Iraida H. López
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780813061030
- eISBN:
- 9780813051307
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813061030.003.0004
- Subject:
- Literature, Criticism/Theory
Devoted to the legacy of Ana Mendieta (1948–1985), chapter 3 explores the impact of the Cuban-American artist in Cuba, at the time of her visits in the early 1980s and thereafter. Research conducted ...
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Devoted to the legacy of Ana Mendieta (1948–1985), chapter 3 explores the impact of the Cuban-American artist in Cuba, at the time of her visits in the early 1980s and thereafter. Research conducted on the island reveals an erasure at the institutional level due to the negligence with which her work has been treated. However, Mendieta’s case demonstrates that memory can be preserved at the margins of institutions, in lieux de mémoire or sites of memory (Pierre Nora) such as the Jaruco caves where the remains of Mendieta’s Rupestrian Sculptures are found and have become a magnet for young artists. This following helped preserve the collective memory of Mendieta in Cuba.Less
Devoted to the legacy of Ana Mendieta (1948–1985), chapter 3 explores the impact of the Cuban-American artist in Cuba, at the time of her visits in the early 1980s and thereafter. Research conducted on the island reveals an erasure at the institutional level due to the negligence with which her work has been treated. However, Mendieta’s case demonstrates that memory can be preserved at the margins of institutions, in lieux de mémoire or sites of memory (Pierre Nora) such as the Jaruco caves where the remains of Mendieta’s Rupestrian Sculptures are found and have become a magnet for young artists. This following helped preserve the collective memory of Mendieta in Cuba.
Susanne C. Knittel
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780823262786
- eISBN:
- 9780823266500
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823262786.003.0001
- Subject:
- History, European Modern History
The introduction provides the historical and methodological framework for the book. It begins with a discussion of the power of certain memories to trouble received notions about the past and its ...
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The introduction provides the historical and methodological framework for the book. It begins with a discussion of the power of certain memories to trouble received notions about the past and its relationship to the present. This is what I call the “historical uncanny.” The introduction then traces the history of eugenic thinking in Germany and Italy and sketches the post-war memory culture in these two countries. On the basis of Pierre Nora's work on sites of memory, the introduction elaborates an expanded definition of “site,” which builds on Michael Rothberg's notion of multidirectional memory and on Karen Barad's method of diffractive reading. In this way, the coexistence of two seemingly incompatible or contradictory phenomena is not seen as a problem in need of resolution but rather as a site of productive tension that reveals underlying structures of meaning that may not be readily assimilable to preexisting frameworks of knowledge.Less
The introduction provides the historical and methodological framework for the book. It begins with a discussion of the power of certain memories to trouble received notions about the past and its relationship to the present. This is what I call the “historical uncanny.” The introduction then traces the history of eugenic thinking in Germany and Italy and sketches the post-war memory culture in these two countries. On the basis of Pierre Nora's work on sites of memory, the introduction elaborates an expanded definition of “site,” which builds on Michael Rothberg's notion of multidirectional memory and on Karen Barad's method of diffractive reading. In this way, the coexistence of two seemingly incompatible or contradictory phenomena is not seen as a problem in need of resolution but rather as a site of productive tension that reveals underlying structures of meaning that may not be readily assimilable to preexisting frameworks of knowledge.
Emily Mark-Fitzgerald
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9781846318986
- eISBN:
- 9781781380949
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781846318986.003.0004
- Subject:
- History, British and Irish Modern History
This chapter reviews the range of monuments erected by small community groups throughout the Republic; selected cases of local Famine commemorations are mapped against registers of space, presence ...
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This chapter reviews the range of monuments erected by small community groups throughout the Republic; selected cases of local Famine commemorations are mapped against registers of space, presence and performance. ‘Space’ considers the rationale and consequence of siting memorials in cemeteries, workhouses and other spaces marked by social stigmatisation. ‘Presence’ addresses the omnipresence of the Famine body and how community groups have dealt with issues of absence and figuration at memorial sites. ‘Performance’ explores the performative nature of community commemoration – the rescuing of abandoned spaces and the vigilance to sustain them against time and decay, the ceremony and rituals which attend their narration, and the pragmatic processes of monument construction. The chapter concludes with a brief discussion of recent works by Irish contemporary artists working in installation and time-based media who deconstruct Famine ‘icons’ like the workhouse, cemetery and cottage, offering the possibility of imagining alternative spaces of Famine memory.Less
This chapter reviews the range of monuments erected by small community groups throughout the Republic; selected cases of local Famine commemorations are mapped against registers of space, presence and performance. ‘Space’ considers the rationale and consequence of siting memorials in cemeteries, workhouses and other spaces marked by social stigmatisation. ‘Presence’ addresses the omnipresence of the Famine body and how community groups have dealt with issues of absence and figuration at memorial sites. ‘Performance’ explores the performative nature of community commemoration – the rescuing of abandoned spaces and the vigilance to sustain them against time and decay, the ceremony and rituals which attend their narration, and the pragmatic processes of monument construction. The chapter concludes with a brief discussion of recent works by Irish contemporary artists working in installation and time-based media who deconstruct Famine ‘icons’ like the workhouse, cemetery and cottage, offering the possibility of imagining alternative spaces of Famine memory.
