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This book discusses how justice was administrated and applied in medieval Egypt. The model that evolved during the early middle ages involved four judicial institutions: the cadi, the court of complaints (mazalim), the police (shurta), responsible for criminal justice, and the Islamised market law (hisba), administrated by the market supervisor (the muhtasib). Literary and non-literary sources are used to highlight how these institutions worked in real-time situations such as the famine of 1024-1025, which posed tremendous challenges to both the market supervisor and the ruling establishment. The inner workings of the court of complaint during the Fatimid period (10^th-12^th century) are also extensively discussed. The discussion is extended to include the way the courts of non-Muslim communities were perceived and functioned during the Fatimid period. The discussion also provides insights into the scope of non-Muslim self-rule/judicial autonomy in medieval Islam.

A socio-political and cultural history of the Armenians in Cold War Lebanon, this book argues that Armenians around the world – in the face of the Genocide, and despite the absence of an independent nation-state after World War I – developed dynamic socio-political, cultural, ideological and ecclesiastical centres. And it focuses on one such centre, Beirut, in the postcolonial 1940s and 1950s. Tsolin Nalbantian explores Armenians’ discursive re-positioning within the newly independent Lebanese nation-state; the political-cultural impact (in Lebanon as well as Syria) of the 1946–8 repatriation initiative to Soviet Armenia; the 1956 Catholicos election; and the 1957 Lebanese elections and 1958 mini-civil war. What emerges is a post-Genocide Armenian history of – principally – power, renewal and presence, rather than one of loss and absence. Armenians Beyond Diaspora: Making Lebanon Their Own investigates Lebanese Armenians’ changing views of their place in the making of the Lebanese state and its wider Arab environment, and in relation to the Armenian Socialist Soviet Republic. It challenges the dominant Armenian historiography, which treats Lebanese Armenians as a subsidiary of an Armenian global diaspora, and contributes to an understanding of the development of class and sectarian cleavages that led to the breakdown of civil society in Lebanon from 1975. In highlighting the role of societal actors in the US–Soviet Cold War in the Middle East, it also questions the tendency to read Middle East history through the lens of dominant (Arab) nationalisms.

This volume is concerned with the ways in which bioprecarity, here understood as the vulnerabilization of people as embodied selves, is created through regulations and norms that encourage individuals to seek or provide bodily interventions of different kinds. We explore this in particular in relation to intimacy and intimate labour, such as in the making of families and kin and in various forms of care work. Advances in biotechnology, medical tourism, and the visibilization of minoritized communities have resulted in unsettling the norms around the gendered body, intimate relations and intimate labour. Bodily interventions have socio-cultural meanings and consequences both for those who seek such interventions and for those who provide the intimate labour in conducting them. The purpose of this volume is to explore these. This exploration involves socio-cultural questions of boundary work, of privilege, of bodily ownership, of the multiple meanings of want (understood both as desire, for example, the desire to have children or to change one’s bodily appearance; and as need - as in economic need - which often prompts people to undertake migration and/or intimate labour). It also raises questions about different kinds of vulnerabilities, for of those who engage, and those who engage in, intimate labour. We use the term ‘bioprecarity’ to analyse those vulnerabilities.

This book uses the Catholic parish to view Mexican immigration and ethnicity in the United States with a focus on Chicago. For Mexican immigrants, the parish had an Americanizing influence on its members. At the same time, many Mexican Americans gained a sense of mexicanidad by participating in the parish’s religious and social events. This process of building a Mexican identity and community in Chicago began in the 1920s. The first parishes served as refuges and as centers of community and identity. Mexicans fiercely attached themselves to specific parishes in Chicago, much like European American groups before them. The book explores how Chicago’s expanding Mexican Catholic population, contained in just two parishes prior to 1960, reshaped dozens of parishes and entire neighborhoods. The laity, often with Spanish-speaking clergy, made these parishes Mexican. The third largest archdiocese in the United States has, in many ways, become “Chicago católico,” a place where religious devotions hold sway well beyond church doors. With its century-old Mexican population, Chicago presaged a national trend. Today Latinos comprise 17 percent of the US population. This book’s parish-level research offers historic lessons for myriad communities currently undergoing ethnic succession and integration around the nation.

