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This book provides a case study of slavery and its abolition in Ottoman Tunisia, one of the smallest countries in North Africa and the first to abolish the longstanding institution of slavery in the Muslim world during the modern period. The book combines a range of Tunisian and European archival data, travellers' accounts, and Arabic legal documents and source materials, directing much-needed attention not only to the Tunisian elements within slavery and abolition discourses, but also to those in west and central Sudan and Europe, especially in the Mediterranean basin. It argues that the major force driving abolition was Tunisian rulers' pragmatic response to increased European economic and political intervention in North Africa—first with the 1816 prohibition against enslaving Christians for ransom and especially after the French occupation of Algeria in the 1830s. The urgency of safeguarding the independence of Tunisia, more than efforts at selective “modernization” or “reform,” triggered the move toward abolition and the emancipation of the enslaved black population, which was achieved in 1846. By assessing how European capitalism along with political pressure and dynamics in the western Mediterranean shaped the abolition of the trans-Saharan slave trade and slavery in Tunisia, this book attempts to bridge the historiographical gap that treats the Atlantic and Saharan slave trades as separate entities. It offers wider regional perspectives and shows how the Tunisian model of abolition is useful for viewing slavery in the Islamic context during the modern period.

Few works about the Middle East have exerted such wide and long-lasting influence as Edward William Lane’s An Account of the Manners and Customs of the Modern Egyptians. First published in 1836, this classic book has never gone out of print, continuously providing material and inspiration for generations of scholars, writers, and travelers, who have praised its comprehensiveness, detail, and perception. Yet the editions in print during most of the twentieth century would not have met Lane’s approval. Lacking parts of Lane’s text and many of his original illustrations (while adding many that were not his), they were based on what should have been ephemeral editions, published long after the author’s death. Meanwhile, the definitive fifth edition of 1860, the result of a quarter century of Lane’s corrections, reconsiderations, and additions, long ago disappeared from bookstore shelves. Now the 1860 edition of Manners and Customs of the Modern Egyptians is available again, with a useful general introduction by Jason Thompson. Lane’s greatest work enters the twenty-first century in precisely the form that he wanted.

This book discusses how justice was administrated and applied in medieval Egypt. The model that evolved during the early middle ages involved four judicial institutions: the cadi, the court of complaints (mazalim), the police (shurta), responsible for criminal justice, and the Islamised market law (hisba), administrated by the market supervisor (the muhtasib). Literary and non-literary sources are used to highlight how these institutions worked in real-time situations such as the famine of 1024-1025, which posed tremendous challenges to both the market supervisor and the ruling establishment. The inner workings of the court of complaint during the Fatimid period (10^th-12^th century) are also extensively discussed. The discussion is extended to include the way the courts of non-Muslim communities were perceived and functioned during the Fatimid period. The discussion also provides insights into the scope of non-Muslim self-rule/judicial autonomy in medieval Islam.

During the half-millennium from the eleventh through the sixth centuries BC, the power and the glory of the imperial pharaohs of the New Kingdom crumbled in the face of internal crises and external pressures, ultimately reversed by invaders from Nubia and consolidated by natives of the Nile Delta following a series of Assyrian invasions. Much of this era remains obscure, with little consensus among Egyptologists. Against this background, the author reconsiders the evidence and proposes a number of new solutions to the problems of the period. He also considers the art, architecture, and archaeology of the period, including the royal tombs of Tanis, one of which yielded the intact burials of no fewer than five pharaohs. The book is extensively illustrated with images of this material, much of which is little known to non-specialists of the period. An examination (evidenced on monuments and inscriptions) of how the many kings of this period should be fitted into the dynastic structure listed by Manetho. By the author of the bestselling Amarna Sunset and Poisoned Legacy.

There are more than 15 million people over age 65 currently living in the Arab world, yet little attention has been paid to the cultural significance of growing old. The book recognizes the widespread silence by countering the critical corpus that reads the modern Arabic novel as a political discourse with an emphasis on youth achievement. By offering close readings of 16 fictional works from different parts of the Arab world such as novels by Alia Mamdouh, Sahar Khalifah, Iman Kachachi, Rashid al-Daif and Alaa al-Aswany, the study utilizes biological and cultural theories of ageing- particularly from the perspective of gender and feminism- that shed light on the representation of ageing in the Arabic novel. The study makes use of feminist theories of ageing and gerontology that focus on sexism and ageism, including works by Simone de Beauvoir and Margaret Marganroth Gullette to present aging as a relational formation between men and women, and their idiosyncratic experiences of the process of ageing, revealing that there is no prototype of oldness in the Arabic novel and that older men and women manifest a multiplicity of identities, concerns and experiences. The study challenges the ungendered image generally attributed to older persons and examines how they navigate old age and subvert it. As they grow older men and women manifest a multiplicity of identities, concerns, and experiences revealing that the ageing process is an ongoing inherently unstable project.

