Jane Hiddleston and Khalid Lyamlahy (eds)
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9781789622331
- eISBN:
- 9781800341272
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789622331.001.0001
- Subject:
- Literature, World Literature
Abdelkébir Khatibi (1938–2009) is one of the greatest Moroccan thinkers, and one of the most important theorists of both postcolonialism and Islamic culture of the late twentieth and early ...
More
Abdelkébir Khatibi (1938–2009) is one of the greatest Moroccan thinkers, and one of the most important theorists of both postcolonialism and Islamic culture of the late twentieth and early twenty-first centuries. This book introduces his works to Anglophone readers, tracing his development from the early work on sociology in Morocco to his literary and aesthetic works championing transnationalism and multilingualism. The essays here both offer close analyses of Khatibi’s engagements with a range of issues, from Moroccan politics to Arabic calligraphy and from decolonisation to interculturality, and highlights the important contribution of his thinking to the development of Western postcolonial and modern theory. The book acknowledges the legacy of one of the greatest African thinkers of the last century, and addresses the lack of attention to his work in the field of postcolonial studies. More than a writer, a sociologist or a thinker, Khatibi was a leading figure and an eclectic intellectual whose erudite works can still inform and enrich current reflections on the future of postcolonialism and the development of intercultural and transnational studies. The book also includes translated excerpts from Khatibi’s works, thus offering a multilingual perspective on his writing.Less
Abdelkébir Khatibi (1938–2009) is one of the greatest Moroccan thinkers, and one of the most important theorists of both postcolonialism and Islamic culture of the late twentieth and early twenty-first centuries. This book introduces his works to Anglophone readers, tracing his development from the early work on sociology in Morocco to his literary and aesthetic works championing transnationalism and multilingualism. The essays here both offer close analyses of Khatibi’s engagements with a range of issues, from Moroccan politics to Arabic calligraphy and from decolonisation to interculturality, and highlights the important contribution of his thinking to the development of Western postcolonial and modern theory. The book acknowledges the legacy of one of the greatest African thinkers of the last century, and addresses the lack of attention to his work in the field of postcolonial studies. More than a writer, a sociologist or a thinker, Khatibi was a leading figure and an eclectic intellectual whose erudite works can still inform and enrich current reflections on the future of postcolonialism and the development of intercultural and transnational studies. The book also includes translated excerpts from Khatibi’s works, thus offering a multilingual perspective on his writing.
Lia Brozgal
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9781789622386
- eISBN:
- 9781800341289
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789622386.001.0001
- Subject:
- Literature, Film, Media, and Cultural Studies
Cultural Traces of a Massacre in Paris: The October 17, 1961 Anarchive is the first cultural history devoted to literary and visual representations of the police massacre of peaceful Algerian ...
More
Cultural Traces of a Massacre in Paris: The October 17, 1961 Anarchive is the first cultural history devoted to literary and visual representations of the police massacre of peaceful Algerian protesters. Covered up by the state and hidden from history, the events of October 17 have nonetheless never been fully erased. Indeed, as early as 1962, stories about the massacre began to find their way their way into novels, poetry, songs, film, visual art, and performance. This book is about these stories, the way they have been told, and their function as both documentary and aesthetic objects. Identified here for the first time as a corpus—an anarchive—the works in question produce knowledge about October 17 by narrativizing and contextualizing the massacre, registering its existence, its scale, and its erasure, while also providing access to the subjective experiences of violence and trauma. Cultural Traces of a Massacre is invested in exploring how literature and culture may “do history” differently by complicating it, whether by functioning as first responders and persistent witnesses; reverberating against reality but also speculating on what might have been; activating networks of signs and meaning; or by showing us things that otherwise cannot be seen. This book provokes important questions about the aesthetic, ethical, and political stakes of representation.Less
Cultural Traces of a Massacre in Paris: The October 17, 1961 Anarchive is the first cultural history devoted to literary and visual representations of the police massacre of peaceful Algerian protesters. Covered up by the state and hidden from history, the events of October 17 have nonetheless never been fully erased. Indeed, as early as 1962, stories about the massacre began to find their way their way into novels, poetry, songs, film, visual art, and performance. This book is about these stories, the way they have been told, and their function as both documentary and aesthetic objects. Identified here for the first time as a corpus—an anarchive—the works in question produce knowledge about October 17 by narrativizing and contextualizing the massacre, registering its existence, its scale, and its erasure, while also providing access to the subjective experiences of violence and trauma. Cultural Traces of a Massacre is invested in exploring how literature and culture may “do history” differently by complicating it, whether by functioning as first responders and persistent witnesses; reverberating against reality but also speculating on what might have been; activating networks of signs and meaning; or by showing us things that otherwise cannot be seen. This book provokes important questions about the aesthetic, ethical, and political stakes of representation.
John Kinsella
Niall Lucy (ed.)
- Published in print:
- 2010
- Published Online:
- June 2013
- ISBN:
- 9781846314698
- eISBN:
- 9781846316142
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846316142
- Subject:
- Literature, Poetry
John Kinsella is known internationally as the acclaimed author of more than thirty books of poetry and prose, but in tandem with — and often directly through — his creative and critical work, ...