This book explains how American suburban school districts gained a competitive edge over their urban counterparts. It focuses on the period between 1950 and 1980, and presents a detailed study of metropolitan Kansas City, a region representative of trends elsewhere. While big-city districts once were widely seen as superior and attracted families seeking the best educational opportunities for their children, suburban school systems grew rapidly in the post-World War II era as middle-class and more affluent families moved to those communities. At the same time, economically dislocated African Americans migrated from the South to center-city neighborhoods, testing the capacity of urban institutions. As demographic trends drove this urban–suburban divide, a suburban ethos of localism contributed to the socioeconomic exclusion that became a hallmark of outlying school systems. As the book demonstrates, struggles to achieve greater educational equity and desegregation in urban centers contributed to so-called white flight and what Senator Daniel Patrick Moynihan considered to be a crisis of urban education in 1965. Despite the often valiant efforts made to serve inner city children and bolster urban school districts, this exodus, the book argues, created a new metropolitan educational hierarchy—a mirror image of the urban-centric model that had prevailed before World War II. The stubborn perception that suburban schools are superior, based on test scores and budgets, has persisted into the twenty-first century and instantiates today's metropolitan landscape of social, economic, and educational inequality.

From North Dakota's Standing Rock encampments to Arizona's San Francisco Peaks, Native Americans have repeatedly asserted legal rights to religious freedom to protect their sacred places, practices, objects, knowledge, and ancestral remains. But these claims have met with little success in court because Native American communal traditions don't fit easily into modern Western definitions of religion. This book explores how, in response to this situation, Native peoples have creatively turned to other legal means to safeguard what matters to them. To articulate their claims, Native peoples have resourcefully used the languages of cultural resources under environmental and historic preservation law; of sovereignty under treaty-based federal Indian law; and, increasingly, of Indigenous rights under international human rights law. Along the way, Native nations still draw on the rhetorical power of religious freedom to gain legislative and regulatory successes beyond the First Amendment. This book casts new light on discussions of religious freedom, cultural resource management, and the vitality of Indigenous religions today.

The Digital City focuses on the interface of people, urban place, and the role that digital media play in placemaking endeavors. Critics have understood digital media as forces that alienate and disembed users from space and place. This book argues that the exact opposite processes are observable: many different actors are consciously and habitually using digital technologies to re-embed themselves within urban space. Five case studies from cities around the world illustrate the concept of “re-placeing” by showing how different populations employ urban broadband networks, social and locative media platforms, digital navigation technologies, smart cities, and creative placemaking initiatives to reproduce abstract urban spaces as inhabited places with deep meanings and emotional attachments. Through clear and accessible language and timely narratives of everyday urban life, the author argues that a sense of place is integral to understanding contemporary relationships with digital media while highlighting our own awareness of the places where we find ourselves and where our technologies find and place us. Through ethnographic and discourse analysis of everyday digital media practices and technologies, this book expands practical and theoretical understandings of the ways urban planners envision and plan connected cities, the role of urban communities in shaping and interpreting digital architectures, and the tales of the city produced through mobile and web-based platforms. Digital connectivity is reshaping the city and the ways we navigate through it and belong within it. How this happens and the types of places we produce within these networked environments are what this book addresses.

Digital Humanities in Latin America performs a number of tasks: a re-definition of the nations’ symbolic territories, which implies their exploration as digital contexts, experiments, media products, or even as uneven battlefields; a re-examination of the role of transnational networks in the configuration of new identities and/or communities, as exemplified by the cases of the Andean, Latin, and Afro-Latin networks discussed in this book; and a highlighting of the importance of cases that complexify the interaction between national territories and transnational flows through the remixing of aesthetic and political codes. Cognizant of the risks implicit in hegemonic agency, its object is to serve as a vehicle of communication between the Latin American digital humanities and the English-speaking circles of this field in the US and the UK, while at the same time documenting the existence and viability of pertinent academic initiatives south of the border.

The Enforcers describes the problems with business journalism and its possible future by focusing on the little-studied genre of the trade press. A historical and normative analysis of business journalism frames a case study about a small but extraordinary trade newspaper, the National Thrift News, whose aggressive reporting on the savings-and-loan crisis contributed to the downfall of a corrupt banker, Charles Keating Jr., chairman of American Continental Corporation and owner of Lincoln Savings and Loan. The National Thrift News offers broader lessons for mainstream business journalism in that its newsroom envisioned investigative reporting as a commercial and market opportunity; the editor’s part-ownership of the newspaper allowed the staff to take risks. The National Thrift News defied a long-standing narrative that trade publications are captive to the industries they cover; the case study provides new evidence of accountability and investigative journalism in the trade press. It explores the complex relationships and interactions between businesspeople and the press, how their fortunes can rise and fall as a result of similar economic forces, and how their roles in the capitalist system create tension and put them at odds with one another. This book makes the case that business journalism must evolve from its origins as market servant and become a market watchdog.

