Molly Hoff
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9780979606670
- eISBN:
- 9781786945129
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780979606670.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
This book provides a synopsis and analysis of Virginia Woolf’s Mrs. Dalloway. In her close reading, Molly Hoff collects the literary fragments scattered in the novel and gathers them into a ...
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This book provides a synopsis and analysis of Virginia Woolf’s Mrs. Dalloway. In her close reading, Molly Hoff collects the literary fragments scattered in the novel and gathers them into a discussion of style, narrative and intertextual references. The author supplements her breakdown of individual lines and words in the novel with her own knowledge of the city of London and the idioms used by its residents, therefore providing a useful context on place and language. Hoff also draws on poetic convention from Classical and modern literature, including Greek myth and Alexandrian poetry, to supplement her discussion of the novel’s use of characterisation, recurring motifs and imagery. Hoff’s annotations are organised according to the novel’s twelve unnumbered ‘section’ breaks, indicated by Woolf with vertical spacing.Less
This book provides a synopsis and analysis of Virginia Woolf’s Mrs. Dalloway. In her close reading, Molly Hoff collects the literary fragments scattered in the novel and gathers them into a discussion of style, narrative and intertextual references. The author supplements her breakdown of individual lines and words in the novel with her own knowledge of the city of London and the idioms used by its residents, therefore providing a useful context on place and language. Hoff also draws on poetic convention from Classical and modern literature, including Greek myth and Alexandrian poetry, to supplement her discussion of the novel’s use of characterisation, recurring motifs and imagery. Hoff’s annotations are organised according to the novel’s twelve unnumbered ‘section’ breaks, indicated by Woolf with vertical spacing.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.001.0001
- Subject:
- Literature, Criticism/Theory
Gwyneth Jones’s Deconstructing the Starships: Science Fiction and Reality is a collection of critical essays, speeches and reviews, split into three sections: ‘All Science is Description’, ‘Science, ...
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Gwyneth Jones’s Deconstructing the Starships: Science Fiction and Reality is a collection of critical essays, speeches and reviews, split into three sections: ‘All Science is Description’, ‘Science, Fiction and Reality’, and ‘The Reviews’.
The book looks at 20th century science fiction through a feminist lens and explores the evolution of science fiction and fantasy writing during an era of scientific and technological development. From a feminist point of view, Jones discusses the relationships between men and women in science fiction and unpacks the significance of the power imbalances that come out of those relationships. Jones also addresses the increasing closeness in the barriers between science fiction and reality and offers insightful predictions towards the future.Less
Gwyneth Jones’s Deconstructing the Starships: Science Fiction and Reality is a collection of critical essays, speeches and reviews, split into three sections: ‘All Science is Description’, ‘Science, Fiction and Reality’, and ‘The Reviews’.
The book looks at 20th century science fiction through a feminist lens and explores the evolution of science fiction and fantasy writing during an era of scientific and technological development. From a feminist point of view, Jones discusses the relationships between men and women in science fiction and unpacks the significance of the power imbalances that come out of those relationships. Jones also addresses the increasing closeness in the barriers between science fiction and reality and offers insightful predictions towards the future.
Michael Kirkham
- Published in print:
- 1999
- Published Online:
- January 2019
- ISBN:
- 9780853235439
- eISBN:
- 9781786945396
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853235439.001.0001
- Subject:
- Literature, Poetry
In Passionate Intellect: The Poetry of Charles Tomlinson, Michael Kirkham provides a critical reading of the poetry of Charles Tomlinson. Within the text, Kirkham addresses readers already interested ...