Ehud Ben Zvi
- Published in print:
- 2013
- Published Online:
- September 2013
- ISBN:
- 9780199664160
- eISBN:
- 9780191748462
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199664160.003.0001
- Subject:
- Religion, Biblical Studies, Judaism
This essay show how the memory of Abraham served as a central site of memory that encapsulated and evoked a large number of central issues and images in the discourse of the community and how the ...
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This essay show how the memory of Abraham served as a central site of memory that encapsulated and evoked a large number of central issues and images in the discourse of the community and how the latter related to the actual historical circumstances, in late Yehud, in which it lived. The essay uses approaches informed by studies in social memory to discuss, inter alia, the triad ‘Abraham, Isaac and Jacob’ as a site of memory, memories of Abraham associated with and encapsulating matters such as the possession of the land (and lack thereof), exile and return, divine choice, obedience, divine test, torah as well as constructions of past, present and future relations between Israel and the other nations in the land. The essay deals also with general social and mnemonic tendencies affecting the ways in which Abraham was remembered in the community. By studying how and why Abraham was remembered by the Jerusalem-centered community of the late Achaemenid/early Hellenistic period in Yehud/Judah, the study contributes to a better understanding of the cultural history of ancient Israel.Less
This essay show how the memory of Abraham served as a central site of memory that encapsulated and evoked a large number of central issues and images in the discourse of the community and how the latter related to the actual historical circumstances, in late Yehud, in which it lived. The essay uses approaches informed by studies in social memory to discuss, inter alia, the triad ‘Abraham, Isaac and Jacob’ as a site of memory, memories of Abraham associated with and encapsulating matters such as the possession of the land (and lack thereof), exile and return, divine choice, obedience, divine test, torah as well as constructions of past, present and future relations between Israel and the other nations in the land. The essay deals also with general social and mnemonic tendencies affecting the ways in which Abraham was remembered in the community. By studying how and why Abraham was remembered by the Jerusalem-centered community of the late Achaemenid/early Hellenistic period in Yehud/Judah, the study contributes to a better understanding of the cultural history of ancient Israel.
Derya Firat
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780813061603
- eISBN:
- 9780813051222
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813061603.003.0003
- Subject:
- History, Cultural History
The 1980 military coup is a milestone in Turkish history. While more than thirty years have passed since the event, a review of contemporary debates on the subject reveals an urgent need to confront ...
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The 1980 military coup is a milestone in Turkish history. While more than thirty years have passed since the event, a review of contemporary debates on the subject reveals an urgent need to confront the memories associated with Turkey's unspoken past. In order to meet this need, this chapter discusses the physical sites of memory that emerged with the military coup. It focuses on three sites associated with urban public protest: the street, Istanbul's Taksim Square, and Diyarbakır Prison. While the first operates at the scale of the whole Turkish society, the second concerns the Turkish Left, and the third is a site of memory for the Kurdish people. In approaching these three spaces, Fırat ventures into different topographies of memory, exploring in particular how Pierre Nora's 'sites of memory' and Maurice Halbwachs’ “collective memory” articulate with the Turkish case.Less
The 1980 military coup is a milestone in Turkish history. While more than thirty years have passed since the event, a review of contemporary debates on the subject reveals an urgent need to confront the memories associated with Turkey's unspoken past. In order to meet this need, this chapter discusses the physical sites of memory that emerged with the military coup. It focuses on three sites associated with urban public protest: the street, Istanbul's Taksim Square, and Diyarbakır Prison. While the first operates at the scale of the whole Turkish society, the second concerns the Turkish Left, and the third is a site of memory for the Kurdish people. In approaching these three spaces, Fırat ventures into different topographies of memory, exploring in particular how Pierre Nora's 'sites of memory' and Maurice Halbwachs’ “collective memory” articulate with the Turkish case.
