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Historians often think of Russia before the 1860s in terms of conservative stasis, when the ‘gendarme of Europe’ secured order beyond the country’s borders and entrenched the autocratic system at home. This book offers a profoundly different vision of Russia under Nicholas I. Drawing on an extensive array of sources, it reveals that many of modern Russia’s most distinctive and outstanding features can be traced back to an inconspicuous but exceptional year. Russia became what it did, in no small measure, because of 1837. The catalogue of the year’s noteworthy occurrences extends from the realms of culture, religion, and ideas to those of empire, politics, and industry. Exploring these diverse issues and connecting seemingly divergent historical actors, Paul W. Werth reveals that the 1830s in Russia were a period of striking dynamism and consequence, and that 1837 was pivotal for the country’s entry into the modern age. From the romantic death of Russia’s greatest poet, Alexander Pushkin, in January to a colossal fire at the Winter Palace in December, Russia experienced much that was astonishing in 1837: the railway and provincial press appeared, Russian opera made its debut, Orthodoxy pushed westward, the first Romanov visited Siberia—and much else besides. The cumulative effect was profound. The country’s integration accelerated, and a Russian nation began to emerge, embodied in new institutions and practices, within the larger empire. The result was a quiet revolution, after which Russia would never be the same.

This book explores the momentous events following the fall of the Berlin Wall and the effects they have had on the world ever since. Based on documents, interviews, and television broadcasts from Washington, London, Paris, Bonn, Berlin, Warsaw, Moscow, and a dozen other locations, the book describes how Germany unified, NATO expansion began, and Russia got left on the periphery of the new Europe. Chapters cover changes in the Summer and Autumn of 1989, including the stepping back of Americans and rise in East German's confidence; the restoration of the rights of the Four Powers, including the night of November 9 and the Portugalov Push; heroic aspirations in 1990, including the emerging controversy over reparations and NATO; security, political and economic solutions; the securing of building permits, including money and NATO reform; and the legacy of 1989 and 1990. This updated edition contains a new afterword with the most recent evidence on the 1990 origins of NATO's post-Cold War expansion.

In this age of globalization, the eighteenth-century priest and abolitionist Henri Grégoire has often been called a man ahead of his time. An icon of anti-racism, a hero to people from Ho Chi Minh to French Jews, Grégoire has been particularly celebrated since 1989, when the French government placed him in the Pantheon as a model of ideals of universalism and human rights. In this biography, based on newly discovered and previously overlooked material, we gain access to the full complexity of Grégoire's intellectual and political universe as well as the compelling nature of his persona. His life offers an extraordinary vantage from which to view large issues in European and world history in the late eighteenth and early nineteenth centuries and provides provocative insights into many of the prevailing tensions, ideals, and paradoxes of the twenty-first century. Focusing on Grégoire's idea of “regeneration,” that people could literally be made anew, the book argues that revolutionary universalism was more complicated than it appeared. Tracing the French Revolution's long-term legacy, it suggests that while it spread concepts of equality and liberation throughout the world, its ideals also helped to justify colonialism and conquest.

Wars have played a fundamental part in modern German history. Although infrequent, conflicts involving German states have usually been extensive and often catastrophic, constituting turning points for Europe as a whole. This volume is the first in a series of studies that explore how such conflicts were experienced by soldiers and civilians during wartime, and how they were subsequently imagined and understood during peacetime. Without such an understanding, it is difficult to make sense of the dramatic shifts characterizing the politics of Germany and Europe over the past two centuries. The studies argue that the ease—or reluctance—with which Germans went to war, and the far-reaching consequences of such wars on domestic politics, were related to soldiers’ and civilians’ attitudes to violence and death, as well as to long-term transformations in contemporaries’ conceptualization of conflict. Absolute War reassesses the meaning of military conflict for the millions of German subjects who were directly implicated in the Revolutionary and Napoleonic Wars. Based on a re-reading of contemporary diaries, letters, memoirs, official correspondence, press reports, pamphlets, treatises, poems, and plays, it refocuses attention on combat and conscription as the central components of new forms of mass warfare. It concentrates, in particular, on the impact of violence, killing, and death on soldiers’ and civilians’ experiences and subsequent memories of conflict. War has often been conceived of as ‘an act of violence pushed to its utmost bounds’, as Clausewitz put it, but the relationship between military conflicts and violent acts remains a problematic one.

