Elaine Showalter
- Published in print:
- 1991
- Published Online:
- October 2011
- ISBN:
- 9780198123835
- eISBN:
- 9780191671616
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198123835.001.0001
- Subject:
- Literature, Women's Literature, American, 20th Century Literature
Are American women writers from different eras and different backgrounds connected by common threads in a coherent tradition? How have the relationships between women's rights, women's rites, and ...
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Are American women writers from different eras and different backgrounds connected by common threads in a coherent tradition? How have the relationships between women's rights, women's rites, and women's writing figured in the history of literature by women in the United States? Drawing on a wide range of writers from Margaret Fuller to Alice Walker, the author argues that post-colonial as well as feminist literary theory can help in understanding the hybrid, intertextual, and changing forms of American women's writing, and the way that ‘women's culture’ intersects with other cultural forms. She looks closely at three American classics – Little Women, The Awakening, and The House of Mirth – and traces the transformations in such major themes, images, and genres of American women's writing as the American Miranda, the Female Gothic, and the patchwork quilt. Ending with a moving description of the AIDS Memorial Quilt, she shows how the women's tradition is a literary quilt that offers a new map of a changing America.Less
Are American women writers from different eras and different backgrounds connected by common threads in a coherent tradition? How have the relationships between women's rights, women's rites, and women's writing figured in the history of literature by women in the United States? Drawing on a wide range of writers from Margaret Fuller to Alice Walker, the author argues that post-colonial as well as feminist literary theory can help in understanding the hybrid, intertextual, and changing forms of American women's writing, and the way that ‘women's culture’ intersects with other cultural forms. She looks closely at three American classics – Little Women, The Awakening, and The House of Mirth – and traces the transformations in such major themes, images, and genres of American women's writing as the American Miranda, the Female Gothic, and the patchwork quilt. Ending with a moving description of the AIDS Memorial Quilt, she shows how the women's tradition is a literary quilt that offers a new map of a changing America.
Margaret D. Kamitsuka
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780195311624
- eISBN:
- 9780199785643
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195311624.003.0002
- Subject:
- Religion, Theology
Although retrieving women's experience textually and ethnographically is pivotal for feminist theology, problematic assumptions are at work in the way feminist theologians undertake this task. Using ...
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Although retrieving women's experience textually and ethnographically is pivotal for feminist theology, problematic assumptions are at work in the way feminist theologians undertake this task. Using feminist theological readings of Alice Walker's The Color Purple and the biblical story of Sarah and Hagar, this chapter illustrates how some attempts to retrieve women's experience textually actually result in eliding racial difference, silencing sexuality, and obscuring the nuances of women's agency and resistance practices. This chapter also discusses how some feminist scholars (e.g., mujerista theologian Ada María Isasi-Díaz) are using ethnographic methods in order to find source material for theological reflection and to give voice to women in marginalized communities. The chapter addresses conflicts that have emerged regarding whether one can retrieve the standpoint of an oppressed community of women, unmediated by the feminist theologian's own agendas.Less
Although retrieving women's experience textually and ethnographically is pivotal for feminist theology, problematic assumptions are at work in the way feminist theologians undertake this task. Using feminist theological readings of Alice Walker's The Color Purple and the biblical story of Sarah and Hagar, this chapter illustrates how some attempts to retrieve women's experience textually actually result in eliding racial difference, silencing sexuality, and obscuring the nuances of women's agency and resistance practices. This chapter also discusses how some feminist scholars (e.g., mujerista theologian Ada María Isasi-Díaz) are using ethnographic methods in order to find source material for theological reflection and to give voice to women in marginalized communities. The chapter addresses conflicts that have emerged regarding whether one can retrieve the standpoint of an oppressed community of women, unmediated by the feminist theologian's own agendas.
Anne McGillivray
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780199652501
- eISBN:
- 9780191739217
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199652501.003.0002
- Subject:
- Law, Family Law, Human Rights and Immigration
Three contemporary works tell the story of a girl's journey through the labyrinth to retrieve her mother's baby from the goblins. Maurice Sendak's picture book Outside Over There (1981) and Jim ...