Claudine Raynaud
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9781628460193
- eISBN:
- 9781626740419
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628460193.003.0006
- Subject:
- Literature, American, 20th Century Literature
Using a psychoanalytic framework and an artful deployment of Morrison’s essay, “The Site of Memory,” Claudine Raynaud draws on memory as “the return of the repressed” in Beloved. She argues that the ...
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Using a psychoanalytic framework and an artful deployment of Morrison’s essay, “The Site of Memory,” Claudine Raynaud draws on memory as “the return of the repressed” in Beloved. She argues that the staging of the workings of memory is akin to phantasm and that Morrison’s “rememory” can be read as a “the narrative of a fable”—or “fabulation”—that figures the return of the repressed Whether bumping into to a rememory that belongs to someone else, or the haunting of a house by a phantasm that re-presents the traumatic (or catatonic) memory of the infanticide, Raynaud links the “geological metaphor” (of literary archeology) of a spatially-oriented “myth of memory” to “the metaphoric process at work in Black American literature.” In a third movement that concentrates on the color of memory, she shows how repression is described as a mise en abyme of remembering: Sethe cannot remember the workings of memory. (140 words)Less
Using a psychoanalytic framework and an artful deployment of Morrison’s essay, “The Site of Memory,” Claudine Raynaud draws on memory as “the return of the repressed” in Beloved. She argues that the staging of the workings of memory is akin to phantasm and that Morrison’s “rememory” can be read as a “the narrative of a fable”—or “fabulation”—that figures the return of the repressed Whether bumping into to a rememory that belongs to someone else, or the haunting of a house by a phantasm that re-presents the traumatic (or catatonic) memory of the infanticide, Raynaud links the “geological metaphor” (of literary archeology) of a spatially-oriented “myth of memory” to “the metaphoric process at work in Black American literature.” In a third movement that concentrates on the color of memory, she shows how repression is described as a mise en abyme of remembering: Sethe cannot remember the workings of memory. (140 words)
Maria Theresia Starzmann and John R. Roby (eds)
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780813061603
- eISBN:
- 9780813051222
- Item type:
- book
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813061603.001.0001
- Subject:
- History, Cultural History
Excavating Memory explores memory as contested social practice in the present rather than as a passive recollection of the past. Through a diverse set of material and discursive strategies, memory is ...
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Excavating Memory explores memory as contested social practice in the present rather than as a passive recollection of the past. Through a diverse set of material and discursive strategies, memory is seen as a complex process that involves remembering and forgetting, erasure and inscription, absence and presence. It is from the folds between remembering and forgetting that sites of memory emerge. Taking a cue from archaeology, the collection of essays in this volume parses the multiple layers of meaning and tenuous lines of power that memory work produces. Offering a variety of approaches to the study of memory—from anthropology and archaeology to sociology, history, philosophy, literature, and archival studies—the authors explore such diverse arenas as public protests, memorials and art installations, archaeological objects, human remains, colonial landscapes, testimonies, and digital space as sites of memory.Less
Excavating Memory explores memory as contested social practice in the present rather than as a passive recollection of the past. Through a diverse set of material and discursive strategies, memory is seen as a complex process that involves remembering and forgetting, erasure and inscription, absence and presence. It is from the folds between remembering and forgetting that sites of memory emerge. Taking a cue from archaeology, the collection of essays in this volume parses the multiple layers of meaning and tenuous lines of power that memory work produces. Offering a variety of approaches to the study of memory—from anthropology and archaeology to sociology, history, philosophy, literature, and archival studies—the authors explore such diverse arenas as public protests, memorials and art installations, archaeological objects, human remains, colonial landscapes, testimonies, and digital space as sites of memory.
Ehud Ben Zvi
- Published in print:
- 2013
- Published Online:
- September 2013
- ISBN:
- 9780199664160
- eISBN:
- 9780191748462
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199664160.003.0019
- Subject:
- Religion, Biblical Studies, Judaism
This essay deals Moses “The Prophet” as a central site of memory in the Jerusalem-centered community of the late Achaemenid/early Hellenistic period in Yehud/Judah and as such, it contributes to a ...
