consideration of seeing in times previous to the ready availability of electric light. It then describes changes in the landscape, in the character of settlements, houses, and in other aspects of the visual environment during the two millennia between the beginning of the Early Bronze Age and the end of the Iron Age. These changes were most often gradual. A number of significant trends are recognizable in the environmental evidence pertaining to changes in the landscape; and there is archaeological evidence pertaining to changes in tool use, the digging of ditches, the building of walls, and the construction of settlements and houses.
Peter S. Wells
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691143385
- eISBN:
- 9781400844777
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691143385.003.0007
- Subject:
- Archaeology, Historical Archaeology
This chapter focuses on sword and scabbards. Swords were important visual objects, larger than most other objects in Bronze and Iron Age Europe, and their shape made them visually striking. Two parts ...
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This chapter focuses on sword and scabbards. Swords were important visual objects, larger than most other objects in Bronze and Iron Age Europe, and their shape made them visually striking. Two parts of the sword were especially important in this regard. In the Late Bronze Age and Early Iron Age, the hilt and pommel were often the vehicles for elaborate eye-catching ornament. When a sword was in its scabbard, whether worn at the side of the bearer, hanging on a wall, or placed in the burial chamber, the only parts of the weapon that were visible were the handle and its end. During the Middle and Late Iron Age, the scabbard became especially important as a vehicle for decorative elaboration. Bronze and Early Iron Age scabbards were mostly made of wood, and we do not, therefore have much information about how they were decorated. From the end of the Early La Tène period on, however, swords were long, and scabbards of bronze and iron offered extensive rectangular surfaces for decoration.Less
This chapter focuses on sword and scabbards. Swords were important visual objects, larger than most other objects in Bronze and Iron Age Europe, and their shape made them visually striking. Two parts of the sword were especially important in this regard. In the Late Bronze Age and Early Iron Age, the hilt and pommel were often the vehicles for elaborate eye-catching ornament. When a sword was in its scabbard, whether worn at the side of the bearer, hanging on a wall, or placed in the burial chamber, the only parts of the weapon that were visible were the handle and its end. During the Middle and Late Iron Age, the scabbard became especially important as a vehicle for decorative elaboration. Bronze and Early Iron Age scabbards were mostly made of wood, and we do not, therefore have much information about how they were decorated. From the end of the Early La Tène period on, however, swords were long, and scabbards of bronze and iron offered extensive rectangular surfaces for decoration.
Adam T. Smith
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691163239
- eISBN:
- 9781400866502
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691163239.003.0005
- Subject:
- History, Ancient History / Archaeology
This chapter examines the breakdown and redevelopment of the civilization machine during the Middle Bronze Age alongside a fearsome new assemblage that is best described as a “war machine.” The ...
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This chapter examines the breakdown and redevelopment of the civilization machine during the Middle Bronze Age alongside a fearsome new assemblage that is best described as a “war machine.” The operation of the war machine entailed not only the reproduction of political violence but also the dissection of social orders, severing a sovereign body from the bodies of subjects—those who command from those who obey. Through the conspicuous consumption of Middle Bonze Age mortuary ritual, the war machine reproduced the terms on which social order was predicated—charisma, violence, and distinction. However, built into the conjoined operations of the civilization and war machines was a contradiction. As the one (the erstwhile sovereign) pulled away from the many (the constituted public), demands upon material resources exceeded capacities. Territorial fragmentation and military stalemate—consequences of the war machine's proliferation—threatened to undermine the workings of the civilization machine, dissecting a previously expansive public into smaller and smaller segments. As a result, the central principle of charismatic authority was put at risk insofar as political power flowed from the provision of needs through conflicts successfully waged.Less
This chapter examines the breakdown and redevelopment of the civilization machine during the Middle Bronze Age alongside a fearsome new assemblage that is best described as a “war machine.” The operation of the war machine entailed not only the reproduction of political violence but also the dissection of social orders, severing a sovereign body from the bodies of subjects—those who command from those who obey. Through the conspicuous consumption of Middle Bonze Age mortuary ritual, the war machine reproduced the terms on which social order was predicated—charisma, violence, and distinction. However, built into the conjoined operations of the civilization and war machines was a contradiction. As the one (the erstwhile sovereign) pulled away from the many (the constituted public), demands upon material resources exceeded capacities. Territorial fragmentation and military stalemate—consequences of the war machine's proliferation—threatened to undermine the workings of the civilization machine, dissecting a previously expansive public into smaller and smaller segments. As a result, the central principle of charismatic authority was put at risk insofar as political power flowed from the provision of needs through conflicts successfully waged.
