Michelle Ann Abate
- Published in print:
- 2018
- Published Online:
- January 2020
- ISBN:
- 9781496820730
- eISBN:
- 9781496820785
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496820730.003.0001
- Subject:
- Literature, Comics Studies
The Introduction provides necessary historical background information. It gives an overview of the book's overall aims and argument, and it also summarizes the project's methodology and ...
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The Introduction provides necessary historical background information. It gives an overview of the book's overall aims and argument, and it also summarizes the project's methodology and organizational plan.When critics, scholars, and fans think about major developments in American comics from the first half of the twentieth century, they commonly think of events like the advent of the Sunday newspaper supplement, the rise of the comic book, and the backlash against the industry by individuals like Fredric Wertham. The Introduction to this project makes a case for adding another phenomenon to this history: the popularity of young female protagonists.As it explains, examining figures like Little Lulu, Nancy, and Little Orphan Annie-both individually and as part of a larger tradition-yields compelling new insights about the industry during the first half of the twentieth century. Remembering and recouping the cadre of Funny Girls who played such a significant role in the popular appeal and commercial success of American comics during the first half of the twentieth century challenges longstanding perceptions about the gender dynamics operating during this era.Less
The Introduction provides necessary historical background information. It gives an overview of the book's overall aims and argument, and it also summarizes the project's methodology and organizational plan.When critics, scholars, and fans think about major developments in American comics from the first half of the twentieth century, they commonly think of events like the advent of the Sunday newspaper supplement, the rise of the comic book, and the backlash against the industry by individuals like Fredric Wertham. The Introduction to this project makes a case for adding another phenomenon to this history: the popularity of young female protagonists.As it explains, examining figures like Little Lulu, Nancy, and Little Orphan Annie-both individually and as part of a larger tradition-yields compelling new insights about the industry during the first half of the twentieth century. Remembering and recouping the cadre of Funny Girls who played such a significant role in the popular appeal and commercial success of American comics during the first half of the twentieth century challenges longstanding perceptions about the gender dynamics operating during this era.