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Three contemporary works tell the story of a girl's journey through the labyrinth to retrieve her mother's baby from the goblins. Maurice Sendak's picture book Outside Over There (1981) and Jim Henson's film Labyrinth (1986) are framed as stories for children. Guillermo del Toro's film Pan's Labyrinth (2006) draws on the tropes of children's fiction to tell an adult story of the horrors of war. The hero Theseus strode through the Cretan labyrinth to find a child-eating monster. In these stories, the monster is a baby and the hero is a girl. This chapter asks why. Part 2.2 considers the nature of the labyrinth and significations of the mythic labyrinth. Part 2.3 summarizes the three labyrinth stories and draw connections with Wonderland's Alice. Part 2.4 explores the significance of the girl-child and connections between the feminine, the labyrinth, and the law. Part 2.5 considers the meanings of goblins while Part 2.6 looks at the labyrinth and desire.Less
Three contemporary works tell the story of a girl's journey through the labyrinth to retrieve her mother's baby from the goblins. Maurice Sendak's picture book Outside Over There (1981) and Jim Henson's film Labyrinth (1986) are framed as stories for children. Guillermo del Toro's film Pan's Labyrinth (2006) draws on the tropes of children's fiction to tell an adult story of the horrors of war. The hero Theseus strode through the Cretan labyrinth to find a child-eating monster. In these stories, the monster is a baby and the hero is a girl. This chapter asks why. Part 2.2 considers the nature of the labyrinth and significations of the mythic labyrinth. Part 2.3 summarizes the three labyrinth stories and draw connections with Wonderland's Alice. Part 2.4 explores the significance of the girl-child and connections between the feminine, the labyrinth, and the law. Part 2.5 considers the meanings of goblins while Part 2.6 looks at the labyrinth and desire.
Laura Helen Marks
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780252042140
- eISBN:
- 9780252050886
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042140.001.0001
- Subject:
- Film, Television and Radio, Film
This book argues that pornographic film relies on a particular "Victorianness" in generating eroticism—a Gothic Victorianness that is monstrous and restrained, repressed but also perverse, static but ...
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This book argues that pornographic film relies on a particular "Victorianness" in generating eroticism—a Gothic Victorianness that is monstrous and restrained, repressed but also perverse, static but also transformative, and preoccupied with gender, sexuality, race, and time. Pornographic films enthusiastically expose the perceived hypocrisy of this Victorianness, rhetorically equating it with mainstream, legitimate culture, as a way of staging pornography’s alleged sexual authenticity and transgressive nature. Through an analysis of porn set during the nineteenth century and porn adaptations of Lewis Carroll’s Alice books, Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, Oscar Wilde’s The Picture of Dorian Gray, and Bram Stoker’s Dracula, this book shows how these adaptations expose the implicit pornographic aspects of “legitimate” culture while also revealing the extent to which “high” and “low” genres rely on each other for self-definition. In the process, neo-Victorian pornographies draw on Gothic spaces and icons in order to situate itself as this Gothic other, utilizing the Gothic and the monstrous to craft a transformative, pornographic space. These neo-Victorian Gothic pornographies expose the way the genre as a whole emphasizes, navigates, transgresses, and renegotiates gender, sexuality, and race through the lens of history and legacy.Less
This book argues that pornographic film relies on a particular "Victorianness" in generating eroticism—a Gothic Victorianness that is monstrous and restrained, repressed but also perverse, static but also transformative, and preoccupied with gender, sexuality, race, and time. Pornographic films enthusiastically expose the perceived hypocrisy of this Victorianness, rhetorically equating it with mainstream, legitimate culture, as a way of staging pornography’s alleged sexual authenticity and transgressive nature. Through an analysis of porn set during the nineteenth century and porn adaptations of Lewis Carroll’s Alice books, Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, Oscar Wilde’s The Picture of Dorian Gray, and Bram Stoker’s Dracula, this book shows how these adaptations expose the implicit pornographic aspects of “legitimate” culture while also revealing the extent to which “high” and “low” genres rely on each other for self-definition. In the process, neo-Victorian pornographies draw on Gothic spaces and icons in order to situate itself as this Gothic other, utilizing the Gothic and the monstrous to craft a transformative, pornographic space. These neo-Victorian Gothic pornographies expose the way the genre as a whole emphasizes, navigates, transgresses, and renegotiates gender, sexuality, and race through the lens of history and legacy.
Allison L. Sneider
- Published in print:
- 2008
- Published Online:
- May 2008
- ISBN:
- 9780195321166
- eISBN:
- 9780199869725
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195321166.003.0005
- Subject:
- History, American History: 19th Century, American History: 20th Century
During the 1910s suffragists followed closely the congressional debates over political independence for men in the Philippines and Puerto Rico and were intent on juxtaposing national legislation that ...
