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This chapter explores Roger Casement’s deployment of queer aesthetics in the context of the international fight for human rights. Until now, scholarship has considered Casement’s work against imperialist brutalities and for the development of human rights as irreconcilable with the infamous homoerotic writing of the so-called Black Diaries. This chapter argues that the homoerotic writings are important supplements to the human rights work that enable us to enlarge the scope of just what humanitarianism might mean. Furthermore, by situating Casement’s work within the trajectory that extends from Wilde to Joyce (who is addressed in the subsequent chapter), this chapter suggests that queer culture is a vital tool in the construction of Ireland’s relation to the international.

This essay performs an analysis of the highly controversial and rarely studied personal diaries of this Irish diplomat and traveler. Within the Black Diaries it is possible to find the description of bodies in intense suffering, of dismemberments, torture, and death, alongside descriptions of beautiful near-perfect bodies that provide the narrator with moments of intense pleasure. These are, to a certain extent, the same bodies; bodies of indigenous peoples living in the Casa Arana’s reign of terror. Reconciling the simultaneity of bodily pain and pleasure in this writing is one of the centers of Uriarte’s analysis, which links the Black Diaries to the more traditional utopian discourse about Amazonia of which the myths of El Dorado ––and the violence the promise of untapped, virginal riches provoked––are a significant part.

The chapter explores Casement’s Black Diaries, and their reception, through a discussion of three novels: Conan Doyle’s The Lost World (1912), Alan Hollinghurst’s The Swimming-Pool Library (1988) and Mario Vargas Llosa’s The Dream of the Celt (2010). In a move that embodies the homophobia that has so often plagued Casement’s posthumous life, Vargas Llosa depicts Casement’s Diaries as little more than the fantasies of someone deeply ashamed of their sexual taste. In The Swimming-Pool Library, Hollinghurst is able to stage the uneven power dynamics that defined Casement’s sexual encounters while also illustrating the erotic thrill offered by racial difference, contextualised through a genealogy of queer desire. Finally, the chapter concludes by engaging the Black Diaries alongside Conan Doyle’s The Lost World, which features settings and a character inspired by Casement, and explicating the novella’s insistence on the erotic quality of racial difference while also highlighting the underlying queer energy inherent to the imperial romance of the Boy’s Book.