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The year 1929 represents a major turning point for interwar Jewish society, proving to be a year when Jews, regardless of where they lived, saw themselves affected by developments that took place around the world, as the crises endured by other Jews became part of the transnational Jewish consciousness. In the United States, the stock market crash brought lasting economic, social, and ideological changes to the Jewish community and limited its ability to support humanitarian and nationalist projects in other countries. In Palestine, the anti-Jewish riots in Hebron and other towns underscored the vulnerability of the Zionist enterprise and ignited heated discussions among various Jewish political groups about the wisdom of establishing a Jewish state on its historical site. At the same time, in the Soviet Union, the consolidation of power in the hands of Joseph Stalin created a much more dogmatic climate in the international Communist movement, including its Jewish branches. This book surveys the Jewish world in one year offering clear examples of the transnational connections which linked Jews to each other—from politics, diplomacy, and philanthropy to literature, culture, and the fate of Yiddish—regardless of where they lived. The book argues that, whether American, Soviet, German, Polish, or Palestinian, Jews throughout the world lived in a global context.

Wars have played a fundamental part in modern German history. Although infrequent, conflicts involving German states have usually been extensive and often catastrophic, constituting turning points for Europe as a whole. This volume is the first in a series of studies that explore how such conflicts were experienced by soldiers and civilians during wartime, and how they were subsequently imagined and understood during peacetime. Without such an understanding, it is difficult to make sense of the dramatic shifts characterizing the politics of Germany and Europe over the past two centuries. The studies argue that the ease—or reluctance—with which Germans went to war, and the far-reaching consequences of such wars on domestic politics, were related to soldiers’ and civilians’ attitudes to violence and death, as well as to long-term transformations in contemporaries’ conceptualization of conflict. Absolute War reassesses the meaning of military conflict for the millions of German subjects who were directly implicated in the Revolutionary and Napoleonic Wars. Based on a re-reading of contemporary diaries, letters, memoirs, official correspondence, press reports, pamphlets, treatises, poems, and plays, it refocuses attention on combat and conscription as the central components of new forms of mass warfare. It concentrates, in particular, on the impact of violence, killing, and death on soldiers’ and civilians’ experiences and subsequent memories of conflict. War has often been conceived of as ‘an act of violence pushed to its utmost bounds’, as Clausewitz put it, but the relationship between military conflicts and violent acts remains a problematic one.

This book examines the writings of a motley collection of interwar far-right intellectuals, showing that they defined Frenchness in racial, gendered, and sexual terms. A broad, ambitious cultural and intellectual history, the book offers a provocative reinterpretation of a topic that has long been the subject of controversy. In works infused with rhetorics of abjection, disgust, and dissolution, such writers as Maulnier, Brasillach, Céline, and Blanchot imagined the nation through figures deemed illegitimate or inferior—Jews, colonial subjects, homosexuals, women. The author argues that these intellectuals offered an “aesthetics of hate,” reinventing a language of far-right nationalism by appealing to the realm of beauty and the sublime for political solutions. By acknowledging the constitutive relationship of anti-Semitism and colonial racism at the heart of these canonical writers' nationalism, this book makes us rethink how aesthetics and politics function, how race is imagined and defined, how gender structured far-right thought, and how we conceive of French intellectualism and fascism.

The Aesthetics of Loss is a cultural history of German women’s art of the First World War that locates their rich visual testimony in the context of the civilian experience of war and wartime loss. Drawing on a fascinating body of visual sources produced throughout the war years, the book examines the thematic evolution of women’s art from expressions of support for the war effort to more nuanced and ambivalent testimonies of loss and grief. Many of the images are stark woodcuts, linocuts, and lithographs of great iconographical power that acted as narrative tools to deal with the novel, unsettling, and often traumatic experience of war. German female artists developed a unique aesthetic response to the conflict that both expressed emotional distress and allowed them to re-imagine the place of mourning women in wartime society. Historical codes of wartime behaviour and traditional rites of public mourning led female artists to redefine cultural practices of bereavement, question existing notions of heroic death and proud bereavement through art, and place grief at the centre of women’s war experiences. As a cultural, aesthetic, and thematic point of reference, German women’s art of the First World War has had a fundamental influence on the European memory and understanding of modern war.

Whether as wine, beer, mead, or spirits, alcohol has had a constant and often controversial role in human life. This book surveys the attitudes and consumption of alcohol and examines a 9,000 year cultural and economic history, uncovering the tensions between alcoholic drinks as a nutritious and potable staple of daily diets and as an object of political and religious regulation. It argues that brewing was one of the earliest and most common forms of water purification, which further integrated alcohol into the dense population centers in Europe and the Americas. Despite this practical use, no commodity has been more regulated by governmental and religious authorities than alcohol. As a potential source of social disruption, alcohol created volatile boundaries of acceptable and unacceptable consumption, breaking through barriers of class, race, and gender. This book follows ever-changing cultural meanings of these potent potables and makes the surprising argument that fewer people are quaffing alcoholic drinks than ever before. The book examines and explains the importance and effect of alcohol's production, consumption, and meaning across the globe.