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During the 1910s suffragists followed closely the congressional debates over political independence for men in the Philippines and Puerto Rico and were intent on juxtaposing national legislation that expanded political autonomy for men in these U.S. island possessions against Congress's failure to pass a woman suffrage amendment to the U.S. constitution. By 1916 it seemed, ironically, that the U.S. colonial possessions might be the next site for woman suffrage victories. The revival of the push for the federal woman suffrage amendment, the Nineteenth Amendment (1920), took place in the context of U.S. efforts to resolve the political status of Puerto Rico and the Philippines.Less
During the 1910s suffragists followed closely the congressional debates over political independence for men in the Philippines and Puerto Rico and were intent on juxtaposing national legislation that expanded political autonomy for men in these U.S. island possessions against Congress's failure to pass a woman suffrage amendment to the U.S. constitution. By 1916 it seemed, ironically, that the U.S. colonial possessions might be the next site for woman suffrage victories. The revival of the push for the federal woman suffrage amendment, the Nineteenth Amendment (1920), took place in the context of U.S. efforts to resolve the political status of Puerto Rico and the Philippines.
J. Samaine Lockwood
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469625362
- eISBN:
- 9781469625386
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469625362.003.0002
- Subject:
- Literature, American Colonial Literature
This chapter examines the regionalist recollections of C. Alice Baker and the members of her queer triadic family: Susan Minot Lane and Emma Lewis Coleman. This family of New England regionalists ...
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This chapter examines the regionalist recollections of C. Alice Baker and the members of her queer triadic family: Susan Minot Lane and Emma Lewis Coleman. This family of New England regionalists rethought colonial New England history, especially the history of Deerfield, Massachusetts, through architectural restoration, antique collecting, heritage-tourism development, photography, archival research and history writing, and painting. Baker's historical works in particular demonstrate New England women regionalists' alternative approach to history writing, one that emphasized intimate engagement with historical matter, the embodied performance of history, and the reconfiguring of domestic spaces and family formations in relation to women's sensual and intellectual lives.Less
This chapter examines the regionalist recollections of C. Alice Baker and the members of her queer triadic family: Susan Minot Lane and Emma Lewis Coleman. This family of New England regionalists rethought colonial New England history, especially the history of Deerfield, Massachusetts, through architectural restoration, antique collecting, heritage-tourism development, photography, archival research and history writing, and painting. Baker's historical works in particular demonstrate New England women regionalists' alternative approach to history writing, one that emphasized intimate engagement with historical matter, the embodied performance of history, and the reconfiguring of domestic spaces and family formations in relation to women's sensual and intellectual lives.
Marie‐Louise Coolahan
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780199567652
- eISBN:
- 9780191722011
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199567652.003.0007
- Subject:
- Literature, Early and Medieval Literature, Women's Literature
This final chapter is concerned with biography and autobiography. The texts discussed — by Lucy Cary, Frances Cook, Mary Rich, Alice Thornton, Ann Fanshawe, and the women of John Rogers's Dublin ...
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This final chapter is concerned with biography and autobiography. The texts discussed — by Lucy Cary, Frances Cook, Mary Rich, Alice Thornton, Ann Fanshawe, and the women of John Rogers's Dublin congregation — express a range of religious and political perspectives. They demonstrate the diversity of New English attitudes, and offer divergent views from those of male colonial administrators. Their adoption of a conversion paradigm for their life‐writing unites these texts. Irish experience is fitted to the teleology of conversion as a signifier of catholicism. The discussion argues that these texts are also political. Deeply concerned with worldly reputation, the chapter shows how the projection of female exemplarity often functions to camouflage the more worldly claims these writers made.Less
This final chapter is concerned with biography and autobiography. The texts discussed — by Lucy Cary, Frances Cook, Mary Rich, Alice Thornton, Ann Fanshawe, and the women of John Rogers's Dublin congregation — express a range of religious and political perspectives. They demonstrate the diversity of New English attitudes, and offer divergent views from those of male colonial administrators. Their adoption of a conversion paradigm for their life‐writing unites these texts. Irish experience is fitted to the teleology of conversion as a signifier of catholicism. The discussion argues that these texts are also political. Deeply concerned with worldly reputation, the chapter shows how the projection of female exemplarity often functions to camouflage the more worldly claims these writers made.
Max Saunders
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780199579761
- eISBN:
- 9780191722882
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199579761.003.0009
- Subject:
- Literature, 19th-century Literature and Romanticism, 20th-century Literature and Modernism
This chapter discusses the taxonomy of imaginary literary works (supplementing the taxonomy of fictionalized life‐writings proposed in Chapter 5), and their scarcity during the nineteenth century. It ...
