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Mainstream Culture RefocusedTelevision Drama, Society, and the Production of Meaning in Reform-Era China$
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Xueping Zhong

Print publication date: 2010

Print ISBN-13: 9780824834173

Published to University Press Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824834173.001.0001

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date: 21 August 2017

Epilogue

Epilogue

Intellectuals, Mainstream Culture, and Social Transformation

Chapter:
(p.162) Epilogue
Source:
Mainstream Culture Refocused
Author(s):

Xueping Zhong

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824834173.003.0008

This chapter highlights a theme that implicitly runs through this book, namely, the changing relationship between mainstream culture and the role of intellectuals in the postrevolutionary socioeconomic transformation in contemporary China. It suggests that future studies of Chinese mainstream (popular) culture must take into account the formation and development of, for a lack of a better word, a “cultural ecosystem” in the last three decades in China with four major forces or groups dominating meaning production: guan (officials), mei (the media), chan (industry), and xue (the academy). It is no longer accurate to assume a monolithic entity called “Chinese intellectuals” independent of these forces when the cultural production of meaning has become multifaceted and tension-filled. Nor is it accurate to apply ready-made labels to voices from within these forces without fully understanding their contextual, dialogic, and ideological implications.

Keywords:   Chinese culture, contemporary China, popular culture, intellectuals, cultural production

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