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In Passionate Intellect: The Poetry of Charles Tomlinson, Michael Kirkham provides a critical reading of the poetry of Charles Tomlinson. Within the text, Kirkham addresses readers already interested in Tomlinson’s poetry, but also those who are unfamiliar with it. Kirkham aims to open up the understanding of the poet’s work by providing a contextual commentary on the poems and by advising ways to read them. The text is split into six chapters that follow the progression of Tomlinson’s poetry from his early career to the his work in the 1980s, and make a comment on the historical context as well as the meaning, quality and value contained in each poem. The text also goes to great length to explain the distinction between a ‘nature’ poem and a ‘human’ poem, and uses Tomlinson’s work as examples of each.Less
In Passionate Intellect: The Poetry of Charles Tomlinson, Michael Kirkham provides a critical reading of the poetry of Charles Tomlinson. Within the text, Kirkham addresses readers already interested in Tomlinson’s poetry, but also those who are unfamiliar with it. Kirkham aims to open up the understanding of the poet’s work by providing a contextual commentary on the poems and by advising ways to read them. The text is split into six chapters that follow the progression of Tomlinson’s poetry from his early career to the his work in the 1980s, and make a comment on the historical context as well as the meaning, quality and value contained in each poem. The text also goes to great length to explain the distinction between a ‘nature’ poem and a ‘human’ poem, and uses Tomlinson’s work as examples of each.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.003.0014
- Subject:
- Literature, Criticism/Theory
In this review of David Brin’s Glory Season, Jones foregrounds the issues that arise when feminism is looked at from a male perspective. She criticises the text for presenting a feminist utopia so ...
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In this review of David Brin’s Glory Season, Jones foregrounds the issues that arise when feminism is looked at from a male perspective. She criticises the text for presenting a feminist utopia so clearly designed by a man and analyses the sexual stereotyping that comes out of it.Less
In this review of David Brin’s Glory Season, Jones foregrounds the issues that arise when feminism is looked at from a male perspective. She criticises the text for presenting a feminist utopia so clearly designed by a man and analyses the sexual stereotyping that comes out of it.
Michael Kirkham
- Published in print:
- 1999
- Published Online:
- January 2019
- ISBN:
- 9780853235439
- eISBN:
- 9781786945396
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853235439.003.0001
- Subject:
- Literature, Poetry
In this introductory chapter, Kirkham provides a biography of Charles Tomlinson’s early life to present day. It prepares the reader for the contents of the following chapters and foregrounds ...
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In this introductory chapter, Kirkham provides a biography of Charles Tomlinson’s early life to present day. It prepares the reader for the contents of the following chapters and foregrounds Tomlinson’s abilities and status as both a poet and a painter.Less
In this introductory chapter, Kirkham provides a biography of Charles Tomlinson’s early life to present day. It prepares the reader for the contents of the following chapters and foregrounds Tomlinson’s abilities and status as both a poet and a painter.
LeeAnn Derdeyn and Tim Redman
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781942954408
- eISBN:
- 9781786944337
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781942954408.003.0020
- Subject:
- Literature, 20th-century Literature and Modernism
Building off critical gestures from Eva Hesse and Phillip Furia, we claim throughout this essay that Pound’s Canto 30 privileges ecology, an ecopoetics that situates human persons within their ...
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Building off critical gestures from Eva Hesse and Phillip Furia, we claim throughout this essay that Pound’s Canto 30 privileges ecology, an ecopoetics that situates human persons within their organic, natural connections with the “green world” and its cycles of life. Through inventive “translated” myths of two medieval couples (King Pedro of Portugal and his queen, Inês de Castro; Alfonso d’Este, the Duke of Ferrara, Italy and his queen, Lucrezia Borgia), Pound considers that art is analogous to nature’s cycle of rebirth. He is an aesthetic environmentalist ahead of his time, and Canto 30—rather than being limited by an eros/thanatos conceptualization—is constituted by, and interconnected through, a “green” theme, death begetting life. Always interested in not only the cultural conservation of art, but also the living quality of art, the liveliness—the fecundity, the “ecology,” of art—Ezra Pound is also driven to engender the renaissance of art as central to culture and the future of humanity.Less
Building off critical gestures from Eva Hesse and Phillip Furia, we claim throughout this essay that Pound’s Canto 30 privileges ecology, an ecopoetics that situates human persons within their organic, natural connections with the “green world” and its cycles of life. Through inventive “translated” myths of two medieval couples (King Pedro of Portugal and his queen, Inês de Castro; Alfonso d’Este, the Duke of Ferrara, Italy and his queen, Lucrezia Borgia), Pound considers that art is analogous to nature’s cycle of rebirth. He is an aesthetic environmentalist ahead of his time, and Canto 30—rather than being limited by an eros/thanatos conceptualization—is constituted by, and interconnected through, a “green” theme, death begetting life. Always interested in not only the cultural conservation of art, but also the living quality of art, the liveliness—the fecundity, the “ecology,” of art—Ezra Pound is also driven to engender the renaissance of art as central to culture and the future of humanity.