More
John Kinsella is known internationally as the acclaimed author of more than thirty books of poetry and prose, but in tandem with — and often directly through — his creative and critical work, Kinsella is also a prominent activist. In this book the vegan anarchist pacifist poet claims that poetry can act as a vital form of resistance to a variety of social and ethical ills, in particular ecological damage and abuse. Kinsella builds on his earlier notion of ‘linguistic disobedience’ evolving out of civil disobedience, and critiques the figurative qualities of his poems in a context of resistance. The book includes explorations of anarchism, veganism, pacifism and ecological poetics. For Kinsella all poetry is political and can be a call to action.Less
John Kinsella is known internationally as the acclaimed author of more than thirty books of poetry and prose, but in tandem with — and often directly through — his creative and critical work, Kinsella is also a prominent activist. In this book the vegan anarchist pacifist poet claims that poetry can act as a vital form of resistance to a variety of social and ethical ills, in particular ecological damage and abuse. Kinsella builds on his earlier notion of ‘linguistic disobedience’ evolving out of civil disobedience, and critiques the figurative qualities of his poems in a context of resistance. The book includes explorations of anarchism, veganism, pacifism and ecological poetics. For Kinsella all poetry is political and can be a call to action.
A. J. Bowen
- Published in print:
- 2013
- Published Online:
- February 2021
- ISBN:
- 9781908343789
- eISBN:
- 9781800342873
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781908343789.001.0001
- Subject:
- Classical Studies, Plays and Playwrights: Classical, Early, and Medieval
Aeschylus starts his tetralogy boldly, making the Danaids themselves prologue, chorus and protagonist. Guided by their father Danaus, these girls have fled from Egypt, where their cousins want to ...
More
Aeschylus starts his tetralogy boldly, making the Danaids themselves prologue, chorus and protagonist. Guided by their father Danaus, these girls have fled from Egypt, where their cousins want to marry them, to seek asylum in Argos: they claim descent from Io, who was driven to Egypt five generations earlier when Zeus' love for her was detected by jealous Hera. In the long first movement of the play, the Danaids argue their claim, pressing it with song and dance of pathos and power, upon the reluctant Argive king. He, forced eventually by their threat of suicide, puts the case to his people, who vote to accept the girls, but while they sing blessings on Argos, Danaus spies their cousins' ships arriving. Left on their own when he goes for help, they sing more seriously of suicide, and seek sanctuary upstage when the Egyptians enter. A remarkable tussle of two choruses ensues; in the nick of time the king arrives, sees off the Egyptians (but they promise a return) and offers his hospitality. The girls want their father, however, and go when guided by him and his escort of Argive soldiers. Their final song has elements of wedding song in it; they share it, provocatively, with the Argives. The rest of the tetralogy is lost, but enough is known to indicate that marriage is the theme. Aeschylus probably surprised his first audience in his use of the myth; his command of theatre and poetry is fully mature.Less
Aeschylus starts his tetralogy boldly, making the Danaids themselves prologue, chorus and protagonist. Guided by their father Danaus, these girls have fled from Egypt, where their cousins want to marry them, to seek asylum in Argos: they claim descent from Io, who was driven to Egypt five generations earlier when Zeus' love for her was detected by jealous Hera. In the long first movement of the play, the Danaids argue their claim, pressing it with song and dance of pathos and power, upon the reluctant Argive king. He, forced eventually by their threat of suicide, puts the case to his people, who vote to accept the girls, but while they sing blessings on Argos, Danaus spies their cousins' ships arriving. Left on their own when he goes for help, they sing more seriously of suicide, and seek sanctuary upstage when the Egyptians enter. A remarkable tussle of two choruses ensues; in the nick of time the king arrives, sees off the Egyptians (but they promise a return) and offers his hospitality. The girls want their father, however, and go when guided by him and his escort of Argive soldiers. Their final song has elements of wedding song in it; they share it, provocatively, with the Argives. The rest of the tetralogy is lost, but enough is known to indicate that marriage is the theme. Aeschylus probably surprised his first audience in his use of the myth; his command of theatre and poetry is fully mature.
A. F. Garvie
- Published in print:
- 2006
- Published Online:
- September 2014
- ISBN:
- 9781904675365
- eISBN:
- 9781781387146
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781904675365.001.0001
- Subject:
- Classical Studies, Plays and Playwrights: Classical, Early, and Medieval
This book's first appearance (1969) was a full response to the publication (in 1952) of a papyrus fragment from Oxyrhynchus which indicated a late production date (in the 460s bc) for Aeschylus' ...
