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The Third World Black Woman, 1970–1979

Ashley D. Farmer

in Remaking Black Power: How Black Women Transformed an Era

Published in print:
2017
Published Online:
May 2018
ISBN:
9781469634371
eISBN:
9781469634388
Item type:
chapter
Publisher:
University of North Carolina Press
DOI:
10.5149/northcarolina/9781469634371.003.0006
Subject:
History, African-American History

Chapter 5 examines the intersection of Black Power and black feminist politics by charting the development of the Third World Women’s Alliance (TWWA), a Black Power feminist group. It chronicles how ... More


Addressing the other woman: Textual correspondences in feminist art and writing

Kimberly Lamm

Published in print:
2018
Published Online:
September 2019
ISBN:
9781526121264
eISBN:
9781526136176
Item type:
book
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9781526121264.001.0001
Subject:
Art, Art History

This book analyses how three artists – Adrian Piper, Nancy Spero, and Mary Kelly – worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing ... More


Introduction

Sarah Haley

in No Mercy Here: "Gender, Punishment, and the Making of Jim Crow Modernity"

Published in print:
2016
Published Online:
September 2016
ISBN:
9781469627595
eISBN:
9781469627618
Item type:
chapter
Publisher:
University of North Carolina Press
DOI:
10.5149/northcarolina/9781469627595.003.0007
Subject:
History, African-American History

The introduction begins with an appeal by Lula Walker for leniency on behalf of her niece who was a survivor of domestic violence, which exposes the role of racial patriarchy in structuring criminal ... More


Songs Instead of Missiles: Agency and Subversive Complicity

Mark Katz

in Build: The Power of Hip Hop Diplomacy in a Divided World

Published in print:
2019
Published Online:
October 2019
ISBN:
9780190056117
eISBN:
9780190056148
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190056117.003.0005
Subject:
Music, Popular, History, American

This chapter discusses how US hip hop artists justify their participation in State Department–sponsored programs given hip hop’s traditional oppositional, anti-government stance. Many factors ... More


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