In the early 1930s, the International Ladies' Garment Workers' Union (ILGWU) organized large numbers of Black and Hispanic workers through a broadly conceived program of education, culture, and community involvement. The ILGWU admitted these new members, the overwhelming majority of whom were women, into racially integrated local unions and created structures to celebrate ethnic differences. This book revolves around this phenomenon of interracial union building and worker education during the Great Depression. Investigating why immigrant Jewish unionists in the ILGWU appealed to an international force of coworkers, the book traces their ideology of a working-class-based cultural pluralism, which it newly terms “mutual culturalism,” back to the revolutionary experiences of Russian Jewish women. These militant women and their male allies constructed an ethnic identity derived from Yiddish socialist tenets based on the principle of autonomous national cultures in the late nineteenth-century Russian Empire. The book offers a fresh perspective on the nature of ethnic identity and working-class consciousness and contributes to current debates about the origins of multiculturalism.

Amateur film: Meaning and practice 1927–77 traces the development of non-professional interests in making and showing film. It explores how amateur cinematography gained a following among the wealthy, following the launch of lightweight portable cine equipment by Kodak and Pathé in Britain during the early 1920s. As social access to the new hobby widened, enthusiasts began to use cine equipment at home, work, on holiday and elsewhere. Some amateurs made films only for themselves while others became cine club members, contributors to the hobby literature and participated in film competitions from local to international level. The stories of individual filmmakers, clubs and the emergence of an independent hobby press, as well as the non-fiction films made by groups and individuals, provide a unique lens through which contemporary responses to daily experience may be understood over fifty years of profound social, cultural and economic change. Using regional film archive collections, oral testimony and textual sources, this book explores aspects of family life, working experience, locality and social issues, leisure time and overseas travel as captured by filmmakers from northern and northwest England. This study of visual memory, identity and status sets cine camera use within a wider trajectory of personal record making, and discusses the implications of footage moving from private to public spaces as digitisation widens access and transforms contemporary archive practice.

This book is a portrait of one of the most acerbic and distinctive voices in American literature, a complex individual at odds with his country, his family, his times, and himself. The only American writer of any stature to fight in and survive the Civil War, Bierce discovered in the conflict a bitter confirmation of his darkest assumptions about man and his nature. Profoundly disillusioned, Bierce spent the next 50 years struggling to disabuse his fellow Americans of their own cherished ideals—be they romantic, religious, or political. His groundbreaking short stories of the war, including his most famous work, An Occurrence at Owl Creek Bridge, have had a lasting influence on every subsequent American author dealing with war. And the heartless, hilarious aphorisms in his caustic lexicon The Devil's Dictionary have entered, often uncredited, our national consciousness. This biography accounts for both the influential art that Ambrose Bierce made from a harsh and unforgiving vision, and the high price he had to pay for it in loneliness, rancour, and spiritual isolation.

In the 1970s, while politicians and activists outside prisons debated the proper response to crime, incarcerated people helped shape those debates though a broad range of remarkable political and literary writings. This book explores the forces that sparked a dramatic “prison art renaissance,” shedding light on how incarcerated people produced powerful works of writing, performance, and visual art. These included everything from George Jackson's revolutionary Soledad Brother to Miguel Pinero's acclaimed off-Broadway play and Hollywood film Short Eyes. An extraordinary range of prison programs—fine arts, theater, secondary education, and prisoner-run programs—allowed the voices of prisoners to influence the Black Arts Movement, the Nuyorican writers, “New Journalism,” and political theater, among the most important aesthetic contributions of the decade. By the 1980s and 1990s, prisoners' educational and artistic programs were scaled back or eliminated as the “war on crime” escalated. By then these prisoners' words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them.

This volume showcases, but also interrogates, the value of Atlantic World approaches to the histories and cultures of the American South. Challenging the traditional chronological focus of most Atlantic history on the Early Modern period, the volume ranges from colonial times to the modern era, while thematically it embraces a variety of disciplinary and interdisciplinary approaches to topics such as economics, migration, religion, revolution, law, slavery, race relations, emancipation, gender, literature, performance, visual culture, memoir, ethnography, empires, nations, and historiography. Geographically, the chapters focus mainly on the southern region of the North American continent and the lands in and around the Atlantic Ocean-although the physical location of a putative “Atlantic World” and, for that matter, of something we can call an “American South” are among the definitional issues with which the volume wrestles. Ultimately, the value of any grand concept such as Atlantic History, or Atlantic Studies, or the Black Atlantic depends on its capacity to explain past or present social realities. The cumulative effect of the mix of case studies and state-of-the-field essays gathered in this volume is to affirm that there is much to be learned about both the American South and the Atlantic World by considering them together and from diverse disciplinary perspectives. In so doing, the volume makes a valuable contribution to the fields of American, southern, and Atlantic Studies.

