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The book presents Daniel Berrigan’s contributions and challenge to Catholic social thought. His contribution lies in his consistent, comprehensive, theoretical, and practical approach to issues of peace and justice over the last fifty years. His challenge lies in his criticism of capitalism, imperialism, and militarism, inviting Catholic activists and thinkers to undertake not just a reformist but a radical critique and alternative to these realities. The aim of this book is, for the first time, to make Berrigan’s thought and life available to the Catholic academic community, so that a fruitful interaction takes place. How does his work enlighten and challenge such a community? How can this community enrich and criticize his work? To these ends, the editors have recruited thinkers, scholars, thinker-activists already familiar with and sympathetic with Berrigan’s work and those who are less so identified. The result is a rich, receptive, and critical treatment of the meaning nd impact of his work. What kind of challenge does he present to academic business-as-usual in Catholic universities? How can the life and work of individual Catholic academics be transformed if such persons took Berrigan’s work seriously, theoretically and practically? Do Catholic universities need Berrigan’s vision to fulfill more integrally and completely their own mission? Does the self-knowing subject and theorist need to become a radical subject and theorist? In light of the world’s current social, political, economic, and environmental crises, doesn’t Berrigan’s call for a pacific and prophetic community of justice rooted in the Good News of the Gospel make compelling sense?

Media coverage of the Israeli–Palestinian conflict does not necessarily enhance one’s knowledge or understanding of the Palestinians; on the contrary, they are often reduced to either victims or perpetrators. Similarly, while many academic studies devote considerable effort to analyzing the political situation in the occupied territories, there have been few sophisticated case studies of Palestinian refugees living under Israeli rule. An ethnographic study of Palestinian refugees in Dheisheh refugee camp, Occupied Lives looks closely at the attempts of the camp inhabitants to survive and bounce back from the profound effects of political violence and Israeli military occupation. Based on the author’s extensive fieldwork conducted inside the camp, this study examines the daily efforts of camp inhabitants to secure survival and meaning during the period of the al-Aqsa Intifada. It argues that the political developments and experiences of extensive violence at the time, which left most refugees outside of direct activism, caused many camp inhabitants to disengage from traditional forms of politics. Instead, they became involved in alternative practices aimed at maintaining their sense of social worth and integrity by focusing on processes to establish a ‘normal’ order, social continuity, and morality. Coming from Social Anthropology, Nina Gren explores these processes and the ambiguities and dilemmas that necessarily arose from them and the ways in which the political and the existential are often intertwined in Dheisheh.

This Woman’s Work: The Writing and Activism of Bebe Moore Campbell is a social history and critical biography based on the life of award-winning writer Bebe Moore Campbell. This manuscript examines Bebe Moore Campbell’s life and activism in two periods: first, as a student at the University of Pittsburgh during the 1960s Black Student Movement; and second, as a mental health advocate near the end of her life in 2006. Primarily known as a bestselling novelist, Campbell’s first and final novels, Your Blues Ain’t Like Mine (1992) and 72 Hour Hold (2005) reveal a direct relationship to her lesser-known activist work. As a writer and activist, Bebe Moore Campbell used frame shifting within each of her works. Her writing thus becomes a powerful vehicle through which subject matter is enlivened and expanded, immersing her readers in relevant historical and sociopolitical phenomena. As a novelist, Bebe Moore Campbell utilized recurring signature themes within each novel to theorize and to connect popular audiences with African American historical memory and current sociopolitical issues. Similarly, Campbell’s bridge leadership, charismatic personality, and writing merge within two social movement organizations as she aids in significant grassroots/local and institutional change.

Pollution is one of the most pressing issues facing contemporary China and among the most prominent causes for unrest. Much of industry and mining takes place in rural areas, yet we know little about how rural communities affected by severe pollution make sense of it and the diverse form of activism they embrace. This book describes some of these engagements with pollution through three in-depth case studies based on the author’s fieldwork and an analysis of “cancer villages” examined in existing social science accounts. It challenges assumptions that villagers are ignorant about pollution or fully complicit with it and it looks beyond high-profile cases and beyond single strategies. It examines how villagers’ concerns and practices evolve over time and how pollution may become normalised. Through the concept of “resigned activism”, it advocates rethinking conventional approaches to activism to encompass less visible forms of engagement. It offers insights into the complex dynamics of popular contention, environmental movements and their situatedness within local and national political economies. Describing a likely widespread scenario across much of industrialised rural China, this book provides a window onto the staggering human costs of development and the deeply uneven distribution of costs and benefits. It portrays rural environmentalism and its limitations as prisms through which to study key issues surrounding contemporary Chinese culture and society, such as state responsibility, social justice, ambivalence towards development and modernisation and some of the new fault lines of inequality and social conflict which they generate.