This book addresses the role of media, particularly periodicals, in the American women’s suffrage movement, and in public understandings of the campaign for a Constitutional amendment enfranchising women. Chapters deal with the rhetoric of pro- and antisuffrage activists as covered in the mainstream regional and national press; several chapters deal with suffragists’ own periodicals, as well as with other non-mainstream periodicals, including the black press and socialist and radical periodicals. These new studies offer fresh perspectives on relatively familiar suffrage narratives while exploring lesser-known aspects of the roles of journalism, publicity, visual communication, and external alliances with organizations and individuals. Taken collectively, the chapters clarify intersections of suffrage ideas with other social and political movements as well as differences by geography and culture. The essays are marked by attention to the movement’s long-term implications; to contemporary concepts such as social movement and countermovement strategies, status conflict, and the public sphere; and by sensitivity to race, class, and regional politics. As the historiography offered here makes clear, these issues were largely ignored in the first wave of suffrage research.

The chapter authors detail local engagements with technology and the natural world in Latin America across time and reveal the social, political, and economic conditions that have led to the relative obscurity of such research in a world history of science. Comparative thinking is an important feature in this volume, as it helps situate the issue of Latin American scientific innovation within the global currents of science and understand the particular inequalities they produce and reproduce. The asymmetries that govern the global production of scientific knowledge have certainly affected the kind of science that is possible “at the periphery,” to use the term adopted by many Latin American historians of science. While examining a number of cases from the colonial times to the present, we propose a critical understanding of how such asymmetries have operated. To give an example, the history of science in Latin America has been bound up, since colonization, with that of Spain, sharing its peripheral status in the global history of science. This representation is now beginning to be challenged with greater attention to the “dynamic and multiple” exchanges that characterized the production and dissemination of scientific knowledge in the colonial era and to the particular forms taken by colonial science. A number of chapters in this volume contribute to this new thrust in scholarship on colonial Spanish and Latin American science.

This book explores sensationalism as it took hold of U.S. media between 1870 and 1900. During this period, print news publishers became adept at translating stories about sex, crime, and violence into emotion-based pictures. Analysis of significant episodes in media history shows how a range of news media producers engaged with the sensational style. As they pioneered the art of visual journalism, news publishers conveyed racial, class, and gender anxieties in a complex dialogue with audiences that established precedents for modern media. Prominent cases – obscenity litigation, anti-Chinese violence, the Ghost Dance, Jim Crow-era lynching, and domestic violence – demonstrate how efforts to maximize the dramatic power of the news transformed everyday reporting and established standards for visual journalism. Commercial newspaper editors exploited sensationalism’ economic benefits, while marginalized groups and social activists experimented with its power to challenge negative stereotyping and mobilize their own constituencies. By the 1890s, a wide range of publications had come to embrace, adapt, and expand the sensational style through news illustration – albeit in different ways for different audiences. The patterns prevalent in entertainment publications infiltrated the commercial dailies, and even low-budget political news sheets: few publications could afford to resist borrowing from the sensational toolkit. As sensationalism increasingly pervaded visual journalism, the very nature of the news changed.

Indigenous women migrants from Central America and Mexico face harrowing experiences of violence before, during, and after their migration to the United States, like all asylum seekers. But as Shannon Speed argues, the circumstances for Indigenous women are especially devastating, given their disproportionate vulnerability to neoliberal economic and political policies and practices in Latin America and the United States, including policing, detention, and human trafficking. Speed dubs this vulnerability "neoliberal multicriminalism" and identifies its relation to settler structures of Indigenous dispossession and elimination. Using innovative ethnographic practices to record and recount stories from Indigenous women in U.S. detention, Speed demonstrates that these women's vulnerability to individual and state violence is not rooted in a failure to exercise agency. Rather, it is a structural condition, created and reinforced by settler colonialism, which consistently deploys racial and gender ideologies to manage the ongoing business of occupation and capitalist exploitation. With sensitive narration and sophisticated analysis, this book reveals the human consequences of state policy and practices throughout the Americas and adds vital new context for understanding the circumstances of migrants seeking asylum in the United States.

The Insubordination of Photography studies the documentary practices of photography devised by different collectives (relatives of the detained-disappeared, church organizations, visual artists, and photographers), organizations, and independent media, which resisted, defied, and participated in the downfall of the dictatorial regime in Chile. Given a milieu saturated by disinformation and cover-ups of all kinds and restricted by repression and censorship, how does one demand and make visible the truth about the (denied) crime of forced disappearances under Pinochet’s Chilean dictatorship? At a moment when resistance was gaining more prevalence on the streets and in the independent media, how could one ensure the safety of independent photographers and challenge censorship? How does one convey denunciation when images are prohibited? The objects studied in this book emerged as answers to these pressing questions. Different documentary practices of photography were devised to make visible the crime of forced disappearances in the public space (chapter one), to produce a credible visual record of forensic evidence in a paramount legal case (chapter two), to denounce and resist precarity and protect the work of independent photographers and reporters (chapter three), and to challenge—and ridicule—censorship and the limitations imposed on freedom of the press (chapter four). These practices not only changed the depth of field, which the dictatorship attempted to control by all necessary means, but also, and perhaps more importantly, strengthened the ideology and the public space of the opposition while expanding the photographic field.

