John Kinsella
Niall Lucy (ed.)
- Published in print:
- 2010
- Published Online:
- June 2013
- ISBN:
- 9781846314698
- eISBN:
- 9781846316142
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846316142
- Subject:
- Literature, Poetry
John Kinsella is known internationally as the acclaimed author of more than thirty books of poetry and prose, but in tandem with — and often directly through — his creative and critical work, ...
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John Kinsella is known internationally as the acclaimed author of more than thirty books of poetry and prose, but in tandem with — and often directly through — his creative and critical work, Kinsella is also a prominent activist. In this book the vegan anarchist pacifist poet claims that poetry can act as a vital form of resistance to a variety of social and ethical ills, in particular ecological damage and abuse. Kinsella builds on his earlier notion of ‘linguistic disobedience’ evolving out of civil disobedience, and critiques the figurative qualities of his poems in a context of resistance. The book includes explorations of anarchism, veganism, pacifism and ecological poetics. For Kinsella all poetry is political and can be a call to action.Less
John Kinsella is known internationally as the acclaimed author of more than thirty books of poetry and prose, but in tandem with — and often directly through — his creative and critical work, Kinsella is also a prominent activist. In this book the vegan anarchist pacifist poet claims that poetry can act as a vital form of resistance to a variety of social and ethical ills, in particular ecological damage and abuse. Kinsella builds on his earlier notion of ‘linguistic disobedience’ evolving out of civil disobedience, and critiques the figurative qualities of his poems in a context of resistance. The book includes explorations of anarchism, veganism, pacifism and ecological poetics. For Kinsella all poetry is political and can be a call to action.
A. F. Garvie
- Published in print:
- 2006
- Published Online:
- September 2014
- ISBN:
- 9781904675365
- eISBN:
- 9781781387146
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781904675365.001.0001
- Subject:
- Classical Studies, Plays and Playwrights: Classical, Early, and Medieval
This book's first appearance (1969) was a full response to the publication (in 1952) of a papyrus fragment from Oxyrhynchus which indicated a late production date (in the 460s bc) for Aeschylus' ...
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This book's first appearance (1969) was a full response to the publication (in 1952) of a papyrus fragment from Oxyrhynchus which indicated a late production date (in the 460s bc) for Aeschylus' trilogy Supplices, thus upsetting the previous scholarly consensus that it was an early work — indeed the earliest Greek tragedy to survive. There was, the book argued, no longer good reason to suppose that the play belonged to an early stage in its author's development. A final chapter also examines the evidence for reconstruction of the other, lost plays of the trilogy. Few would now argue, as they used to, that Supplices belongs to the 490s but some still have the feeling that it looks like an early play; they attempt to put it back into the 470s. Stylistic and structural evidence, itself often subjective, is not strong enough to place the play in one decade or exclude it from the previous one; but the book remains convinced that, even without the additional testimony of the papyrus, all the internal evidence points to the 460s. While the view that Supplices is very early may now have died, some of the salutary lessons of P.Oxy 2256 fr. 3 have still to be learnt and it is timely for this re-issue to be presented to a new generation of Aeschylean students and scholars.Less
This book's first appearance (1969) was a full response to the publication (in 1952) of a papyrus fragment from Oxyrhynchus which indicated a late production date (in the 460s bc) for Aeschylus' trilogy Supplices, thus upsetting the previous scholarly consensus that it was an early work — indeed the earliest Greek tragedy to survive. There was, the book argued, no longer good reason to suppose that the play belonged to an early stage in its author's development. A final chapter also examines the evidence for reconstruction of the other, lost plays of the trilogy. Few would now argue, as they used to, that Supplices belongs to the 490s but some still have the feeling that it looks like an early play; they attempt to put it back into the 470s. Stylistic and structural evidence, itself often subjective, is not strong enough to place the play in one decade or exclude it from the previous one; but the book remains convinced that, even without the additional testimony of the papyrus, all the internal evidence points to the 460s. While the view that Supplices is very early may now have died, some of the salutary lessons of P.Oxy 2256 fr. 3 have still to be learnt and it is timely for this re-issue to be presented to a new generation of Aeschylean students and scholars.
Eve Rosenhaft and Robbie Aitken (eds)
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9781846318474
- eISBN:
- 9781781380437
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781846318474.001.0001
- Subject:
- History, Imperialism and Colonialism
The essays in this volume explore the lives and activities of people of African descent – both black and white - in Europe between the 1880s and the beginning of the twenty-first century. They go ...
