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Epilogue

Jenefer Robinson

in Deeper than Reason: Emotion and its Role in Literature, Music, and Art

Published in print:
2005
Published Online:
February 2006
ISBN:
9780199263653
eISBN:
9780191603211
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/0199263655.003.0014
Subject:
Philosophy, Aesthetics

The book aims to marry the scientific with the humanistic. It gives an account of emotion that is grounded in empirical psychology and neuroscience, but uses it to illuminate the way emotion ... More


Aesthetics and the Sciences of Mind

Greg Currie, Matthew Kieran, Aaron Meskin, and Jon Robson (eds)

Published in print:
2014
Published Online:
September 2014
ISBN:
9780199669639
eISBN:
9780191749384
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199669639.001.0001
Subject:
Philosophy, Aesthetics, Philosophy of Mind

Through much of the twentieth century, philosophical thinking about works of art, design, and other aesthetic products has emphasized intuitive and reflective methods, often tied to the idea that ... More


‘This is Your Brain on Art’: What Can Philosophy of Art Learn from Neuroscience?

David Davies

in Aesthetics and the Sciences of Mind

Published in print:
2014
Published Online:
September 2014
ISBN:
9780199669639
eISBN:
9780191749384
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199669639.003.0004
Subject:
Philosophy, Aesthetics, Philosophy of Mind

Davies considers the potential for, and scope of, appeals to the results of empirical research in the philosophy of art. He then examines, in light of these considerations, some attempts to ... More


Seeing with Feeling

Jesse Prinz

in Aesthetics and the Sciences of Mind

Published in print:
2014
Published Online:
September 2014
ISBN:
9780199669639
eISBN:
9780191749384
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199669639.003.0008
Subject:
Philosophy, Aesthetics, Philosophy of Mind

Beauty, and other aesthetic qualities, are often analysed in terms of emotional responses to artworks. But when we see a work as beautiful, it does not feel like we have two separate and sequenced ... More


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