Angelos Chaniotis
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780197265062
- eISBN:
- 9780191754173
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265062.003.0014
- Subject:
- Classical Studies, European History: BCE to 500CE
This chapter explores how the gamut of responses to the presence of an inscription has to include not just sight and touch but also imagination and vocalisation. Being meant to be read aloud, they ...
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This chapter explores how the gamut of responses to the presence of an inscription has to include not just sight and touch but also imagination and vocalisation. Being meant to be read aloud, they convey a reader's voice as well as that of the inscription itself or that of the dead person commemorated on a gravestone. Even more immediate is the potential impact when a person's actual words are preserved and displayed. They may be in direct speech, illustrated by letters and confessions, or in indirect speech as records of manumissions, minutes of meetings, or jokes. They may alternatively be performative speech, in the form of acclamations, formal declarations, oaths, prayers or hymns; and can equally be reports of oral events such as meetings or even public demonstrations. They can also be couched in various forms of emotional language, whether uttered by individuals (graffiti, prayers or the edicts of angry rulers) or more collectively and formally in secular or religious acclamations, and even in decrees of state. A final section emphasises the need for practitioners of the discipline of epigraphy to be missionaries — to spread the word about the value of visible words.Less
This chapter explores how the gamut of responses to the presence of an inscription has to include not just sight and touch but also imagination and vocalisation. Being meant to be read aloud, they convey a reader's voice as well as that of the inscription itself or that of the dead person commemorated on a gravestone. Even more immediate is the potential impact when a person's actual words are preserved and displayed. They may be in direct speech, illustrated by letters and confessions, or in indirect speech as records of manumissions, minutes of meetings, or jokes. They may alternatively be performative speech, in the form of acclamations, formal declarations, oaths, prayers or hymns; and can equally be reports of oral events such as meetings or even public demonstrations. They can also be couched in various forms of emotional language, whether uttered by individuals (graffiti, prayers or the edicts of angry rulers) or more collectively and formally in secular or religious acclamations, and even in decrees of state. A final section emphasises the need for practitioners of the discipline of epigraphy to be missionaries — to spread the word about the value of visible words.
Anna J. Clark
- Published in print:
- 2007
- Published Online:
- January 2008
- ISBN:
- 9780199226825
- eISBN:
- 9780191710278
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199226825.003.0007
- Subject:
- Classical Studies, European History: BCE to 500CE
This chapter first draws together conclusions about the range of claims and counter‐claims made about divine qualities during the Republican period by individuals and groups from a range of social ...
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This chapter first draws together conclusions about the range of claims and counter‐claims made about divine qualities during the Republican period by individuals and groups from a range of social strata. It highlights the importance both of physical resources and of oral culture in the ways the cognitive vocabulary of divine qualities was used in Republican society. It then explores engagements with such qualities in the early empire. The capacity to restrict meanings and associations increased with the existence of an imperial family, but divine qualities also continued to be important in this period because alternative readings and associations could still be made, and such qualities were useful to senators and other people as well as to emperors. Imperial case studies include episodes found in Suetonius, Tacitus, and Dio, acclamations, Pompeian graffiti, ships, slave names, and the tomb of Claudia Semne.Less
This chapter first draws together conclusions about the range of claims and counter‐claims made about divine qualities during the Republican period by individuals and groups from a range of social strata. It highlights the importance both of physical resources and of oral culture in the ways the cognitive vocabulary of divine qualities was used in Republican society. It then explores engagements with such qualities in the early empire. The capacity to restrict meanings and associations increased with the existence of an imperial family, but divine qualities also continued to be important in this period because alternative readings and associations could still be made, and such qualities were useful to senators and other people as well as to emperors. Imperial case studies include episodes found in Suetonius, Tacitus, and Dio, acclamations, Pompeian graffiti, ships, slave names, and the tomb of Claudia Semne.