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The essays in this volume explore the lives and activities of people of African descent – both black and white - in Europe between the 1880s and the beginning of the twenty-first century. They go beyond the still-dominant Anglo-American or transatlantic emphasis of Black Studies, examining the experiences of Africans, Afro-Caribbeans and African Americans in Germany, France, Portugal, Italy and the Soviet Union, as well as in Britain. Their subjects include people moving between European states and state jurisdictions or from the former colony of one state to another place in Europe, African-born colonial settlers returning to the metropolis, migrants conversing across ethnic and cultural boundaries among ‘Africans’, and visitors for whom the face-to-face encounter with European society involves working across the ‘colour line’ and testing the limits of solidarity. The authors focus on the ways in which their subjects have used the skills and resources they brought with them and the ones they found in each place of arrival to construct themselves and their families as subjects of their own lives, and also what new visions of self and community (or politics) have been enabled by the crossing of borders. The volume is multidisciplinary, and the contributors include a novelist and a filmmaker who reflect on their own experiences of these complex histories and the challenges of narrating them.Less
The essays in this volume explore the lives and activities of people of African descent – both black and white - in Europe between the 1880s and the beginning of the twenty-first century. They go beyond the still-dominant Anglo-American or transatlantic emphasis of Black Studies, examining the experiences of Africans, Afro-Caribbeans and African Americans in Germany, France, Portugal, Italy and the Soviet Union, as well as in Britain. Their subjects include people moving between European states and state jurisdictions or from the former colony of one state to another place in Europe, African-born colonial settlers returning to the metropolis, migrants conversing across ethnic and cultural boundaries among ‘Africans’, and visitors for whom the face-to-face encounter with European society involves working across the ‘colour line’ and testing the limits of solidarity. The authors focus on the ways in which their subjects have used the skills and resources they brought with them and the ones they found in each place of arrival to construct themselves and their families as subjects of their own lives, and also what new visions of self and community (or politics) have been enabled by the crossing of borders. The volume is multidisciplinary, and the contributors include a novelist and a filmmaker who reflect on their own experiences of these complex histories and the challenges of narrating them.
Patrick Crowley (ed.)
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9781786940216
- eISBN:
- 9781786944245
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781786940216.001.0001
- Subject:
- History, World Modern History
Algeria: Nation, Culture and Transnationalism 1988–2015 offers new insights into contemporary Algeria. Drawing on a range of different approaches to the idea of Algeria and to its contemporary ...
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Algeria: Nation, Culture and Transnationalism 1988–2015 offers new insights into contemporary Algeria. Drawing on a range of different approaches to the idea of Algeria and to its contemporary realities, the chapters in this volume serve to open up any discourse that would tie ‘Algeria’ to a fixed meaning or construct it in ways that neglect the weft and warp of everyday cultural production and political action. The configuration of these essays invites us to read contemporary cultural production in Algeria not as determined indices of a specific place and time (1988–2015) but as interrogations and explorations of that period and of the relationship between nation and culture. The intention of this volume is to offer historical moments, multiple contexts, hybrid forms, voices and experiences of the everyday that will prompt nuance in how we move between frames of enquiry. These chapters — written by specialists in Algerian history, politics, music, sport, youth cultures, literature, cultural associations and art — offer the granularity of microhistories, fieldwork interviews and studies of the marginal in order to break up a synthetic overview and offer keener insights into the ways in which the complexity of Algerian nation-building are culturally negotiated, public spaces are reclaimed, and Algeria reimagined through practices that draw upon the country’s past and its transnational present.Less
Algeria: Nation, Culture and Transnationalism 1988–2015 offers new insights into contemporary Algeria. Drawing on a range of different approaches to the idea of Algeria and to its contemporary realities, the chapters in this volume serve to open up any discourse that would tie ‘Algeria’ to a fixed meaning or construct it in ways that neglect the weft and warp of everyday cultural production and political action. The configuration of these essays invites us to read contemporary cultural production in Algeria not as determined indices of a specific place and time (1988–2015) but as interrogations and explorations of that period and of the relationship between nation and culture. The intention of this volume is to offer historical moments, multiple contexts, hybrid forms, voices and experiences of the everyday that will prompt nuance in how we move between frames of enquiry. These chapters — written by specialists in Algerian history, politics, music, sport, youth cultures, literature, cultural associations and art — offer the granularity of microhistories, fieldwork interviews and studies of the marginal in order to break up a synthetic overview and offer keener insights into the ways in which the complexity of Algerian nation-building are culturally negotiated, public spaces are reclaimed, and Algeria reimagined through practices that draw upon the country’s past and its transnational present.
Inez ven der Spek
- Published in print:
- 2000
- Published Online:
- May 2014
- ISBN:
- 9780853238140
- eISBN:
- 9781781380444
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853238140.001.0001
- Subject:
- Literature, Criticism/Theory
At the heart of this study is a science fiction story by James Tiptree Jr (Alice Sheldon-Bradley, 1916–1987) about a brother and a sister (and fifty-eight other human beings) who encounter an alien ...