Adam T. Smith
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691163239
- eISBN:
- 9781400866502
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691163239.003.0006
- Subject:
- History, Ancient History / Archaeology
In the Late Bronze Age, the polities in the South Caucasus developed a new assemblage directed toward transforming charismatic authority into formal sovereignty. This chapter examines the assembling ...
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In the Late Bronze Age, the polities in the South Caucasus developed a new assemblage directed toward transforming charismatic authority into formal sovereignty. This chapter examines the assembling of this political machine, which drew the civilization and war machines into an extensive apparatus of rule, one that resolved the paradox at the heart of the joint operation of both. This novel political machine did not supersede the war and civilization machines. Rather, the political machine cloaked their contradictions, allowing the relation of the one to the many to persist as a “mystery” of sovereignty. The political machine not only provided the instruments of judicial ordering and bureaucratic regulation but it also transformed the polity itself into an object of devotion, securing not simply the surrender of subjects but their active commitment to the reproduction of sovereignty.Less
In the Late Bronze Age, the polities in the South Caucasus developed a new assemblage directed toward transforming charismatic authority into formal sovereignty. This chapter examines the assembling of this political machine, which drew the civilization and war machines into an extensive apparatus of rule, one that resolved the paradox at the heart of the joint operation of both. This novel political machine did not supersede the war and civilization machines. Rather, the political machine cloaked their contradictions, allowing the relation of the one to the many to persist as a “mystery” of sovereignty. The political machine not only provided the instruments of judicial ordering and bureaucratic regulation but it also transformed the polity itself into an object of devotion, securing not simply the surrender of subjects but their active commitment to the reproduction of sovereignty.
Peter S. Wells
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691143385
- eISBN:
- 9781400844777
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691143385.003.0001
- Subject:
- Archaeology, Historical Archaeology
This chapter first discusses the new style of imagery and ornament that emerged during the fifth century BC. The new style has been the source of endless controversy since the latter half of the ...
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This chapter first discusses the new style of imagery and ornament that emerged during the fifth century BC. The new style has been the source of endless controversy since the latter half of the nineteenth century. Strange creatures, part human, part beast, were crafted onto gold and bronze jewelry and cast onto the handles and lids of bronze vessels. Metalsmiths created lush new forms of decoration—incised and relief ornament based on floral motifs such as leaves and petals, with spirals, S-curves, and whirligigs decorating objects ranging from pottery to sword scabbards. This style was a radical departure from the forms of representation and decoration that preceded it. The chapter then sets out the book's purpose, namely to study a two-thousand-year period in Europe, from 2000 BC to the Roman conquests during the last century BC and the first century AD, known by the terms “Bronze Age” and “Iron Age.”Less
This chapter first discusses the new style of imagery and ornament that emerged during the fifth century BC. The new style has been the source of endless controversy since the latter half of the nineteenth century. Strange creatures, part human, part beast, were crafted onto gold and bronze jewelry and cast onto the handles and lids of bronze vessels. Metalsmiths created lush new forms of decoration—incised and relief ornament based on floral motifs such as leaves and petals, with spirals, S-curves, and whirligigs decorating objects ranging from pottery to sword scabbards. This style was a radical departure from the forms of representation and decoration that preceded it. The chapter then sets out the book's purpose, namely to study a two-thousand-year period in Europe, from 2000 BC to the Roman conquests during the last century BC and the first century AD, known by the terms “Bronze Age” and “Iron Age.”