More
This book's first appearance (1969) was a full response to the publication (in 1952) of a papyrus fragment from Oxyrhynchus which indicated a late production date (in the 460s bc) for Aeschylus' trilogy Supplices, thus upsetting the previous scholarly consensus that it was an early work — indeed the earliest Greek tragedy to survive. There was, the book argued, no longer good reason to suppose that the play belonged to an early stage in its author's development. A final chapter also examines the evidence for reconstruction of the other, lost plays of the trilogy. Few would now argue, as they used to, that Supplices belongs to the 490s but some still have the feeling that it looks like an early play; they attempt to put it back into the 470s. Stylistic and structural evidence, itself often subjective, is not strong enough to place the play in one decade or exclude it from the previous one; but the book remains convinced that, even without the additional testimony of the papyrus, all the internal evidence points to the 460s. While the view that Supplices is very early may now have died, some of the salutary lessons of P.Oxy 2256 fr. 3 have still to be learnt and it is timely for this re-issue to be presented to a new generation of Aeschylean students and scholars.Less
This book's first appearance (1969) was a full response to the publication (in 1952) of a papyrus fragment from Oxyrhynchus which indicated a late production date (in the 460s bc) for Aeschylus' trilogy Supplices, thus upsetting the previous scholarly consensus that it was an early work — indeed the earliest Greek tragedy to survive. There was, the book argued, no longer good reason to suppose that the play belonged to an early stage in its author's development. A final chapter also examines the evidence for reconstruction of the other, lost plays of the trilogy. Few would now argue, as they used to, that Supplices belongs to the 490s but some still have the feeling that it looks like an early play; they attempt to put it back into the 470s. Stylistic and structural evidence, itself often subjective, is not strong enough to place the play in one decade or exclude it from the previous one; but the book remains convinced that, even without the additional testimony of the papyrus, all the internal evidence points to the 460s. While the view that Supplices is very early may now have died, some of the salutary lessons of P.Oxy 2256 fr. 3 have still to be learnt and it is timely for this re-issue to be presented to a new generation of Aeschylean students and scholars.
Eve Rosenhaft and Robbie Aitken (eds)
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9781846318474
- eISBN:
- 9781781380437
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781846318474.001.0001
- Subject:
- History, Imperialism and Colonialism
The essays in this volume explore the lives and activities of people of African descent – both black and white - in Europe between the 1880s and the beginning of the twenty-first century. They go ...
More
The essays in this volume explore the lives and activities of people of African descent – both black and white - in Europe between the 1880s and the beginning of the twenty-first century. They go beyond the still-dominant Anglo-American or transatlantic emphasis of Black Studies, examining the experiences of Africans, Afro-Caribbeans and African Americans in Germany, France, Portugal, Italy and the Soviet Union, as well as in Britain. Their subjects include people moving between European states and state jurisdictions or from the former colony of one state to another place in Europe, African-born colonial settlers returning to the metropolis, migrants conversing across ethnic and cultural boundaries among ‘Africans’, and visitors for whom the face-to-face encounter with European society involves working across the ‘colour line’ and testing the limits of solidarity. The authors focus on the ways in which their subjects have used the skills and resources they brought with them and the ones they found in each place of arrival to construct themselves and their families as subjects of their own lives, and also what new visions of self and community (or politics) have been enabled by the crossing of borders. The volume is multidisciplinary, and the contributors include a novelist and a filmmaker who reflect on their own experiences of these complex histories and the challenges of narrating them.Less
The essays in this volume explore the lives and activities of people of African descent – both black and white - in Europe between the 1880s and the beginning of the twenty-first century. They go beyond the still-dominant Anglo-American or transatlantic emphasis of Black Studies, examining the experiences of Africans, Afro-Caribbeans and African Americans in Germany, France, Portugal, Italy and the Soviet Union, as well as in Britain. Their subjects include people moving between European states and state jurisdictions or from the former colony of one state to another place in Europe, African-born colonial settlers returning to the metropolis, migrants conversing across ethnic and cultural boundaries among ‘Africans’, and visitors for whom the face-to-face encounter with European society involves working across the ‘colour line’ and testing the limits of solidarity. The authors focus on the ways in which their subjects have used the skills and resources they brought with them and the ones they found in each place of arrival to construct themselves and their families as subjects of their own lives, and also what new visions of self and community (or politics) have been enabled by the crossing of borders. The volume is multidisciplinary, and the contributors include a novelist and a filmmaker who reflect on their own experiences of these complex histories and the challenges of narrating them.
Patrick Crowley (ed.)
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9781786940216
- eISBN:
- 9781786944245
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781786940216.001.0001
- Subject:
- History, World Modern History
Algeria: Nation, Culture and Transnationalism 1988–2015 offers new insights into contemporary Algeria. Drawing on a range of different approaches to the idea of Algeria and to its contemporary ...