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At the heart of this study is a science fiction story by James Tiptree Jr (Alice Sheldon-Bradley, 1916–1987) about a brother and a sister (and fifty-eight other human beings) who encounter an alien while on a starship travelling to discover a habitable planet. The book includes an outline of Tiptree's work and of her remarkable life as the only child of jungle explorers, as a painter, an American agent during and after World War II, an experimental psychologist, and a female science fiction writer in male disguise.Less
At the heart of this study is a science fiction story by James Tiptree Jr (Alice Sheldon-Bradley, 1916–1987) about a brother and a sister (and fifty-eight other human beings) who encounter an alien while on a starship travelling to discover a habitable planet. The book includes an outline of Tiptree's work and of her remarkable life as the only child of jungle explorers, as a painter, an American agent during and after World War II, an experimental psychologist, and a female science fiction writer in male disguise.
William Wootten
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781781381632
- eISBN:
- 9781781384893
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381632.001.0001
- Subject:
- Literature, Poetry
This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as ...
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This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez's classic anthology The New Poetry, take poetry ‘Beyond the Gentility Principle’. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath, and Peter Porter. This book explores what these five poets shared in common, their connections, critical reception, rivalries, and differences, and locates what was new and valuable in their work. The book presents an important re-evaluation of a time when contemporary poetry and its criticism had a cultural weight it has now lost and when a ‘new seriousness’ was to become closely linked to questions of violence, psychic unbalance and, most controversially of all, suicide.Less
This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez's classic anthology The New Poetry, take poetry ‘Beyond the Gentility Principle’. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath, and Peter Porter. This book explores what these five poets shared in common, their connections, critical reception, rivalries, and differences, and locates what was new and valuable in their work. The book presents an important re-evaluation of a time when contemporary poetry and its criticism had a cultural weight it has now lost and when a ‘new seriousness’ was to become closely linked to questions of violence, psychic unbalance and, most controversially of all, suicide.
Martin Munro and Celia Britton (eds)
- Published in print:
- 2012
- Published Online:
- June 2013
- ISBN:
- 9781846317538
- eISBN:
- 9781846317200
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846317200
- Subject:
- Literature, World Literature
The Francophone Caribbean and the American South are sites born of the plantation, the common matrix for the diverse nations and territories of the circum-Caribbean. This book takes as its premise ...
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The Francophone Caribbean and the American South are sites born of the plantation, the common matrix for the diverse nations and territories of the circum-Caribbean. This book takes as its premise that the basic configuration of the plantation, in terms of its physical layout and the social relations it created, was largely the same in the Caribbean and the American South. Chapters written by leading authorities in the field examine the cultural, social, and historical affinities between the Francophone Caribbean and the American South, including Louisiana, which among the Southern states has had a quite particular attachment to France and the Francophone world. The chapters focus on issues of history, language, politics and culture in various forms, notably literature, music and theatre. The chapters explore in innovative ways the notions of creole culture and creolization, terms rooted in and indicative of contact between European and African people and cultures in the Americas, and which are promoted here as some of the most productive ways for conceiving of the circum-Caribbean as a cultural and historical entity.Less
The Francophone Caribbean and the American South are sites born of the plantation, the common matrix for the diverse nations and territories of the circum-Caribbean. This book takes as its premise that the basic configuration of the plantation, in terms of its physical layout and the social relations it created, was largely the same in the Caribbean and the American South. Chapters written by leading authorities in the field examine the cultural, social, and historical affinities between the Francophone Caribbean and the American South, including Louisiana, which among the Southern states has had a quite particular attachment to France and the Francophone world. The chapters focus on issues of history, language, politics and culture in various forms, notably literature, music and theatre. The chapters explore in innovative ways the notions of creole culture and creolization, terms rooted in and indicative of contact between European and African people and cultures in the Americas, and which are promoted here as some of the most productive ways for conceiving of the circum-Caribbean as a cultural and historical entity.
William Blazek and Michael K. Glenday (eds)
- Published in print:
- 2005
- Published Online:
- June 2013
- ISBN:
- 9780853237365
- eISBN:
- 9781846312540
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846312540
- Subject:
- Literature, American, 20th Century Literature
In its more than three decades of existence, the discipline of American studies has been reliably unreliable, its boundaries and assumptions forever shifting as it continuously repositions itself to ...
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In its more than three decades of existence, the discipline of American studies has been reliably unreliable, its boundaries and assumptions forever shifting as it continuously repositions itself to better address the changing character of American life, literature, and culture. This book looks at the current reinvention of American studies, a reinvention that has questioned the whole notion of what ‘American’ – let alone ‘American studies’ – means. The chapters range widely in considering these questions, from the effect of Muhammad Ali on Norman Mailer's writings about boxing, to the interactions of myth and memory in the fictions of Jayne Anne Phillips, to the conflicted portrayal of the American West in Cormac McCarthy's novels. Four chapters in the collection focus on Native American authors, including Leslie Marmon Silko and Gerald Vizenor, while another considers Louise Erdrich's novels in the context of Ojibwa myth.Less
In its more than three decades of existence, the discipline of American studies has been reliably unreliable, its boundaries and assumptions forever shifting as it continuously repositions itself to better address the changing character of American life, literature, and culture. This book looks at the current reinvention of American studies, a reinvention that has questioned the whole notion of what ‘American’ – let alone ‘American studies’ – means. The chapters range widely in considering these questions, from the effect of Muhammad Ali on Norman Mailer's writings about boxing, to the interactions of myth and memory in the fictions of Jayne Anne Phillips, to the conflicted portrayal of the American West in Cormac McCarthy's novels. Four chapters in the collection focus on Native American authors, including Leslie Marmon Silko and Gerald Vizenor, while another considers Louise Erdrich's novels in the context of Ojibwa myth.