Trevor Bryce
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780199218721
- eISBN:
- 9780191739101
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199218721.003.0004
- Subject:
- Classical Studies, Archaeology: Classical, Ancient Religions
Discussion of what the term ‘Hatti’, originally used of the Hittite empire, means in the Iron Ages sources which refer to it provides the first section of this chapter, and leads on to a more general ...
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Discussion of what the term ‘Hatti’, originally used of the Hittite empire, means in the Iron Ages sources which refer to it provides the first section of this chapter, and leads on to a more general survey of the political structure of Syria during the period of the Neo-Hittite kingdoms. That leads further to a consideration of who actually constituted the populations of these kingdoms. The general assumption that they were by and large the descendants of refugees from the Late Bronze Age Hittite world is questioned, and alternative possibilities are suggested. The chapter ends with a discussion of the emergence of the royal dynasties in the Neo-Hittite kingdoms and their possible links with Bronze Age Hittite royalty.Less
Discussion of what the term ‘Hatti’, originally used of the Hittite empire, means in the Iron Ages sources which refer to it provides the first section of this chapter, and leads on to a more general survey of the political structure of Syria during the period of the Neo-Hittite kingdoms. That leads further to a consideration of who actually constituted the populations of these kingdoms. The general assumption that they were by and large the descendants of refugees from the Late Bronze Age Hittite world is questioned, and alternative possibilities are suggested. The chapter ends with a discussion of the emergence of the royal dynasties in the Neo-Hittite kingdoms and their possible links with Bronze Age Hittite royalty.
Peter S. Wells
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691143385
- eISBN:
- 9781400844777
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691143385.003.0006
- Subject:
- Archaeology, Historical Archaeology
This chapter is devoted to fibulae, which are clothing pins that operated on the same principle as the modern safety pin. The style of fibulae changed relatively rapidly throughout the Bronze and ...
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This chapter is devoted to fibulae, which are clothing pins that operated on the same principle as the modern safety pin. The style of fibulae changed relatively rapidly throughout the Bronze and Iron Ages, and they have long been used as the principal chronological indicator for a given grave or settlement. Of all of the common objects preserved from late prehistoric Europe, fibulae are the most attractive, in the sense that even today people are drawn to them, finding them intriguing to look at. The reason that they are so appealing is that they embody a number of the visually commanding features outlined in Chapter 2. In their shapes, they are unlike anything in nature and thus immediately seize our attention. In addition, fibulae had a unique property among material culture items of late prehistoric Europe. In order to operate a fibula—to attach it to a garment—the user had to apply considerable force with the thumb and forefinger to the pin in order to lift the end out of the catch. Then, after sliding the pin through a textile garment or removing it from one, he or she released the pin to sit in the catch again. No other objects required this kind of bodily manipulation in order to serve their intended purposes.Less
This chapter is devoted to fibulae, which are clothing pins that operated on the same principle as the modern safety pin. The style of fibulae changed relatively rapidly throughout the Bronze and Iron Ages, and they have long been used as the principal chronological indicator for a given grave or settlement. Of all of the common objects preserved from late prehistoric Europe, fibulae are the most attractive, in the sense that even today people are drawn to them, finding them intriguing to look at. The reason that they are so appealing is that they embody a number of the visually commanding features outlined in Chapter 2. In their shapes, they are unlike anything in nature and thus immediately seize our attention. In addition, fibulae had a unique property among material culture items of late prehistoric Europe. In order to operate a fibula—to attach it to a garment—the user had to apply considerable force with the thumb and forefinger to the pin in order to lift the end out of the catch. Then, after sliding the pin through a textile garment or removing it from one, he or she released the pin to sit in the catch again. No other objects required this kind of bodily manipulation in order to serve their intended purposes.