More
Algeria: Nation, Culture and Transnationalism 1988–2015 offers new insights into contemporary Algeria. Drawing on a range of different approaches to the idea of Algeria and to its contemporary realities, the chapters in this volume serve to open up any discourse that would tie ‘Algeria’ to a fixed meaning or construct it in ways that neglect the weft and warp of everyday cultural production and political action. The configuration of these essays invites us to read contemporary cultural production in Algeria not as determined indices of a specific place and time (1988–2015) but as interrogations and explorations of that period and of the relationship between nation and culture. The intention of this volume is to offer historical moments, multiple contexts, hybrid forms, voices and experiences of the everyday that will prompt nuance in how we move between frames of enquiry. These chapters — written by specialists in Algerian history, politics, music, sport, youth cultures, literature, cultural associations and art — offer the granularity of microhistories, fieldwork interviews and studies of the marginal in order to break up a synthetic overview and offer keener insights into the ways in which the complexity of Algerian nation-building are culturally negotiated, public spaces are reclaimed, and Algeria reimagined through practices that draw upon the country’s past and its transnational present.Less
Algeria: Nation, Culture and Transnationalism 1988–2015 offers new insights into contemporary Algeria. Drawing on a range of different approaches to the idea of Algeria and to its contemporary realities, the chapters in this volume serve to open up any discourse that would tie ‘Algeria’ to a fixed meaning or construct it in ways that neglect the weft and warp of everyday cultural production and political action. The configuration of these essays invites us to read contemporary cultural production in Algeria not as determined indices of a specific place and time (1988–2015) but as interrogations and explorations of that period and of the relationship between nation and culture. The intention of this volume is to offer historical moments, multiple contexts, hybrid forms, voices and experiences of the everyday that will prompt nuance in how we move between frames of enquiry. These chapters — written by specialists in Algerian history, politics, music, sport, youth cultures, literature, cultural associations and art — offer the granularity of microhistories, fieldwork interviews and studies of the marginal in order to break up a synthetic overview and offer keener insights into the ways in which the complexity of Algerian nation-building are culturally negotiated, public spaces are reclaimed, and Algeria reimagined through practices that draw upon the country’s past and its transnational present.
William Wootten
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781781381632
- eISBN:
- 9781781384893
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381632.001.0001
- Subject:
- Literature, Poetry
This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as ...
More
This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez's classic anthology The New Poetry, take poetry ‘Beyond the Gentility Principle’. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath, and Peter Porter. This book explores what these five poets shared in common, their connections, critical reception, rivalries, and differences, and locates what was new and valuable in their work. The book presents an important re-evaluation of a time when contemporary poetry and its criticism had a cultural weight it has now lost and when a ‘new seriousness’ was to become closely linked to questions of violence, psychic unbalance and, most controversially of all, suicide.Less
This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez's classic anthology The New Poetry, take poetry ‘Beyond the Gentility Principle’. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath, and Peter Porter. This book explores what these five poets shared in common, their connections, critical reception, rivalries, and differences, and locates what was new and valuable in their work. The book presents an important re-evaluation of a time when contemporary poetry and its criticism had a cultural weight it has now lost and when a ‘new seriousness’ was to become closely linked to questions of violence, psychic unbalance and, most controversially of all, suicide.
William Wootten
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9781789627947
- eISBN:
- 9781800851054
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789627947.001.0001
- Subject:
- Literature, Poetry
This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as ...
More
This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez's classic anthology The New Poetry, take poetry ‘Beyond the Gentility Principle’. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath, and Peter Porter. This book explores what these five poets shared in common, their connections, critical reception, rivalries, and differences, and locates what was new and valuable in their work. The book presents an important re-evaluation of a time when contemporary poetry and its criticism had a cultural weight it has now lost and when a ‘new seriousness’ was to become closely linked to questions of violence, psychic unbalance and, most controversially of all, suicide.Less
This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez's classic anthology The New Poetry, take poetry ‘Beyond the Gentility Principle’. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath, and Peter Porter. This book explores what these five poets shared in common, their connections, critical reception, rivalries, and differences, and locates what was new and valuable in their work. The book presents an important re-evaluation of a time when contemporary poetry and its criticism had a cultural weight it has now lost and when a ‘new seriousness’ was to become closely linked to questions of violence, psychic unbalance and, most controversially of all, suicide.
Martin Munro and Celia Britton (eds)
- Published in print:
- 2012
- Published Online:
- June 2013
- ISBN:
- 9781846317538
- eISBN:
- 9781846317200
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846317200
- Subject:
- Literature, World Literature
The Francophone Caribbean and the American South are sites born of the plantation, the common matrix for the diverse nations and territories of the circum-Caribbean. This book takes as its premise ...
More
The Francophone Caribbean and the American South are sites born of the plantation, the common matrix for the diverse nations and territories of the circum-Caribbean. This book takes as its premise that the basic configuration of the plantation, in terms of its physical layout and the social relations it created, was largely the same in the Caribbean and the American South. Chapters written by leading authorities in the field examine the cultural, social, and historical affinities between the Francophone Caribbean and the American South, including Louisiana, which among the Southern states has had a quite particular attachment to France and the Francophone world. The chapters focus on issues of history, language, politics and culture in various forms, notably literature, music and theatre. The chapters explore in innovative ways the notions of creole culture and creolization, terms rooted in and indicative of contact between European and African people and cultures in the Americas, and which are promoted here as some of the most productive ways for conceiving of the circum-Caribbean as a cultural and historical entity.Less
The Francophone Caribbean and the American South are sites born of the plantation, the common matrix for the diverse nations and territories of the circum-Caribbean. This book takes as its premise that the basic configuration of the plantation, in terms of its physical layout and the social relations it created, was largely the same in the Caribbean and the American South. Chapters written by leading authorities in the field examine the cultural, social, and historical affinities between the Francophone Caribbean and the American South, including Louisiana, which among the Southern states has had a quite particular attachment to France and the Francophone world. The chapters focus on issues of history, language, politics and culture in various forms, notably literature, music and theatre. The chapters explore in innovative ways the notions of creole culture and creolization, terms rooted in and indicative of contact between European and African people and cultures in the Americas, and which are promoted here as some of the most productive ways for conceiving of the circum-Caribbean as a cultural and historical entity.