David Seed
Susan Castillo (ed.)
- Published in print:
- 2009
- Published Online:
- June 2013
- ISBN:
- 9781846311802
- eISBN:
- 9781846315084
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846315084
- Subject:
- Literature, Criticism/Theory
In this collection, leading scholars in the field examine the interfaces between narratives of travel and of empire. The term ‘American’, used here in the hemispheric sense, and ‘American travel ...
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In this collection, leading scholars in the field examine the interfaces between narratives of travel and of empire. The term ‘American’, used here in the hemispheric sense, and ‘American travel writing’ include both writing about America by visitors and writings by Americans abroad. The contributors are recognized specialists in different periods of American literature and travel writing. The chapters explore the ways in which descriptions of the landscapes and peoples of colonized territories shaped perceptions of these areas; the transmission of images and metaphors between colony and metropole; the othering of non-scribal cultures as ‘primitive’ or ‘wild’; the deployment of representations of encounters between European and other cultures in order to critique or reinforce European or American values and cultural practices; and the tacit assumptions of cultural or economic hegemony underlying U.S. or European travel writing.Less
In this collection, leading scholars in the field examine the interfaces between narratives of travel and of empire. The term ‘American’, used here in the hemispheric sense, and ‘American travel writing’ include both writing about America by visitors and writings by Americans abroad. The contributors are recognized specialists in different periods of American literature and travel writing. The chapters explore the ways in which descriptions of the landscapes and peoples of colonized territories shaped perceptions of these areas; the transmission of images and metaphors between colony and metropole; the othering of non-scribal cultures as ‘primitive’ or ‘wild’; the deployment of representations of encounters between European and other cultures in order to critique or reinforce European or American values and cultural practices; and the tacit assumptions of cultural or economic hegemony underlying U.S. or European travel writing.
Seth T. Reno
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781786940834
- eISBN:
- 9781789623185
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786940834.001.0001
- Subject:
- Literature, Criticism/Theory
Situated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling ...
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Situated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling and emotion have been traditional mainstays of Romantic literature, the concept of love is under-studied and under-appreciated, often neglected or dismissed as idealized, illusory, or overly sentimental. However, Seth Reno shows that a particular conception of intellectual love is interwoven with the major literary, scientific, and philosophical discourses of the period. Romantic-era writers conceived of love as integral to broader debates about the nature of life, the biology of the human body, the sociology of human relationships, the philosophy of nature, and the disclosure of being. Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza’s Ethics,through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets. From William Wordsworth and John Clare’s love of nature, to Percy Shelley’s radical politics of love, to the more sceptical stances of Felicia Hemans, Alfred Tennyson, and Matthew Arnold, this book shows intellectual love to be a pillar of Romanticism.Less
Situated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling and emotion have been traditional mainstays of Romantic literature, the concept of love is under-studied and under-appreciated, often neglected or dismissed as idealized, illusory, or overly sentimental. However, Seth Reno shows that a particular conception of intellectual love is interwoven with the major literary, scientific, and philosophical discourses of the period. Romantic-era writers conceived of love as integral to broader debates about the nature of life, the biology of the human body, the sociology of human relationships, the philosophy of nature, and the disclosure of being. Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza’s Ethics,through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets. From William Wordsworth and John Clare’s love of nature, to Percy Shelley’s radical politics of love, to the more sceptical stances of Felicia Hemans, Alfred Tennyson, and Matthew Arnold, this book shows intellectual love to be a pillar of Romanticism.
John Mulqueen
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781789620641
- eISBN:
- 9781789629453
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620641.001.0001
- Subject:
- History, British and Irish Modern History
This book focuses on the strand of the Irish republican left which followed the ‘alien ideology’ of Soviet-inspired Marxism. Moscow-led communism had few adherents in Ireland, but Irish and British ...