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This essay deals Moses “The Prophet” as a central site of memory in the Jerusalem-centered community of the late Achaemenid/early Hellenistic period in Yehud/Judah and as such, it contributes to a better understanding of the cultural history of ancient Israel. The essay uses approaches informed by studies in social memory and focuses first on the relation between this core site of memory and the Exodus node of memories and then on the multiple concepts, images and inner group negotiations that became embodied in and communicated by it. It addresses, inter alia, how remembering Moses the Prophet shaped and reflected on matters of continuity and discontinuity involving topics such as Moses and later Mosaic prophets, periodizations of ‘national’ history, the nature and genre of prophetic and historical books, and leadership. The essay pays attention to the ways in which remembering Moses the Prophet served to construct integrative fuzziness and vice versa within the community. By studying how and why Moses was remembered in Yehud/Judah at this time, the study contributes to a better understanding of the cultural history of ancient Israel.Less
This essay deals Moses “The Prophet” as a central site of memory in the Jerusalem-centered community of the late Achaemenid/early Hellenistic period in Yehud/Judah and as such, it contributes to a better understanding of the cultural history of ancient Israel. The essay uses approaches informed by studies in social memory and focuses first on the relation between this core site of memory and the Exodus node of memories and then on the multiple concepts, images and inner group negotiations that became embodied in and communicated by it. It addresses, inter alia, how remembering Moses the Prophet shaped and reflected on matters of continuity and discontinuity involving topics such as Moses and later Mosaic prophets, periodizations of ‘national’ history, the nature and genre of prophetic and historical books, and leadership. The essay pays attention to the ways in which remembering Moses the Prophet served to construct integrative fuzziness and vice versa within the community. By studying how and why Moses was remembered in Yehud/Judah at this time, the study contributes to a better understanding of the cultural history of ancient Israel.
Matthew P. Canepa
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780520290037
- eISBN:
- 9780520964365
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520290037.003.0012
- Subject:
- Classical Studies, Asian and Middle Eastern History: BCE to 500CE
Chapter 12 explores the techniques by which the early Sasanian dynasty shaped Pars’ patrimony of glorious Achaemenid ruins and foregrounded its ancient artistic heritage and traditions of ritual. The ...
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Chapter 12 explores the techniques by which the early Sasanian dynasty shaped Pars’ patrimony of glorious Achaemenid ruins and foregrounded its ancient artistic heritage and traditions of ritual. The built and natural environment of Pars, including Achaemenid ruins and new sites, created a vital experience of the Sasanians’ new vision of the past and their place in it.Less
Chapter 12 explores the techniques by which the early Sasanian dynasty shaped Pars’ patrimony of glorious Achaemenid ruins and foregrounded its ancient artistic heritage and traditions of ritual. The built and natural environment of Pars, including Achaemenid ruins and new sites, created a vital experience of the Sasanians’ new vision of the past and their place in it.
Martin T. Buinicki
- Published in print:
- 2011
- Published Online:
- March 2014
- ISBN:
- 9781617030253
- eISBN:
- 9781617030260
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781617030253.003.0010
- Subject:
- History, American History: 19th Century
This chapter examines Constance Fenimore Woolson’s story “Rodman the Keeper” (1877). It considers Northern sentiment about national cemeteries for the Union dead, and investigates the ways in which ...
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This chapter examines Constance Fenimore Woolson’s story “Rodman the Keeper” (1877). It considers Northern sentiment about national cemeteries for the Union dead, and investigates the ways in which Pierre Nora’s “sites of memory” were fashioned once historical events began to fade.Less
This chapter examines Constance Fenimore Woolson’s story “Rodman the Keeper” (1877). It considers Northern sentiment about national cemeteries for the Union dead, and investigates the ways in which Pierre Nora’s “sites of memory” were fashioned once historical events began to fade.
J. Michelle Coghlan
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9781474411202
- eISBN:
- 9781474426800
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474411202.003.0005
- Subject:
- Literature, American, 19th Century Literature
This chapter moves from sights of Paris as a revolutionary underground to sites of Paris in ruin, from unexpected forms of imperial adventure or subterranean possibility to uncanny forms of affective ...
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This chapter moves from sights of Paris as a revolutionary underground to sites of Paris in ruin, from unexpected forms of imperial adventure or subterranean possibility to uncanny forms of affective possession. While The American Scene has been the privileged site to examine Henry James’s fascination with—and affective responses to—lost landmarks and newly minted ruins, I excavate the sights of and detours around the post-Commune ruins of Paris in his writings and contemporary periodical culture. Situating James’s attention to charred landscape and vanished tourist sights alongside their ongoing returns in U.S. print and visual culture, I suggest, crucially reconfigures James’s transformative and uncannily embodied “historic sense” even as it recovers the post-Commune ruinscape that came to function as an unexpectedly charged site of transnational memory in U.S. literary, visual and performance culture. Less
This chapter moves from sights of Paris as a revolutionary underground to sites of Paris in ruin, from unexpected forms of imperial adventure or subterranean possibility to uncanny forms of affective possession. While The American Scene has been the privileged site to examine Henry James’s fascination with—and affective responses to—lost landmarks and newly minted ruins, I excavate the sights of and detours around the post-Commune ruins of Paris in his writings and contemporary periodical culture. Situating James’s attention to charred landscape and vanished tourist sights alongside their ongoing returns in U.S. print and visual culture, I suggest, crucially reconfigures James’s transformative and uncannily embodied “historic sense” even as it recovers the post-Commune ruinscape that came to function as an unexpectedly charged site of transnational memory in U.S. literary, visual and performance culture.
