Maud Lavin, Ling Yang, and Jing Jamie Zhao (eds)
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9789888390809
- eISBN:
- 9789888390441
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888390809.001.0001
- Subject:
- Society and Culture, Gay and Lesbian Studies
Chinese-speaking popular cultures have never been so queer as in this digital, globalist age. In response to the proliferation of queer representations, productions, fantasies, and desires, ...
More
Chinese-speaking popular cultures have never been so queer as in this digital, globalist age. In response to the proliferation of queer representations, productions, fantasies, and desires, especially as manifested online, this book explores extended, diversified, and transculturally informed fan communities and practices based in mainland China, Hong Kong, and Taiwan that have cultivated various forms of queerness. To right an imbalance in the scholarly literature on queer East Asia, this volume is weighted toward an exploration of queer elements of mainland Chinese fandoms that have been less often written about than more visible cultural elements in Hong Kong and Taiwan. Case studies drawn from mainland China, Hong Kong, Taiwan, and the flows among them include: the Chinese online Hetalia fandom; Chinese fans’ queer gossip on the American L-Word actress Katherine Moennig; Dongfang Bubai iterations; the HOCC fandom; cross-border fans of Li Yuchun; and Japaneseness in Taiwanese BL fantasies; among others.Less
Chinese-speaking popular cultures have never been so queer as in this digital, globalist age. In response to the proliferation of queer representations, productions, fantasies, and desires, especially as manifested online, this book explores extended, diversified, and transculturally informed fan communities and practices based in mainland China, Hong Kong, and Taiwan that have cultivated various forms of queerness. To right an imbalance in the scholarly literature on queer East Asia, this volume is weighted toward an exploration of queer elements of mainland Chinese fandoms that have been less often written about than more visible cultural elements in Hong Kong and Taiwan. Case studies drawn from mainland China, Hong Kong, Taiwan, and the flows among them include: the Chinese online Hetalia fandom; Chinese fans’ queer gossip on the American L-Word actress Katherine Moennig; Dongfang Bubai iterations; the HOCC fandom; cross-border fans of Li Yuchun; and Japaneseness in Taiwanese BL fantasies; among others.
Ling Yang
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9789888390809
- eISBN:
- 9789888390441
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888390809.003.0004
- Subject:
- Society and Culture, Gay and Lesbian Studies
Hetalia: Axis Powers (2006–) is one of the most popular Japanese comic and anime series in China in recent years. Through a critical analysis of diverse fan discourses and two canonical fanzines, ...
More
Hetalia: Axis Powers (2006–) is one of the most popular Japanese comic and anime series in China in recent years. Through a critical analysis of diverse fan discourses and two canonical fanzines, this chapter examines the intersections between gender politics and geopolitics, nationalism and transnationalism, and localization and globalization in online Chinese Hetalia fandom. The Hetalia boom in China shows that BL not only can function as a tool to reshape configurations of gender and sexuality, it can also be employed by young women and others as a vehicle for political expression.Less
Hetalia: Axis Powers (2006–) is one of the most popular Japanese comic and anime series in China in recent years. Through a critical analysis of diverse fan discourses and two canonical fanzines, this chapter examines the intersections between gender politics and geopolitics, nationalism and transnationalism, and localization and globalization in online Chinese Hetalia fandom. The Hetalia boom in China shows that BL not only can function as a tool to reshape configurations of gender and sexuality, it can also be employed by young women and others as a vehicle for political expression.