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This book focuses on the strand of the Irish republican left which followed the ‘alien ideology’ of Soviet-inspired Marxism. Moscow-led communism had few adherents in Ireland, but Irish and British officials were concerned about the possibility that communists could infiltrate the republican movement, the Irish Republican Army (IRA). Another concern arose for British and American observers from 1969: would the Soviets resist the temptation to meddle during the Northern Ireland Troubles and cause trouble for Britain as a geo-political crisis unfolded? The book considers questions arising from the involvement of left-wing republicans, and what became the Official republican movement, in events before and during the early years of the Troubles. Could Ireland’s communists and left-wing republicans be viewed as strategic allies of Moscow who might create an ‘Irish Cuba’? The book examines another question: could a Marxist party with a parliamentary presence in the militarily-neutral Irish state – the Workers’ Party (WP) – be useful to the Soviets during the 1980s? This book, based on original sources rather than interviews, is significant in that it analyses the perspectives of the various governments concerned with subversion in Ireland. This is a study of perceptions. The book concludes that the Soviet Union had been happy to exploit the Troubles in its Cold War propaganda, but, excepting supplying arms to the Official IRA, it did not seek to maximise difficulties whenever it could in Ireland, north or south.Less
This book focuses on the strand of the Irish republican left which followed the ‘alien ideology’ of Soviet-inspired Marxism. Moscow-led communism had few adherents in Ireland, but Irish and British officials were concerned about the possibility that communists could infiltrate the republican movement, the Irish Republican Army (IRA). Another concern arose for British and American observers from 1969: would the Soviets resist the temptation to meddle during the Northern Ireland Troubles and cause trouble for Britain as a geo-political crisis unfolded? The book considers questions arising from the involvement of left-wing republicans, and what became the Official republican movement, in events before and during the early years of the Troubles. Could Ireland’s communists and left-wing republicans be viewed as strategic allies of Moscow who might create an ‘Irish Cuba’? The book examines another question: could a Marxist party with a parliamentary presence in the militarily-neutral Irish state – the Workers’ Party (WP) – be useful to the Soviets during the 1980s? This book, based on original sources rather than interviews, is significant in that it analyses the perspectives of the various governments concerned with subversion in Ireland. This is a study of perceptions. The book concludes that the Soviet Union had been happy to exploit the Troubles in its Cold War propaganda, but, excepting supplying arms to the Official IRA, it did not seek to maximise difficulties whenever it could in Ireland, north or south.
David Goodway
- Published in print:
- 2006
- Published Online:
- June 2013
- ISBN:
- 9781846310256
- eISBN:
- 9781846312557
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846312557
- Subject:
- Literature, Criticism/Theory
From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. This book seeks to recover and ...
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From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. This book seeks to recover and revitalize that indigenous anarchist tradition. It succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. The author argues that a recovered anarchist tradition could — and should — be a touchstone for contemporary political radicals. Moving from Aldous Huxley and John Cowper Powys to the war in Iraq, this volume will energize leftist movements throughout Britain and the rest of the world.Less
From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. This book seeks to recover and revitalize that indigenous anarchist tradition. It succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. The author argues that a recovered anarchist tradition could — and should — be a touchstone for contemporary political radicals. Moving from Aldous Huxley and John Cowper Powys to the war in Iraq, this volume will energize leftist movements throughout Britain and the rest of the world.
Oliver Creighton and Duncan Wright
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9781781382424
- eISBN:
- 9781786943996
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382424.001.0001
- Subject:
- Archaeology, Historical Archaeology
The turbulent reign of Stephen, King of England (1135–54), has been styled since the late 19th century as 'the Anarchy’, although the extent of political breakdown during the period has since been ...
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The turbulent reign of Stephen, King of England (1135–54), has been styled since the late 19th century as 'the Anarchy’, although the extent of political breakdown during the period has since been vigorously debated. Rebellion and bitter civil war characterised Stephen’s protracted struggle with rival claimant Empress Matilda and her Angevin supporters over ‘nineteen long winters’ when, according to the Anglo-Saxon Chronicle, ‘Christ and his Saints slept’. Drawing on new research and fieldwork, this innovative volume offers the first ever overview and synthesis of the archaeological and material record for this controversial period. It presents and interrogates many different types of evidence at a variety of scales, ranging from nationwide mapping of historical events through to conflict landscapes of battlefields and sieges. The volume considers archaeological sites such as castles and other fortifications, churches, monasteries, bishops’ palaces and urban and rural settlements, alongside material culture including coins, pottery, seals and arms and armour. This approach not only augments but also challenges historical narratives, questioning the ‘real’ impact of Stephen’s troubled reign on society, settlement, church and the landscape, and opens up new perspectives on the conduct of Anglo-Norman warfare.Less
The turbulent reign of Stephen, King of England (1135–54), has been styled since the late 19th century as 'the Anarchy’, although the extent of political breakdown during the period has since been vigorously debated. Rebellion and bitter civil war characterised Stephen’s protracted struggle with rival claimant Empress Matilda and her Angevin supporters over ‘nineteen long winters’ when, according to the Anglo-Saxon Chronicle, ‘Christ and his Saints slept’. Drawing on new research and fieldwork, this innovative volume offers the first ever overview and synthesis of the archaeological and material record for this controversial period. It presents and interrogates many different types of evidence at a variety of scales, ranging from nationwide mapping of historical events through to conflict landscapes of battlefields and sieges. The volume considers archaeological sites such as castles and other fortifications, churches, monasteries, bishops’ palaces and urban and rural settlements, alongside material culture including coins, pottery, seals and arms and armour. This approach not only augments but also challenges historical narratives, questioning the ‘real’ impact of Stephen’s troubled reign on society, settlement, church and the landscape, and opens up new perspectives on the conduct of Anglo-Norman warfare.