John Baxter
- Published in print:
- 2010
- Published Online:
- September 2011
- ISBN:
- 9780813126012
- eISBN:
- 9780813135601
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813126012.003.0003
- Subject:
- Film, Television and Radio, Film
Jonas claimed to be indifferent, as he was to the men who pressed themselves against him on crowded streetcars. Obscene graffiti gave him knowledge of anatomy, which improved when he gathered in a ...
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Jonas claimed to be indifferent, as he was to the men who pressed themselves against him on crowded streetcars. Obscene graffiti gave him knowledge of anatomy, which improved when he gathered in a cellar with some other boys to watch a girl on a swing show herself naked under her skirt. He had a few brushes with homosexuality. Because his work deals so frequently but often obliquely with sex, this has invited speculation about von Sternberg's sexuality. Superficially, he was almost obsessively heterosexual.Less
Jonas claimed to be indifferent, as he was to the men who pressed themselves against him on crowded streetcars. Obscene graffiti gave him knowledge of anatomy, which improved when he gathered in a cellar with some other boys to watch a girl on a swing show herself naked under her skirt. He had a few brushes with homosexuality. Because his work deals so frequently but often obliquely with sex, this has invited speculation about von Sternberg's sexuality. Superficially, he was almost obsessively heterosexual.
Jane Stevenson
- Published in print:
- 2005
- Published Online:
- September 2007
- ISBN:
- 9780198185024
- eISBN:
- 9780191714238
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198185024.003.0004
- Subject:
- Literature, Women's Literature
The case for epigraphy as a source for women's verse production in Imperial Rome is considered. Evidence for women's literacy in the Roman empire, including non-literary sources such as graffiti and ...
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The case for epigraphy as a source for women's verse production in Imperial Rome is considered. Evidence for women's literacy in the Roman empire, including non-literary sources such as graffiti and curse-tablets, is presented. The circumstances of production of epigraphic poetry are examined. The chapter also considers a variety of specific poems attributed to women, and the evidence they reveal of interpersonal relations, particularly Terentia's poem on the death of her brother.Less
The case for epigraphy as a source for women's verse production in Imperial Rome is considered. Evidence for women's literacy in the Roman empire, including non-literary sources such as graffiti and curse-tablets, is presented. The circumstances of production of epigraphic poetry are examined. The chapter also considers a variety of specific poems attributed to women, and the evidence they reveal of interpersonal relations, particularly Terentia's poem on the death of her brother.
David Ashford
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9781846318597
- eISBN:
- 9781846318016
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781846318597.001.0000
- Subject:
- Society and Culture, Cultural Studies
Engaging with the rich catalogue of cultural material relating to the London Underground, this cultural geography sets out to explore one of the strangest spaces of the modern world. The first to ...
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Engaging with the rich catalogue of cultural material relating to the London Underground, this cultural geography sets out to explore one of the strangest spaces of the modern world. The first to complete that slow process of estrangement from the natural topography initiated by the Industrial Revolution, London Underground is shown to be what French anthropologist Marc Augé has called non-lieu: non-places, like the motorway, supermarket or airport lounge, compelled to interpret their relation to the invisible landscapes they traverse through the media of signs and maps. The tube-network is revealed to be a transitional form, linking spaces of alienation in Victorian England, such as the railway, and the fully virtual spaces of our contemporary consumer-capitalism. This history of alienation, and of the bold struggle to overcome it, recounted in London Underground: a cultural geography, is nothing less than the history of how people have attempted to make a home in the psychopathological spaces of the modern world. London Underground: a cultural geography taps the current enthusiasm for cultural history, for psychogeography, for books on modern urban space, and for all things relating to London, providing an account of the system's representation and reshaping in fiction, film, art, music, graffiti, connecting the long history of the tube-network to wider theoretical concerns relating to the Victorian City, Cultural Geography, Modernism, Post-modernism and Situationist Theory.Less
Engaging with the rich catalogue of cultural material relating to the London Underground, this cultural geography sets out to explore one of the strangest spaces of the modern world. The first to complete that slow process of estrangement from the natural topography initiated by the Industrial Revolution, London Underground is shown to be what French anthropologist Marc Augé has called non-lieu: non-places, like the motorway, supermarket or airport lounge, compelled to interpret their relation to the invisible landscapes they traverse through the media of signs and maps. The tube-network is revealed to be a transitional form, linking spaces of alienation in Victorian England, such as the railway, and the fully virtual spaces of our contemporary consumer-capitalism. This history of alienation, and of the bold struggle to overcome it, recounted in London Underground: a cultural geography, is nothing less than the history of how people have attempted to make a home in the psychopathological spaces of the modern world. London Underground: a cultural geography taps the current enthusiasm for cultural history, for psychogeography, for books on modern urban space, and for all things relating to London, providing an account of the system's representation and reshaping in fiction, film, art, music, graffiti, connecting the long history of the tube-network to wider theoretical concerns relating to the Victorian City, Cultural Geography, Modernism, Post-modernism and Situationist Theory.