Michael Kirkham
- Published in print:
- 1999
- Published Online:
- January 2019
- ISBN:
- 9780853235439
- eISBN:
- 9781786945396
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853235439.003.0002
- Subject:
- Literature, Poetry
Chapter one provides a close examination and analysis of Tomlinson’s landscape poems, namely those found in The Way of a World, Seeing is Believing, Written on Water, A Peopled Landscape, American ...
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Chapter one provides a close examination and analysis of Tomlinson’s landscape poems, namely those found in The Way of a World, Seeing is Believing, Written on Water, A Peopled Landscape, American Scenes, Relations and Contraries, Collected Poems, The Necklace, and Mauberley. Kirkham focuses on the ways in which physical landscape in the poems is used in comparison to moral and mental landscapes, and foregrounds Tomlinson’s interest in sense experience.Less
Chapter one provides a close examination and analysis of Tomlinson’s landscape poems, namely those found in The Way of a World, Seeing is Believing, Written on Water, A Peopled Landscape, American Scenes, Relations and Contraries, Collected Poems, The Necklace, and Mauberley. Kirkham focuses on the ways in which physical landscape in the poems is used in comparison to moral and mental landscapes, and foregrounds Tomlinson’s interest in sense experience.
Michael Kirkham
- Published in print:
- 1999
- Published Online:
- January 2019
- ISBN:
- 9780853235439
- eISBN:
- 9781786945396
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853235439.003.0006
- Subject:
- Literature, Poetry
Chapter five begins by providing a brief chronological account of Tomlinson’s poetry published in the 1950s and 1960s, in which Kirkham recalls the literary qualities and aspects discussed earlier in ...
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Chapter five begins by providing a brief chronological account of Tomlinson’s poetry published in the 1950s and 1960s, in which Kirkham recalls the literary qualities and aspects discussed earlier in previous chapters. The chapter then goes on to explore the ways of viewing poetry of the 1970s and 1980s as an entity.Less
Chapter five begins by providing a brief chronological account of Tomlinson’s poetry published in the 1950s and 1960s, in which Kirkham recalls the literary qualities and aspects discussed earlier in previous chapters. The chapter then goes on to explore the ways of viewing poetry of the 1970s and 1980s as an entity.
Michael Kirkham
- Published in print:
- 1999
- Published Online:
- January 2019
- ISBN:
- 9780853235439
- eISBN:
- 9781786945396
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853235439.003.0005
- Subject:
- Literature, Poetry
Like the chapter before it, chapter four tracks the development of Tomlinson’s poetry over the latter part of the 20th century. Again, this chapter analyses the human scene and natural landscape in ...
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Like the chapter before it, chapter four tracks the development of Tomlinson’s poetry over the latter part of the 20th century. Again, this chapter analyses the human scene and natural landscape in Tomlinson’s ‘human poems’, whilst also adopting a historical approach.Less
Like the chapter before it, chapter four tracks the development of Tomlinson’s poetry over the latter part of the 20th century. Again, this chapter analyses the human scene and natural landscape in Tomlinson’s ‘human poems’, whilst also adopting a historical approach.