French cuisine is such a staple in our understanding of fine food that we forget the accidents of history that led to its creation. This book brings these “accidents” to the surface, illuminating the magic of French cuisine and the mystery behind its historical development. The book explains how the food of France became French cuisine. This culinary journey begins with Ancien Régime cookbooks and ends with twenty-first-century cooking programs. It takes us from Carême, the “inventor” of modern French cuisine in the early nineteenth century, to top chefs today, such as Daniel Boulud and Jacques Pépin. Not a history of French cuisine, this book focuses on the people, places, and institutions that have made this cuisine what it is today: a privileged vehicle for national identity, a model of cultural ascendancy, and a pivotal site where practice and performance intersect. With sources as various as the novels of Balzac and Proust, interviews with contemporary chefs such as David Bouley and Charlie Trotter, and the film Babette's Feast, the book maps the cultural field that structures culinary affairs in France and then exports its crucial ingredients. What's more, well beyond food, the intricate connections between cuisine and country, between local practice and national identity, illuminate the concept of culture itself.

The Aesthetics of Loss is a cultural history of German women’s art of the First World War that locates their rich visual testimony in the context of the civilian experience of war and wartime loss. Drawing on a fascinating body of visual sources produced throughout the war years, the book examines the thematic evolution of women’s art from expressions of support for the war effort to more nuanced and ambivalent testimonies of loss and grief. Many of the images are stark woodcuts, linocuts, and lithographs of great iconographical power that acted as narrative tools to deal with the novel, unsettling, and often traumatic experience of war. German female artists developed a unique aesthetic response to the conflict that both expressed emotional distress and allowed them to re-imagine the place of mourning women in wartime society. Historical codes of wartime behaviour and traditional rites of public mourning led female artists to redefine cultural practices of bereavement, question existing notions of heroic death and proud bereavement through art, and place grief at the centre of women’s war experiences. As a cultural, aesthetic, and thematic point of reference, German women’s art of the First World War has had a fundamental influence on the European memory and understanding of modern war.

This book deals with the transformation of Germany after the Second World War and the Holocaust into a Western, democratic, and therefore civilized country. It proceeds in three stages, beginning with the Allied post-war policies of demilitarization, denazification, and decartelization. In the second part, it concentrates on the Westernization, inner democratization and generational rebellion of the 1960s, concluding with a section on the repudiation of Communism, the return to normalcy, and the issue of immigration during the 1990s.

This book connects two central problems encountered by the Federal Republic of Germany prior to reunification in 1990, both of them rooted in the Second World War. Domestically, the country had to integrate eight million expellees forced out of their homes in Central and Eastern Europe as a result of the lost war. Externally, it had to reestablish relations with Eastern Europe, despite the burdens of the Nazi past, the expulsions, and the ongoing East–West struggle during the Cold War. This book shows how the long-term consequences of the expellee problem significantly hindered West German efforts to develop normal ties with the East European states. In particular, it emphasizes a point largely overlooked in the existing literature: the way in which the political integration of the expellees into the Federal Republic had unanticipated negative consequences for the country's Ostpolitik.

After signing an armistice agreement on 22 June 1940, Adolf Hitler placed the German army in charge of occupied France and ordered the military government to supervise the Vichy regime and maintain security. Viewing World War II as a struggle between nation‐states, the military commander in France, Otto von Stülpnagel, cultivated French support, placed industrial resources at the disposal of the German war effort, and maintained ‘security’ by capturing enemy soldiers and Allied spies. Initially barred from the Hexagon, Göring's Office of the Four Year Plan, Himmler's SS, and Ribbentrop's Foreign Office adopted an expanded definition of security, argued that the Reich had to combat the so‐called Jewish conspiracy to maintain order, and secured Hitler's favor. In conjunction with Alfred Rosenberg and the French government, they launched an anti‐Semitic campaign of defamation, discrimination, and despoliation. Hitler used assassinations as a pretext for genocide and ordered subordinates to answer resistance activity with deadly reprisals and massive deportations that focused on Jews. Stülpnagel condemned anti‐Semitic measures and disproportionate hostage executions as impolitic distractions and resigned his command. Astute political tactics helped the Himmler seize control of German security forces but alienated the military government and, later, the Vichy regime. With limited support from French and German colleagues, the SS could only deport 75,000 French Jews: Fritz Sauckel's labor organization impressed approximately 850,000 workers into the German war economy by cooperating with French and German colleagues. Accommodation explains divergent results of select German policies, clarifies the inner workings of the Nazi regime, and elucidates decisions made by Prime Ministers Pierre Laval and François Darlan.

