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Embodiment Problems: Adapting Solaris to Film

Nicholas Ruddick

in Lemography: Stanislaw Lem in the Eyes of the World

Published in print:
2014
Published Online:
September 2015
ISBN:
9781781381205
eISBN:
9781781382141
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.5949/liverpool/9781781381205.003.0004
Subject:
Literature, European Literature

This chapter discusses Solaris and its three film adaptations by Boris Nirenburg (1968), Andrei Tarkovsky (1972), and Steven Soderbergh (2002). Flawed as they are in different ways, each casts light ... More


“The Death of the Auteur”

András Bálint Kovács

in Screening Modernism: European Art Cinema, 1950–1980

Published in print:
2008
Published Online:
February 2013
ISBN:
9780226451633
eISBN:
9780226451664
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226451664.003.0021
Subject:
Literature, Film, Media, and Cultural Studies

It is not easy to make a distinction in the 1970s between films belonging to political modernism's mythical trend and those already transcending the modernist paradigm. It is easier to see the ... More


Actor, Avatar

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0004
Subject:
Film, Television and Radio, Film

The director’s relationship to his actors, and how that collaboration works within the framework of self-projection. Attention is paid to personal relationships between actors and directors ... More


Self-Projection: The Director's Image in Art Cinema

Linda Haverty Rugg

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
book
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.001.0001
Subject:
Film, Television and Radio, Film

This book is formed as a response to the question of whether narrative films can perform as autobiographies. This is a subject that has been treated only in a couple of essays as a theoretical field ... More


The Year 1966

András Bálint Kovács

in Screening Modernism: European Art Cinema, 1950–1980

Published in print:
2008
Published Online:
February 2013
ISBN:
9780226451633
eISBN:
9780226451664
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226451664.003.0019
Subject:
Literature, Film, Media, and Cultural Studies

The year 1966 was an important year in the history of modern cinema because it represents simultaneously a summit and a turning point. It was a summit because many of the most important films of ... More


The Director Plays Director

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0003
Subject:
Film, Television and Radio, Film

Examination of directorial self-representation in two related genres: documentaries on the making of films and narrative films about directing, in which the director plays a fictional film director. ... More


Without a You, No I: Cinematic Self-Projection

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0001
Subject:
Film, Television and Radio, Film

A look at the historical and theoretical underpinnings of art cinema, examining how viewers are conditioned to recognize an author’s presence in fictional cinematic narrative. Discussion of ... More


Postludio

Peter J. Schmelz

in Alfred Schnittke's Concerto Grosso no. 1

Published in print:
2019
Published Online:
June 2019
ISBN:
9780190653712
eISBN:
9780190653750
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190653712.003.0006
Subject:
Music, History, Western

Using its final movement, Postludio, as an anchor, the book’s final chapter discusses the Soviet reception of Alfred Schnittke’s Concerto Grosso no. 1. It focuses on the comparisons the music evoked ... More


Self-Projection and the Cinematic Apparatus

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0005
Subject:
Film, Television and Radio, Film

Here the appearance of various attributes of the cinematic apparatus (projector, screen, photographic film frames) are linked to various parts of the filmmaker’s body and sensory apparatus, making ... More


Conclusion

Richard I. Suchenski

in Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film

Published in print:
2016
Published Online:
September 2016
ISBN:
9780190274108
eISBN:
9780190274139
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780190274108.003.0006
Subject:
Literature, Film, Media, and Cultural Studies, 20th-century Literature and Modernism

The filmmakers discussed in earlier chapters attempted to construct long-form works whose phenomenological intensity was tied to their status as integral temporal experiences that could open up new ... More


Alfred Schnittke's Concerto Grosso no. 1

Peter J. Schmelz

Published in print:
2019
Published Online:
June 2019
ISBN:
9780190653712
eISBN:
9780190653750
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190653712.001.0001
Subject:
Music, History, Western

This book provides for the first time an accessible, comprehensive study of Alfred Schnittke’s Concerto Grosso no. 1 (1977). One of Schnittke’s best-known and most compelling works, the Concerto ... More


The Eye/I of the Auteur

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0006
Subject:
Film, Television and Radio, Film

A brief conclusion that goes back over the major points of the study’s discussions and thinks about the implications of digital filmmaking. In the end, the imagined relationship between the spectator ... More


The Director’s Body

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0002
Subject:
Film, Television and Radio, Film

Analysis of the appearance of cinematic authors within their own fictional narratives and how this relates to self-projection. Theories of embodied spectatorship related to a discussion of embodied ... More


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