William Blazek and Michael K. Glenday (eds)
- Published in print:
- 2005
- Published Online:
- June 2013
- ISBN:
- 9780853237365
- eISBN:
- 9781846312540
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846312540
- Subject:
- Literature, American, 20th Century Literature
In its more than three decades of existence, the discipline of American studies has been reliably unreliable, its boundaries and assumptions forever shifting as it continuously repositions itself to ...
More
In its more than three decades of existence, the discipline of American studies has been reliably unreliable, its boundaries and assumptions forever shifting as it continuously repositions itself to better address the changing character of American life, literature, and culture. This book looks at the current reinvention of American studies, a reinvention that has questioned the whole notion of what ‘American’ – let alone ‘American studies’ – means. The chapters range widely in considering these questions, from the effect of Muhammad Ali on Norman Mailer's writings about boxing, to the interactions of myth and memory in the fictions of Jayne Anne Phillips, to the conflicted portrayal of the American West in Cormac McCarthy's novels. Four chapters in the collection focus on Native American authors, including Leslie Marmon Silko and Gerald Vizenor, while another considers Louise Erdrich's novels in the context of Ojibwa myth.Less
In its more than three decades of existence, the discipline of American studies has been reliably unreliable, its boundaries and assumptions forever shifting as it continuously repositions itself to better address the changing character of American life, literature, and culture. This book looks at the current reinvention of American studies, a reinvention that has questioned the whole notion of what ‘American’ – let alone ‘American studies’ – means. The chapters range widely in considering these questions, from the effect of Muhammad Ali on Norman Mailer's writings about boxing, to the interactions of myth and memory in the fictions of Jayne Anne Phillips, to the conflicted portrayal of the American West in Cormac McCarthy's novels. Four chapters in the collection focus on Native American authors, including Leslie Marmon Silko and Gerald Vizenor, while another considers Louise Erdrich's novels in the context of Ojibwa myth.
David Seed
Susan Castillo (ed.)
- Published in print:
- 2009
- Published Online:
- June 2013
- ISBN:
- 9781846311802
- eISBN:
- 9781846315084
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846315084
- Subject:
- Literature, Criticism/Theory
In this collection, leading scholars in the field examine the interfaces between narratives of travel and of empire. The term ‘American’, used here in the hemispheric sense, and ‘American travel ...
More
In this collection, leading scholars in the field examine the interfaces between narratives of travel and of empire. The term ‘American’, used here in the hemispheric sense, and ‘American travel writing’ include both writing about America by visitors and writings by Americans abroad. The contributors are recognized specialists in different periods of American literature and travel writing. The chapters explore the ways in which descriptions of the landscapes and peoples of colonized territories shaped perceptions of these areas; the transmission of images and metaphors between colony and metropole; the othering of non-scribal cultures as ‘primitive’ or ‘wild’; the deployment of representations of encounters between European and other cultures in order to critique or reinforce European or American values and cultural practices; and the tacit assumptions of cultural or economic hegemony underlying U.S. or European travel writing.Less
In this collection, leading scholars in the field examine the interfaces between narratives of travel and of empire. The term ‘American’, used here in the hemispheric sense, and ‘American travel writing’ include both writing about America by visitors and writings by Americans abroad. The contributors are recognized specialists in different periods of American literature and travel writing. The chapters explore the ways in which descriptions of the landscapes and peoples of colonized territories shaped perceptions of these areas; the transmission of images and metaphors between colony and metropole; the othering of non-scribal cultures as ‘primitive’ or ‘wild’; the deployment of representations of encounters between European and other cultures in order to critique or reinforce European or American values and cultural practices; and the tacit assumptions of cultural or economic hegemony underlying U.S. or European travel writing.
David Seed (ed.)
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9781789622041
- eISBN:
- 9781800343467
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789622041.001.0001
- Subject:
- History, Cultural History
Liverpool was one of the first consulates to be established by the USA. It was also the first port of call for most American travellers throughout the nineteenth century. Many of these visitors left ...
More
Liverpool was one of the first consulates to be established by the USA. It was also the first port of call for most American travellers throughout the nineteenth century. Many of these visitors left accounts of their experiences in the city. Some are detailed, like Herman Melville’s description of the docks; others give briefer impressions. These selections demonstrate the rich variety of cultural contacts between Britain and the USA throughout the nineteenth century.Less
Liverpool was one of the first consulates to be established by the USA. It was also the first port of call for most American travellers throughout the nineteenth century. Many of these visitors left accounts of their experiences in the city. Some are detailed, like Herman Melville’s description of the docks; others give briefer impressions. These selections demonstrate the rich variety of cultural contacts between Britain and the USA throughout the nineteenth century.
