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Interactive Installations

Roberto Simanowski

in Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations

Published in print:
2011
Published Online:
August 2015
ISBN:
9780816667376
eISBN:
9781452946788
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816667376.003.0005
Subject:
Art, Art Theory and Criticism

This chapter studies the kind of interactivity existing in art before the emergence of interactive art. It addresses the important questions regarding interactive or participatory art, such as the ... More


Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations

Roberto Simanowski

Published in print:
2011
Published Online:
August 2015
ISBN:
9780816667376
eISBN:
9781452946788
Item type:
book
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816667376.001.0001
Subject:
Art, Art Theory and Criticism

In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counter hype. Popular writing about specific artworks seldom goes beyond promoting ... More


7:47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody, Somewhere, Some Time) (2011)<sup>1</sup>

Kristine Stiles

in Concerning Consequences: Studies in Art, Destruction, and Trauma

Published in print:
2016
Published Online:
September 2017
ISBN:
9780226774510
eISBN:
9780226304403
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226304403.003.0020
Subject:
Art, Art Theory and Criticism

This chapter examines Maurice Benayoun's futurological imaging of trauma in virtual reality by focusing on his 1992 interactive installation So.So.So Somebody Somewhere Sometime. So.So.So. takes ... More


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