Since the early 1990s, Israel has greatly expanded a system checkpoints, walls and other barriers in the West Bank and Gaza that restrict Palestinian mobility. As a result, such border spaces have become ubiquitous elements of everyday life, with profound political, socio-cultural, and economic effects.  Israel/Palestine examines how authors and filmmakers in the West Bank, Gaza, and Israel have grappled with the spread and impact of these borders in the period since the Oslo Accords of 1994. Focusing on novels by Raba’i al-Madhoun, Ghassan Kanafani, Sami Michael and Sayed Kashua, and films by Elia Suleiman, Simon Bitton, Emad Burnat, and Guy Davidi, Israel/Palestine traces how political engagement in literature and film has shifted away from previously common paradigms of resistance and coexistence. Instead, it has become reorganised around these now ubiquitous physical barriers. Using strategies of narrative fragmentation, multivocality, metafiction, fantasy, and silence to depict the effects of these borders, authors and filmmakers interrogate the notion that such spaces are impenetrable and unbreakable by revealing their deceptive and illusive qualities. In doing so, they also imagine distinct forms of protest, and redefine the relationship between cultural production and political engagement.

Uncovering a history buried by competing nationalist narratives (Jewish, Arab and Palestinian) this book looks at how the late Ottoman era set the stage for the on-going Palestinian-Israeli conflict that has lasted for over a century. It changes how we understand the conflict by exploring the period before World War One: a time when a unique sense of Palestinian identity emerged, and many Zionists imagined a Jewish national home within an Ottoman framework. Further it argues that in the late Ottoman era, Jews and Palestinians were already locked in conflict. The new freedoms introduced by the Young Turk Constitutional Revolution exacerbated divisions, rather than serving as a unifying factor. Offering an integrative approach, this book considers both communities, together and separately, in order to provide a more sophisticated narrative of how the conflict unfolded in its first years. This book is based on documents in Ottoman Turkish, Arabic, Hebrew, and French, and moves beyond Palestine to see how the debate over Zionism also played out in the Ottoman capital of Istanbul, where both Jews and Palestinians set out to “claim their homeland.

This book reconstructs different images of modern femininities and their evolution during the 1920s and 1930s, showing that women were at the center of a public debate about modernity and its consequences on the emergence of an Argentine national identity. With a focus on competing media representations of womanhood, mainly proposed by male contemporaries, but also with attention to young women’s descriptions of their experiences, the book explores different images of modern femininities and what they reveal about how Argentines imagined themselves and their country during decades of cultural and social renewal. Based on an analysis of a wide range of consumer culture sources—including women’s and general interest magazines and daily newspapers, pulp fiction, advertising, popular music, and films—this book shows that the multifaceted figure of the modern girl embodied the hopes, tensions and anxieties associated with sociocultural transformations, while becoming the bearer of diverse assessments about the Argentine nation. While the young modern woman was sometimes invoked to symbolize fears of the country’s moral decadence and cultural loss, at other times she stood for an “advanced” nation in the media, and her image was a demonstration of national progress and civilization. By reconstructing the emergence and evolution of new female images and their connection to the conformation of different versions of Argentina’s national identity, this book not only unveils the dynamics of sociocultural change but also explores its gendered and nationalistic dimension.

Latin American Culture and the Limits of the Human curates an important series of case studies of the posthuman imaginaries and nonhuman tropes employed in a broad range of Latin American cultural texts, from the narratives of Las Casas to new media and installation art in contemporary Mexico, Colombia, and Argentina. The book’s introduction highlights the ways the figure of the “limit” has functioned as an important site of aesthetic, ontological, and political experimentation and reworking in Latin American cultural production, and underlines the potentialities and possible risks associated with the use of posthuman frameworks in the region. The different chapters examine the ways human borders and boundaries have been tested, undermined, and reformulated in relation to issues including dictatorial violence and drug war necropolitics, ecological storytelling, indigenous thought systems, gender, race, history, and new materialism. The book as a whole marshals a wide range of theoretical frameworks and points to the complex ways Latin American culture intersects with and departs from global formulations of humanism and the posthuman.