Still and moving images are crucial factors in contemporary political conflicts. They not only have representational, expressive or illustrative functions, but also augment and create significant events. Beyond altering states of mind, they affect bodies, and often life or death is at stake. Various forms of image operations are currently performed in the contexts of war, insurgency and activism. Photographs, videos, interactive simulations and other kinds of images steer drones to their targets, train soldiers, terrorise the public, celebrate protest icons, uncover injustices, or call for help. They are often parts of complex agential networks and move across different media and cultural environments. This book is a pioneering interdisciplinary study of the role and function of images in political life. Balancing theoretical reflections with in-depth case studies, it brings together renowned scholars and activists from different fields to offer a multifaceted critical perspective on a crucial aspect of contemporary visual culture.

When natural gas drilling moves into an urban or a suburban neighborhood, a two-hundred-foot-high drill appears on the other side of a back yard fence and diesel trucks clog a quiet two-lane residential street. Children seem to be having more than the usual number of nosebleeds. There are so many local cases of cancer that the elementary school starts a cancer support group. In this book, Jessica Smartt Gullion examines what happens when natural gas extraction by means of hydraulic fracturing, or “fracking,” takes place not on wide-open rural land but in a densely populated area with homes, schools, hospitals, parks, and businesses. Gullion focuses on fracking in the Barnett Shale, the natural-gas–rich geological formation under the Dallas–Fort Worth metroplex. She gives voice to the residents—for the most part educated, middle class, and politically conservative—who became reluctant anti-drilling activists in response to perceived environmental and health threats posed by fracking. Gullion offers an overview of oil and gas development and describes the fossil-fuel culture of Texas, the process of fracking, related health concerns, and regulatory issues (including the notorious “Halliburton loophole”). She chronicles the experiences of community activists as they fight to be heard and to get the facts about the safety of fracking. Touted as a greener alternative and a means to reduce dependence on foreign oil, natural gas development is an important part of American energy policy. Yet, as this book shows, it comes at a cost to the local communities who bear the health and environmental burdens.

Dancing in Blackness: A Memoir explores a black female dancer’s personal journey over four decades across three continents and numerous countries. The author situates herself in the 1960s Black Arts Movement in the S.F. Bay Area, the dynamics of being a black woman dancing in Europe in the late 1960s, and dancing professionally in New York City in the early 1970s, while participating in racial inroads into important arts venues like Lincoln Center. She recounts friendships and collaborations with major artistic figures like Katherine Dunham, Ntozake Shange, Rod Rodgers, Diane McIntyre, Donald McKayle, Dr. Kwabena Nketia, and many others. She explores dancing in Ghana for almost a year, the inspiration for her return to the Oakland Bay Area in the late 1970s to help create the city’s black dance scene while being an adjunct dance lecturer at Stanford University. She also considers how her arts activism helped to engender more cultural equity in the arts nationally. She remembers the 1980s national multicultural arts movement and regional community dance activism, including her own national dance initiative, Black Choreographers Moving Toward the 21st Century. Finally, she ponders her self-reinvention in her 50s into a noted black studies and hip-hop scholar in academia.

A reimagining of liberal ideologies of selfhood, privilege, and consent is a significant legacy of nineteenth-century black feminist knowledge production. Yet, analyses of black women’s critical engagement with theliberal problematic—the disjunction between democratic promise and dispossession, between freedom and subjection in the American nation-state—remain incomplete. Resistance Reimagined: Black Women’s Critical Thought as Survival repositions a spectrum of discourses, from canonical nineteenth-century American literary studies to black women’s history, to interrogate black women’s disruptions of the liberal problematic as a medium of resistance. It deploys African-Americanist and feminist literary criticism by scholars such as Saidiya Hartman and Lindon Barrett, post-1960s histories of enslavement and black political consciousness by Stephanie M. H. Camp, and rhetorical theories developed by Shirley Wilson Logan and Vorris Nunley, to expand the bounds of contemporary critical inquiry in two key ways. First, Resistance Reimagined spotlights nineteenth-century black women’s intervention into the effects of liberalism as juridical, economic, and affective performance. This unsettles sedimented perspectives of black resistance as inherently militant, male, and vernacular, while problematizing how scholars have read nineteenth-century African-American women’s activism—against Sojourner Truth or Ida B. Wells-Barnett, for instance—as inauthentic or accommodationist. Second, the text juxtaposes early writers and thinkers, including Harriet Wilson, Elizabeth Keckly, and Anna Julia Cooper, with authors of modern neo-slave narrative, including Sherley Anne Williams, to grapple more effectively with the neoliberal present.

