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Huju: Traditional Opera in Modern Shanghai

Jonathan P. J. Stock

Published in print:
2003
Published Online:
January 2012
ISBN:
9780197262733
eISBN:
9780191734502
Item type:
book
Publisher:
British Academy
DOI:
10.5871/bacad/9780197262733.001.0001
Subject:
Music, Ethnomusicology, World Music

China has over three hundred distinct styles of music drama, from exorcism theatre to farce, historical romance, and shadow puppetry. This study considers one of the newer operatic forms. Established ... More


Prophets and Precursors: Paris 1830–1848

David Roberts

in The Total Work of Art in European Modernism

Published in print:
2011
Published Online:
August 2016
ISBN:
9780801450235
eISBN:
9780801460975
Item type:
chapter
Publisher:
Cornell University Press
DOI:
10.7591/cornell/9780801450235.003.0004
Subject:
Art, Art History

This chapter explores the recreation of the union of art, religion, and politics in Athenian tragedy in music drama, just as the modern synthesis of the arts, in which the orchestra takes the place ... More


The Secret of Music-Dramatic Form: Music Drama as Opera

Karol Berger

in Beyond Reason: Wagner contra Nietzsche

Published in print:
2016
Published Online:
September 2017
ISBN:
9780520292758
eISBN:
9780520966130
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520292758.003.0002
Subject:
Music, Opera

Carl Dahlhaus’s voluminous writings on Wagner from the 1960s though the 1980s provide the most important attempt to understand the form of the music dramas since Alfred Lorenz’s studies of the 1920s ... More


Les heureux étrangers—Italian Music Drama

Mark Everist

in Music Drama at the Paris Odéon, 1824–1828

Published in print:
2002
Published Online:
May 2012
ISBN:
9780520234451
eISBN:
9780520928909
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520234451.003.0009
Subject:
Music, History, Western

This chapter examines works by Gioachino Rossini, Giacomo Meyerbeer, and Wolfgang Amadeus Mozart and considers the ways in which Italian music drama was adapted to the conventional boundaries of ... More


L'obligation de jouer le répertoire du premier ordre—Repertory and Management at the Odéon

Mark Everist

in Music Drama at the Paris Odéon, 1824–1828

Published in print:
2002
Published Online:
May 2012
ISBN:
9780520234451
eISBN:
9780520928909
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520234451.003.0003
Subject:
Music, History, Western

This chapter discusses repertory and management at the Odeon. During the 1820s, when the theater was mounting productions of music drama, comedy, and tragedy, it boasted up to three directors, two of ... More


Une leçon de morale—German Music Drama

Mark Everist

in Music Drama at the Paris Odéon, 1824–1828

Published in print:
2002
Published Online:
May 2012
ISBN:
9780520234451
eISBN:
9780520928909
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520234451.003.0010
Subject:
Music, History, Western

This chapter discusses the tradition of German music drama in Paris, considers works by Carl Maria von Weber and an abortive production of Ludvig van Beethoven's Fidelio. German music drama never had ... More


Introduction

Mark Everist

in Music Drama at the Paris Odéon, 1824–1828

Published in print:
2002
Published Online:
May 2012
ISBN:
9780520234451
eISBN:
9780520928909
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520234451.003.0001
Subject:
Music, History, Western

This chapter introduces the book, in which music drama in nineteenth-century France is discussed. Definitions of what constituted opera in the early nineteenth century were much more inclusive than ... More


On Not Writing Opera

Emma Sutton

in Virginia Woolf and Classical Music: Politics, Aesthetics, Form

Published in print:
2013
Published Online:
May 2014
ISBN:
9780748637874
eISBN:
9780748695270
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748637874.003.0002
Subject:
Literature, Women's Literature

This chapter concentrates on The Voyage Out, proposing that Woolf’s first novel is an extended critique of Wagner’s Tristan and that it is profoundly indebted to, if ambivalent towards, the music ... More


La férule sévère et souvent capricieuse—Control and Consumption

Mark Everist

in Music Drama at the Paris Odéon, 1824–1828

Published in print:
2002
Published Online:
May 2012
ISBN:
9780520234451
eISBN:
9780520928909
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520234451.003.0005
Subject:
Music, History, Western

This chapter discusses jury de lecture, the theater's reading committee; the ways in which censorship operated; and the controls exercised by the audience and the claque. In the eighteenth century, ... More


Conclusion

Mark Everist

in Music Drama at the Paris Odéon, 1824–1828

Published in print:
2002
Published Online:
May 2012
ISBN:
9780520234451
eISBN:
9780520928909
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520234451.003.0011
Subject:
Music, History, Western

This chapter provides the conclusion to the book, in which music drama in the Odéon is discussed. The Odéon was a royal institution embedded in an administrative network that depended ultimately on ... More


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