David Wengrow
- Published in print:
- 2013
- Published Online:
- October 2017
- ISBN:
- 9780691159041
- eISBN:
- 9781400848867
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691159041.003.0002
- Subject:
- Archaeology, Historical Archaeology
This chapter examines what led Mikhail Rostovtzeff, an ancient historian, almost a century ago to compare distributions of composite figures from China to Scandinavia. Rostovtzeff is known for his ...
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This chapter examines what led Mikhail Rostovtzeff, an ancient historian, almost a century ago to compare distributions of composite figures from China to Scandinavia. Rostovtzeff is known for his controversial view that the true architects of classical civilization were not those tied to the land, whether as peasant laborers or feudal aristocracy, but rather the middling professional classes of merchants, industrialists, and bankers whose social aspirations were most closely in tune with the civic values of an expanding urban society. Rostovtzeff was also embroiled in debates over the chronological position and cultural affiliations of Bronze Age metal hoards, unearthed along the shores of the Caspian and Black Seas. The chapter considers Rostovtzeff's approach to the interpretation of imagery, and his particular attraction to the imaginary creatures of nomadic art. It might be argued that the movements of monsters offered a kind of visual counterpart to Rostovtzeff's story of an ever-expanding Bronze Age civilization.Less
This chapter examines what led Mikhail Rostovtzeff, an ancient historian, almost a century ago to compare distributions of composite figures from China to Scandinavia. Rostovtzeff is known for his controversial view that the true architects of classical civilization were not those tied to the land, whether as peasant laborers or feudal aristocracy, but rather the middling professional classes of merchants, industrialists, and bankers whose social aspirations were most closely in tune with the civic values of an expanding urban society. Rostovtzeff was also embroiled in debates over the chronological position and cultural affiliations of Bronze Age metal hoards, unearthed along the shores of the Caspian and Black Seas. The chapter considers Rostovtzeff's approach to the interpretation of imagery, and his particular attraction to the imaginary creatures of nomadic art. It might be argued that the movements of monsters offered a kind of visual counterpart to Rostovtzeff's story of an ever-expanding Bronze Age civilization.
Kay Prag
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9780197266427
- eISBN:
- 9780191884252
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266427.003.0003
- Subject:
- Archaeology, Historical Archaeology
Most evidence for the Bronze Age, Iron Age and Post-Exilic settlement of Jerusalem came from Site A on the south-east ridge, and Kenyon unearthed and dated material of almost all these periods, but ...
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Most evidence for the Bronze Age, Iron Age and Post-Exilic settlement of Jerusalem came from Site A on the south-east ridge, and Kenyon unearthed and dated material of almost all these periods, but very little of the Late Bronze Age and Iron Age I. This settlement pattern is reflected to a lesser extent on other sites, but elsewhere occupation of the region appears to continue, in a more dispersed fashion, perhaps partly related to diversification of the inhabitants to a more pastoral economy. Whether the centrality of Jerusalem is linked to its being an ancient place of burial is considered. Other evidence from the archive relates to the reigns of David, Solomon and Nehemiah. Specific issues are addressed, such as the location of the principal administrative buildings and fortifications, the use of volute capitals, the importance of water supply and drainage, and the problem of residuality affecting archaeological dating in Iron Age Jerusalem, which places the emphasis on C14 dating.Less
Most evidence for the Bronze Age, Iron Age and Post-Exilic settlement of Jerusalem came from Site A on the south-east ridge, and Kenyon unearthed and dated material of almost all these periods, but very little of the Late Bronze Age and Iron Age I. This settlement pattern is reflected to a lesser extent on other sites, but elsewhere occupation of the region appears to continue, in a more dispersed fashion, perhaps partly related to diversification of the inhabitants to a more pastoral economy. Whether the centrality of Jerusalem is linked to its being an ancient place of burial is considered. Other evidence from the archive relates to the reigns of David, Solomon and Nehemiah. Specific issues are addressed, such as the location of the principal administrative buildings and fortifications, the use of volute capitals, the importance of water supply and drainage, and the problem of residuality affecting archaeological dating in Iron Age Jerusalem, which places the emphasis on C14 dating.