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This chapter discusses the taxonomy of imaginary literary works (supplementing the taxonomy of fictionalized life‐writings proposed in Chapter 5), and their scarcity during the nineteenth century. It concludes the discussion of Joyce, and ends with an account of Stein's Autobiography of Alice B. Toklas as an indisputable example of a fictionally authored auto/biography.Less
This chapter discusses the taxonomy of imaginary literary works (supplementing the taxonomy of fictionalized life‐writings proposed in Chapter 5), and their scarcity during the nineteenth century. It concludes the discussion of Joyce, and ends with an account of Stein's Autobiography of Alice B. Toklas as an indisputable example of a fictionally authored auto/biography.
Jane Whittle and Elizabeth Griffiths
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780199233533
- eISBN:
- 9780191739330
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199233533.001.0001
- Subject:
- History, British and Irish Early Modern History
Lady Alice Le Strange of Hunstanton in Norfolk kept a continuous series of household accounts from 1610 to 1654. This book uses the Le Stranges’ rich archive to imaginatively reconstruct the material ...
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Lady Alice Le Strange of Hunstanton in Norfolk kept a continuous series of household accounts from 1610 to 1654. This book uses the Le Stranges’ rich archive to imaginatively reconstruct the material aspects of family life. This involves looking not just at purchases but also at home production and gifts; and not just at the luxurious but also at the everyday consumption of food and medical care. Consumption is viewed not just as material culture, but as a process involving household management, acquisition and appropriation, a process which created and reinforced social links with craftsmen, servants, labourers and the local community. It is argued that the county gentry provide a missing link in histories of consumption: connecting the fashions of London and the royal court with those of middling strata of rural England. Consumption is often viewed as a female activity, and the book looks in detail at who managed the provisioning, purchases and work within the household, how spending on sons and daughters differed, and whether men and women attached different cultural values to household goods. This single household’s economy provides a window onto some of most significant cultural and economic issues of early modern England: innovations in trade, retail and production, the basis of gentry power, social relations in the countryside, and the gendering of family life.Less
Lady Alice Le Strange of Hunstanton in Norfolk kept a continuous series of household accounts from 1610 to 1654. This book uses the Le Stranges’ rich archive to imaginatively reconstruct the material aspects of family life. This involves looking not just at purchases but also at home production and gifts; and not just at the luxurious but also at the everyday consumption of food and medical care. Consumption is viewed not just as material culture, but as a process involving household management, acquisition and appropriation, a process which created and reinforced social links with craftsmen, servants, labourers and the local community. It is argued that the county gentry provide a missing link in histories of consumption: connecting the fashions of London and the royal court with those of middling strata of rural England. Consumption is often viewed as a female activity, and the book looks in detail at who managed the provisioning, purchases and work within the household, how spending on sons and daughters differed, and whether men and women attached different cultural values to household goods. This single household’s economy provides a window onto some of most significant cultural and economic issues of early modern England: innovations in trade, retail and production, the basis of gentry power, social relations in the countryside, and the gendering of family life.
Morton D. Paley
- Published in print:
- 2000
- Published Online:
- October 2011
- ISBN:
- 9780198186854
- eISBN:
- 9780191674570
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198186854.003.0005
- Subject:
- Literature, 19th-century Literature and Romanticism
Love was always an important theme in Samuel Taylor Coleridge's poetry, manifested in ‘Recollections of Love’ and ‘Love's whisper’. More frequently, however, in Coleridge's later poetry love is a ...
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Love was always an important theme in Samuel Taylor Coleridge's poetry, manifested in ‘Recollections of Love’ and ‘Love's whisper’. More frequently, however, in Coleridge's later poetry love is a threatening force or an aching void. Recognising this, in the editions of his Poetical Works published in his lifetime, the poet introduced the section containing most of his later poems' with a four-line motto bearing the Greek title ‘Love, always a talkative companion’. In some of what have come to be known as the ‘Asra’ poems, Coleridge's expression of unfulfilled feeling is bitterly direct. This is true of ‘Separation’, for which Coleridge wrote a memorable new beginning some time after the draft in one of his Notebooks. Another attempt to deal with the destructive power of love was through the mediated discourse of narrative along with his most ambitious attempt in this mode in his later years, the ‘Alice Du Clos’ completed in 1829.Less
Love was always an important theme in Samuel Taylor Coleridge's poetry, manifested in ‘Recollections of Love’ and ‘Love's whisper’. More frequently, however, in Coleridge's later poetry love is a threatening force or an aching void. Recognising this, in the editions of his Poetical Works published in his lifetime, the poet introduced the section containing most of his later poems' with a four-line motto bearing the Greek title ‘Love, always a talkative companion’. In some of what have come to be known as the ‘Asra’ poems, Coleridge's expression of unfulfilled feeling is bitterly direct. This is true of ‘Separation’, for which Coleridge wrote a memorable new beginning some time after the draft in one of his Notebooks. Another attempt to deal with the destructive power of love was through the mediated discourse of narrative along with his most ambitious attempt in this mode in his later years, the ‘Alice Du Clos’ completed in 1829.