Ehud Ben Zvi
- Published in print:
- 2013
- Published Online:
- September 2013
- ISBN:
- 9780199664160
- eISBN:
- 9780191748462
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199664160.003.0020
- Subject:
- Religion, Biblical Studies, Judaism
This essay deals with Isaiah as a site of memory for and within the Jerusalem-centered community of the late Achaemenid/early Hellenistic period. It addresses how as a site of memory, Isaiah embodied ...
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This essay deals with Isaiah as a site of memory for and within the Jerusalem-centered community of the late Achaemenid/early Hellenistic period. It addresses how as a site of memory, Isaiah embodied and communicated a condensed core narrative about ancient Israel. It discusses, inter alia, the use of central contrastive pairs, temporal gaps and the like as structural mnemonic devices and their implications for the mnemonic landscape of the community. It deals with how this site of memory embodied and communicated fuzziness and why. Finally, although random or accidental developments that can only be approached from the perspective of chaos theory might explain why some prophetic figures began to become more central than others (e.g., Isaiah vs. Micah), this essay shows how approaches focusing on social memory may help us recognise features that explain some of the ways in which the memory of a central prophet such as Isaiah was shaped and why such a shape brought to Isaiah a strong mindshare in the community in Yehud/Judah at the time. By doing so, this study contributes to a better understanding of the cultural history of ancient Israel.Less
This essay deals with Isaiah as a site of memory for and within the Jerusalem-centered community of the late Achaemenid/early Hellenistic period. It addresses how as a site of memory, Isaiah embodied and communicated a condensed core narrative about ancient Israel. It discusses, inter alia, the use of central contrastive pairs, temporal gaps and the like as structural mnemonic devices and their implications for the mnemonic landscape of the community. It deals with how this site of memory embodied and communicated fuzziness and why. Finally, although random or accidental developments that can only be approached from the perspective of chaos theory might explain why some prophetic figures began to become more central than others (e.g., Isaiah vs. Micah), this essay shows how approaches focusing on social memory may help us recognise features that explain some of the ways in which the memory of a central prophet such as Isaiah was shaped and why such a shape brought to Isaiah a strong mindshare in the community in Yehud/Judah at the time. By doing so, this study contributes to a better understanding of the cultural history of ancient Israel.
Susanne C. Knittel
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780823262786
- eISBN:
- 9780823266500
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823262786.003.0009
- Subject:
- History, European Modern History
The conclusion brings together the disparate problems and themes addressed in the book, emphasizing in particular the importance of education in fostering a critical attitude toward history, which, ...
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The conclusion brings together the disparate problems and themes addressed in the book, emphasizing in particular the importance of education in fostering a critical attitude toward history, which, in turn, could be described as the positive side of the historical uncanny. From a methodological standpoint, the conclusion re-emphasizes the importance of combining a careful, context-specific approach to diverse local “sites” of memory with a more macrological and transnational perspective. Each of the two sites examined in this book has a specific set of historical and representational problems associated with it and at the micro-level, they may not appear to have much in common. Yet, by placing them in the larger framework of the international eugenics movement it becomes possible not only to identify points of intersection between them but also between them and other “sites,” namely, the Holocaust, colonialism, and Communism—i.e. the three most foundational memory complexes of Europe in the twentieth and twenty-first centuries.Less
The conclusion brings together the disparate problems and themes addressed in the book, emphasizing in particular the importance of education in fostering a critical attitude toward history, which, in turn, could be described as the positive side of the historical uncanny. From a methodological standpoint, the conclusion re-emphasizes the importance of combining a careful, context-specific approach to diverse local “sites” of memory with a more macrological and transnational perspective. Each of the two sites examined in this book has a specific set of historical and representational problems associated with it and at the micro-level, they may not appear to have much in common. Yet, by placing them in the larger framework of the international eugenics movement it becomes possible not only to identify points of intersection between them but also between them and other “sites,” namely, the Holocaust, colonialism, and Communism—i.e. the three most foundational memory complexes of Europe in the twentieth and twenty-first centuries.