Adam T. Smith
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691163239
- eISBN:
- 9781400866502
- Item type:
- book
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691163239.001.0001
- Subject:
- History, Ancient History / Archaeology
This book investigates the essential role that material culture plays in the practices and maintenance of political sovereignty. Through an archaeological exploration of the Bronze Age Caucasus, the ...
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This book investigates the essential role that material culture plays in the practices and maintenance of political sovereignty. Through an archaeological exploration of the Bronze Age Caucasus, the book demonstrates that beyond assemblies of people, polities are just as importantly assemblages of things—from ballots and bullets to crowns, regalia, and licenses. The book looks at the ways that these assemblages help to forge cohesive publics, separate sovereigns from a wider social mass, and formalize governance—and it considers how these developments continue to shape politics today. The book shows that the formation of polities is as much about the process of manufacturing assemblages as it is about disciplining subjects, and that these material objects or “machines” sustain communities, orders, and institutions. The sensibilities, senses, and sentiments connecting people to things enabled political authority during the Bronze Age and fortifies political power even in the contemporary world. The book provides a detailed account of the transformation of communities in the Caucasus, from small-scale early Bronze Age villages committed to egalitarianism, to Late Bronze Age polities predicated on radical inequality, organized violence, and a centralized apparatus of rule. From Bronze Age traditions of mortuary ritual and divination to current controversies over flag pins and Predator drones, this book sheds new light on how material goods authorize and defend political order.Less
This book investigates the essential role that material culture plays in the practices and maintenance of political sovereignty. Through an archaeological exploration of the Bronze Age Caucasus, the book demonstrates that beyond assemblies of people, polities are just as importantly assemblages of things—from ballots and bullets to crowns, regalia, and licenses. The book looks at the ways that these assemblages help to forge cohesive publics, separate sovereigns from a wider social mass, and formalize governance—and it considers how these developments continue to shape politics today. The book shows that the formation of polities is as much about the process of manufacturing assemblages as it is about disciplining subjects, and that these material objects or “machines” sustain communities, orders, and institutions. The sensibilities, senses, and sentiments connecting people to things enabled political authority during the Bronze Age and fortifies political power even in the contemporary world. The book provides a detailed account of the transformation of communities in the Caucasus, from small-scale early Bronze Age villages committed to egalitarianism, to Late Bronze Age polities predicated on radical inequality, organized violence, and a centralized apparatus of rule. From Bronze Age traditions of mortuary ritual and divination to current controversies over flag pins and Predator drones, this book sheds new light on how material goods authorize and defend political order.
Carl Knappett
- Published in print:
- 2010
- Published Online:
- January 2012
- ISBN:
- 9780197264522
- eISBN:
- 9780191734724
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264522.003.0011
- Subject:
- Psychology, Evolutionary Psychology
Ideas of ‘distributed mind’ are invaluable to archaeology in explaining the intimate involvement of artefacts in human cognition. Much of the work in this domain, however, focuses on proximate ...