J. Samaine Lockwood
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469625362
- eISBN:
- 9781469625386
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469625362.003.0004
- Subject:
- Literature, American Colonial Literature
This chapter analyzes women's antique china collecting in late-nineteenth-century New England. It argues that china hunting guides represented the woman collector as bold and savvy while presenting ...
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This chapter analyzes women's antique china collecting in late-nineteenth-century New England. It argues that china hunting guides represented the woman collector as bold and savvy while presenting china hunting itself as a historical act that was sensually, if not sexually, satisfying. Although considering a wide range of texts, this chapter focuses in on Annie Trumbull Slosson's The China Hunters Club and Alice Morse Earle's China Collecting in America, the two best-known domestic china-collecting texts of the era. Both Slosson and Earle find in china collecting opportunities not only for sensual explorations, but gender bending fantasies.Less
This chapter analyzes women's antique china collecting in late-nineteenth-century New England. It argues that china hunting guides represented the woman collector as bold and savvy while presenting china hunting itself as a historical act that was sensually, if not sexually, satisfying. Although considering a wide range of texts, this chapter focuses in on Annie Trumbull Slosson's The China Hunters Club and Alice Morse Earle's China Collecting in America, the two best-known domestic china-collecting texts of the era. Both Slosson and Earle find in china collecting opportunities not only for sensual explorations, but gender bending fantasies.
J. Samaine Lockwood
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469625362
- eISBN:
- 9781469625386
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469625362.003.0005
- Subject:
- Literature, American Colonial Literature
This chapter demonstrates how the historical project of New England regionalism extended beyond the supposed end of that mode's popularity (c. 1915) and into the modernist era. It focuses on the ...
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This chapter demonstrates how the historical project of New England regionalism extended beyond the supposed end of that mode's popularity (c. 1915) and into the modernist era. It focuses on the writings of three women fiction writers left out of accounts of regionalism: Charlotte Perkins Gilman, Alice Brown, and Pauline Elizabeth Hopkins. Each of these writers used New England-based colonial revivalism in her fiction to explore problems of race and queer desires in history. These writers consistently limned the contours of identity in time by portraying women characters as fusing with ghosts of the colonial and Revolutionary-era past. This chapter troubles traditional accounts of literary history by revealing the modernist sensibilities of New England regionalism and its very practice up through the so-called modernist moment.Less
This chapter demonstrates how the historical project of New England regionalism extended beyond the supposed end of that mode's popularity (c. 1915) and into the modernist era. It focuses on the writings of three women fiction writers left out of accounts of regionalism: Charlotte Perkins Gilman, Alice Brown, and Pauline Elizabeth Hopkins. Each of these writers used New England-based colonial revivalism in her fiction to explore problems of race and queer desires in history. These writers consistently limned the contours of identity in time by portraying women characters as fusing with ghosts of the colonial and Revolutionary-era past. This chapter troubles traditional accounts of literary history by revealing the modernist sensibilities of New England regionalism and its very practice up through the so-called modernist moment.
John Jenkin
- Published in print:
- 2007
- Published Online:
- January 2008
- ISBN:
- 9780199235209
- eISBN:
- 9780191715631
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199235209.003.00018
- Subject:
- Physics, History of Physics
Wartime Nobel Prizes were honoured in Sweden in 1920, but William declined because ‘several Germans are going’. Lawrence returned to Cambridge, met Alice Hopkinson, but was appointed to succeed ...
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Wartime Nobel Prizes were honoured in Sweden in 1920, but William declined because ‘several Germans are going’. Lawrence returned to Cambridge, met Alice Hopkinson, but was appointed to succeed Rutherford in Manchester, where staff and returned students were hostile. Things improved in 1921: Lawrence was elected FRS, became engaged to Alice, and teaching and research blossomed. The ‘Manchester School’ of X-ray analysis was formed, with the Bragg-James-Bosanquet collaboration at its centre. Lawrence concentrated on inorganic materials, while William began to examine organic crystals. William rebuilt his department from the ashes of war, gathered a formidable research team, and lectured widely, becoming the voice of science in Britain. He returned to the nature of radiation and was delighted when Arthur Compton, persuaded by one of William's Adelaide and Leeds' students, showed conclusively that it had both wave and particle characteristics.Less
Wartime Nobel Prizes were honoured in Sweden in 1920, but William declined because ‘several Germans are going’. Lawrence returned to Cambridge, met Alice Hopkinson, but was appointed to succeed Rutherford in Manchester, where staff and returned students were hostile. Things improved in 1921: Lawrence was elected FRS, became engaged to Alice, and teaching and research blossomed. The ‘Manchester School’ of X-ray analysis was formed, with the Bragg-James-Bosanquet collaboration at its centre. Lawrence concentrated on inorganic materials, while William began to examine organic crystals. William rebuilt his department from the ashes of war, gathered a formidable research team, and lectured widely, becoming the voice of science in Britain. He returned to the nature of radiation and was delighted when Arthur Compton, persuaded by one of William's Adelaide and Leeds' students, showed conclusively that it had both wave and particle characteristics.
