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Salman Rushdie$
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Andrew Teverson

Print publication date: 2007

Print ISBN-13: 9780719070501

Published to University Press Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719070501.001.0001

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date: 14 December 2017

Political and intellectual contexts

Political and intellectual contexts

Chapter:
(p.11) 2 Political and intellectual contexts
Source:
Salman Rushdie
Author(s):

Andrew Teverson

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719070501.003.0002

This chapter explores Rushdie's conception of the relationship between art and politics. It turns to three essays written by Rushdie in the early 1980s, at the juncture of his career when he was starting to define his public role as a novelist after the successes of Midnight's Children and Shame. These essays, which might, with a degree of critical licence, be seen to amount to a manifesto of his views on the political functions of art, are ‘Imaginary Homelands’ (1982), ‘Outside the Whale’ (1984) and ‘The Location of Brazil’ (1985). Arguably the most revealing of all these is ‘Outside the Whale’, written in partial response to George Orwell's 1940 essay, ‘Inside the Whale’, in which it is suggested that writers, rather than engaging directly in politics, should climb inside a metaphorical whale where, with ‘yards of blubber between [themselves] and reality’, they will be ‘able to keep up an attitude of the completest indifference’ to the world.

Keywords:   Salman Rushdie, art, politics, essays, Outside the Whale, Location of Brazil, Imaginary Homelands

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