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Ideas of ‘distributed mind’ are invaluable to archaeology in explaining the intimate involvement of artefacts in human cognition. Much of the work in this domain, however, focuses on proximate interactions of very limited numbers of individuals and artefacts. This chapter argues that people need to broaden the understanding of distributed mind to encompass whole assemblages of artefacts spread across space and time; and that these assemblages can be best conceptualized as networks in which both objects and people are enfolded and enacted. While such networks may exist to some extent in the Palaeolithic and Neolithic eras, it is with the Bronze Age that they really come to the fore, extending the scale of human action beyond the proximate like never before. Examples of this extensive socio-material differentiation are taken from the Aegean Bronze Age, with a focus on pottery.Less
Ideas of ‘distributed mind’ are invaluable to archaeology in explaining the intimate involvement of artefacts in human cognition. Much of the work in this domain, however, focuses on proximate interactions of very limited numbers of individuals and artefacts. This chapter argues that people need to broaden the understanding of distributed mind to encompass whole assemblages of artefacts spread across space and time; and that these assemblages can be best conceptualized as networks in which both objects and people are enfolded and enacted. While such networks may exist to some extent in the Palaeolithic and Neolithic eras, it is with the Bronze Age that they really come to the fore, extending the scale of human action beyond the proximate like never before. Examples of this extensive socio-material differentiation are taken from the Aegean Bronze Age, with a focus on pottery.
Trevor Bryce
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780199218721
- eISBN:
- 9780191739101
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199218721.003.0005
- Subject:
- Classical Studies, Archaeology: Classical, Ancient Religions
This chapter focuses on references to the Hittites in the Old Testament. One group of references depicts the persons called ‘Hittites’ as members of small tribes living in the hill- country of ...
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This chapter focuses on references to the Hittites in the Old Testament. One group of references depicts the persons called ‘Hittites’ as members of small tribes living in the hill- country of Palestine. Another group appears to depict the Hittites as a major Iron Age power, whose kings were peers of the rulers of Egypt and Israel. Can we identify this second group with the Neo-Hittite kingdoms? Is there any connection between the two groups? Can either, or both, be linked with the Late Bronze Age Hittites? These questions provide the basis for the discussion of the biblical Hittites in this chapter, and their possible links with the historically attested Bronze Age Hittites.Less
This chapter focuses on references to the Hittites in the Old Testament. One group of references depicts the persons called ‘Hittites’ as members of small tribes living in the hill- country of Palestine. Another group appears to depict the Hittites as a major Iron Age power, whose kings were peers of the rulers of Egypt and Israel. Can we identify this second group with the Neo-Hittite kingdoms? Is there any connection between the two groups? Can either, or both, be linked with the Late Bronze Age Hittites? These questions provide the basis for the discussion of the biblical Hittites in this chapter, and their possible links with the historically attested Bronze Age Hittites.
Adam T. Smith
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691163239
- eISBN:
- 9781400866502
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691163239.003.0004
- Subject:
- History, Ancient History / Archaeology
This chapter examines the role of things in the reproduction of a public—the first condition of sovereignty defined in Chapter 2—during the Early Bronze Age in the South Caucasus. “A public” here ...
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This chapter examines the role of things in the reproduction of a public—the first condition of sovereignty defined in Chapter 2—during the Early Bronze Age in the South Caucasus. “A public” here means a self-recognizing community that is not maintained exclusively through face-to-face interaction. It is thus in large part an assembly of strangers who are made familiar to one another through an assemblage of publicity—forms of mass mediation and sites of encounter, such as those Benedict Anderson described as fundamental to the imagination of modern nations. The suggestion that material things are critical to the creation of a public follows closely Hannah Arendt's conception of humanity as Homo faber.Less
This chapter examines the role of things in the reproduction of a public—the first condition of sovereignty defined in Chapter 2—during the Early Bronze Age in the South Caucasus. “A public” here means a self-recognizing community that is not maintained exclusively through face-to-face interaction. It is thus in large part an assembly of strangers who are made familiar to one another through an assemblage of publicity—forms of mass mediation and sites of encounter, such as those Benedict Anderson described as fundamental to the imagination of modern nations. The suggestion that material things are critical to the creation of a public follows closely Hannah Arendt's conception of humanity as Homo faber.
