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Other Forms: Fugue, Rondo, and Miscellaneous Nonstandard Designs

Floyd Grave and Margaret Grave

in The String Quartets of Joseph Haydn

Published in print:
2006
Published Online:
May 2008
ISBN:
9780195173574
eISBN:
9780199872152
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195173574.003.0008
Subject:
Music, History, Western

Most items within this small but important category involve alternatives to sonata form among the finales. Examples include the three fugues of Op. 20 (Nos. 2, 5, and 6) and that of Op. 50 (No. 4), ... More


Music Publishing

Halina Goldberg

in Music in Chopin's Warsaw

Published in print:
2008
Published Online:
May 2008
ISBN:
9780195130737
eISBN:
9780199867424
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195130737.003.0004
Subject:
Music, History, Western

Warsaw's music bookstores provided access to a fount of musical knowledge through the repertory printed locally and through imported publications. Through the publication of fashionable musical ... More


Variations and Miscellaneous Works

William Kinderman

in Mozart's Piano Music

Published in print:
2006
Published Online:
May 2008
ISBN:
9780195100679
eISBN:
9780199868315
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195100679.003.0004
Subject:
Music, History, Western

This chapter considers all of Mozart's variations sets, beginning with his Eight Variations on a Dutch song, K. 24, and ending with late sets such as the “Duport” Variations, K. 573, and the Eight ... More


The Piano Concertos

William Kinderman

in Mozart's Piano Music

Published in print:
2006
Published Online:
May 2008
ISBN:
9780195100679
eISBN:
9780199868315
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195100679.003.0007
Subject:
Music, History, Western

This chapter discusses Mozart's rich legacy of concertos in detail, with special attention given to the “Jenamy” Concerto, K. 271. The social and political context of the Viennese concertos is ... More


Sonata Types and the Type 1 Sonata

James Hepokoski and Warren Darcy

in Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata

Published in print:
2006
Published Online:
October 2011
ISBN:
9780195146400
eISBN:
9780199850983
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195146400.003.0016
Subject:
Music, Theory, Analysis, Composition

Type 1 sonatas are those that contain only an exposition and recapitulation, with no minimal link between them, while the Type 2 sonatas are those structures in which what others have called the ... More


Rondos and the Type 4 Sonata

James Hepokoski and Warren Darcy

in Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata

Published in print:
2006
Published Online:
October 2011
ISBN:
9780195146400
eISBN:
9780199850983
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195146400.003.0018
Subject:
Music, Theory, Analysis, Composition

Type 4 sonatas comprise a variety of sonata-rondo mixtures, and Type 4 itself is a rondo which has been shaped to be in dialogue with Type 1 and Type 3 sonatas or from other perspectives. In standard ... More


Conspicuous 6-Phase Chords in the Closing Movement of Schubert’s Piano Sonata in B♭ Major (D 960)

David Damschroder

in Rethinking Schubert

Published in print:
2016
Published Online:
September 2016
ISBN:
9780190200107
eISBN:
9780190200138
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780190200107.003.0012
Subject:
Music, History, Western, Theory, Analysis, Composition

This chapter integrates perspectives on three issues. First, the movement’s correlation to a standard sonata-rondo form (Hepokoski and Darcy’s Type 4 sonata) will be delineated, in conjunction with ... More


C. P. E. Bach’s Keyboard Music and the Question of Idiom

David Schulenberg

in Bach Perspectives, Volume 11: J. S. Bach and His Sons

Published in print:
2017
Published Online:
September 2018
ISBN:
9780252041488
eISBN:
9780252050084
Item type:
chapter
Publisher:
University of Illinois Press
DOI:
10.5622/illinois/9780252041488.003.0003
Subject:
Music, History, Western

The keyboard music of Carl Philipp Emanuel Bach, commonly described as being for clavichord or generic “clavier,” reveals great variety of idiom, implying significant changes in players’ technical ... More


Aesthetics of Integration in Mahler’s Fifth Symphony

William Kinderman

in The Creative Process in Music from Mozart to Kurtág

Published in print:
2012
Published Online:
April 2017
ISBN:
9780252037160
eISBN:
9780252094286
Item type:
chapter
Publisher:
University of Illinois Press
DOI:
10.5406/illinois/9780252037160.003.0004
Subject:
Music, History, Western

This chapter examines the intermovement connections of the final two movements in Mahler's Fifth Symphony—the Adagietto and the Rondo-Finale. It shows how the questions of aesthetic meaning and ... More


J. S. Bach, Gavotte en Rondeaux from Violin Partita No. 3 in E major

Carl Schachter

in The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory

Published in print:
2016
Published Online:
December 2015
ISBN:
9780190227395
eISBN:
9780190227425
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780190227395.003.0006
Subject:
Music, Theory, Analysis, Composition

Lesson 6 examines the Bach Gavotte en Rondeaux, including a discussion of Rondo form from a Schenkerian perspective. At the end, the classical rondo is examined, especially in the music of Mozart, ... More


Mozart, Sonata for Violin and Piano, K. 481, Adagio

Carl Schachter

in The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory

Published in print:
2016
Published Online:
December 2015
ISBN:
9780190227395
eISBN:
9780190227425
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780190227395.003.0007
Subject:
Music, Theory, Analysis, Composition

Lesson 7 focuses on the Adagio from Mozart’s Piano and Violin Sonata K. 481. The relationship between form (including rondo form and “quatrain form”) and voice leading remains a central concern. ... More


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