Seth T. Reno
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781786940834
- eISBN:
- 9781789623185
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786940834.001.0001
- Subject:
- Literature, Criticism/Theory
Situated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling ...
More
Situated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling and emotion have been traditional mainstays of Romantic literature, the concept of love is under-studied and under-appreciated, often neglected or dismissed as idealized, illusory, or overly sentimental. However, Seth Reno shows that a particular conception of intellectual love is interwoven with the major literary, scientific, and philosophical discourses of the period. Romantic-era writers conceived of love as integral to broader debates about the nature of life, the biology of the human body, the sociology of human relationships, the philosophy of nature, and the disclosure of being. Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza’s Ethics,through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets. From William Wordsworth and John Clare’s love of nature, to Percy Shelley’s radical politics of love, to the more sceptical stances of Felicia Hemans, Alfred Tennyson, and Matthew Arnold, this book shows intellectual love to be a pillar of Romanticism.Less
Situated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling and emotion have been traditional mainstays of Romantic literature, the concept of love is under-studied and under-appreciated, often neglected or dismissed as idealized, illusory, or overly sentimental. However, Seth Reno shows that a particular conception of intellectual love is interwoven with the major literary, scientific, and philosophical discourses of the period. Romantic-era writers conceived of love as integral to broader debates about the nature of life, the biology of the human body, the sociology of human relationships, the philosophy of nature, and the disclosure of being. Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza’s Ethics,through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets. From William Wordsworth and John Clare’s love of nature, to Percy Shelley’s radical politics of love, to the more sceptical stances of Felicia Hemans, Alfred Tennyson, and Matthew Arnold, this book shows intellectual love to be a pillar of Romanticism.
John Mulqueen
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781789620641
- eISBN:
- 9781789629453
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620641.001.0001
- Subject:
- History, British and Irish Modern History
This book focuses on the strand of the Irish republican left which followed the ‘alien ideology’ of Soviet-inspired Marxism. Moscow-led communism had few adherents in Ireland, but Irish and British ...
More
This book focuses on the strand of the Irish republican left which followed the ‘alien ideology’ of Soviet-inspired Marxism. Moscow-led communism had few adherents in Ireland, but Irish and British officials were concerned about the possibility that communists could infiltrate the republican movement, the Irish Republican Army (IRA). Another concern arose for British and American observers from 1969: would the Soviets resist the temptation to meddle during the Northern Ireland Troubles and cause trouble for Britain as a geo-political crisis unfolded? The book considers questions arising from the involvement of left-wing republicans, and what became the Official republican movement, in events before and during the early years of the Troubles. Could Ireland’s communists and left-wing republicans be viewed as strategic allies of Moscow who might create an ‘Irish Cuba’? The book examines another question: could a Marxist party with a parliamentary presence in the militarily-neutral Irish state – the Workers’ Party (WP) – be useful to the Soviets during the 1980s? This book, based on original sources rather than interviews, is significant in that it analyses the perspectives of the various governments concerned with subversion in Ireland. This is a study of perceptions. The book concludes that the Soviet Union had been happy to exploit the Troubles in its Cold War propaganda, but, excepting supplying arms to the Official IRA, it did not seek to maximise difficulties whenever it could in Ireland, north or south.Less
This book focuses on the strand of the Irish republican left which followed the ‘alien ideology’ of Soviet-inspired Marxism. Moscow-led communism had few adherents in Ireland, but Irish and British officials were concerned about the possibility that communists could infiltrate the republican movement, the Irish Republican Army (IRA). Another concern arose for British and American observers from 1969: would the Soviets resist the temptation to meddle during the Northern Ireland Troubles and cause trouble for Britain as a geo-political crisis unfolded? The book considers questions arising from the involvement of left-wing republicans, and what became the Official republican movement, in events before and during the early years of the Troubles. Could Ireland’s communists and left-wing republicans be viewed as strategic allies of Moscow who might create an ‘Irish Cuba’? The book examines another question: could a Marxist party with a parliamentary presence in the militarily-neutral Irish state – the Workers’ Party (WP) – be useful to the Soviets during the 1980s? This book, based on original sources rather than interviews, is significant in that it analyses the perspectives of the various governments concerned with subversion in Ireland. This is a study of perceptions. The book concludes that the Soviet Union had been happy to exploit the Troubles in its Cold War propaganda, but, excepting supplying arms to the Official IRA, it did not seek to maximise difficulties whenever it could in Ireland, north or south.
David Goodway
- Published in print:
- 2006
- Published Online:
- June 2013
- ISBN:
- 9781846310256
- eISBN:
- 9781846312557
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846312557
- Subject:
- Literature, Criticism/Theory
From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. This book seeks to recover and ...