Gerald Cadogan
- Published in print:
- 2003
- Published Online:
- January 2012
- ISBN:
- 9780197263020
- eISBN:
- 9780191734199
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197263020.003.0017
- Subject:
- History, Historiography
Mervyn Popham was a questioning, quiet person, driven by an uncompromising honesty to find the truth, and always ready to doubt accepted explanations or any theory-driven archaeology for which he ...
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Mervyn Popham was a questioning, quiet person, driven by an uncompromising honesty to find the truth, and always ready to doubt accepted explanations or any theory-driven archaeology for which he could find no evidential basis. He was probably the most percipient archaeologist of the Late Bronze Age of Crete and the Aegean to have worked in the second half of the 20th century, and became almost as important in the archaeology of the Early Iron Age, which succeeded the Bronze Age. In his archaeology he took an analytical-empirical approach to what he saw as fundamentally historical problems, reaching unprecedented peaks of intelligent, and commonsensical, refinement.Less
Mervyn Popham was a questioning, quiet person, driven by an uncompromising honesty to find the truth, and always ready to doubt accepted explanations or any theory-driven archaeology for which he could find no evidential basis. He was probably the most percipient archaeologist of the Late Bronze Age of Crete and the Aegean to have worked in the second half of the 20th century, and became almost as important in the archaeology of the Early Iron Age, which succeeded the Bronze Age. In his archaeology he took an analytical-empirical approach to what he saw as fundamentally historical problems, reaching unprecedented peaks of intelligent, and commonsensical, refinement.
Marian H. Feldman
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780226105611
- eISBN:
- 9780226164427
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226164427.003.0003
- Subject:
- Classical Studies, Asian and Middle Eastern History: BCE to 500CE
Drawing on Bourdieu’s practice theory, style is taken as part of embodied practices that catalyze collective memories and community identity. These stylistic practices include both the production and ...
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Drawing on Bourdieu’s practice theory, style is taken as part of embodied practices that catalyze collective memories and community identity. These stylistic practices include both the production and consumption of style(s) as separate but intersecting spheres of practice, and thus act as a generator of networks of social relations. This chapter explores how stylistic traits form a critical component of collective memory, being the product and source of shared social practices at the levels of both creation and appreciation. Through such a lens, visual similarities between first millennium Levantine art and works from the preceding Late Bronze Age (c. 1600-1200/1180 BCE), here taking a particular set of animal markings as a case study, assume heightened meaningfulness within the context of newly emerging communities of identity in the early Iron Age Levant (10th and 9th centuries). The early Iron Age arts visually and materially manifested a connection to a past “golden age” through the selection of these stylistic traits that were freighted with Late Bronze Age connotations of heroic kingship.Less
Drawing on Bourdieu’s practice theory, style is taken as part of embodied practices that catalyze collective memories and community identity. These stylistic practices include both the production and consumption of style(s) as separate but intersecting spheres of practice, and thus act as a generator of networks of social relations. This chapter explores how stylistic traits form a critical component of collective memory, being the product and source of shared social practices at the levels of both creation and appreciation. Through such a lens, visual similarities between first millennium Levantine art and works from the preceding Late Bronze Age (c. 1600-1200/1180 BCE), here taking a particular set of animal markings as a case study, assume heightened meaningfulness within the context of newly emerging communities of identity in the early Iron Age Levant (10th and 9th centuries). The early Iron Age arts visually and materially manifested a connection to a past “golden age” through the selection of these stylistic traits that were freighted with Late Bronze Age connotations of heroic kingship.
David Wengrow
- Published in print:
- 2013
- Published Online:
- October 2017
- ISBN:
- 9780691159041
- eISBN:
- 9781400848867
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691159041.003.0007
- Subject:
- Archaeology, Historical Archaeology
This chapter proposes some distinct patterns of transmission that are attested across multiple chronological periods and regional settings, shedding further light on the institutional contexts of ...