Anne Lambright
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382516
- eISBN:
- 9781786945471
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382516.001.0001
- Subject:
- History, Latin American History
Andean Truths: Transitional Justice, Ethnicity, and Cultural Production in Post-Shining Path Peru studies how literature, drama, film, and the visual arts contest the dominant narrative of national ...
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Andean Truths: Transitional Justice, Ethnicity, and Cultural Production in Post-Shining Path Peru studies how literature, drama, film, and the visual arts contest the dominant narrative of national peace and reconciliation, as constructed by Peru’s Truth and Reconciliation Commission. Established in 2001, the Commission aimed to ‘investigate and make public the truth’ of the country’s twenty-year civil war, drawing upon homologous predecessors that provided a highly scripted model of truth-gathering and national healing. In this model, a predetermined collective mourning, catharsis, and reconciliation would move the nation forward in a consensually-determined fashion. Andean Truths shows that the Peruvian case proves internationally-endorsed models insufficient for arriving at the ‘truth’ of a national trauma that primarily affected disenfranchised ethnic groups, namely, the Andean Quechua speaking populations that accounted for the overwhelming majority of victims of the violence. Even as scholars recognize the importance of bringing multiple voices to the table in discussing post-Shining Path Peru, the question remains of what a more Andean-oriented transitional justice process might entail. Drawing on theories of decoloniality, intercultural communication and epistemological diversity (following scholars such as Enrique Dussel, Aníbal Quijano and Boaventura de Sousa Santos), this book analyzes cultural products, from the theater of Yuyachkani to the narrative of Oscar Colchado Lucio, the art of Edilberto Jiménez, and other popular artistic responses, that highlight Andean understandings of the conflict and its aftermath. These cultural products challenge dominant understandings of the conflict and question Peru’s ability to overcome its collective trauma without seriously reconsidering prevailing cultural paradigms.Less
Andean Truths: Transitional Justice, Ethnicity, and Cultural Production in Post-Shining Path Peru studies how literature, drama, film, and the visual arts contest the dominant narrative of national peace and reconciliation, as constructed by Peru’s Truth and Reconciliation Commission. Established in 2001, the Commission aimed to ‘investigate and make public the truth’ of the country’s twenty-year civil war, drawing upon homologous predecessors that provided a highly scripted model of truth-gathering and national healing. In this model, a predetermined collective mourning, catharsis, and reconciliation would move the nation forward in a consensually-determined fashion. Andean Truths shows that the Peruvian case proves internationally-endorsed models insufficient for arriving at the ‘truth’ of a national trauma that primarily affected disenfranchised ethnic groups, namely, the Andean Quechua speaking populations that accounted for the overwhelming majority of victims of the violence. Even as scholars recognize the importance of bringing multiple voices to the table in discussing post-Shining Path Peru, the question remains of what a more Andean-oriented transitional justice process might entail. Drawing on theories of decoloniality, intercultural communication and epistemological diversity (following scholars such as Enrique Dussel, Aníbal Quijano and Boaventura de Sousa Santos), this book analyzes cultural products, from the theater of Yuyachkani to the narrative of Oscar Colchado Lucio, the art of Edilberto Jiménez, and other popular artistic responses, that highlight Andean understandings of the conflict and its aftermath. These cultural products challenge dominant understandings of the conflict and question Peru’s ability to overcome its collective trauma without seriously reconsidering prevailing cultural paradigms.
Sherryl Vint
- Published in print:
- 2010
- Published Online:
- June 2013
- ISBN:
- 9781846312342
- eISBN:
- 9781846316135
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846316135
- Subject:
- Literature, Criticism/Theory
This book uses readings of science fiction texts to explore how animals are central to our perception of humanity. Arguing that the academic field of animal studies and the popular genre of science ...
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This book uses readings of science fiction texts to explore how animals are central to our perception of humanity. Arguing that the academic field of animal studies and the popular genre of science fiction share a number a critical concerns, the author expresses an urgent need to reconsider the human–animal boundary in a world of genetic engineering, factory farming, species extinctions, and increasing evidence of animal intelligence, emotions, and tool use. Mapping the complex terrain of human relations with non-human animals, the book offers an intervention into the contentious ongoing discussions of the post-human.Less
This book uses readings of science fiction texts to explore how animals are central to our perception of humanity. Arguing that the academic field of animal studies and the popular genre of science fiction share a number a critical concerns, the author expresses an urgent need to reconsider the human–animal boundary in a world of genetic engineering, factory farming, species extinctions, and increasing evidence of animal intelligence, emotions, and tool use. Mapping the complex terrain of human relations with non-human animals, the book offers an intervention into the contentious ongoing discussions of the post-human.