Michael Kirkham
- Published in print:
- 1999
- Published Online:
- January 2019
- ISBN:
- 9780853235439
- eISBN:
- 9781786945396
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853235439.003.0007
- Subject:
- Literature, Poetry
Chapter six discusses new concerns and emphases emerging in the 1980s, whilst looking closely at Tomlinson’s poetic performance during the 80s. The chapter seeks to provide some conclusions about the ...
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Chapter six discusses new concerns and emphases emerging in the 1980s, whilst looking closely at Tomlinson’s poetic performance during the 80s. The chapter seeks to provide some conclusions about the character of his art and make a note of the building sense of relaxation in Tomlinson’s later poetry.Less
Chapter six discusses new concerns and emphases emerging in the 1980s, whilst looking closely at Tomlinson’s poetic performance during the 80s. The chapter seeks to provide some conclusions about the character of his art and make a note of the building sense of relaxation in Tomlinson’s later poetry.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.003.0001
- Subject:
- Literature, Criticism/Theory
‘Deconstructing The Starships’ references a speech originally given at the June 1988 presentation of the Arthur C. Clarke Award, at the Institute of Contemporary Arts. The speech discusses science ...
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‘Deconstructing The Starships’ references a speech originally given at the June 1988 presentation of the Arthur C. Clarke Award, at the Institute of Contemporary Arts. The speech discusses science fiction’s penetration into popular culture and its inclusion in 20th century mainstream fiction. It also analyses the structure and methodology of a science fiction novel, looking at the characterisation, narrative and literary conventions used in order to develop an understanding of the requirements of a science fiction text. The chapter references Star Wars and Star Trek throughout, and uses the two franchises to associate the Starship Enterprise with US Navy nuclear submarines in the Cold War, thus mirroring science fiction with reality.Less
‘Deconstructing The Starships’ references a speech originally given at the June 1988 presentation of the Arthur C. Clarke Award, at the Institute of Contemporary Arts. The speech discusses science fiction’s penetration into popular culture and its inclusion in 20th century mainstream fiction. It also analyses the structure and methodology of a science fiction novel, looking at the characterisation, narrative and literary conventions used in order to develop an understanding of the requirements of a science fiction text. The chapter references Star Wars and Star Trek throughout, and uses the two franchises to associate the Starship Enterprise with US Navy nuclear submarines in the Cold War, thus mirroring science fiction with reality.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.003.0021
- Subject:
- Literature, Criticism/Theory
In this chapter, Jones reviews various texts by Ursula Le Guin, including Always Coming Home, The Dispossessed, The Word for World is Forest, The Left Hand of Darkness, and Sur. Jones draws attention ...
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In this chapter, Jones reviews various texts by Ursula Le Guin, including Always Coming Home, The Dispossessed, The Word for World is Forest, The Left Hand of Darkness, and Sur. Jones draws attention to the depiction of the ‘South’ in literature as a whole, but more specifically in terms of the feminist utopias that Le Guin creates in her narratives. She also foregrounds the significance of navigating the political, social and gender codes of society and explores the ways in which masculinity and femininity often correspond to an imbalance of power.Less
In this chapter, Jones reviews various texts by Ursula Le Guin, including Always Coming Home, The Dispossessed, The Word for World is Forest, The Left Hand of Darkness, and Sur. Jones draws attention to the depiction of the ‘South’ in literature as a whole, but more specifically in terms of the feminist utopias that Le Guin creates in her narratives. She also foregrounds the significance of navigating the political, social and gender codes of society and explores the ways in which masculinity and femininity often correspond to an imbalance of power.
Michael Kirkham
- Published in print:
- 1999
- Published Online:
- January 2019
- ISBN:
- 9780853235439
- eISBN:
- 9781786945396
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853235439.003.0003
- Subject:
- Literature, Poetry
Chapter two explores the natural-human world and the sensory and mental experience, aesthetic and moral values in Tomlinson’s poetry and attempts to define the relationship between ‘nature poems’ and ...
