Max Saunders
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780199579761
- eISBN:
- 9780191722882
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199579761.003.0004
- Subject:
- Literature, 19th-century Literature and Romanticism, 20th-century Literature and Modernism
This is the first of four chapters exploring the turn‐of‐the‐century disturbances in the relation between life‐writing and fiction. It argues that ‘autobiography’ begins to seem a problematic ...
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This is the first of four chapters exploring the turn‐of‐the‐century disturbances in the relation between life‐writing and fiction. It argues that ‘autobiography’ begins to seem a problematic category in the period, and gets displaced towards fiction. The chapter focuses on ‘Mark Rutherford’, not just for his autobiography, but for his later inclusion of the story ‘A Mysterious Portrait’. The concept of the heteronym is introduced, to be developed in Chapters 7 and Chapter 8. Other authors discussed here include George Gissing (The Private Papers of Henry Ryecroft), H. G. Wells (Boon), Henry Adams, Samuel Butler (The Way of All Flesh), and Edmund Gosse (Father and Son). The various displacements of auto/biography are shown to complicate Lejeune's concept of the autobiographic contract guaranteeing the identity of author, narrator, and subject.Less
This is the first of four chapters exploring the turn‐of‐the‐century disturbances in the relation between life‐writing and fiction. It argues that ‘autobiography’ begins to seem a problematic category in the period, and gets displaced towards fiction. The chapter focuses on ‘Mark Rutherford’, not just for his autobiography, but for his later inclusion of the story ‘A Mysterious Portrait’. The concept of the heteronym is introduced, to be developed in Chapters 7 and Chapter 8. Other authors discussed here include George Gissing (The Private Papers of Henry Ryecroft), H. G. Wells (Boon), Henry Adams, Samuel Butler (The Way of All Flesh), and Edmund Gosse (Father and Son). The various displacements of auto/biography are shown to complicate Lejeune's concept of the autobiographic contract guaranteeing the identity of author, narrator, and subject.
Naïma Hachad
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781789620221
- eISBN:
- 9781789623710
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620221.001.0001
- Subject:
- Literature, Women's Literature
Revisionary Narratives examines the historical and formal evolutions of Moroccan women’s auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond ...
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Revisionary Narratives examines the historical and formal evolutions of Moroccan women’s auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. It analyzes auto/biographical and testimonial acts in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater performance, and digital media, situating them within specific sociopolitical and cultural contexts of production and consumption. Part One begins by tracing the rise of a feminist consciousness in prison narratives produced and/or published in the late 1970s through the 2000s. Part Two moves to analyzing the ubiquity of auto/biography and testimony in the arts as well as contemporary sociopolitical activism. The focus throughout the various case studies is women’s engagement with patriarchal and (neo)imperial norms and practices as they relate to their experiences of political violence, activism, migration, and displacement. To understand why and how women collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary, the book employs a broad, transdisciplinary, montage approach that combines theories on gender and autobiography and takes into account postcolonial, postmodern, transnational, transglobal and translocal perspectives.Less
Revisionary Narratives examines the historical and formal evolutions of Moroccan women’s auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. It analyzes auto/biographical and testimonial acts in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater performance, and digital media, situating them within specific sociopolitical and cultural contexts of production and consumption. Part One begins by tracing the rise of a feminist consciousness in prison narratives produced and/or published in the late 1970s through the 2000s. Part Two moves to analyzing the ubiquity of auto/biography and testimony in the arts as well as contemporary sociopolitical activism. The focus throughout the various case studies is women’s engagement with patriarchal and (neo)imperial norms and practices as they relate to their experiences of political violence, activism, migration, and displacement. To understand why and how women collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary, the book employs a broad, transdisciplinary, montage approach that combines theories on gender and autobiography and takes into account postcolonial, postmodern, transnational, transglobal and translocal perspectives.
Tony Kushner
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781786940629
- eISBN:
- 9781786945051
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781786940629.001.0001
- Subject:
- History, European Modern History
This book explores Jewish refugee movements before, during and after the Holocaust, placing them in a longer history of forced migration from the 1880s to the present. It does not deny that there ...
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This book explores Jewish refugee movements before, during and after the Holocaust, placing them in a longer history of forced migration from the 1880s to the present. It does not deny that there were particular issues facing Jews escaping from Nazism, but it emphasises that there are deeper trends that shed light on responses to and the experiences of these refugees and other forced migrants from war, poverty, genocide and ethnic cleansing. It argues that those interested in Holocaust studies and migration studies have much to learn from each other. This study focuses on three particular types of refugee movement – women, children and ‘illegal’ boat migrants. Whilst there is focus on British spheres of influence, the scope is global including Europe, Africa, the Middle East, the Americas, South Asia and Australasia. The approach is historical but incorporates many different disciplines including geography, anthropology, cultural and literary studies and politics. State as well as popular responses are integrated and the auto/biographical practice of the refugees themselves are highlighted throughout this book. Films, novels, museums, heritage sites and memorials are incorporated in this study alongside more traditional sources allowing exploration of history and memory. Many neglected refugee movements are covered and themes such as gender, childhood, place, space, legality, the politics of naming, and performance add to its richness.Less
This book explores Jewish refugee movements before, during and after the Holocaust, placing them in a longer history of forced migration from the 1880s to the present. It does not deny that there were particular issues facing Jews escaping from Nazism, but it emphasises that there are deeper trends that shed light on responses to and the experiences of these refugees and other forced migrants from war, poverty, genocide and ethnic cleansing. It argues that those interested in Holocaust studies and migration studies have much to learn from each other. This study focuses on three particular types of refugee movement – women, children and ‘illegal’ boat migrants. Whilst there is focus on British spheres of influence, the scope is global including Europe, Africa, the Middle East, the Americas, South Asia and Australasia. The approach is historical but incorporates many different disciplines including geography, anthropology, cultural and literary studies and politics. State as well as popular responses are integrated and the auto/biographical practice of the refugees themselves are highlighted throughout this book. Films, novels, museums, heritage sites and memorials are incorporated in this study alongside more traditional sources allowing exploration of history and memory. Many neglected refugee movements are covered and themes such as gender, childhood, place, space, legality, the politics of naming, and performance add to its richness.