Mae G. Henderson
- Published in print:
- 2014
- Published Online:
- August 2014
- ISBN:
- 9780195116595
- eISBN:
- 9780199375219
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195116595.003.0005
- Subject:
- Literature, African-American Literature, Women's Literature
Writing against the limitations of conventional historiography and nineteenth-century slave narratives, Toni Morrison, in her novel Beloved, addresses the unspoken and unspeakable: the sexual ...
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Writing against the limitations of conventional historiography and nineteenth-century slave narratives, Toni Morrison, in her novel Beloved, addresses the unspoken and unspeakable: the sexual exploitation of black women. The author journeys to a “site of memory,” and through memory and imagination, she reconstructs from the “traces” and “remains” left behind “the unwritten interior life” of her characters. Like the author, her character Sethe must learn to speak the unspeakable in order to transform residual memories (“rememories”) of the past into narrative memory. In order to reclaim herself, Sethe must reconfigure the master’s narrative (and its inscriptions of physical, social, and scholarly dismemberment) into a counter-narrative by way of an act of reconstitutive “re-memory.” Through the fundamentally psychoanalytic process of “remembering, repeating, and working through,” Sethe reconfigures a story of infanticide into a story of motherlove. Private memory becomes the basis for a reconstructed public history, as personal past becomes historical present.Less
Writing against the limitations of conventional historiography and nineteenth-century slave narratives, Toni Morrison, in her novel Beloved, addresses the unspoken and unspeakable: the sexual exploitation of black women. The author journeys to a “site of memory,” and through memory and imagination, she reconstructs from the “traces” and “remains” left behind “the unwritten interior life” of her characters. Like the author, her character Sethe must learn to speak the unspeakable in order to transform residual memories (“rememories”) of the past into narrative memory. In order to reclaim herself, Sethe must reconfigure the master’s narrative (and its inscriptions of physical, social, and scholarly dismemberment) into a counter-narrative by way of an act of reconstitutive “re-memory.” Through the fundamentally psychoanalytic process of “remembering, repeating, and working through,” Sethe reconfigures a story of infanticide into a story of motherlove. Private memory becomes the basis for a reconstructed public history, as personal past becomes historical present.
Emily Mark-FitzGerald
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9781846318986
- eISBN:
- 9781781380949
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781846318986.001.0001
- Subject:
- History, British and Irish Modern History
This book presents for the first time a visual cultural history of the 1840s Irish Famine, tracing its representation and commemoration from the nineteenth century up to its 150th anniversary in the ...
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This book presents for the first time a visual cultural history of the 1840s Irish Famine, tracing its representation and commemoration from the nineteenth century up to its 150th anniversary in the 1990s and beyond. As the watershed event of nineteenth-century Ireland, the Famine’s political and social impacts profoundly shaped modern Ireland and the nations of its diaspora. Yet up until the 1990s, the memory of the Famine remained relatively muted in public space and heritage. The Famine commemorative boom of the mid-1990s was therefore unprecedented in scale and output, with more than one hundred monuments newly constructed across Ireland, Britain, the United States, Canada and Australia. Drawing on an extensive global survey of recent community and national responses to the Famine’s anniversary, the book explores both popular and official Famine commemorations – the process of their making, the iconography they draw from and create, and their narratives of meaning and becoming. In outlining why these memories matter and to whom, this book argues how the phenomenon of Famine commemoration may be understood in the context of a growing memorial culture worldwide. It offers an innovative look at a well-known migration history whilst exploring how global ethnic communities redefine themselves through acts of public memory and representation.Less
This book presents for the first time a visual cultural history of the 1840s Irish Famine, tracing its representation and commemoration from the nineteenth century up to its 150th anniversary in the 1990s and beyond. As the watershed event of nineteenth-century Ireland, the Famine’s political and social impacts profoundly shaped modern Ireland and the nations of its diaspora. Yet up until the 1990s, the memory of the Famine remained relatively muted in public space and heritage. The Famine commemorative boom of the mid-1990s was therefore unprecedented in scale and output, with more than one hundred monuments newly constructed across Ireland, Britain, the United States, Canada and Australia. Drawing on an extensive global survey of recent community and national responses to the Famine’s anniversary, the book explores both popular and official Famine commemorations – the process of their making, the iconography they draw from and create, and their narratives of meaning and becoming. In outlining why these memories matter and to whom, this book argues how the phenomenon of Famine commemoration may be understood in the context of a growing memorial culture worldwide. It offers an innovative look at a well-known migration history whilst exploring how global ethnic communities redefine themselves through acts of public memory and representation.