Filippo De Vivo
- Published in print:
- 2007
- Published Online:
- September 2008
- ISBN:
- 9780199227068
- eISBN:
- 9780191711114
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199227068.003.0005
- Subject:
- History, European Early Modern History
Each of the communication spheres presented so far also needed to communicate with the others. This chapter analyses their contacts and conflicts. First, it discusses the interaction between literate ...
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Each of the communication spheres presented so far also needed to communicate with the others. This chapter analyses their contacts and conflicts. First, it discusses the interaction between literate and oral communication, suggesting that literacy was itself a drive for social transactions. It then addresses the official publication of laws and decrees: for all its secretiveness, the government's authority rested on its capacity to reach out to the subjects. Yet official publication also often led to resistance, as people prevented publication and destroyed decrees. Thus, normative messages never dominated the city's public space, but had to compete with alternative forms of public communication, for example graffiti and posted texts (Venice's equivalent of the Roman pasquinades). The chapter concludes with a case study of one such texts, the Paternoster degli Spagnoli, which circulated widely during the French wars of religion and beyond, as a critical parody of political domination.Less
Each of the communication spheres presented so far also needed to communicate with the others. This chapter analyses their contacts and conflicts. First, it discusses the interaction between literate and oral communication, suggesting that literacy was itself a drive for social transactions. It then addresses the official publication of laws and decrees: for all its secretiveness, the government's authority rested on its capacity to reach out to the subjects. Yet official publication also often led to resistance, as people prevented publication and destroyed decrees. Thus, normative messages never dominated the city's public space, but had to compete with alternative forms of public communication, for example graffiti and posted texts (Venice's equivalent of the Roman pasquinades). The chapter concludes with a case study of one such texts, the Paternoster degli Spagnoli, which circulated widely during the French wars of religion and beyond, as a critical parody of political domination.
Patrick Major
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780199243280
- eISBN:
- 9780191714061
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199243280.003.0009
- Subject:
- History, European Modern History
Considers how the Wall has thrown shadows into the post‐1989 era, both in the wave of nostalgic and critical films and novels, but also in the trials of border guards which took place in the 1990s. ...