Thomas Goldsmith
- Published in print:
- 2019
- Published Online:
- September 2020
- ISBN:
- 9780252042966
- eISBN:
- 9780252051821
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042966.003.0011
- Subject:
- Music, Popular
In 1962, Flatt and Scruggs showed up on a weekly television show that quickly grabbed tens of millions of weekly viewers, the mainstream of American pop culture. This increased television presence ...
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In 1962, Flatt and Scruggs showed up on a weekly television show that quickly grabbed tens of millions of weekly viewers, the mainstream of American pop culture. This increased television presence kicked off Flatt and Scruggs’s years of greatest popularity and commercial success. Created and produced by Paul Henning, “The Beverly Hillbillies” was the top-rated television show for its first two seasons, 1962-1963 and 1963-1964. Each of the show’s 274 episodes featured the sound of Scruggs’s banjo. Seven episodes presented Lester Flatt and Earl Scruggs playing themselves, alongside such show-biz veterans as Buddy Ebsen and Irene Ryan. As bluegrass started to gain fans from nontraditional audiences, Flatt and Scruggs benefited but were seen as less hard-core than Monroe and the Stanley brothers. However, the 1960s presented both hit records and arguments over musical style. Flatt didn’t like the Bob Dylan songs that Scruggs wanted to record. The duo parted ways in 1969.Less
In 1962, Flatt and Scruggs showed up on a weekly television show that quickly grabbed tens of millions of weekly viewers, the mainstream of American pop culture. This increased television presence kicked off Flatt and Scruggs’s years of greatest popularity and commercial success. Created and produced by Paul Henning, “The Beverly Hillbillies” was the top-rated television show for its first two seasons, 1962-1963 and 1963-1964. Each of the show’s 274 episodes featured the sound of Scruggs’s banjo. Seven episodes presented Lester Flatt and Earl Scruggs playing themselves, alongside such show-biz veterans as Buddy Ebsen and Irene Ryan. As bluegrass started to gain fans from nontraditional audiences, Flatt and Scruggs benefited but were seen as less hard-core than Monroe and the Stanley brothers. However, the 1960s presented both hit records and arguments over musical style. Flatt didn’t like the Bob Dylan songs that Scruggs wanted to record. The duo parted ways in 1969.
Steven Connor
- Published in print:
- 2000
- Published Online:
- October 2011
- ISBN:
- 9780198184331
- eISBN:
- 9780191674204
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198184331.003.0005
- Subject:
- Literature, Film, Media, and Cultural Studies
The most well-known and widely-discussed cases of possession in England occurred in the last fifteen years of the 17th century and involved a Church of England minister of Puritan leanings named John ...
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The most well-known and widely-discussed cases of possession in England occurred in the last fifteen years of the 17th century and involved a Church of England minister of Puritan leanings named John Darrell. The chapter gives an account of the possession of the thirteen-year-old Thomas Darling, and this account is structured around the experience of voices. On his return home from a wood where he had got lost, Darling had begun to experience agues and distempered visions of green cats. Responding to suggestions that his malady might not be physical but demonic, Darling concocted a preposterous story about having met in the woods an old woman named Alice Gooderidge, who comes under local suspicion of being a witch. Thomas claims that Alice cursed him, because he accidentally broke wind in her presence.Less
The most well-known and widely-discussed cases of possession in England occurred in the last fifteen years of the 17th century and involved a Church of England minister of Puritan leanings named John Darrell. The chapter gives an account of the possession of the thirteen-year-old Thomas Darling, and this account is structured around the experience of voices. On his return home from a wood where he had got lost, Darling had begun to experience agues and distempered visions of green cats. Responding to suggestions that his malady might not be physical but demonic, Darling concocted a preposterous story about having met in the woods an old woman named Alice Gooderidge, who comes under local suspicion of being a witch. Thomas claims that Alice cursed him, because he accidentally broke wind in her presence.