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Chapter two explores the natural-human world and the sensory and mental experience, aesthetic and moral values in Tomlinson’s poetry and attempts to define the relationship between ‘nature poems’ and ‘human poems’. The chapter looks closely at ‘The Atlantic’ from Seeing is Believing in order to understand the boundaries between the natural world and the human world.Less
Chapter two explores the natural-human world and the sensory and mental experience, aesthetic and moral values in Tomlinson’s poetry and attempts to define the relationship between ‘nature poems’ and ‘human poems’. The chapter looks closely at ‘The Atlantic’ from Seeing is Believing in order to understand the boundaries between the natural world and the human world.
Michael Kirkham
- Published in print:
- 1999
- Published Online:
- January 2019
- ISBN:
- 9780853235439
- eISBN:
- 9781786945396
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853235439.003.0004
- Subject:
- Literature, Poetry
Chapter three traces a historical progression of Tomlinson’s poetry, focusing closely on the distinction between his ‘nature poems’ and ‘human poems’ published during the twenty year period ...
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Chapter three traces a historical progression of Tomlinson’s poetry, focusing closely on the distinction between his ‘nature poems’ and ‘human poems’ published during the twenty year period 1958-1966. The chapter discusses the treatment of human experience within natural landscape and describes the ways in which the two genres of human and nature poetry can exist both separately and in unison.Less
Chapter three traces a historical progression of Tomlinson’s poetry, focusing closely on the distinction between his ‘nature poems’ and ‘human poems’ published during the twenty year period 1958-1966. The chapter discusses the treatment of human experience within natural landscape and describes the ways in which the two genres of human and nature poetry can exist both separately and in unison.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.003.0005
- Subject:
- Literature, Criticism/Theory
‘My Crazy Uncles’ was originally read at a meeting of the C.S. Lewis Society in June 1994, and later published in the New York Review of Science Fiction in November 1995. It provides a retrospective ...
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‘My Crazy Uncles’ was originally read at a meeting of the C.S. Lewis Society in June 1994, and later published in the New York Review of Science Fiction in November 1995. It provides a retrospective discussion on the speaker’s first introduction to science fiction through imaginary worlds in children’s literature. The essay analyses the conventions and tropes used in children’s fiction and describes the ways in which they work together to ‘convince’ the reader of alternative realities. Jones also describes her own joy of reading as a child and reflects on the Chronicles of Narnia and Lord of the Rings series’ influence on her writing.Less
‘My Crazy Uncles’ was originally read at a meeting of the C.S. Lewis Society in June 1994, and later published in the New York Review of Science Fiction in November 1995. It provides a retrospective discussion on the speaker’s first introduction to science fiction through imaginary worlds in children’s literature. The essay analyses the conventions and tropes used in children’s fiction and describes the ways in which they work together to ‘convince’ the reader of alternative realities. Jones also describes her own joy of reading as a child and reflects on the Chronicles of Narnia and Lord of the Rings series’ influence on her writing.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.003.0008
- Subject:
- Literature, Criticism/Theory
‘Sex: The Brains of Female Hyena Twins’ was originally a paper read at the second annual conference of the Academic Fantastic Fiction Network, at Reading University in December 1994, and was also ...
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‘Sex: The Brains of Female Hyena Twins’ was originally a paper read at the second annual conference of the Academic Fantastic Fiction Network, at Reading University in December 1994, and was also published in Strange Attractors.
Throughout the essay, Jones makes comparisons to the sexual habits and composition of other species and wildlife, but pays particularly close attention to the changing attitudes toward gender, human sexual behaviour and social roles in feminist science fiction and other literature.Less
‘Sex: The Brains of Female Hyena Twins’ was originally a paper read at the second annual conference of the Academic Fantastic Fiction Network, at Reading University in December 1994, and was also published in Strange Attractors.