This book uses critical theory to answer key gender-related questions about the Red Army Faction (RAF), a group that was masterminded by women and which terrorized West Germany from the 1970s to the 1990s. The questions include: Why were women so prominent in the RAF? And what does the continuing cultural response to the German armed struggle tell us about the representation of violence, power, and gender today? The book analyzes works by pivotal writers and artists, including Gerhard Richter and Elfriede Jelinek, that point beyond militancy and terrorism. This literature and art discloses the failures of the Far Left and registers the radical potential that RAF women actually forfeited. The book maps out a cultural history of militancy and introduces “postmilitancy” as a new critical term. It demonstrates how the most compelling examples of postmilitant culture don't just repudiate militancy but also investigate its horizons of possibility, particularly on the front of sexual politics. The book uses previously untranslated essays by Theodor Adorno and Jürgen Habermas, as well as novels by Friedrich Dürrenmatt and Judith Kuckart, Johann Kresnik's Tanztheaterstück Ulrike Meinhof and the blockbuster exhibition Regarding Terror at the Berlin Kunst-Werke. It also focuses on German cinema and provides interpretations of films by Margarethe von Trotta, Volker Schlöndorff and Fatih Akın. This analysis discloses dynamic junctures among several fields of inquiry: national and sexual identity, the disciplining of the militant body and the relationship between mass media and the arts.

More than twenty years have passed since the disintegration of Yugoslavia, a multiethnic country that did not establish nation-states like most of Europe but opted for a confederation. In the 1990s, when the European Union was consolidating and expanding, Yugoslavia was fast dissolving. Scholarship treating the disintegration of Yugoslavia has overlooked the cultural dimension of its collapse. This volume fills that gap by bringing together leading writers and scholars to focus specifically on the dynamics of post-Yugoslav cultural transition. The authors touch upon the topic of dissolution of the common state but move beyond it to consider consequences and repercussions in various cultural fields. Together, the contributions show that while the country has ceased to exist as a political project, it lives on in the individual and collective memory, in a variety of cultural practices, and as a potent legacy.

Early twentieth-century Britons thought that they were living in the “age of noise,” sensing the historical changes going on around them as a series of disturbing shifts in the sonic atmosphere. From motorcar engines and wireless loudspeakers to the terrifying interruptions of mechanized warfare, the feeling of living in topsy-turvy times arrived via the ear. Yet historians have not listened to the sounds of early twentieth-century Britain nor unravelled what it meant to live in an “age of noise”. This book turns a critical ear to the “ways of hearing” operating in Britain between 1914 and 1945 and argues that attempts to shape encounters with everyday sound were expressive of hopes and fears for modernity. Competing expert groups – doctors, psychologists, planners, mystics, even – thought differently about how best to attune the individual hearing self to the sounding social body in modernity. Examining noise abatement campaigns, scientific as well as enchanted interventions in the everyday sonic environment, and attempts to manage the auditory culture of total war, the book offers the first auditory history of modern Britain.

In the early nineteenth century, a new age began: the age of questions. In the Eastern and Belgian questions, as much as in the slavery, worker, social, woman, and Jewish questions, contemporaries saw not interrogatives to be answered but problems to be solved. Alexis de Tocqueville, Victor Hugo, Karl Marx, Frederick Douglass, Fyodor Dostoevsky, Rosa Luxemburg, and Adolf Hitler were among the many who put their pens to the task. This book asks how the question form arose, what trajectory it followed, and why it provoked such feverish excitement for over a century. Was there a family resemblance between questions? Have they disappeared, or are they on the rise again in our time? This book presents seven distinct arguments and frameworks for understanding the age. It considers whether it was marked by a progressive quest for emancipation (of women, slaves, Jews, laborers, and others); a steady, inexorable march toward genocide and the “Final Solution”; or a movement toward federation and the dissolution of boundaries. Or was it simply a farce, a false frenzy dreamed up by publicists eager to sell subscriptions? As the arguments clash, patterns emerge and sharpen until the age reveals its full and peculiar nature. Turning convention on its head with meticulous and astonishingly broad scholarship, the book illuminates how patterns of thinking move history.

In the Khrushchev era, Soviet citizens were newly encouraged to imagine themselves exploring the medieval towers of Tallinn’s Old Town, relaxing on the Romanian Black Sea coast, even climbing the Eiffel Tower. By the mid-1960s, hundreds of thousands of Soviet citizens each year crossed previously closed Soviet borders to travel abroad. This book explores the gradual integration of the Soviet Union into global processes of cultural exchange in which the Soviet Union after Stalin increasingly, if anxiously, participated in the transnational circulation of people, ideas, and items. The classic emblem of aggressive internationalism under Stalin was that of the hammer and sickle super-imposed on the world. Under Khrushchev, the new motif, as displayed on postal stamps, was of a Soviet jet touching down in Asia, Europe, and North America. The book begins with a domestic tour of the Soviet Union in late Stalinism, moving outwards in concentric circles to explore travel to the inner abroad of Estonia, to the near abroad of eastern Europe, and to the capitalist West. It returns home again with a discussion of Soviet films about foreign travel. All this is your World is situated at the intersection of a number of topics of current scholarly and popular interest: the history of tourism and mobility; the cultural history of international relations, specifically the Cold War; the history of the Soviet Union after Stalin. It also offers a new perspective on our view of the continent as a whole by exploring the Soviet Union’s relationship with both eastern and western Europe through, in this case, the experience of Soviet tourists.

