Kathleen M. German
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496812353
- eISBN:
- 9781496812391
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496812353.003.0002
- Subject:
- Film, Television and Radio, Film
This chapter explores the historical problems of understanding and dividing society along racial lines. In some ways, World War II was a race war as both Allies and Axis enforced forms of racial ...
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This chapter explores the historical problems of understanding and dividing society along racial lines. In some ways, World War II was a race war as both Allies and Axis enforced forms of racial segregation and purity. This chapter traces the roots of race in Christianity beginning with the Great Chain of Being, then explores federal definitions of race, and finally explains the implications of social and legal separation of races in the Jim Crow segregation persistent through World War II.Less
This chapter explores the historical problems of understanding and dividing society along racial lines. In some ways, World War II was a race war as both Allies and Axis enforced forms of racial segregation and purity. This chapter traces the roots of race in Christianity beginning with the Great Chain of Being, then explores federal definitions of race, and finally explains the implications of social and legal separation of races in the Jim Crow segregation persistent through World War II.
Lisa Purse
- Published in print:
- 2011
- Published Online:
- September 2012
- ISBN:
- 9780748638178
- eISBN:
- 9780748670857
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748638178.003.0007
- Subject:
- Film, Television and Radio, Film
This chapter argues that the contemporary action film evidences the persistence of traditional racial hierarchies and racial stereotypes, with the ethnicity of the action hero still frequently ...
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This chapter argues that the contemporary action film evidences the persistence of traditional racial hierarchies and racial stereotypes, with the ethnicity of the action hero still frequently ‘defaulting’ to Anglo-American while non-white and non-Anglo characters remain on the sidelines, only permitted to be active and heroic in the context of a larger group. The chapter then investigates the representational negotiations that take place when a nonwhite person takes on the role of action hero, using I, Robot and Avatar to analyse how notions of otherness become redirected, before considering how whiteness operates as a structuring concept in the action movie's representational hierarchy, both as a dominant category and as a locus of fear, using xXx as an example.Less
This chapter argues that the contemporary action film evidences the persistence of traditional racial hierarchies and racial stereotypes, with the ethnicity of the action hero still frequently ‘defaulting’ to Anglo-American while non-white and non-Anglo characters remain on the sidelines, only permitted to be active and heroic in the context of a larger group. The chapter then investigates the representational negotiations that take place when a nonwhite person takes on the role of action hero, using I, Robot and Avatar to analyse how notions of otherness become redirected, before considering how whiteness operates as a structuring concept in the action movie's representational hierarchy, both as a dominant category and as a locus of fear, using xXx as an example.