This book provides the first detailed account of the work of the Actresses' Franchise League, taking the story of the organisation further than ever before. Formulated as a historiographically innovative critical biography of the League over the fifty years of the organisation’s activities, this book invites a total reassessment of the League within both 20^th Century industry networks and accepted narratives of the development of political theatre in the UK. Making a genuine contribution to both theatre and suffrage histories, this book looks in detail at the performative propaganda of the suffrage movement and the role of feminist actresses as activists during and after the campaign for Votes for Women. It explores the extensive networks of political and theatrical activism and social campaigning through which suffragist performers, playwrights and producers shaped their careers, and reveals how determined the Actresses' Franchise League was to be visible in public space, and to create equal opportunities for women in the theatre industry. Drawing on archival material, this book shows how members and allies of the League addressed a broad range of political and social issues through their work, how they presented and represented women and womanhood, and how the organisation, formed and embedded in the Edwardian period, diversified during and after the First and Second World Wars.

In 1968 a series of local, national and global upheavals coalesced to produce some of the most consequential protest movements in the history of the United States. By examining the impact of 1968 on the shape of American politics, culture and identity, this volume offers a major fiftieth-year anniversary retrospective of this watershed year for activism and radical politics. Reframing 1968 brings together thirteen new interdisciplinary essays by leading historians that focus on questions of race, gender, class, sexuality, war, democracy, urban demonstrations, campus radicalism, and the culture of protest. There is also a strong emphasis in the book on the relationship between late 1960s protest and contemporary protest movements, especially Occupy and Black Lives Matter. Each of the chapters have a concluding section in which authors reflect on the consequences and legacy of their particular topic set against more recent perspectives on 1968.

This book, like its twin volume Female Authorship and the Documentary Image, centres on pressing issues in relation to female authorship in contemporary documentary practices. Addressing the politics of representation and authorship both behind and in fron of the camera, a range of international scholars now expand the theoretical and practical framework informing the current scholarship on documentary cinema, which has so far neglected questions of gender. Female Agency and Documentary Strategies focuses on how self-portraiture and contemporary documentary manifestations such as blogging and the prevalent usage of social media shape and inform female subjectivities and claims to truth. The book examines the scope of authorship and agency open to women using these technologies as a form of activism, centring on notions of relationality, selfhood and subjectivity.

Spanning a period which stretches from the 19th century to the present day, this book takes a novel look at the British labour movement by examining the interaction between trade unions, the Labour Party, other parties of the Left, and other groups such as the Co-op movement and the wider working class, to highlight the dialectic nature of these relationships, marked by consensus and dissention. It shows that, although perceived as a source of weakness, those inner conflicts have also been a source of creative tension, at times generating significant breakthroughs. This book seeks to renew and expand the field of British labour studies, setting out new avenues for research so as to widen the audience and academic interest in the field, in a context which makes the revisiting of past struggles and dilemmas more pressing than ever. The book together brings well-established labour historians and political scientists, thus establishing dialogue across disciplines, and younger colleagues who are contributing to the renewal of the field. It provides a range of case studies as well as more wide-ranging assessments of recent trends in labour organising, and will therefore be of interest to academics and students of history and politics, as well as to practitioners, in the British Isles and beyond.

What does China’s rise mean for transnational civil society? What happens when global activist networks engage a powerful and norm-resistant new hegemon? This book combines detailed ethnographic research with cross-case comparisons to identify key factors underpinning variation in the results and processes of advocacy on a range of issues affecting both China and the world, including global warming, intellectual property rights, HIV/AIDS treatment, the use of capital punishment, suppression of the Falun Gong religious movement, and Tibetan independence. Built on an innovative blend of comparative and international theory, it advances a theory of “advocacy drift”—a process whereby the objectives and principled beliefs of activists are transformed through interaction with the Chinese state. The book is a timely reassessment of transnational civil society in the era of an ascendant China, and is essential reading for scholars and practitioners of civil society organizations.