Throughout the essay, Jones makes comparisons to the sexual habits and composition of other species and wildlife, but pays particularly close attention to the changing attitudes toward gender, human sexual behaviour and social roles in feminist science fiction and other literature.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.003.0010
- Subject:
- Literature, Criticism/Theory
This chapter contains the first review in the final section of the book, ‘The Reviews’. Within it, Jones critically analyses Sarah Lefanu’s In the Chinks of the World Machine. In her review, Jones ...
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This chapter contains the first review in the final section of the book, ‘The Reviews’. Within it, Jones critically analyses Sarah Lefanu’s In the Chinks of the World Machine. In her review, Jones addresses the relationship between feminism and science fiction and assesses the relevance of gender roles.Less
This chapter contains the first review in the final section of the book, ‘The Reviews’. Within it, Jones critically analyses Sarah Lefanu’s In the Chinks of the World Machine. In her review, Jones addresses the relationship between feminism and science fiction and assesses the relevance of gender roles.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.003.0011
- Subject:
- Literature, Criticism/Theory
This chapter contains Jones’ review of Carolyn J. Cherryh’s novels, mainly Serpent’s Reach and Cyteen. In her review, Jones foregrounds Cherryh’s use of strong female protagonists, and looks at the ...
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This chapter contains Jones’ review of Carolyn J. Cherryh’s novels, mainly Serpent’s Reach and Cyteen. In her review, Jones foregrounds Cherryh’s use of strong female protagonists, and looks at the methods and techniques used to realistically put forward a futuristic piece of fiction.Less
This chapter contains Jones’ review of Carolyn J. Cherryh’s novels, mainly Serpent’s Reach and Cyteen. In her review, Jones foregrounds Cherryh’s use of strong female protagonists, and looks at the methods and techniques used to realistically put forward a futuristic piece of fiction.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.003.0012
- Subject:
- Literature, Criticism/Theory
In this chapter, Jones reviews Ellen Datlow’s anthology, Off Limits: Tales of Alien Sex. Jones unpacks Datlow’s description of sex, gender and abuse and supplements the discussion with her knowledge ...
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In this chapter, Jones reviews Ellen Datlow’s anthology, Off Limits: Tales of Alien Sex. Jones unpacks Datlow’s description of sex, gender and abuse and supplements the discussion with her knowledge of other authors, including Pat Cadigan and Ed Bryant, whose literature deals with the treatment of human sexual relations with aliens. In her review, Jones also points out the significance of female writers writing about sex.Less
In this chapter, Jones reviews Ellen Datlow’s anthology, Off Limits: Tales of Alien Sex. Jones unpacks Datlow’s description of sex, gender and abuse and supplements the discussion with her knowledge of other authors, including Pat Cadigan and Ed Bryant, whose literature deals with the treatment of human sexual relations with aliens. In her review, Jones also points out the significance of female writers writing about sex.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.003.0015
- Subject:
- Literature, Criticism/Theory
In this chapter, Jones reviews science fiction novels by William Gibson, including Necromancer and Virtual Light. She discusses Gibson’s well-established contribution to the cyberpunk genre and ...
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In this chapter, Jones reviews science fiction novels by William Gibson, including Necromancer and Virtual Light. She discusses Gibson’s well-established contribution to the cyberpunk genre and outlines his frequent dependence on the heroes/heroines plotline, as well as unsympathetic characterisation. Writing from a feminist perspective, Jones also provides a commentary on the sexual politics present in Virtual Light and debates the titles’ status as radical science fiction.Less
In this chapter, Jones reviews science fiction novels by William Gibson, including Necromancer and Virtual Light. She discusses Gibson’s well-established contribution to the cyberpunk genre and outlines his frequent dependence on the heroes/heroines plotline, as well as unsympathetic characterisation. Writing from a feminist perspective, Jones also provides a commentary on the sexual politics present in Virtual Light and debates the titles’ status as radical science fiction.
