Mark Bevir
- Published in print:
- 2011
- Published Online:
- October 2017
- ISBN:
- 9780691150833
- eISBN:
- 9781400840281
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691150833.003.0012
- Subject:
- Political Science, UK Politics
This chapter highlights some of the themes that distinguish ethical socialism from welfare liberalism as well as other strands of socialism. Several ethical socialists owed a distinctive debt to ...
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This chapter highlights some of the themes that distinguish ethical socialism from welfare liberalism as well as other strands of socialism. Several ethical socialists owed a distinctive debt to American romantics such as Ralph Waldo Emerson, Henry David Thoreau, and Walt Whit man. American romanticism initially entered British socialism through the wandering scholar Thomas Davidson, who inspired the Fellowship of the New Life. When Davidson continued on his travels, several of the socialists associated with the Fellowship took their ideals out of London and into the provinces. The most notable example was the libertarian poet Edward Carpenter, who set up the Sheffield Socialist Society and inspired numerous other local groups all across Britain, from Bristol to Nottingham and on to Bolton.Less
This chapter highlights some of the themes that distinguish ethical socialism from welfare liberalism as well as other strands of socialism. Several ethical socialists owed a distinctive debt to American romantics such as Ralph Waldo Emerson, Henry David Thoreau, and Walt Whit man. American romanticism initially entered British socialism through the wandering scholar Thomas Davidson, who inspired the Fellowship of the New Life. When Davidson continued on his travels, several of the socialists associated with the Fellowship took their ideals out of London and into the provinces. The most notable example was the libertarian poet Edward Carpenter, who set up the Sheffield Socialist Society and inspired numerous other local groups all across Britain, from Bristol to Nottingham and on to Bolton.
Stephen Mulhall
- Published in print:
- 1999
- Published Online:
- October 2011
- ISBN:
- 9780198238508
- eISBN:
- 9780191679643
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198238508.003.0013
- Subject:
- Philosophy, History of Philosophy, Aesthetics
Cavell's most recent and detailed treatment of the issue of how the individual understands her relationship with others appears in the form of his readings of the work of Thoreau and Emerson, and his ...
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Cavell's most recent and detailed treatment of the issue of how the individual understands her relationship with others appears in the form of his readings of the work of Thoreau and Emerson, and his understanding of this tradition of American Romanticism — a tradition he wishes to reclaim for and as a philosophy in America — makes its spiritual thrust immediately political in its consequences. This chapter focuses on Thoreau, whom Cavell sees as prophetically diagnosing a state of sceptical despair in his fellow Americans; he claims that the majority lead lives of quiet desperation, ones which mock their own potential and constitute a parody of the promise of renewal upon which their nation was founded.Less
Cavell's most recent and detailed treatment of the issue of how the individual understands her relationship with others appears in the form of his readings of the work of Thoreau and Emerson, and his understanding of this tradition of American Romanticism — a tradition he wishes to reclaim for and as a philosophy in America — makes its spiritual thrust immediately political in its consequences. This chapter focuses on Thoreau, whom Cavell sees as prophetically diagnosing a state of sceptical despair in his fellow Americans; he claims that the majority lead lives of quiet desperation, ones which mock their own potential and constitute a parody of the promise of renewal upon which their nation was founded.
Jacob Rama Berman
- Published in print:
- 2012
- Published Online:
- March 2016
- ISBN:
- 9780814789506
- eISBN:
- 9780814789513
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814789506.003.0003
- Subject:
- Society and Culture, Cultural Studies
This chapter examines the translation of the image of the Arab into a “unique” expression of American romanticism, particularly in Edgar Allan Poe's oeuvre. In Poe, the figure of the Arab facilitates ...
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This chapter examines the translation of the image of the Arab into a “unique” expression of American romanticism, particularly in Edgar Allan Poe's oeuvre. In Poe, the figure of the Arab facilitates the experience of difference as sameness, the foreign as familiar, and the alien as domestic. In a sense, Poe cultivates the anxieties that are latent in the contact narrative's use of the image of the Arab to establish American national, cultural, and racial difference. Indeed, tracking the arabesque's movement from Arab cultural reference to uniquely American aesthetic demonstrates the role of translation in Poe's romanticism. Retranslating Poe's arabesque back into Arabo-Islamic cultural discourse, in turn, reveals resonance between Arab and American romanticism.Less
This chapter examines the translation of the image of the Arab into a “unique” expression of American romanticism, particularly in Edgar Allan Poe's oeuvre. In Poe, the figure of the Arab facilitates the experience of difference as sameness, the foreign as familiar, and the alien as domestic. In a sense, Poe cultivates the anxieties that are latent in the contact narrative's use of the image of the Arab to establish American national, cultural, and racial difference. Indeed, tracking the arabesque's movement from Arab cultural reference to uniquely American aesthetic demonstrates the role of translation in Poe's romanticism. Retranslating Poe's arabesque back into Arabo-Islamic cultural discourse, in turn, reveals resonance between Arab and American romanticism.
Jeffrey Einboden
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780199397808
- eISBN:
- 9780199397822
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199397808.003.0005
- Subject:
- Religion, Islam
The final chapter, reaching up to the Civil War and its immediate aftermath, focuses on Ralph Waldo Emerson, mapping the wide expanse between his public image and private practice. Emerson, a ...
