John Burdick
- Published in print:
- 2013
- Published Online:
- March 2016
- ISBN:
- 9780814709221
- eISBN:
- 9780814723135
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814709221.001.0001
- Subject:
- Anthropology, Latin American Cultural Anthropology
Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group ...
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Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness—and its engagement in racial politics is rooted in the major new cultural movement of black music. This book explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene. It pushes our understanding of racial identity and the social effects of music in new directions. Delving into the everyday music-making practices of these scenes, the book shows how the creative process itself shapes how Afro-Brazilian artists experience and understand their racial identities. This book challenges much of what we thought we knew about Brazil's Protestants, provoking us to think in new ways about their role in their country's struggle to combat racism.Less
Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness—and its engagement in racial politics is rooted in the major new cultural movement of black music. This book explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene. It pushes our understanding of racial identity and the social effects of music in new directions. Delving into the everyday music-making practices of these scenes, the book shows how the creative process itself shapes how Afro-Brazilian artists experience and understand their racial identities. This book challenges much of what we thought we knew about Brazil's Protestants, provoking us to think in new ways about their role in their country's struggle to combat racism.
Erika Helgen
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9780300243352
- eISBN:
- 9780300252163
- Item type:
- book
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300243352.001.0001
- Subject:
- History, Latin American History
This innovative study explores the transition in Brazil from a hegemonically Catholic society to a religiously pluralistic society. The book shows that the rise of religious pluralism was fraught ...
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This innovative study explores the transition in Brazil from a hegemonically Catholic society to a religiously pluralistic society. The book shows that the rise of religious pluralism was fraught with conflict and violence, as Catholic bishops, priests, and friars organized intense campaigns against Protestantism. These episodes of religious violence were not isolated outbursts of reactionary rage, but rather formed part of a longer process through which religious groups articulated their vision for Brazil's national future. The book begins with a background on Catholic–Protestant relations in the Brazilian Northeast. It suggests a new religious history of modern Latin America that puts religious pluralism at the center rather than at the margins of historical analysis. In doing so it seeks to understand the ways in which religious competition and conflict redefined traditional relationships between church and state, lay and clergy, popular and official religion, and local and national interests.Less
This innovative study explores the transition in Brazil from a hegemonically Catholic society to a religiously pluralistic society. The book shows that the rise of religious pluralism was fraught with conflict and violence, as Catholic bishops, priests, and friars organized intense campaigns against Protestantism. These episodes of religious violence were not isolated outbursts of reactionary rage, but rather formed part of a longer process through which religious groups articulated their vision for Brazil's national future. The book begins with a background on Catholic–Protestant relations in the Brazilian Northeast. It suggests a new religious history of modern Latin America that puts religious pluralism at the center rather than at the margins of historical analysis. In doing so it seeks to understand the ways in which religious competition and conflict redefined traditional relationships between church and state, lay and clergy, popular and official religion, and local and national interests.
