Prema A. Kurien
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9781479804757
- eISBN:
- 9781479845477
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479804757.003.0005
- Subject:
- Religion, Religion and Society
Gender norms were another source of tension. First- and second-generation Mar Thoma Americans had divergent ideas about the obligations and behavior of Christian men and women in church, and the ...
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Gender norms were another source of tension. First- and second-generation Mar Thoma Americans had divergent ideas about the obligations and behavior of Christian men and women in church, and the gender norms and behavior of professionally educated immigrants also differed from those of less well-educated members. Changes in gender roles and class position as a result of the migration and settlement often roused gender insecurities that were manifested within the arena of the church. Chapter 4 focuses on how three groups within the Mar Thoma church: immigrant nurses, who were often the primary income earners in their families, and their husbands; professionally educated immigrant men, who were generally the primary income earners, and their wives; and well-employed second-generation women and men influenced by American evangelicalism, performed gender and normative Christian identities in very different ways in church, leading to some tension between the groups.Less
Gender norms were another source of tension. First- and second-generation Mar Thoma Americans had divergent ideas about the obligations and behavior of Christian men and women in church, and the gender norms and behavior of professionally educated immigrants also differed from those of less well-educated members. Changes in gender roles and class position as a result of the migration and settlement often roused gender insecurities that were manifested within the arena of the church. Chapter 4 focuses on how three groups within the Mar Thoma church: immigrant nurses, who were often the primary income earners in their families, and their husbands; professionally educated immigrant men, who were generally the primary income earners, and their wives; and well-employed second-generation women and men influenced by American evangelicalism, performed gender and normative Christian identities in very different ways in church, leading to some tension between the groups.
Paula Richman and Rustom Bharucha (eds)
- Published in print:
- 2021
- Published Online:
- June 2021
- ISBN:
- 9780197552506
- eISBN:
- 9780197552544
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780197552506.001.0001
- Subject:
- Religion, Religion and Society
Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines ...
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Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theater. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu, and Kathakali from Kerala; Kattaikkuttu and a “mythological” drama from Tamil Nadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila. Apart from the editors’ two introductions, which orient readers to the history of Ramayana narratives by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as the performance vocabulary of their enactments, the volume includes many voices, including those of directors, performers, scholars, connoisseurs, and the scholar-abbot of a monastery. It also contains two full scripts of plays, photographs of productions, interviews, conversations, and a glossary of Indian terms. Each essay in the volume, written by an expert in the field, is linked to several others, clustered around shared themes: the politics of caste and gender, the representation of the anti-hero, contemporary reinterpretations of traditional narratives, and the presence of Ramayana discourse in everyday life.Less
Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theater. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu, and Kathakali from Kerala; Kattaikkuttu and a “mythological” drama from Tamil Nadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila. Apart from the editors’ two introductions, which orient readers to the history of Ramayana narratives by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as the performance vocabulary of their enactments, the volume includes many voices, including those of directors, performers, scholars, connoisseurs, and the scholar-abbot of a monastery. It also contains two full scripts of plays, photographs of productions, interviews, conversations, and a glossary of Indian terms. Each essay in the volume, written by an expert in the field, is linked to several others, clustered around shared themes: the politics of caste and gender, the representation of the anti-hero, contemporary reinterpretations of traditional narratives, and the presence of Ramayana discourse in everyday life.