This book explores ways of thinking, feeling, and talking about homosexuality in the 1970s, an influential decade sandwiched between the partial decriminalization of sex between men in 1969, and the arrival of the HIV/AIDS crisis in the early 1980s. Moving beyond divided Cold War Berlin, this book also shines a light on the scores of lesser-known West German towns and cities that were home to a gay group by the end of the 1970s. Yet gay liberation did not take place only in activist meetings and on street demonstrations, but also on television, in magazine editorial offices, ordinary homes, bedrooms—and beyond. In considering all these spaces and individuals, this book provides a more complex account than previous histories, which have tended to focus only on a social movement and only on the idea of ‘gay pride’. By drawing attention to ambivalence, this book shows that gay liberation was never only about pride, but also about shame; characterized not only by hope, but also by fear; and driven forward not just by the pushes of confrontation, but also by the pulls of conformism. Ranging from the painstaking emergence of the gay press to the first representation of homosexuality on television, from debates over the sexual legacy of 1968 to the memory of Nazi persecution, The Ambivalence of Gay Liberation is the first English-language book to tell the story of male homosexual politics in 1970s West Germany. In so doing, this book changes the way we think about this key period in modern queer history.

This book examines the influence of the American political experience on the imagination of Italian political thinkers between the late eighteenth century and the unification of Italy in the 1860s. The book shows how Italian political thought was shaped by debates about the American Revolution and the U.S. Constitution, but it focuses on the important distinction that while European interest in developments across the Atlantic was keen, this attention was not blind admiration. Rather, America became a sounding board for the critical assessment of societal changes at home. Many Italians did not think the United States had lessons to teach them and often concluded that life across the Atlantic was not just different but in many respects also objectionable. In America, utopia and dystopia seemed to live side by side, and Italian references to the United States were frequently in support of progressive or reactionary causes. Political thinkers including Cesare Balbo, Carlo Cattaneo, Giuseppe Mazzini, and Antonio Rosmini Serbati used the United States to shed light on the course of their nation's political resurgence. Concepts from Charles-Louis de Secondat Montesquieu, Jean-Jacques Rousseau, and Giambattista Vico served to evaluate what Italians discovered about America. Ideas about American “domestic manners” were reflected and conveyed through works of ballet, literature, opera, and satire. Transcending boundaries between intellectual and cultural history, this is the first book-length examination of the influence of America's political formation on modern Italian political thought.

This book explores the construction of Marzahn, the largest prefabricated housing project in East Germany, built on the outskirts of East Berlin in the 1970s and 1980s, and touted by the regime as the future of socialism. It also focuses especially on the experience of East Germans who moved, often from crumbling slums left over as a legacy of the nineteenth century, into this radically new place, one defined by pure functionality and rationality—a material manifestation of the utopian promise of socialism. Employing methodologies from critical geography, urban, architectural, and environmental history, and everyday life, the book asks whether their experience was a radical break with their personal pasts and the German past. More directly: can a dramatic change in spatial and material surroundings also sever the links of memory that tie people to their old life narratives, and if so, does that help build a new socialist mentality in the minds of historical subjects? The answer is yes and no—as much as the East German state tried to create a completely new socialist settlement, divorced of any links to the pre-socialist past, the massive construction project uncovered the truth buried—literally—in the ground, which was that the urge to colonize the outskirts of Berlin was not new at all. Furthermore, the construction of a new city out of nothing, using repeating, identical buildings, created a “panopticon”-like effect, enabling the Stasi to undertake more complete surveillance than they had previously.

In her own day, Ana Pauker was named “The Most Powerful Woman in the World” by Time magazine. Today, when she is remembered at all, she is thought of as the puppet of Soviet communism in Romania, blindly enforcing the most brutal and repressive Stalinist regime. This biography changes the picture dramatically, revealing a woman of remarkable strength, dominated by conflict and contradiction far more than by dogmatism. Telling the story of Pauker's youth in an increasingly anti-Semitic environment, her commitment to a revolutionary career, and her rise in the Romanian Communist movement, this book makes no attempt to whitewash Pauker's life and actions, but rather explores every contour of the complicated persona found expressed in masses of newly accessible archival documents.