Some of the most fascinating sculptures to have survived from ancient Egypt are the colossal statues of Akhenaten, erected at the beginning of his reign in his new temple to the Aten at Karnak. Fragments of more than thirty statues are now known, showing the paradoxical features combining male and female, young and aged, characteristic of representations of this king. Did he look like this in real life? Or was his iconography skillfully devised to mirror his concept of his role in the universe? This book presents the history of the discovery of the statue fragments from 1925 to the present day; the profusion of opinions on the appearance of the king and his alleged medical conditions; and the various suggestions for an interpretation of the perplexing evidence. A complete catalog of all major fragments is included, as well as many pictures not previously published.

This book presents a new framework for understanding the history of Algeria and its global connections from the late eighteenth century to the present day. It focuses on the movement of people within, but especially from and back to Algeria. These include immigrants crossing borders for purposes of work, education, or diplomatic or military service, and refugees fleeing political or religious oppression. This framework helps to bring out long term continuities in Algerian history and create an understanding of these continuities in a geopolitical context. The book examines both the political and economic factors that have affected Algerian border crossing, and the legal and institutional elements that have shaped it including international refugee law, trans-national Islamic movements, and great power conflicts. Algerians are understood as forming a global frontier society coming from an area where the Western and Islamic worlds have long experienced intensive interaction, sometimes resulting in a “clash of civilizations,” but at other times fostering interfaith dialogue and cultural syncretism. The book examines ways in which Algerians have interacted with “others”, notably through intermarriage, political alliance, and shared participation in music or theatre. The Algerian experience is viewed in a long term historical context in which there are cycles of opening when civil society is insulated from government authority, and of closing, with efforts to impose government control through means including arbitrary detention and torture.

This study, drawing on the latest research, tells the story of the decline and fall of the pharaoh Akhenaten's religious revolution in the fourteenth century BC. Beginning at the regime's high-point in his Year 12, it traces the subsequent collapse that saw the deaths of many of the king's loved ones, his attempts to guarantee the revolution through co-rulers, and the last frenzied assault on the god Amun. The book then outlines the events of the subsequent five decades that saw the extinction of the royal line, an attempt to place a foreigner on Egypt's throne, and the accession of three army officers in turn. Among its conclusions are that the mother of Tutankhamun was none other than Nefertiti, and that the queen was joint-pharaoh in turn with both her husband Akhenaten and her son. As such, she was herself instrumental in beginning the return to orthodoxy, undoing her erstwhile husband's life-work before her own mysterious disappearance.

The Fatimids’ apocalyptic vision of their central place in an imminent utopia played a critical role in transfiguring the intellectual and political terrains of North Africa in the early tenth century. Yet the realities that they faced on the ground often challenged their status as the custodians of a pristine Islam at the end of time. Through an examination of a variety of sources including works of taʾwīl or symbolic interpretation, this book illustrates some of the specific structures and functions of Fatimid apocalypticism. It then examines how various components of the apocalyptic myth—especially the utopia that it promised—evolved in response to shifting historical circumstances. The book also focuses on how the evolution of apocalyptic symbolism was related to the Fatimids’ consolidation of authority. The book ends with an extensive analysis of both the ritual and textual dimensions of another apocalyptic event linked to a Fatimid lineage: the Nizari Ismaili declaration of the end of time on August 8, 1164.

This book combines economic, ideological, and aesthetic narrative history with thought-provoking analysis. It provides an overview of cinema in the Arab world, tracing the industry's development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egypt's market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, the book shows how indigenous and external factors combine in a dynamic process of cultural repackaging. This text has been updated to reflect cultural shifts in the last ten years of cinema. The book has a strong focus on Iraq, Lebanon, and Palestine. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this edition introduces readers to some of the most compelling cinematic works of the last decade.