More
From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. This book seeks to recover and revitalize that indigenous anarchist tradition. It succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. The author argues that a recovered anarchist tradition could — and should — be a touchstone for contemporary political radicals. Moving from Aldous Huxley and John Cowper Powys to the war in Iraq, this volume will energize leftist movements throughout Britain and the rest of the world.Less
From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. This book seeks to recover and revitalize that indigenous anarchist tradition. It succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. The author argues that a recovered anarchist tradition could — and should — be a touchstone for contemporary political radicals. Moving from Aldous Huxley and John Cowper Powys to the war in Iraq, this volume will energize leftist movements throughout Britain and the rest of the world.
Oliver Creighton and Duncan Wright
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9781781382424
- eISBN:
- 9781786943996
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382424.001.0001
- Subject:
- Archaeology, Historical Archaeology
The turbulent reign of Stephen, King of England (1135–54), has been styled since the late 19th century as 'the Anarchy’, although the extent of political breakdown during the period has since been ...
More
The turbulent reign of Stephen, King of England (1135–54), has been styled since the late 19th century as 'the Anarchy’, although the extent of political breakdown during the period has since been vigorously debated. Rebellion and bitter civil war characterised Stephen’s protracted struggle with rival claimant Empress Matilda and her Angevin supporters over ‘nineteen long winters’ when, according to the Anglo-Saxon Chronicle, ‘Christ and his Saints slept’. Drawing on new research and fieldwork, this innovative volume offers the first ever overview and synthesis of the archaeological and material record for this controversial period. It presents and interrogates many different types of evidence at a variety of scales, ranging from nationwide mapping of historical events through to conflict landscapes of battlefields and sieges. The volume considers archaeological sites such as castles and other fortifications, churches, monasteries, bishops’ palaces and urban and rural settlements, alongside material culture including coins, pottery, seals and arms and armour. This approach not only augments but also challenges historical narratives, questioning the ‘real’ impact of Stephen’s troubled reign on society, settlement, church and the landscape, and opens up new perspectives on the conduct of Anglo-Norman warfare.Less
The turbulent reign of Stephen, King of England (1135–54), has been styled since the late 19th century as 'the Anarchy’, although the extent of political breakdown during the period has since been vigorously debated. Rebellion and bitter civil war characterised Stephen’s protracted struggle with rival claimant Empress Matilda and her Angevin supporters over ‘nineteen long winters’ when, according to the Anglo-Saxon Chronicle, ‘Christ and his Saints slept’. Drawing on new research and fieldwork, this innovative volume offers the first ever overview and synthesis of the archaeological and material record for this controversial period. It presents and interrogates many different types of evidence at a variety of scales, ranging from nationwide mapping of historical events through to conflict landscapes of battlefields and sieges. The volume considers archaeological sites such as castles and other fortifications, churches, monasteries, bishops’ palaces and urban and rural settlements, alongside material culture including coins, pottery, seals and arms and armour. This approach not only augments but also challenges historical narratives, questioning the ‘real’ impact of Stephen’s troubled reign on society, settlement, church and the landscape, and opens up new perspectives on the conduct of Anglo-Norman warfare.
Anne Lambright
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382516
- eISBN:
- 9781786945471
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382516.001.0001
- Subject:
- History, Latin American History
Andean Truths: Transitional Justice, Ethnicity, and Cultural Production in Post-Shining Path Peru studies how literature, drama, film, and the visual arts contest the dominant narrative of national ...
More
Andean Truths: Transitional Justice, Ethnicity, and Cultural Production in Post-Shining Path Peru studies how literature, drama, film, and the visual arts contest the dominant narrative of national peace and reconciliation, as constructed by Peru’s Truth and Reconciliation Commission. Established in 2001, the Commission aimed to ‘investigate and make public the truth’ of the country’s twenty-year civil war, drawing upon homologous predecessors that provided a highly scripted model of truth-gathering and national healing. In this model, a predetermined collective mourning, catharsis, and reconciliation would move the nation forward in a consensually-determined fashion. Andean Truths shows that the Peruvian case proves internationally-endorsed models insufficient for arriving at the ‘truth’ of a national trauma that primarily affected disenfranchised ethnic groups, namely, the Andean Quechua speaking populations that accounted for the overwhelming majority of victims of the violence. Even as scholars recognize the importance of bringing multiple voices to the table in discussing post-Shining Path Peru, the question remains of what a more Andean-oriented transitional justice process might entail. Drawing on theories of decoloniality, intercultural communication and epistemological diversity (following scholars such as Enrique Dussel, Aníbal Quijano and Boaventura de Sousa Santos), this book analyzes cultural products, from the theater of Yuyachkani to the narrative of Oscar Colchado Lucio, the art of Edilberto Jiménez, and other popular artistic responses, that highlight Andean understandings of the conflict and its aftermath. These cultural products challenge dominant understandings of the conflict and question Peru’s ability to overcome its collective trauma without seriously reconsidering prevailing cultural paradigms.Less
Andean Truths: Transitional Justice, Ethnicity, and Cultural Production in Post-Shining Path Peru studies how literature, drama, film, and the visual arts contest the dominant narrative of national peace and reconciliation, as constructed by Peru’s Truth and Reconciliation Commission. Established in 2001, the Commission aimed to ‘investigate and make public the truth’ of the country’s twenty-year civil war, drawing upon homologous predecessors that provided a highly scripted model of truth-gathering and national healing. In this model, a predetermined collective mourning, catharsis, and reconciliation would move the nation forward in a consensually-determined fashion. Andean Truths shows that the Peruvian case proves internationally-endorsed models insufficient for arriving at the ‘truth’ of a national trauma that primarily affected disenfranchised ethnic groups, namely, the Andean Quechua speaking populations that accounted for the overwhelming majority of victims of the violence. Even as scholars recognize the importance of bringing multiple voices to the table in discussing post-Shining Path Peru, the question remains of what a more Andean-oriented transitional justice process might entail. Drawing on theories of decoloniality, intercultural communication and epistemological diversity (following scholars such as Enrique Dussel, Aníbal Quijano and Boaventura de Sousa Santos), this book analyzes cultural products, from the theater of Yuyachkani to the narrative of Oscar Colchado Lucio, the art of Edilberto Jiménez, and other popular artistic responses, that highlight Andean understandings of the conflict and its aftermath. These cultural products challenge dominant understandings of the conflict and question Peru’s ability to overcome its collective trauma without seriously reconsidering prevailing cultural paradigms.