Marah Gubar
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780195336252
- eISBN:
- 9780199868490
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195336252.003.0004
- Subject:
- Literature, 19th-century and Victorian Literature
In his famous photographs of children and in the Alice books, Lewis Carroll often displays a surprising willingness to jettison the solitary Child of Nature paradigm and explore instead the complex ...
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In his famous photographs of children and in the Alice books, Lewis Carroll often displays a surprising willingness to jettison the solitary Child of Nature paradigm and explore instead the complex relationship that links children to adults, himself to his beloved child friends. Rather than single-mindedly insisting that a firm barrier separates young from old, Carroll frequently blurs this line, characterizing the child not as an untouched Other, but as a collaborator enmeshed in a complicated relationship with the adults who surround her. As in the case of the female children’s authors studied in Chapter 1, his work reveals a keen awareness of the fact that children are always already involved with (and influenced by) adults. But whereas they seem comfortably certain that children can nevertheless develop into creative agents who help shape their own life stories, Carroll remains unsure. He hopes that children can function as empowered collaborators, but—like Stevenson—he fears that the power imbalance inherent in the adult-child relationship ensures that all adults can offer children is a fraudulent illusion of reciprocity. Even his own cherished brand of nonsense literature, he suggests, can function as a form of coercion that pushy adults foist upon profoundly uninterested children.Less
In his famous photographs of children and in the Alice books, Lewis Carroll often displays a surprising willingness to jettison the solitary Child of Nature paradigm and explore instead the complex relationship that links children to adults, himself to his beloved child friends. Rather than single-mindedly insisting that a firm barrier separates young from old, Carroll frequently blurs this line, characterizing the child not as an untouched Other, but as a collaborator enmeshed in a complicated relationship with the adults who surround her. As in the case of the female children’s authors studied in Chapter 1, his work reveals a keen awareness of the fact that children are always already involved with (and influenced by) adults. But whereas they seem comfortably certain that children can nevertheless develop into creative agents who help shape their own life stories, Carroll remains unsure. He hopes that children can function as empowered collaborators, but—like Stevenson—he fears that the power imbalance inherent in the adult-child relationship ensures that all adults can offer children is a fraudulent illusion of reciprocity. Even his own cherished brand of nonsense literature, he suggests, can function as a form of coercion that pushy adults foist upon profoundly uninterested children.
Marah Gubar
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780195336252
- eISBN:
- 9780199868490
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195336252.003.0007
- Subject:
- Literature, 19th-century and Victorian Literature
This chapter traces how Frances Hodgson Burnett and J. M. Barrie both participated in and resisted the creation of the emerging subgenre of children’s theatre. On the one hand, Little Lord Fauntleroy ...
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This chapter traces how Frances Hodgson Burnett and J. M. Barrie both participated in and resisted the creation of the emerging subgenre of children’s theatre. On the one hand, Little Lord Fauntleroy and Peter Pan drew large numbers of children into the playhouse, and turn-of-the-century commentators credited them with helping to establish the category of “children’s play” as a distinct dramatic genre. On the other hand, when we compare these two dramas to other productions which aimed to attract child playgoers during this time, it becomes evident that Burnett and Barrie were resisting the increasing pressure to cater shows specifically and exclusively to the young. Even as more and more critics began to insist that children needed their own specially simplified and sanitized shows, these playwrights stubbornly continued to include “adult” content in their dramas, clinging to the old pantomime tradition of trying to attract a mixed audience and resisting the idea that children needed to be shielded from such matters and addressed in very different terms from adults. Their plays thus provide a final piece of support for Gubar’s argument that Golden Age authors often resisted the growing pressure to conceive of the young as a race apart.Less
This chapter traces how Frances Hodgson Burnett and J. M. Barrie both participated in and resisted the creation of the emerging subgenre of children’s theatre. On the one hand, Little Lord Fauntleroy and Peter Pan drew large numbers of children into the playhouse, and turn-of-the-century commentators credited them with helping to establish the category of “children’s play” as a distinct dramatic genre. On the other hand, when we compare these two dramas to other productions which aimed to attract child playgoers during this time, it becomes evident that Burnett and Barrie were resisting the increasing pressure to cater shows specifically and exclusively to the young. Even as more and more critics began to insist that children needed their own specially simplified and sanitized shows, these playwrights stubbornly continued to include “adult” content in their dramas, clinging to the old pantomime tradition of trying to attract a mixed audience and resisting the idea that children needed to be shielded from such matters and addressed in very different terms from adults. Their plays thus provide a final piece of support for Gubar’s argument that Golden Age authors often resisted the growing pressure to conceive of the young as a race apart.
