Search Results

This book reviews the numerous developments in the theoretical framework of interpretation that have taken place over recent years. The application of more theoretically informed approaches to the ancient literary corpus, and a more detailed analysis of context, form, and reception, have fundamentally challenged the interpretative paradigms that formerly held sway. No consensus on interpretative stance has yet emerged, and in this volume many of the foremost researchers in the field examine the overall state of work on the subject. The chapters in the present volume are intended to contribute to this development of different approaches in their application to real Egyptian texts. No single overarching theoretical framework underlies these contributions; instead they represent a multiplicity of perspectives. The range of chapters includes textual criticism; literary criticism; the social role of literature; reception theory; and the treatment of newly discovered literary texts. All contributions centre on the problems and potentials of studying Egyptian literature in a theoretically informed manner. Although major difficulties remain in interpreting a literature preserved only fragmentarily, this volume demonstrates the ongoing vitality of current Egyptological approaches to this problem. This volume also incorporates a broader cross-cultural and comparative element, providing overviews of connections and discontinuities with biblical, Classical, and Mesopotamian literatures, in order to address the comparative contexts of Ancient Egyptian literature.

This book examines four tales within the corpus of ancient Egyptian literature. During the Ramesside Period, the ancient Egyptians composed stories set two or even three centuries earlier. Known by their modern titles, The Quarrel of Apepi and Seqenenre, The Capture of Joppa, Thutmose III in Asia, and The Libyan Battle Story, each tale uses historically-attested figures within a plausible, yet fictional, narrative. Plot elements range from a witty exchange of letters to the first attested stratagem in world military history. Imagining the Past draws upon ancient Egyptian sources as well as modern literary theory to define a genre of historical fiction within New Kingdom literature; this book also presents the first application of Mikhail Bakhtin’s theory of the chronotope to ancient Egyptian literature. New translations and extensive commentary on the literary, social, and political context of the tales appear within each chapter and a concluding analysis summarizes the audience and function of historical fiction as well as theology and historiography within the tales.