Siobhan McIlvanney
- Published in print:
- 2000
- Published Online:
- June 2013
- ISBN:
- 9780853235378
- eISBN:
- 9781846312571
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846312571
- Subject:
- Literature, European Literature
This critical study focusing exclusively on Annie Ernaux's writing trajectory provides an analysis of her individual texts. Following a broadly feminist hermeneutic, it engages in a series of close ...
More
This critical study focusing exclusively on Annie Ernaux's writing trajectory provides an analysis of her individual texts. Following a broadly feminist hermeneutic, it engages in a series of close readings of Ernaux's works in a move to highlight the contradictions and nuances in her writing, and to demonstrate the intellectual intricacies of her literary project. By so doing, the study seeks to introduce new readers to Ernaux's works, while engaging on less-familiar terrain those already familiar with her writing.Less
This critical study focusing exclusively on Annie Ernaux's writing trajectory provides an analysis of her individual texts. Following a broadly feminist hermeneutic, it engages in a series of close readings of Ernaux's works in a move to highlight the contradictions and nuances in her writing, and to demonstrate the intellectual intricacies of her literary project. By so doing, the study seeks to introduce new readers to Ernaux's works, while engaging on less-familiar terrain those already familiar with her writing.
Daniel F. Silva
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781786941008
- eISBN:
- 9781789628999
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941008.001.0001
- Subject:
- Literature, European Literature
Anti-Empire explores how different writers across Lusophone spaces engage with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses ...
More
Anti-Empire explores how different writers across Lusophone spaces engage with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses pertaining to race, ethnicity, culture, gender, sexuality, and class. Guided by a theoretically eclectic approach ranging from Psychoanalysis, Deconstruction, Postcolonial Theory, Queer Theory, and Critical Race Studies, Empire is explored as a spectrum of contemporary global power inaugurated by European expansion and propagated in the postcolonial present through economic, cultural, and political forces. Through the texts analysed, Anti-Empire offers in-depth interrogations of contemporary power in terms of racial politics, gender performance, socio-economic divisions, political structures, and the intersections of these facets of domination and hegemony. By way of grappling with Empire’s discursive field and charting new modes of producing meaning in opposition to that of Empire, the texts read from Brazil, the Cape Verde Islands, East Timor, Portugal, and São Tomé and Príncipe open new inquiries for Postcolonial and Decolonial Studies while contributing theoretical debates to the study of Lusophone cultures.Less
Anti-Empire explores how different writers across Lusophone spaces engage with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses pertaining to race, ethnicity, culture, gender, sexuality, and class. Guided by a theoretically eclectic approach ranging from Psychoanalysis, Deconstruction, Postcolonial Theory, Queer Theory, and Critical Race Studies, Empire is explored as a spectrum of contemporary global power inaugurated by European expansion and propagated in the postcolonial present through economic, cultural, and political forces. Through the texts analysed, Anti-Empire offers in-depth interrogations of contemporary power in terms of racial politics, gender performance, socio-economic divisions, political structures, and the intersections of these facets of domination and hegemony. By way of grappling with Empire’s discursive field and charting new modes of producing meaning in opposition to that of Empire, the texts read from Brazil, the Cape Verde Islands, East Timor, Portugal, and São Tomé and Príncipe open new inquiries for Postcolonial and Decolonial Studies while contributing theoretical debates to the study of Lusophone cultures.
Affect and Attention After Deleuze and Whitehead
After Obama
Aging People, Aging Places
Algorithms and the End of Politics
All Societies Die
The Allied Health Professions
American Snobs
Apocalyptic Geographies
At What Cost