Siobhan McIlvanney
- Published in print:
- 2000
- Published Online:
- June 2013
- ISBN:
- 9780853235378
- eISBN:
- 9781846312571
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846312571
- Subject:
- Literature, European Literature
This critical study focusing exclusively on Annie Ernaux's writing trajectory provides an analysis of her individual texts. Following a broadly feminist hermeneutic, it engages in a series of close ...
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This critical study focusing exclusively on Annie Ernaux's writing trajectory provides an analysis of her individual texts. Following a broadly feminist hermeneutic, it engages in a series of close readings of Ernaux's works in a move to highlight the contradictions and nuances in her writing, and to demonstrate the intellectual intricacies of her literary project. By so doing, the study seeks to introduce new readers to Ernaux's works, while engaging on less-familiar terrain those already familiar with her writing.Less
This critical study focusing exclusively on Annie Ernaux's writing trajectory provides an analysis of her individual texts. Following a broadly feminist hermeneutic, it engages in a series of close readings of Ernaux's works in a move to highlight the contradictions and nuances in her writing, and to demonstrate the intellectual intricacies of her literary project. By so doing, the study seeks to introduce new readers to Ernaux's works, while engaging on less-familiar terrain those already familiar with her writing.
Daniel F. Silva
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781786941008
- eISBN:
- 9781789628999
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941008.001.0001
- Subject:
- Literature, European Literature
Anti-Empire explores how different writers across Lusophone spaces engage with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses ...
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Anti-Empire explores how different writers across Lusophone spaces engage with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses pertaining to race, ethnicity, culture, gender, sexuality, and class. Guided by a theoretically eclectic approach ranging from Psychoanalysis, Deconstruction, Postcolonial Theory, Queer Theory, and Critical Race Studies, Empire is explored as a spectrum of contemporary global power inaugurated by European expansion and propagated in the postcolonial present through economic, cultural, and political forces. Through the texts analysed, Anti-Empire offers in-depth interrogations of contemporary power in terms of racial politics, gender performance, socio-economic divisions, political structures, and the intersections of these facets of domination and hegemony. By way of grappling with Empire’s discursive field and charting new modes of producing meaning in opposition to that of Empire, the texts read from Brazil, the Cape Verde Islands, East Timor, Portugal, and São Tomé and Príncipe open new inquiries for Postcolonial and Decolonial Studies while contributing theoretical debates to the study of Lusophone cultures.Less
Anti-Empire explores how different writers across Lusophone spaces engage with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses pertaining to race, ethnicity, culture, gender, sexuality, and class. Guided by a theoretically eclectic approach ranging from Psychoanalysis, Deconstruction, Postcolonial Theory, Queer Theory, and Critical Race Studies, Empire is explored as a spectrum of contemporary global power inaugurated by European expansion and propagated in the postcolonial present through economic, cultural, and political forces. Through the texts analysed, Anti-Empire offers in-depth interrogations of contemporary power in terms of racial politics, gender performance, socio-economic divisions, political structures, and the intersections of these facets of domination and hegemony. By way of grappling with Empire’s discursive field and charting new modes of producing meaning in opposition to that of Empire, the texts read from Brazil, the Cape Verde Islands, East Timor, Portugal, and São Tomé and Príncipe open new inquiries for Postcolonial and Decolonial Studies while contributing theoretical debates to the study of Lusophone cultures.
Jason Herbeck
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781786940391
- eISBN:
- 9781786944948
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781786940391.001.0001
- Subject:
- Literature, World Literature
Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, ...