Liverpool was one of the first consulates to be established by the USA. It was also the first port of call for most American travellers throughout the nineteenth century. Many of these visitors left accounts of their experiences in the city. Some are detailed, like Herman Melville’s description of the docks; others give briefer impressions. These selections demonstrate the rich variety of cultural contacts between Britain and the USA throughout the nineteenth century.

What is Americanism? The contributors to this volume recognize Americanism in all its complexity—as an ideology, an articulation of the nation's rightful place in the world, a set of traditions, a political language, and a cultural style imbued with political meaning. In response to the pervasive vision of Americanism as a battle cry or a smug assumption, this book stirs up new questions and debates that challenge us to rethink the model currently being exported, too often by force, to the rest of the world. This book is divided into two sections. The section addresses the understanding of Americanism within the United States over the past two centuries, from the early republic to the war in Iraq. The second section provides perspectives from around the world in an effort to make sense of how the national creed and its critics have shaped diplomacy, war, and global culture in the twentieth and twenty-first centuries. Approaching a controversial ideology many of the chapters call for a revival of the ideals of Americanism in a new progressive politics that can bring together an increasingly polarized and fragmented citizenry.

This book explores the construction of Marzahn, the largest prefabricated housing project in East Germany, built on the outskirts of East Berlin in the 1970s and 1980s, and touted by the regime as the future of socialism. It also focuses especially on the experience of East Germans who moved, often from crumbling slums left over as a legacy of the nineteenth century, into this radically new place, one defined by pure functionality and rationality—a material manifestation of the utopian promise of socialism. Employing methodologies from critical geography, urban, architectural, and environmental history, and everyday life, the book asks whether their experience was a radical break with their personal pasts and the German past. More directly: can a dramatic change in spatial and material surroundings also sever the links of memory that tie people to their old life narratives, and if so, does that help build a new socialist mentality in the minds of historical subjects? The answer is yes and no—as much as the East German state tried to create a completely new socialist settlement, divorced of any links to the pre-socialist past, the massive construction project uncovered the truth buried—literally—in the ground, which was that the urge to colonize the outskirts of Berlin was not new at all. Furthermore, the construction of a new city out of nothing, using repeating, identical buildings, created a “panopticon”-like effect, enabling the Stasi to undertake more complete surveillance than they had previously.

This book explores the Jewish contribution to, and integration with, Ukrainian culture, focusing on five writers and poets of Jewish descent whose literary activities span the 1880s to the 1990s. Unlike their East European contemporaries—who disparaged the culture of Ukraine as second-rate, stateless, and colonial—these individuals embraced the Russian- and Soviet-dominated Ukrainian community, incorporating their Jewish concerns in their Ukrainian-language writings. The author argues that the marginality of these literati as Jews fuelled their sympathy toward Ukrainians and their national cause. Providing extensive historical background, biographical detail, and analysis of each writer's poetry and prose, he shows how a Ukrainian-Jewish literary tradition emerged. Along the way, the author challenges assumptions about modern Jewish acculturation and Ukrainian–Jewish relations.

In a large room, on the third floor of an old woollen mill in the South West of England, nine architects spend most of their working lives, designing buildings and overseeing their construction. Asked where these come from, architects admit a kind of ignorance: 'Total magic!' as one puts it, 'Something comes from nothing!' Focusing on the everyday lives of architects, the book explores how buildings are assembled through an intimate and elusive choreography of people, materials, places, tools and ideas. Through these interactions, it asks and answers some questions of wider interest: What is the relationship between a working and a personal life? What is creativity? How is it possible to live truthfully in a world of contradiction and compromise? What does it mean to claim to know with authority? Most basically but most fundamentally the book is concerned with the question of what it is like to be an architect, and what lessons others might learn from the example their experience provides. Amongst other things, these have to do with the nature of expert knowledge, design, creativity and the central but less celebrated arts of administration.

Architects and Intellectual Culture in Post-Restoration England charts the moment when well-educated, well-resourced, English intellectuals first became interested in classical architecture in substantial numbers. This occurred after the Restoration of the Monarchy in 1660 and involved people such as John Evelyn, Robert Hooke, Sir Christopher Wren, and Roger North. The book explores how these figures treated architecture as a subject of intellectual enquiry, either as writers, as designers of buildings, or as both. In four substantial chapters it looks at how the architect was defined as a major intellectual figure; how architects acquired material that allowed them to define themselves as intellectually competent architects; how intellectual writers in the period handled knowledge of ancient architecture in their writing; and how the design process in architecture was conceived of in theoretical writing at the time. In all, the book shows that the key to understanding English architectural culture at the time is to understand how architecture was handled as knowledge, and how architects were conceived of as collectors and producers of such knowledge. It also makes the claim that architecture was treated as an extremely serious and important area of intellectual enquiry, the result of which was that, by the turn of the eighteenth century, architects and architectural writers could count themselves amongst England’s intellectual and cultural elite.