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Considers how the Wall has thrown shadows into the post‐1989 era, both in the wave of nostalgic and critical films and novels, but also in the trials of border guards which took place in the 1990s. The bulk of the chapter concerns the politics surrounding memorials to the Wall. The aestheticization of the Wall through graffiti before its fall reflected a ‘western’ vision of the edifice as Cold War absurdity, but also a message board for an eclectic range of libertarian causes. Likewise, the artistic commemoration of the Wall since 1989 has been driven largely be western architects who have sometimes unwittingly prioritized the Wall ‘under western eyes'; for instance in marking in Berlin's pavements the line where the western ‘frontline’ wall ran, rather than the eastern wall which confronted East Germans. This final chapter reinforces the book's overall message of looking at the Wall with eastern eyes, both those of the party, but those of ordinary East Germans caught up in a system of real and invisible walls which deeply marked their life stories.Less
Considers how the Wall has thrown shadows into the post‐1989 era, both in the wave of nostalgic and critical films and novels, but also in the trials of border guards which took place in the 1990s. The bulk of the chapter concerns the politics surrounding memorials to the Wall. The aestheticization of the Wall through graffiti before its fall reflected a ‘western’ vision of the edifice as Cold War absurdity, but also a message board for an eclectic range of libertarian causes. Likewise, the artistic commemoration of the Wall since 1989 has been driven largely be western architects who have sometimes unwittingly prioritized the Wall ‘under western eyes'; for instance in marking in Berlin's pavements the line where the western ‘frontline’ wall ran, rather than the eastern wall which confronted East Germans. This final chapter reinforces the book's overall message of looking at the Wall with eastern eyes, both those of the party, but those of ordinary East Germans caught up in a system of real and invisible walls which deeply marked their life stories.
Anne Marie Oliver and Paul F. Steinberg
- Published in print:
- 2006
- Published Online:
- October 2011
- ISBN:
- 9780195305593
- eISBN:
- 9780199850815
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195305593.003.0022
- Subject:
- Religion, Islam
Intifada graffiti was preoccupied with things such as announcements of strike days, instructions on boycotts and demonstrations. The intifada was young and people hadn't yet learned what they were ...
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Intifada graffiti was preoccupied with things such as announcements of strike days, instructions on boycotts and demonstrations. The intifada was young and people hadn't yet learned what they were supposed to be doing and thinking. Many of the slogans of the intifada can be traced at least as far back as the Palestinian revolts of 1929 and 1936 and the war of 1948. Al–Ansari holds a particularly high place of honor in the Islamic pantheon of martyrs because he lent Islamic ritual form to the act of dying in the hands of one's enemy.Less
Intifada graffiti was preoccupied with things such as announcements of strike days, instructions on boycotts and demonstrations. The intifada was young and people hadn't yet learned what they were supposed to be doing and thinking. Many of the slogans of the intifada can be traced at least as far back as the Palestinian revolts of 1929 and 1936 and the war of 1948. Al–Ansari holds a particularly high place of honor in the Islamic pantheon of martyrs because he lent Islamic ritual form to the act of dying in the hands of one's enemy.
Ivy G. Wilson
- Published in print:
- 2011
- Published Online:
- September 2011
- ISBN:
- 9780195337372
- eISBN:
- 9780199896929
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195337372.003.0007
- Subject:
- Literature, African-American Literature, American, 19th Century Literature
This chapter interrogates the idea of visuality in Herman Melville's short story “Benito Cereno” (1855) by examining the arrangement of space about the slave ship San Dominick. Turning away from the ...
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This chapter interrogates the idea of visuality in Herman Melville's short story “Benito Cereno” (1855) by examining the arrangement of space about the slave ship San Dominick. Turning away from the prevailing New Historicist readings, it argues that the text's fraught aesthetic sensibility needs to be correlated to the ambiguous social position of the African slaves. In Melville's story, the Spanish ship is riddled with improperly placed things, half-finished pieces of art, rude performances, and graffiti scrawling. “Benito Cereno” is best understood through its staging of art that are put into high relief if one thinks about the Africans as curators of sorts; the story sets the American Captain Delano's desire to restore law and order against the statelessness of the slaves whose insurrection is fashioned as a veritable example of Outsider Art.Less
This chapter interrogates the idea of visuality in Herman Melville's short story “Benito Cereno” (1855) by examining the arrangement of space about the slave ship San Dominick. Turning away from the prevailing New Historicist readings, it argues that the text's fraught aesthetic sensibility needs to be correlated to the ambiguous social position of the African slaves. In Melville's story, the Spanish ship is riddled with improperly placed things, half-finished pieces of art, rude performances, and graffiti scrawling. “Benito Cereno” is best understood through its staging of art that are put into high relief if one thinks about the Africans as curators of sorts; the story sets the American Captain Delano's desire to restore law and order against the statelessness of the slaves whose insurrection is fashioned as a veritable example of Outsider Art.