John Levi Barnard
- Published in print:
- 2017
- Published Online:
- October 2017
- ISBN:
- 9780190663599
- eISBN:
- 9780190663629
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190663599.003.0004
- Subject:
- Literature, American, 18th Century and Early American Literature
This chapter considers the ways Charles Chesnutt and other writers at the turn of the twentieth century critically responded to the project of postbellum national reconciliation, which involved not ...
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This chapter considers the ways Charles Chesnutt and other writers at the turn of the twentieth century critically responded to the project of postbellum national reconciliation, which involved not only a recommitment to national expansion and the increasingly global projection of American power, but also the proliferation of monumental structures and historical celebrations that enabled and justified that imperial agenda. The chapter focuses on Charles Chesnutt’s early work in relation to this resurgent imperial culture of the postbellum United States. While monumental constructions and public rituals commemorating national history aimed to reassert the Jeffersonian notion of the “empire for liberty,” Chesnutt’s early fiction—in alignment with the writings of contemporaries like T. Thomas Fortune and Pauline Hopkins—reads these cultural rituals and artifacts as evidence of the persistence of the “empire of slavery” by another name.Less
This chapter considers the ways Charles Chesnutt and other writers at the turn of the twentieth century critically responded to the project of postbellum national reconciliation, which involved not only a recommitment to national expansion and the increasingly global projection of American power, but also the proliferation of monumental structures and historical celebrations that enabled and justified that imperial agenda. The chapter focuses on Charles Chesnutt’s early work in relation to this resurgent imperial culture of the postbellum United States. While monumental constructions and public rituals commemorating national history aimed to reassert the Jeffersonian notion of the “empire for liberty,” Chesnutt’s early fiction—in alignment with the writings of contemporaries like T. Thomas Fortune and Pauline Hopkins—reads these cultural rituals and artifacts as evidence of the persistence of the “empire of slavery” by another name.
Luis Duno-Gottberg
- Published in print:
- 2016
- Published Online:
- January 2017
- ISBN:
- 9780813062624
- eISBN:
- 9780813051734
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813062624.003.0014
- Subject:
- Society and Culture, Latin American Studies
Human remains constitute the ultimate and most contentious “site of memory.” The bone fragments of Columbus or Cuauthémoc, the leg of Santa Ana, the embalmed body of Evita, the mutilated bodies of ...
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Human remains constitute the ultimate and most contentious “site of memory.” The bone fragments of Columbus or Cuauthémoc, the leg of Santa Ana, the embalmed body of Evita, the mutilated bodies of Juan Perón and Che Guevara, are well known examples of the lively role that dead bodies (or body parts) have played in the staging of the past. In this essay, Duno-Gottberg reflects on Bolivarianism in contemporary Venezuela through a recent controversy regarding the remains of Simón Bolívar. He contends that beyond the populist instrumentalization of those “heroic bones,” the source of conflict might relate more closely to the ways in which the body of Simón Bolívar condenses a particular conception of the state and a certain notion of sovereignty, all within the contentious political arena of contemporary Venezuela. This polemic is also placed within a discursive tradition that dates back to the second half of the nineteenth century.Less
Human remains constitute the ultimate and most contentious “site of memory.” The bone fragments of Columbus or Cuauthémoc, the leg of Santa Ana, the embalmed body of Evita, the mutilated bodies of Juan Perón and Che Guevara, are well known examples of the lively role that dead bodies (or body parts) have played in the staging of the past. In this essay, Duno-Gottberg reflects on Bolivarianism in contemporary Venezuela through a recent controversy regarding the remains of Simón Bolívar. He contends that beyond the populist instrumentalization of those “heroic bones,” the source of conflict might relate more closely to the ways in which the body of Simón Bolívar condenses a particular conception of the state and a certain notion of sovereignty, all within the contentious political arena of contemporary Venezuela. This polemic is also placed within a discursive tradition that dates back to the second half of the nineteenth century.
Jodi Magness
- Published in print:
- 2015
- Published Online:
- March 2016
- ISBN:
- 9780198744764
- eISBN:
- 9780191805929
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198744764.003.0012
- Subject:
- Classical Studies, Ancient Religions
This chapter, written from an archaeological perspective, considers details about Jesus in Jerusalem which are provided by the author of the Fourth Gospel but are not in the Synoptic accounts. ...
