Ronald N. Jacobs
- Published in print:
- 2011
- Published Online:
- May 2012
- ISBN:
- 9780199797929
- eISBN:
- 9780199944170
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199797929.003.0003
- Subject:
- Sociology, Culture
Chapter 3 develops a cultural sociological model of the space of opinion and its role in democratic deliberation. It analyzes three waves of media theory which have shaped thinking about news and ...
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Chapter 3 develops a cultural sociological model of the space of opinion and its role in democratic deliberation. It analyzes three waves of media theory which have shaped thinking about news and opinion. The first wave of media theory emphasized the importance of objective news and a neutral media for rational information-processing citizens. It defined much of the media scholarship produced prior to the 1960s, and it continues to resonate with broad publics because of its elective affinities with the professional project of objective journalism. The second wave of media theory had its roots at the University of Chicago in the 1920s. It offered a sociological analysis which recognized that small groups and social networks intervene between media and citizens to shape the nature of deliberation. The third wave of media theory builds on the second wave to emphasize that a wide variety of aesthetic and performative structures help citizens identify with media intellectuals, which leads to increased levels of public involvement in the political public sphere. This cultural model of media and deliberation points to the importance of a variety of communicative formats for journalism, including the innovative formats of the space of opinion.Less
Chapter 3 develops a cultural sociological model of the space of opinion and its role in democratic deliberation. It analyzes three waves of media theory which have shaped thinking about news and opinion. The first wave of media theory emphasized the importance of objective news and a neutral media for rational information-processing citizens. It defined much of the media scholarship produced prior to the 1960s, and it continues to resonate with broad publics because of its elective affinities with the professional project of objective journalism. The second wave of media theory had its roots at the University of Chicago in the 1920s. It offered a sociological analysis which recognized that small groups and social networks intervene between media and citizens to shape the nature of deliberation. The third wave of media theory builds on the second wave to emphasize that a wide variety of aesthetic and performative structures help citizens identify with media intellectuals, which leads to increased levels of public involvement in the political public sphere. This cultural model of media and deliberation points to the importance of a variety of communicative formats for journalism, including the innovative formats of the space of opinion.
Rafael Alarcón, Luis Escala, and Olga Odgers
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780520284852
- eISBN:
- 9780520960527
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520284852.003.0007
- Subject:
- Sociology, Migration Studies (including Refugee Studies)
This chapter looks at the cultural integration of Mexican immigrants. In spite of exhausting work days, the immigrants take an active part in artistic, religious, and civic associations, centered ...
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This chapter looks at the cultural integration of Mexican immigrants. In spite of exhausting work days, the immigrants take an active part in artistic, religious, and civic associations, centered mostly though not exclusively around the cultural referents of the places of origin, thus helping to reinforce transnational linkages. Empirical observation confirms that most artistic, cultural, and religious activities adapt to the ethnic segregation of the Los Angeles region and reproduce it through the pursuit of recognition of the immigrants' own cultural referents within a diverse cultural field. This constitutes a differentialist integregation strategy that makes use of specific cultural referents in negotiating inclusion in a heterogenous society. In turn, this suggests that the maintenance of transnational ties with sending communities is not an obstacle but rather a resource, employed in the process of negotiating space in a segmented cultural sphere.Less
This chapter looks at the cultural integration of Mexican immigrants. In spite of exhausting work days, the immigrants take an active part in artistic, religious, and civic associations, centered mostly though not exclusively around the cultural referents of the places of origin, thus helping to reinforce transnational linkages. Empirical observation confirms that most artistic, cultural, and religious activities adapt to the ethnic segregation of the Los Angeles region and reproduce it through the pursuit of recognition of the immigrants' own cultural referents within a diverse cultural field. This constitutes a differentialist integregation strategy that makes use of specific cultural referents in negotiating inclusion in a heterogenous society. In turn, this suggests that the maintenance of transnational ties with sending communities is not an obstacle but rather a resource, employed in the process of negotiating space in a segmented cultural sphere.
