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Intertext and Political Margins in Jean Renoir’s Boudu Sauvé Des Eaux

Margaret C. Flinn

in The Social Architecture of French Cinema, 1929–1939

Published in print:
2014
Published Online:
January 2015
ISBN:
9781781380338
eISBN:
9781781381571
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.5949/liverpool/9781781380338.003.0004
Subject:
Film, Television and Radio, Film

This chapter shows that architecture and cinema had a privileged bond in the theorization of film (by critics such as André Malraux and Élie Faure) and its relationship to other arts in the 1930s, ... More


The Social Architecture of French Cinema, 1929–1939

Margaret C. Flinn

Published in print:
2014
Published Online:
January 2015
ISBN:
9781781380338
eISBN:
9781781381571
Item type:
book
Publisher:
Liverpool University Press
DOI:
10.5949/liverpool/9781781380338.001.0001
Subject:
Film, Television and Radio, Film

From the fleetingly captured street scenes of the city symphony, to the meticulously reconstructed studio city of musical comedies; from the propagandistic Popular Front documentaries about ... More


Poetic Realism as Spatial Fable

Margaret C. Flinn

in The Social Architecture of French Cinema, 1929–1939

Published in print:
2014
Published Online:
January 2015
ISBN:
9781781380338
eISBN:
9781781381571
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.5949/liverpool/9781781380338.003.0008
Subject:
Film, Television and Radio, Film

The epilogue considers the paradox of the poetic realist preoccupation with atmosphere. The characteristics of a film that spatially constitute “atmosphere” tend to engage localizing, situational ... More


The Crowd As New Monumentality During the Popular Front

Margaret C. Flinn

in The Social Architecture of French Cinema, 1929–1939

Published in print:
2014
Published Online:
January 2015
ISBN:
9781781380338
eISBN:
9781781381571
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.5949/liverpool/9781781380338.003.0007
Subject:
Film, Television and Radio, Film

This chapter addresses the spectacular and massive nature of the architecture of the films themselves—that is to say, the way in which the crowd functions metaphorically as a building block of social ... More


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