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The final chapter, reaching up to the Civil War and its immediate aftermath, focuses on Ralph Waldo Emerson, mapping the wide expanse between his public image and private practice. Emerson, a celebrated icon of American exceptionalism and philosopher of American Romanticism, is here revealed also as America’s most prolific translator of Islamic verse, rendering more than two thousand lines of Persian poetry through German sources. Scribbled through diaries, letters, even on the backs of envelopes, Emerson’s early appeal to the Qur’ān, and his later translations of Sufi poets—especially Muḥammad Shamsuddīn Ḥāfiẓ—are shown to have shaped Emerson’s own poetic identity, while also promoting his posthumous legacy.Less
The final chapter, reaching up to the Civil War and its immediate aftermath, focuses on Ralph Waldo Emerson, mapping the wide expanse between his public image and private practice. Emerson, a celebrated icon of American exceptionalism and philosopher of American Romanticism, is here revealed also as America’s most prolific translator of Islamic verse, rendering more than two thousand lines of Persian poetry through German sources. Scribbled through diaries, letters, even on the backs of envelopes, Emerson’s early appeal to the Qur’ān, and his later translations of Sufi poets—especially Muḥammad Shamsuddīn Ḥāfiẓ—are shown to have shaped Emerson’s own poetic identity, while also promoting his posthumous legacy.
Catherine Gander and Sarah Garland
- Published in print:
- 2016
- Published Online:
- January 2017
- ISBN:
- 9781784991500
- eISBN:
- 9781526115003
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784991500.003.0001
- Subject:
- Art, Art History
In this extended introductory essay, Catherine Gander and Sarah Garland suggest new ways of looking at the correspondences between visual and verbal practices to consider their material and ...
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In this extended introductory essay, Catherine Gander and Sarah Garland suggest new ways of looking at the correspondences between visual and verbal practices to consider their material and conceptual connections in a specifically American set of histories, contexts and interpretive traditions. Tracing a lineage of experiential philosophy that is grounded in the overturning of a Cartesian mind/body split, the authors argue for pluralistic perspectives on intermedial innovations that situate embodied and imaginative reader-viewer response as vital to the life of the artwork. Gander and Garland chart two main strands to this approach: the pragmatist strain of American aesthetics and social politics, rooted in the essays of transcendentalist Ralph Waldo Emerson and emanating from the writings of John Dewey and William James; and the conceptualist strain of French-American Marcel Duchamp, whose ground-breaking ideas both positioned the artwork as a phenomenological construction and liberated the artist from established methods of practice and discourse. The ‘imagetext’ (after W. J. T. Mitchell) is therefore, argue Gander and Garland, a site consisting of far more than word and image – but a living assemblage of language, idea, thing, cognition, affect and shared experience.Less
In this extended introductory essay, Catherine Gander and Sarah Garland suggest new ways of looking at the correspondences between visual and verbal practices to consider their material and conceptual connections in a specifically American set of histories, contexts and interpretive traditions. Tracing a lineage of experiential philosophy that is grounded in the overturning of a Cartesian mind/body split, the authors argue for pluralistic perspectives on intermedial innovations that situate embodied and imaginative reader-viewer response as vital to the life of the artwork. Gander and Garland chart two main strands to this approach: the pragmatist strain of American aesthetics and social politics, rooted in the essays of transcendentalist Ralph Waldo Emerson and emanating from the writings of John Dewey and William James; and the conceptualist strain of French-American Marcel Duchamp, whose ground-breaking ideas both positioned the artwork as a phenomenological construction and liberated the artist from established methods of practice and discourse. The ‘imagetext’ (after W. J. T. Mitchell) is therefore, argue Gander and Garland, a site consisting of far more than word and image – but a living assemblage of language, idea, thing, cognition, affect and shared experience.
Jeffrey Einboden
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780199397808
- eISBN:
- 9780199397822
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199397808.003.0003
- Subject:
- Religion, Islam
Washington Irving was a leading American Romantic, author of classic tales including “Rip Van Winkle” and “The Legend of Sleepy Hollow.” Privately, however, he was also one of America’s earliest ...
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Washington Irving was a leading American Romantic, author of classic tales including “Rip Van Winkle” and “The Legend of Sleepy Hollow.” Privately, however, he was also one of America’s earliest translators and transmitters of the Qur’ān. Chapter 3 establishes for the first time the wide extent, and the rich afterlife, of Irving’s Islamic studies. It reproduces selections from his manuscript Qur’ān renditions, as well as from Irving’s “Arabic Notebook,” a journal of Semitic language study reflecting his journeys in Andalucía. Held by the New York Public Library, Irving’s previously unpublished notes and notebooks testify to his domestic translation of Muslim sources into a distinctly American idiom spanning more than two decades, culminating with his 1850 romantic biography of the Prophet, Mahomet and his Successors.Less
Washington Irving was a leading American Romantic, author of classic tales including “Rip Van Winkle” and “The Legend of Sleepy Hollow.” Privately, however, he was also one of America’s earliest translators and transmitters of the Qur’ān. Chapter 3 establishes for the first time the wide extent, and the rich afterlife, of Irving’s Islamic studies. It reproduces selections from his manuscript Qur’ān renditions, as well as from Irving’s “Arabic Notebook,” a journal of Semitic language study reflecting his journeys in Andalucía. Held by the New York Public Library, Irving’s previously unpublished notes and notebooks testify to his domestic translation of Muslim sources into a distinctly American idiom spanning more than two decades, culminating with his 1850 romantic biography of the Prophet, Mahomet and his Successors.
