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In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed by conservatives and Thomas was confirmed to the Supreme Court. The tainting of Hill and her testimony is part of a larger social history in which women find themselves caught up in a system that refuses to believe what they say. Hill's experience shows how a tainted witness is not who someone is, but what someone can become. Why are women so often considered unreliable witnesses to their own experiences? How are women discredited in legal courts and in courts of public opinion? Why is women's testimony so often mired in controversies fueled by histories of slavery and colonialism? How do new feminist witnesses enter testimonial networks and disrupt doubt? Tainted Witness examines how gender, race, and doubt stick to women witnesses as their testimony circulates in search of an adequate witness. Judgment falls unequally upon women who bear witness, as well-known conflicts about testimonial authority in the late twentieth and early twenty-first centuries reveal. Women's testimonial accounts demonstrate both the symbolic potency of women's bodies and speech in the public sphere and the relative lack of institutional security and control to which they can lay claim. Each testimonial act follows in the wake of a long and invidious association of race and gender with lying that can be found to this day within legal courts and everyday practices of judgment, defining these locations as willfully unknowing and hostile to complex accounts of harm. Bringing together feminist, literary, and legal frameworks, Leigh Gilmore provides provocative readings of what happens when women's testimony is discredited. She demonstrates how testimony crosses jurisdictions, publics, and the unsteady line between truth and fiction in search of justice.

The First World War was the first ‘total war’. Its industrial weaponry damaged millions of men, and drove whole armies underground into dangerously unhealthy trenches. Many were killed. Others suffered from massive, life-threatening injuries; wound infections such as gas gangrene and tetanus; exposure to extremes of temperature; emotional trauma; and systemic disease. Tens of thousands of women volunteered to serve as nurses to alleviate their suffering. Some were fully-trained professionals; others had minimal preparation, and served as volunteer-nurses. Their motivations were a combination of compassion, patriotism, professional pride and a desire for engagement in the ‘great enterprise’ of war. The war led to an outpouring of war-memoirs, produced mostly by soldier-writers whose works came to be seen as a ‘literary canon’ of war-writing. But nurses had offered immediate and long-term care, life-saving expertise, and comfort to the war’s wounded, and their experiences had given them a perspective on industrial warfare which was unique. Until recently, their contributions, both to the saving of lives and to our understanding of warfare have remained largely hidden from view. ‘Nurse Writers of the Great War’ examines these nurses’ memoirs and explores the insights they offer into the nature of nursing and the impact of warfare. The book combines close biographical research with textual analysis, in order to offer an understanding of both nurses’ wartime experiences and the ways in which their lives and backgrounds contributed to the style and content of their writing.

A microhistory of a never-married English gentlewoman named Elizabeth Isham, this book centres on an extremely rare piece of women’s writing – a relatively newly discovered 60,000-word spiritual autobiography held in Princeton’s manuscript collections that she penned circa 1639. The document is among the richest extant sources related to early modern women, and offers a wealth of information not only on Elizabeth’s life but also on the seventeenth-century Ishams. Indeed, it is unmatched in providing an inside view of her family relations, her religious beliefs, her reading habits, and, most sensationally, the reasons why she chose never to marry despite desires to the contrary held by her male kin, particularly Sir John Isham, her father. Based on the autobiography, combined with extensive research of the Isham family papers now housed at the county record office in Northampton, the book recreates Elizabeth’s world, placing her in the larger community of Northamptonshire and then reconstructing her family life and the patriarchal authority that she lived under at her home of Lamport Hall. Restoring our historical memory of Elizabeth and her female relations, this reconstruction demonstrates why she wrote her autobiography and the influence that family and religion had on her unmarried state, reading, and confessional identity, expanding our understanding and knowledge about patriarchy, piety, and singlehood in early modern England.