Camilo D. Trumper
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520289901
- eISBN:
- 9780520964303
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520289901.003.0008
- Subject:
- History, Latin American History
The concluding chapter returns to the book’s different subjects, and studies how they took new shape in the early moments of the regime that toppled Allende and inaugurated a military dictatorship ...
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The concluding chapter returns to the book’s different subjects, and studies how they took new shape in the early moments of the regime that toppled Allende and inaugurated a military dictatorship that ruled for close to two decades. It then turns to street photography as a case study for transformation and continuity in political practice and visual culture. It shows how photographers responded to political repression by fashioning a visual language that played upon the “objectivity” of the lens and the “transparency” of the image, fashioning an innovative genre of “creative testimony.” Street photographers ultimately turned images into the preeminent medium around which they could organize an active resistance movement. This perspective suggests that citizens responded to political violence by reimagining the tactics of political conflict they had developed in democracy into a rich visual and material culture of political resistance. In the absence of generalized armed conflict, ephemeral acts and visual culture became the most effective form of political engagement and resistance in Chile. They scrawled slogans and images on buildings, distributed leaflets, acted out fleeting forms of furtive political street theater, and crashed empty pots and pans as an ongoing form of aural protest. Developed in democracy but reimagined under dictatorship, these ephemeral practices were essential to the creation of clandestine networks of political association and organization after the coup.Less
The concluding chapter returns to the book’s different subjects, and studies how they took new shape in the early moments of the regime that toppled Allende and inaugurated a military dictatorship that ruled for close to two decades. It then turns to street photography as a case study for transformation and continuity in political practice and visual culture. It shows how photographers responded to political repression by fashioning a visual language that played upon the “objectivity” of the lens and the “transparency” of the image, fashioning an innovative genre of “creative testimony.” Street photographers ultimately turned images into the preeminent medium around which they could organize an active resistance movement. This perspective suggests that citizens responded to political violence by reimagining the tactics of political conflict they had developed in democracy into a rich visual and material culture of political resistance. In the absence of generalized armed conflict, ephemeral acts and visual culture became the most effective form of political engagement and resistance in Chile. They scrawled slogans and images on buildings, distributed leaflets, acted out fleeting forms of furtive political street theater, and crashed empty pots and pans as an ongoing form of aural protest. Developed in democracy but reimagined under dictatorship, these ephemeral practices were essential to the creation of clandestine networks of political association and organization after the coup.
Heba Salem and Kantaro Taira
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9789774165337
- eISBN:
- 9781617971303
- Item type:
- chapter
- Publisher:
- American University in Cairo Press
- DOI:
- 10.5743/cairo/9789774165337.003.0005
- Subject:
- Society and Culture, Middle Eastern Studies
Draws on the concepts of striated and smooth space in Gilles Deleuze and Félix Guattari's A Thousand Plateaus to translate the politics of street art of the revolution as “a performance and product ...
