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Since MeijiPerspectives on the Japanese Visual Arts, 1868-2000$
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J. Thomas Rimer

Print publication date: 2011

Print ISBN-13: 9780824834418

Published to University Press Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824834418.001.0001

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date: 20 August 2017

Japanese Painting from Edo to Meiji

Japanese Painting from Edo to Meiji

Rhetoric and Reality

Chapter:
(p.34) 2 Japanese Painting from Edo to Meiji
Source:
Since Meiji
Author(s):

Ellen P. Conant

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824834418.003.0003

This chapter discusses the history of Japanese painting from Edo to Meiji by focusing on the career of more than a dozen artists regarded as the leading painters of the period. It begins by providing a background on painting and prints during the Edo period and goes on to examine the transition in Japanese painting from Edo to the Meiji period. It then considers the Japanese government’s support of Western art before turning to the activities of the first generation of Meiji artists. It also analyzes the rhetoric of Ernest F. Fenollosa and his former pupil and colleague, Okakura Kakuzō regarding the development of modern Japanese art. It argues that the new generation of painters and their pupils successfully negotiated the Meiji Restoration and that it was they, not the iconic painters and disciples of Fenollosa and Okakura, who were responsible for what is generally regarded as the later efflorescence of modern Japanese painting.

Keywords:   Japanese painting, Western art, Ernest F. Fenollosa, Okakura Kakuzō, Japanese art, Meiji Restoration, Meiji period, Edo period

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