Carl N. Degler
- Published in print:
- 1993
- Published Online:
- October 2011
- ISBN:
- 9780195077070
- eISBN:
- 9780199853991
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195077070.003.0012
- Subject:
- History, History of Ideas
This chapter examines social scientists' study of the influence of biology and the nature of females in terms of differences in human behavior. One of those who took a look at how physiological ...
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This chapter examines social scientists' study of the influence of biology and the nature of females in terms of differences in human behavior. One of those who took a look at how physiological differences between men and women might affect behavior was Alice Rossi in 1965. Rossi measured the impact that biological ideas have had upon social scientists and suggested that though women and men were different physiologically they were interchangeable socially.Less
This chapter examines social scientists' study of the influence of biology and the nature of females in terms of differences in human behavior. One of those who took a look at how physiological differences between men and women might affect behavior was Alice Rossi in 1965. Rossi measured the impact that biological ideas have had upon social scientists and suggested that though women and men were different physiologically they were interchangeable socially.
John Beer
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199574018
- eISBN:
- 9780191723100
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199574018.003.0014
- Subject:
- Literature, 19th-century Literature and Romanticism, 19th-century and Victorian Literature
Coleridge's spiritual crisis of 1813 and his subsequent reversion to traditional Christian doctrines, as recorded by Hannah More, prompt consideration of his lifelong feelings of guilt; his ...
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Coleridge's spiritual crisis of 1813 and his subsequent reversion to traditional Christian doctrines, as recorded by Hannah More, prompt consideration of his lifelong feelings of guilt; his withdrawal from his College career and his enslavement by opium are considered, alongside the impression of innocence which he made on most people. His acquaintance with Elwyn leads to first reading of Leighton, reinforcement of his view of Reason, remorse at past heresies, and endorsement of Southey's views on forgiveness. Trinitarianism and the exact nature of evil remain unsolved problems; his later poems are still devoted to the exaltation of innocence, and its vulnerability at the hands of unabashed malignity.Less
Coleridge's spiritual crisis of 1813 and his subsequent reversion to traditional Christian doctrines, as recorded by Hannah More, prompt consideration of his lifelong feelings of guilt; his withdrawal from his College career and his enslavement by opium are considered, alongside the impression of innocence which he made on most people. His acquaintance with Elwyn leads to first reading of Leighton, reinforcement of his view of Reason, remorse at past heresies, and endorsement of Southey's views on forgiveness. Trinitarianism and the exact nature of evil remain unsolved problems; his later poems are still devoted to the exaltation of innocence, and its vulnerability at the hands of unabashed malignity.
David F. Crew
- Published in print:
- 1998
- Published Online:
- October 2011
- ISBN:
- 9780195053111
- eISBN:
- 9780199854479
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195053111.003.0004
- Subject:
- History, European Modern History
This chapter shows the workings of the Weimar welfare offices through representations of social work and gender distinctions. Alice Solomon and Else Wex believed that social welfare played a vital ...
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This chapter shows the workings of the Weimar welfare offices through representations of social work and gender distinctions. Alice Solomon and Else Wex believed that social welfare played a vital role in German's postwar recovery. In order to survive, it was believed that Germany should produce quality goods, machines, and human beings. Maternalists argued in favour of women's differences to legitimize women's exclusion from the public sphere. Women played an important role in the developing welfare state because they were regarded as more nurturing, emotional, and caring. Eventually, a number of middle-class women became professional social workers but they were seldom admitted to work in welfare bureaucracy. Trained social workers had to content themselves with poorly, insecure positions. Female social workers found it difficult to move from fieldwork to office work. There was a clear gendered distinction between masculine administration and feminine social work. However, gender was not the only division as female social workers were committed to worldviews too.Less
This chapter shows the workings of the Weimar welfare offices through representations of social work and gender distinctions. Alice Solomon and Else Wex believed that social welfare played a vital role in German's postwar recovery. In order to survive, it was believed that Germany should produce quality goods, machines, and human beings. Maternalists argued in favour of women's differences to legitimize women's exclusion from the public sphere. Women played an important role in the developing welfare state because they were regarded as more nurturing, emotional, and caring. Eventually, a number of middle-class women became professional social workers but they were seldom admitted to work in welfare bureaucracy. Trained social workers had to content themselves with poorly, insecure positions. Female social workers found it difficult to move from fieldwork to office work. There was a clear gendered distinction between masculine administration and feminine social work. However, gender was not the only division as female social workers were committed to worldviews too.