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Draws on the concepts of striated and smooth space in Gilles Deleuze and Félix Guattari's A Thousand Plateaus to translate the politics of street art of the revolution as “a performance and product of aesthetic smoothing that resists the dominant striated narratives of the state.” As the author argues, street art becomes a way for Egyptians to reclaim and re-appropriate urban space. From the first tags that called for the downfall of the regime, to the rock formations made from crumbles of broken pavement in Tahrir, and the elaborate murals memorializing the martyrs, street artists have challenged the state's instruments of monopolizing public space and homogenizing Egyptian life and identity. Over the past months, Egypt's Military Council has mounted a “war on graffiti” targeting political artwork that is now widespread in Egyptian cities. Graffiti works inciting protest, or critiquing the military junta and the state security forces, or articulating the demands of the revolution, have systematically been painted over, dismantled, or “cleaned up” and several artists have been harassed and arrested by the Military Council for bringing art to the street in a clear show-down and contest over both public space and the space of visual consumption.Less
Draws on the concepts of striated and smooth space in Gilles Deleuze and Félix Guattari's A Thousand Plateaus to translate the politics of street art of the revolution as “a performance and product of aesthetic smoothing that resists the dominant striated narratives of the state.” As the author argues, street art becomes a way for Egyptians to reclaim and re-appropriate urban space. From the first tags that called for the downfall of the regime, to the rock formations made from crumbles of broken pavement in Tahrir, and the elaborate murals memorializing the martyrs, street artists have challenged the state's instruments of monopolizing public space and homogenizing Egyptian life and identity. Over the past months, Egypt's Military Council has mounted a “war on graffiti” targeting political artwork that is now widespread in Egyptian cities. Graffiti works inciting protest, or critiquing the military junta and the state security forces, or articulating the demands of the revolution, have systematically been painted over, dismantled, or “cleaned up” and several artists have been harassed and arrested by the Military Council for bringing art to the street in a clear show-down and contest over both public space and the space of visual consumption.
John Baxter
- Published in print:
- 2010
- Published Online:
- September 2011
- ISBN:
- 9780813126012
- eISBN:
- 9780813135601
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813126012.003.0010
- Subject:
- Film, Television and Radio, Film
Von Sternberg worked on the scenario with Alice D. G. Miller, daughter of the better-known Alice Duer Miller. With Florey as “technical adviser,” von Sternberg tried to instill some French atmosphere ...
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Von Sternberg worked on the scenario with Alice D. G. Miller, daughter of the better-known Alice Duer Miller. With Florey as “technical adviser,” von Sternberg tried to instill some French atmosphere into the film. Although they visited Quebec to scout locations, MGM insisted on recycling a chateau set left over from 1923's In the Palace of the King. The rest was shot in a village mocked up on the back lot. Von Sternberg did his best to personalize the sets, pasting up posters and daubing walls with graffiti. He went public on August 12, 1925 in the Los Angeles Times. He was given very little choice in the selection of his story or the cast. With time on his hands, he continued writing.Less
Von Sternberg worked on the scenario with Alice D. G. Miller, daughter of the better-known Alice Duer Miller. With Florey as “technical adviser,” von Sternberg tried to instill some French atmosphere into the film. Although they visited Quebec to scout locations, MGM insisted on recycling a chateau set left over from 1923's In the Palace of the King. The rest was shot in a village mocked up on the back lot. Von Sternberg did his best to personalize the sets, pasting up posters and daubing walls with graffiti. He went public on August 12, 1925 in the Los Angeles Times. He was given very little choice in the selection of his story or the cast. With time on his hands, he continued writing.
Thomas Hubbard (ed.)
- Published in print:
- 2003
- Published Online:
- March 2012
- ISBN:
- 9780520223813
- eISBN:
- 9780520936508
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520223813.001.0001
- Subject:
- Classical Studies, Archaeology: Classical
The most important primary texts on homosexuality in ancient Greece and Rome have been translated into modern, explicit English and collected together in this sourcebook. Covering an extensive ...