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Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, departmentalization, dictatorship, overseas collectivity and occupation. Given the strictures and structures of colonialism long imposed upon the colonized subject, the (re)makings of identity have proven anything but evident when it comes to determining authentic expressions and perceptions of the postcolonial self. By way of close readings of both constructions in literature and the construction of literature, Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean proposes an original, informative frame of reference for understanding the long and ever-evolving struggle for social, cultural, historical and political autonomy in the region. Taking as its point of focus diverse canonical and lesser-known texts from Guadeloupe, Martinique and Haiti published between 1958 and 2013, this book examines the trope of the house (architecture) and the meta-textual construction of texts (architexture) as a means of conceptualizing and articulating how authentic means of expression are and have been created in French-Caribbean literature over the greater part of the past half-century—whether it be in the context of the years leading up to or following the departmentalization of France’s overseas colonies in the 1940’s, the wrath of Hurricane Hugo in 1989, or the devastating Haiti earthquake of 2010.Less
Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, departmentalization, dictatorship, overseas collectivity and occupation. Given the strictures and structures of colonialism long imposed upon the colonized subject, the (re)makings of identity have proven anything but evident when it comes to determining authentic expressions and perceptions of the postcolonial self. By way of close readings of both constructions in literature and the construction of literature, Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean proposes an original, informative frame of reference for understanding the long and ever-evolving struggle for social, cultural, historical and political autonomy in the region. Taking as its point of focus diverse canonical and lesser-known texts from Guadeloupe, Martinique and Haiti published between 1958 and 2013, this book examines the trope of the house (architecture) and the meta-textual construction of texts (architexture) as a means of conceptualizing and articulating how authentic means of expression are and have been created in French-Caribbean literature over the greater part of the past half-century—whether it be in the context of the years leading up to or following the departmentalization of France’s overseas colonies in the 1940’s, the wrath of Hurricane Hugo in 1989, or the devastating Haiti earthquake of 2010.
Michael Goebel
- Published in print:
- 2011
- Published Online:
- June 2013
- ISBN:
- 9781846312380
- eISBN:
- 9781846317149
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846317149
- Subject:
- History, Latin American History
This book is a challenging new study about the production, spread, and use of understandings of national history and identity for political purposes in twentieth-century Argentina. Based on extensive ...
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This book is a challenging new study about the production, spread, and use of understandings of national history and identity for political purposes in twentieth-century Argentina. Based on extensive research of primary and published sources, it analyses how nationalist views about what it meant to be Argentine were built into the country's long-drawn-out crisis of liberal democracy from the 1930s to the 1980s. Eschewing the notion of any straightforward relationship between cultural customs, ideas, and political practices, the study seeks to provide a more nuanced framework for understanding the interplay between popular culture, intellectuals, and the state in the promotion, co-option, and repression of conflicting narratives about the nation's history. Particular attention is given to the conditions for the production and political use of cultural goods, especially the writings of historians. The intimate linkage between history and politics, it is argued, helped Argentina's partisan past of the period following independence to cast its shadow onto the middle decades of the twentieth century. This process is scrutinized within the framework of recent approaches to the study of nationalism, in an attempt to communicate the major scholarly debates of this field with the case of Argentina.Less
This book is a challenging new study about the production, spread, and use of understandings of national history and identity for political purposes in twentieth-century Argentina. Based on extensive research of primary and published sources, it analyses how nationalist views about what it meant to be Argentine were built into the country's long-drawn-out crisis of liberal democracy from the 1930s to the 1980s. Eschewing the notion of any straightforward relationship between cultural customs, ideas, and political practices, the study seeks to provide a more nuanced framework for understanding the interplay between popular culture, intellectuals, and the state in the promotion, co-option, and repression of conflicting narratives about the nation's history. Particular attention is given to the conditions for the production and political use of cultural goods, especially the writings of historians. The intimate linkage between history and politics, it is argued, helped Argentina's partisan past of the period following independence to cast its shadow onto the middle decades of the twentieth century. This process is scrutinized within the framework of recent approaches to the study of nationalism, in an attempt to communicate the major scholarly debates of this field with the case of Argentina.
Carolina Rocha
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781786940544
- eISBN:
- 9781786944955
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781786940544.001.0001
- Subject:
- Film, Television and Radio, Film
Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. Marked by tumultuous political events, ...
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Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. Marked by tumultuous political events, these decades witnessed debates about Argentina’s modernity and tradition that affected film production and consumption. Two film genres, the historical film and the gauchesque— a genre based on outlaw gauchos was crucial for nation-building in the nineteenth century—generated great local interest and high expectations among film producers and distributors. The notion of national identity guides the analysis of certain emblematic films that were well-received by domestic audiences and engaged with the issue of Argentine identity. This manuscript investigates the way Argentine cinema positioned itself when facing the competition of glossy American films by representing the past and the heroic founding figures so as to bridge the stark divisions between the Argentine left and right in the late 1960s.Less
Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. Marked by tumultuous political events, these decades witnessed debates about Argentina’s modernity and tradition that affected film production and consumption. Two film genres, the historical film and the gauchesque— a genre based on outlaw gauchos was crucial for nation-building in the nineteenth century—generated great local interest and high expectations among film producers and distributors. The notion of national identity guides the analysis of certain emblematic films that were well-received by domestic audiences and engaged with the issue of Argentine identity. This manuscript investigates the way Argentine cinema positioned itself when facing the competition of glossy American films by representing the past and the heroic founding figures so as to bridge the stark divisions between the Argentine left and right in the late 1960s.
Compressed Development
Exploring Classical Mechanics
Health in Japan
Language Invention in Linguistics Pedagogy
Parallel Scientific Computation
Poems That Solve Puzzles
The Linguistics of Humor
The Oxford Guide to the Transeurasian Languages
The Oxford Turkish Grammar