This book presents an up-to-date study on Youssef Chahine's work. The methodological approach of the book, and more precisely the discussion of the theme of Arab national unity from a post-colonial point of view, emphasizes the ideological underpinnings of this Egyptian director's themes as well as his esthetics. The book focuses on the interaction between Chahine's personal and political preoccupations, his eclectic cinematic style, and his devotion to connecting with a wide audience of filmgoers.

This book provides a critical review of Arab women writers from the last quarter of the nineteenth century to the end of the twentieth century. This study—first published in Arabic in 2004—looks at the work of pioneers and then traces the development of Arab women's literature through the end of the twentieth century, and also includes a researched, comprehensive bibliography of writing by Arab women. In the first section nine chapters that cover the Arab Middle East from Morocco to Iraq and Syria to Yemen examine the origin and evolution of women's writing in each country in the region, addressing fiction, poetry, drama, and autobiographical writing. The second part of the volume contains bibliographical entries for over 1,200 Arab women writers from the last third of the nineteenth century through 1999. Each entry contains a short biography and a bibliography of each author's published works. This section also includes Arab women's writing in French and English, as well as a bibliography of works translated into English.

Examining a single broad tribal identity - al-Azd - from pre-Islamic Arabia through the Umayyad and into the early Abbasid era, this book notes the ways it was continually refashioned over that time. It explores the ways in which the rise of the early Islamic empire influenced the peoples of the Arabian Peninsula who became a core part of it, and examines the connections between the kinship societies and the developing state of the early caliphate. This helps us to understand how what are often called 'tribal' forms of social organisation identity conditioned its growth and helped shape what became its common elite culture. Studying the relationship between tribe and state during the first two centuries of the caliphate, the focus is on understanding the survival and transformation of tribal identity until it became part of the literate high culture of the Abbasid caliphate and a component of a larger Arab ethnic identity. The book argues that, from pre-Islamic Arabia to the caliphate, greater continuity existed between tribal identity and social practice than is generally portrayed.

This book offers an unique window onto the social history of Cairo in the eighteenth century. Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo's Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo's then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, this book offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Ottoman Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Al-Armani's life and career tell us much about the immediate world to which he belonged and about the wider context of the Ottoman Empire, which constituted a vast trading area under a single juridical whole.

A socio-political and cultural history of the Armenians in Cold War Lebanon, this book argues that Armenians around the world – in the face of the Genocide, and despite the absence of an independent nation-state after World War I – developed dynamic socio-political, cultural, ideological and ecclesiastical centres. And it focuses on one such centre, Beirut, in the postcolonial 1940s and 1950s. Tsolin Nalbantian explores Armenians’ discursive re-positioning within the newly independent Lebanese nation-state; the political-cultural impact (in Lebanon as well as Syria) of the 1946–8 repatriation initiative to Soviet Armenia; the 1956 Catholicos election; and the 1957 Lebanese elections and 1958 mini-civil war. What emerges is a post-Genocide Armenian history of – principally – power, renewal and presence, rather than one of loss and absence. Armenians Beyond Diaspora: Making Lebanon Their Own investigates Lebanese Armenians’ changing views of their place in the making of the Lebanese state and its wider Arab environment, and in relation to the Armenian Socialist Soviet Republic. It challenges the dominant Armenian historiography, which treats Lebanese Armenians as a subsidiary of an Armenian global diaspora, and contributes to an understanding of the development of class and sectarian cleavages that led to the breakdown of civil society in Lebanon from 1975. In highlighting the role of societal actors in the US–Soviet Cold War in the Middle East, it also questions the tendency to read Middle East history through the lens of dominant (Arab) nationalisms.

The idea of the museum as a space committed to dialogue and inclusive representation which is paramount to museology in the Global North has had trouble finding ground in the Middle East and North Africa where museums remain—and have mostly been depicted as—the carriers of homogenous national identities, at the expense of cultural and social difference. Research recently undertaken by anthropologists, museum specialists and historians reveal that this monolithic museographic conception of culture is in the process of being challenged. Whilst some public museums in the region have engaged in the reconsideration of the narratives underpinning their collections, the past two decades have also seen a boom in private museum initiatives led by social and cultural minority groups whose experiences have until now been marginalised within, or absent from, state-led exhibitionary practices. This volume discusses the contradictions and opportunities museums have created for minority groups across the Mediterranean basin, from the early twentieth century to the contemporary period. It explores whether museums can provide a suitable canvas for minorities to express their voice, what kind of narratives is articulated, and whether these can challenge cultural and social stereotypes and deploy new kinds of identities.