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This chapter, written from an archaeological perspective, considers details about Jesus in Jerusalem which are provided by the author of the Fourth Gospel but are not in the Synoptic accounts. Although these details might correlate with sites or artefacts known from archaeology, this does not prove they were associated with the historical Jesus or derive from traditions that go back to the time of Jesus. Generally, it is impossible to distinguish between historical details that were theologized by John and invented details that John inserted to serve theological purposes. What stands out is that John often provides a specific place for such episodes, a procedure that enhances memory, as expressed by the term lieux de mémoire, even if that term is often used metaphorically rather than limited to topography.Less
This chapter, written from an archaeological perspective, considers details about Jesus in Jerusalem which are provided by the author of the Fourth Gospel but are not in the Synoptic accounts. Although these details might correlate with sites or artefacts known from archaeology, this does not prove they were associated with the historical Jesus or derive from traditions that go back to the time of Jesus. Generally, it is impossible to distinguish between historical details that were theologized by John and invented details that John inserted to serve theological purposes. What stands out is that John often provides a specific place for such episodes, a procedure that enhances memory, as expressed by the term lieux de mémoire, even if that term is often used metaphorically rather than limited to topography.
- Published in print:
- 2011
- Published Online:
- June 2013
- ISBN:
- 9781846316654
- eISBN:
- 9781846316784
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846316784.002
- Subject:
- History, European Modern History
This book investigates the history and cultural geography of the Place de la Bastille, one of the most important lieux de mémoire (‘sites of memory’) in Paris, France, which was named after the ...
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This book investigates the history and cultural geography of the Place de la Bastille, one of the most important lieux de mémoire (‘sites of memory’) in Paris, France, which was named after the eponymous fortress and prison destroyed on July 14, 1789, an event that triggered the French Revolution. Due to its symbolic resonance and sheer size, the Left has made the Bastille quartier an important rallying point. This Parisian square, also known as the Faubourg-Saint-Antoine, evolved from bastion of working-class militancy to a fashionable bourgeois-bohemian area, highlighted by the opening of the opera house two centuries after the French Revolution. It has been the site of numerous rallies and demonstrations over the years, from the election of François Mitterrand as French president in 1981 to the introduction of a new employment law that would have made it easier to dismiss workers younger than twenty-six.Less
This book investigates the history and cultural geography of the Place de la Bastille, one of the most important lieux de mémoire (‘sites of memory’) in Paris, France, which was named after the eponymous fortress and prison destroyed on July 14, 1789, an event that triggered the French Revolution. Due to its symbolic resonance and sheer size, the Left has made the Bastille quartier an important rallying point. This Parisian square, also known as the Faubourg-Saint-Antoine, evolved from bastion of working-class militancy to a fashionable bourgeois-bohemian area, highlighted by the opening of the opera house two centuries after the French Revolution. It has been the site of numerous rallies and demonstrations over the years, from the election of François Mitterrand as French president in 1981 to the introduction of a new employment law that would have made it easier to dismiss workers younger than twenty-six.
Nora Goldschmidt and Barbara Graziosi
- Published in print:
- 2018
- Published Online:
- October 2018
- ISBN:
- 9780198826477
- eISBN:
- 9780191865442
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780198826477.003.0001
- Subject:
- Classical Studies, Poetry and Poets: Classical, Early, and Medieval, Literary Studies: Classical, Early, and Medieval
The Introduction sheds light on the reception of classical poetry by focusing on the materiality of the poets’ bodies and their tombs. It outlines four sets of issues, or commonplaces, that govern ...
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The Introduction sheds light on the reception of classical poetry by focusing on the materiality of the poets’ bodies and their tombs. It outlines four sets of issues, or commonplaces, that govern the organization of the entire volume. The first concerns the opposition between literature and material culture, the life of the mind vs the apprehensions of the body—which fails to acknowledge that poetry emerges from and is attended to by the mortal body. The second concerns the religious significance of the tomb and its location in a mythical landscape which is shaped, in part, by poetry. The third investigates the literary graveyard as a place where poets’ bodies and poetic corpora are collected. Finally, the alleged ‘tomb of Virgil’ provides a specific site where the major claims made in this volume can be most easily be tested.Less
The Introduction sheds light on the reception of classical poetry by focusing on the materiality of the poets’ bodies and their tombs. It outlines four sets of issues, or commonplaces, that govern the organization of the entire volume. The first concerns the opposition between literature and material culture, the life of the mind vs the apprehensions of the body—which fails to acknowledge that poetry emerges from and is attended to by the mortal body. The second concerns the religious significance of the tomb and its location in a mythical landscape which is shaped, in part, by poetry. The third investigates the literary graveyard as a place where poets’ bodies and poetic corpora are collected. Finally, the alleged ‘tomb of Virgil’ provides a specific site where the major claims made in this volume can be most easily be tested.