The built environment is important to how we experience and negotiate our daily lives, both past and present. In the post-colonial world today, buildings, monuments, parks, streets, avenues, entire cities even, remain as witness to Britain’s once impressive if troubled imperial past. This volume provides the first comprehensive overview of the architectural and urban transformations that took place across the British empire between the seventeenth and mid-twentieth centuries. With extensive chronological and regional coverage, by leading scholars in the field, this volume will quickly become a seminal text for those who study, teach, and research the relationship between empire and the built environment in the British context. It provides an up-to-date account of past and current historiographical approaches toward the study of British imperial and colonial architecture and urbanism, and will prove equally useful to those who study architecture and urbanism in other European imperial and transnational contexts. Divided in two main sections, over twelve chapters, the first part of the volume deals with overarching thematic issues, including building typologies, major genres and periods of activity, networks of expertise and the transmission of ideas, the intersection between planning and politics, as well as the architectural impact of empire on Britain itself. The second section builds on the first by discussing these themes in relation to specific geographical regions, teasing out the variations and continuities observable in context, both practical and theoretical. In addition to being fully referenced, each chapter includes a select bibliography of key scholarly sources.

What happens if we abandon the assumption that a person is a discrete, world-making agent who acts on and creates place? This, this book contends, is precisely what occurred on eighteenth-century American plantations, where labor practices and ecological particularities threatened the literal and conceptual boundaries that separated persons from the natural world. Integrating political philosophy and ecocriticism with literary analysis, the book explores the forms of personhood that developed out of New World plantations, from Georgia and Florida through Jamaica to Haiti and extending into colonial metropoles such as Philadelphia. The book’s examination of the writings of naturalists, novelists, and poets; the oral stories of Africans in the diaspora; and Afro-American fetish artifacts shows that persons in American plantation spaces were pulled into a web of environmental stresses, ranging from humidity to the demand for sugar. This in turn gave rise to modes of personhood explicitly attuned to human beings’ interrelation with nonhuman forces in a process we might call ecological. Certainly the possibility that colonial life revokes human agency haunts works from Shakespeare’s Tempest and Montesquieu’s Spirit of the Laws to Spivak’s theories of subalternity. In this book’s interpretation, the transformation of colonial subjectivity into ecological personhood is not a nightmare; it is, rather, a mode of existence until now only glimmering in Che Guevara’s dictum that postcolonial resistance is synonymous with “perfect knowledge of the ground.”

Italian anarchists compiled a formidable record of political assassinations during the 1890s: President Marie François Sadi Carnot of France was killed by Santo Caserio in 1894; Prime Minister Antonio Cánovas del Castillo of Spain by Michele Angiolillo in 1897; Empress Elizabeth of Austria by Luigi Luccheni in 1898; and King Umberto I of Italy by Gaetano Bresci in 1900. No less important were the unsuccessful assassination attempts committed during the same decade: Paolo Lega against Italian Prime Minister Francesco Crispi in 1894; and Pietro Acciarito against King Umberto in 1897. This book, through a specific focus on attentats along with attempted and successful acts of political assassination, provides a full-length study of the historical, economic, social, cultural and political conditions, the social conflicts and left-wing politics along with the transnational experiences in Italy, France, Spain, Switzerland and the United States that led to Italian anarchist violence at the end of the 19^th century.

Assimilation was an ideology central to European expansion and colonization, an ideology which legitimized colonization for centuries. This book shows that the aspiration for assimilation was not only driven by materialistic reasons but also motivated by ideas. The engine of assimilation has to be found in the combination of two powerful ideas, namely the European philosophical conception of human perfectibility and the idea of the modern state. Europeans wanted to create, in their empires, political and cultural forms which they valued and wanted to realize in their own societies but which did not yet exist. This book examines three imperial experiments—seventeenth- and eighteenth-century New France, nineteenth-century British Australia, and nineteenth- and twentieth-century French Algeria—and reveals the complex interrelationship between policies of assimilation, which were driven by a desire for perfection and universality, and the greatest challenge to those policies, namely, discourses of race, which were based upon perceptions of difference. Neither colonized nor European peoples themselves were able to conform to the ideals given as the object of assimilation. Yet, the deep links between assimilation and empire remained because at no point since the sixteenth century has the utopian project of perfection—articulated through the progressive theory of history—been placed seriously in question. The failure of assimilation pursued through empire, for both colonized and colonizer, reveals the futility of the historical pursuit of perfection.