Some of the world’s most exquisite medieval paintings, from late fifteenth-century Herat and the early Safavid workshops, illustrate well-known episodes of popular romances––like Leyla & Majnun––that give prominence to depictions of unrelated figures such as a milkmaid or a spinner at the scene of the hero Majnun’s death. This interdisciplinary study aims to uncover the significance of this enigmatic, century-long trend from its genesis at the Timurid court to its continued development into the Safavid era. The analysis of iconography in several luxury manuscript paintings within the context of contemporary cultural trends, especially the ubiquitous mystical and messianic movements in the post-Mongol Turco-Persian world, reveals the meaning of many of these obscure figures and scenes and links this extraordinary innovation in the iconography of Persian painting to one of the most significant events in the history of Islam: the takeover of Iran by the Safavids in 1501. The apparently inscrutable figures, which initially appeared in illustrations of didactic Sufi narrative poetry, allude to metaphors and verbal expressions of Sufi discourse going back to the twelfth century. These “emblematic” figure-types served to emphasize the moral lessons of the narrative subject of the illustrated text by deploying familiar tropes from an intertextual Sufi literary discourse conveyed through verses by poets like Rumi, Attar and Jami, and ended up complementing and expressing Safavid political power at its greatest extent: the conversion of Iran to Shiism.

This book presents a history of Old Cairo based on new archaeological evidence gathered between 2000 and 2006 during a major project to lower the groundwater level affecting the churches and monuments of this area of Cairo known by the Romans as Babylon. Examination of the material and structural remains revealed a sequence of continuous occupation extending from the sixth century BC to the present day. These include the massive stone walls of the canal linking the Nile to the Red Sea, and the harbor constructed by Trajan at its entrance around 110 AD. The Emperor Diocletian built the fortress of Babylon around the harbor and the canal in 300 AD, and much new information has come to light concerning the construction and internal layout of the fortress, which continues to enclose and define the enclave of Old Cairo. Important evidence for the early medieval transformation of the area into the nucleus of the Arab city of al-Fustat and its later medieval development is also presented.

Bayana in Rajasthan and its monuments challenge the perceived but established view of the development of Indo-Muslim architecture and urban form. At the end of the 12th century the Ghurid conquerors took the mighty Hindu fort, building the first Muslim city below on virgin ground. It was the centre of an autonomous region during the 15th and 16th centuries and was even considered by Sikandar Lodī for the capital of his sultanate before he decided on Agra, then a mere village of Bayana. A peculiarity of historic sites in India is that whole towns with outstanding remains can, through political change or climatic events, be either built over by modern developments or fall into obscurity. The latter is the case with Bayana, abandoned following an earthquake in 1505. Going beyond a simple study of the historic, architectural and archaeological remains ‒ surveyed and illustrated in detail ‒ the book takes on the wider issues of how far the artistic traditions of Bayana, which developed independently from those of Delhi, later influenced North Indian architecture and were the forerunners of the Mughal architectural style, which draw many of its features from innovations developed first in Bayana.

The main objective of this book is to explore the dynamics of the bazaar within a broad socio-spatial and political perspective by investigating a number of case studies from North Africa to the Middle East. It includes papers on different facets of the bazaar from historical, architectural, sociological, and anthropological perspectives. The Middle Eastern bazaar is much more than a context for commerce: the studies in this book illustrate that markets, regardless of their location, scale, and permanency, have also played important cultural roles within their societies, reflecting historical evolution, industrial development, social and political conditions, urban morphology, and architectural functions. This interdisciplinary volume explores the dynamics of the bazaar with a number of case studies from Cairo, Damascus, Aleppo, Nablus, Bursa, Istanbul, Sana'a, Kabul, Tehran, and Yazd. Although they share some contextual and functional characteristics, each bazaar has its own unique and fascinating history, traditions, cultural practices, and structure. One of the most intriguing aspects revealed in this volume is the thread of continuity from past to present exhibited by the bazaar as a forum where a society meets and intermingles in the practice of goods exchange—a social and cultural ritual that is as old as human history.