Although the LGBT movement has made rapid gains in the United States, LGBT people continue to face discrimination in faith communities. In this book, sociologist Jonathan S. Coley documents why and how student activists mobilize for greater inclusion at Christian colleges and universities. Drawing on interviews with student activists at a range of Christian institutions of higher learning, Coley shows that students, initially drawn to activism because of their own political, religious, or LGBT identities, are forming direct action groups that transform university policies, educational groups that open up campus dialogue, and solidarity groups that facilitate their members’ personal growth. He also shows how these LGBT activists apply their skills and values after graduation in subsequent political campaigns, careers, and family lives, potentially serving as change agents in their faith communities for years to come. Coley’s findings shed light on a new frontier of LGBT activism and challenge prevailing wisdom about the characteristics of activists, the purpose of activist groups, and ultimately the nature of activism itself. For more information about this project’s research methodology and theoretical grounding, please visit http://jonathancoley.com/book

James Boggs (1919-1993) and Grace Lee Boggs (1915-2015) were two largely unsung but critically important figures in the black freedom struggle. Born and raised in Alabama, James Boggs came to Detroit during the Great Migration, becoming an automobile worker and a union activist. Grace Lee was a Chinese American scholar who studied Hegel, worked with Caribbean political theorist C. L. R. James, and moved to Detroit to work toward a new American revolution. As husband and wife, the couple was influential in the early stages of what would become the Black Power movement, laying the intellectual foundation for racial and urban struggles during one of the most active social movement periods in recent U.S. history. Stephen Ward details both the personal and the political dimensions of the Boggses' lives, highlighting the vital contributions these two figures made to black activist thinking. At once a dual biography of two crucial figures and a vivid portrait of Detroit as a center of activism, Ward's book restores the Boggses, and the intellectual strain of black radicalism they shaped, to their rightful place in postwar American history.’

As the Vietnam War divided the nation, a network of antiwar coffeehouses appeared in the towns and cities outside American military bases. Owned and operated by civilian activists, GI coffeehouses served as off-base refuges for the growing number of active-duty soldiers resisting the war. In the first history of this network, David L. Parsons shows how antiwar GIs and civilians united to battle local authorities, vigilante groups, and the military establishment itself by building a dynamic peace movement within the armed forces. Peopled with lively characters and set in the tense environs of base towns around the country, this book complicates the often misunderstood relationship between the civilian antiwar movement, U.S. soldiers, and military officials during the Vietnam era. Using a broad set of primary and secondary sources, Parsons shows us a critical moment in the history of the Vietnam-era antiwar movement, when a chain of counterculture coffeehouses brought the war's turbulent politics directly to the American military's doorstep.

A historical study of black gay activism and identities from the 1950s to the present based on research in printed and archival sources. It examines both the construction of racism and homophobia and the gradual mobilization by black gay men against oppression. To do so it surveys shifting representations in magazines, newspapers, film, pornography, and analyses the ways in which black gay men succumbed to and resisted negative stereotypes. In the era of civil rights, James Baldwin and Bayard Rustin spoke out for social justice, as well as critiqued some tenets of the new black power ideology. But the stigma surrounding black gay identities undermined their place in the movement. In the 1950s, black periodicals ran frank discussions of black homosexuality—often associated with deviance and crime--but this trend slowed by the 1960s, giving way to respectable images. But in 1967 a white filmmaker directed a film about the life of a black gay hustler, while the increase in gay pulp fiction presented yet another image of black gayness. After Stonewall, black gay activists organized for sexual liberation, gay rights, and religious freedom in their own right. Some joined coalitions between black and gay liberation, while others created black queer identities. Brother Grant-Michael Fitzgerald, a member of a Catholic order, worked to bridge black and gay liberation, while seeking full inclusion in the church. By the 1980s, a new generation settled in predominantly white gay communities, and sought recognition through writing, performing, and speaking out. Joseph Beam organized readings at the local gay bookstore, wrote for the local press, and edited the first black gay anthology. The Howard University professor, James Tinney, struggled against black homophobia but also founded the first black gay and lesbian church. By the 1980s, the AIDS crisis disproportionately hit black gay men, but new organizations, such as Black and White Men Together also formed to combat prejudice and overcome social isolation. By the 2000s, social media, legal change, and further acceptance created a veritable revolution in gay black history, even as racism and homophobia continued to impact the lives of black men who have sex with men.