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This chapter proposes some distinct patterns of transmission that are attested across multiple chronological periods and regional settings, shedding further light on the institutional contexts of image transfer in the Bronze and Iron Ages. The distribution of composite figures in the visual record raises a number of intriguing problems for the study of cultural transmission. Their impressive transmission across cultural boundaries is consistent with the expectations of an “epidemiological” approach to the spread of culture, which would accord them a special kind of cognitive catchiness. This chapter considers the institutional role of externally derived images within centralized (or centralizing) societies and suggests that the macro-distribution of composites follows two distinct but regular modes of transmission and reception: the “transformative” mode and the “integrative” mode. It also introduces a third mode of transmission, termed “protective” mode.Less
This chapter proposes some distinct patterns of transmission that are attested across multiple chronological periods and regional settings, shedding further light on the institutional contexts of image transfer in the Bronze and Iron Ages. The distribution of composite figures in the visual record raises a number of intriguing problems for the study of cultural transmission. Their impressive transmission across cultural boundaries is consistent with the expectations of an “epidemiological” approach to the spread of culture, which would accord them a special kind of cognitive catchiness. This chapter considers the institutional role of externally derived images within centralized (or centralizing) societies and suggests that the macro-distribution of composites follows two distinct but regular modes of transmission and reception: the “transformative” mode and the “integrative” mode. It also introduces a third mode of transmission, termed “protective” mode.
Peter S. Wells
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691143385
- eISBN:
- 9781400844777
- Item type:
- book
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691143385.001.0001
- Subject:
- Archaeology, Historical Archaeology
The peoples who inhabited Europe during the two millennia before the Roman conquests had established urban centers, large-scale production of goods such as pottery and iron tools, a money economy, ...
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The peoples who inhabited Europe during the two millennia before the Roman conquests had established urban centers, large-scale production of goods such as pottery and iron tools, a money economy, and elaborate rituals and ceremonies. Yet as this book argues, the visual world of these late prehistoric communities was profoundly different from those of ancient Rome's literate civilization and today's industrialized societies. Drawing on startling new research in neuroscience and cognitive psychology, the book reconstructs how the peoples of pre-Roman Europe saw the world and their place in it. It sheds new light on how they communicated their thoughts, feelings, and visual perceptions through the everyday tools they shaped, the pottery and metal ornaments they decorated, and the arrangements of objects they made in their ritual places—and how these forms and patterns in turn shaped their experience. The book offers a completely new approach to the study of Bronze Age and Iron Age Europe, and represents a major challenge to existing views about prehistoric cultures. It demonstrates why we cannot interpret the structures that Europe's pre-Roman inhabitants built in the landscape, the ways they arranged their settlements and burial sites, or the complex patterning of their art on the basis of what these things look like to us. Rather, we must view these objects and visual patterns as they were meant to be seen by the ancient peoples who fashioned them.Less
The peoples who inhabited Europe during the two millennia before the Roman conquests had established urban centers, large-scale production of goods such as pottery and iron tools, a money economy, and elaborate rituals and ceremonies. Yet as this book argues, the visual world of these late prehistoric communities was profoundly different from those of ancient Rome's literate civilization and today's industrialized societies. Drawing on startling new research in neuroscience and cognitive psychology, the book reconstructs how the peoples of pre-Roman Europe saw the world and their place in it. It sheds new light on how they communicated their thoughts, feelings, and visual perceptions through the everyday tools they shaped, the pottery and metal ornaments they decorated, and the arrangements of objects they made in their ritual places—and how these forms and patterns in turn shaped their experience. The book offers a completely new approach to the study of Bronze Age and Iron Age Europe, and represents a major challenge to existing views about prehistoric cultures. It demonstrates why we cannot interpret the structures that Europe's pre-Roman inhabitants built in the landscape, the ways they arranged their settlements and burial sites, or the complex patterning of their art on the basis of what these things look like to us. Rather, we must view these objects and visual patterns as they were meant to be seen by the ancient peoples who fashioned them.