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The most important primary texts on homosexuality in ancient Greece and Rome have been translated into modern, explicit English and collected together in this sourcebook. Covering an extensive period—from the earliest Greek texts in the late seventh century B.C.E. to Greco-Roman texts of the third and fourth centuries C.E.—the volume includes well-known writings by Plato, Sappho, Aeschines, Catullus, and Juvenal, as well as less well known but relevant and intriguing texts such as graffiti, comic fragments, magical papyri, medical treatises, and selected artistic evidence. These texts, together with introductions, clearly show that there was in fact no more consensus about homosexuality in ancient Greece and Rome than there is today. The material is organized by period and by genre, allowing readers to consider chronological developments in both Greece and Rome. Individual texts are presented with a short introduction contextualizing them by date and, where necessary, discussing their place within a larger work. Chapter introductions discuss questions of genre and the ideological significance of the texts, while the general introduction to the volume addresses issues such as sexual orientation in antiquity, moral judgments, class and ideology, and lesbianism.Less
The most important primary texts on homosexuality in ancient Greece and Rome have been translated into modern, explicit English and collected together in this sourcebook. Covering an extensive period—from the earliest Greek texts in the late seventh century B.C.E. to Greco-Roman texts of the third and fourth centuries C.E.—the volume includes well-known writings by Plato, Sappho, Aeschines, Catullus, and Juvenal, as well as less well known but relevant and intriguing texts such as graffiti, comic fragments, magical papyri, medical treatises, and selected artistic evidence. These texts, together with introductions, clearly show that there was in fact no more consensus about homosexuality in ancient Greece and Rome than there is today. The material is organized by period and by genre, allowing readers to consider chronological developments in both Greece and Rome. Individual texts are presented with a short introduction contextualizing them by date and, where necessary, discussing their place within a larger work. Chapter introductions discuss questions of genre and the ideological significance of the texts, while the general introduction to the volume addresses issues such as sexual orientation in antiquity, moral judgments, class and ideology, and lesbianism.
Datlon Conley
- Published in print:
- 2000
- Published Online:
- March 2012
- ISBN:
- 9780520215863
- eISBN:
- 9780520921733
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520215863.003.0003
- Subject:
- Sociology, Race and Ethnicity
The author describes his neighborhood in this chapter where every surface was covered with graffiti—deemed as the most visible marker of urban blight. Across from Avenue D projects stood another ...
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The author describes his neighborhood in this chapter where every surface was covered with graffiti—deemed as the most visible marker of urban blight. Across from Avenue D projects stood another manifestation of poverty: the slums. He describes the condition as if some social scientist had constructed a very crude experiment, randomly assigning people with low socioeconomic status to live on one side of the street to the other. The people living in this neighborhood were all living off food stamps; some on welfare; others worked; and it made no difference. He notes that every family that experiences a socioeconomic setback must come up with its own narrative why it happened; and considered that theirs was “Too far ahead of his time”. They worked on this rationale, this excuse, telling and retelling Walter's story to hone its details and to forgive for being guilty of that ultimate sin in American society: downward mobility.Less
The author describes his neighborhood in this chapter where every surface was covered with graffiti—deemed as the most visible marker of urban blight. Across from Avenue D projects stood another manifestation of poverty: the slums. He describes the condition as if some social scientist had constructed a very crude experiment, randomly assigning people with low socioeconomic status to live on one side of the street to the other. The people living in this neighborhood were all living off food stamps; some on welfare; others worked; and it made no difference. He notes that every family that experiences a socioeconomic setback must come up with its own narrative why it happened; and considered that theirs was “Too far ahead of his time”. They worked on this rationale, this excuse, telling and retelling Walter's story to hone its details and to forgive for being guilty of that ultimate sin in American society: downward mobility.
Ann Koloski-Ostrow
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469621289
- eISBN:
- 9781469623269
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469621289.001.0001
- Subject:
- Classical Studies, Archaeology: Classical
The Romans developed sophisticated methods for managing hygiene, including aqueducts for moving water from one place to another, sewers for removing used water from baths and runoff from walkways and ...
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The Romans developed sophisticated methods for managing hygiene, including aqueducts for moving water from one place to another, sewers for removing used water from baths and runoff from walkways and roads, and public and private latrines. Through the archaeological record, graffiti, sanitation-related paintings, and literature, this book explores this little-known world of bathrooms and sewers, offering unique insights into Roman sanitation, engineering, urban planning and development, hygiene, and public health. Focusing on the cities of Pompeii, Herculaneum, Ostia, and Rome, this work challenges common perceptions of Romans’ social customs, beliefs about health, tolerance for filth in their cities, and attitudes toward privacy. In charting the complex history of sanitary customs from the late republic to the early empire, the book reveals the origins of waste removal technologies and their implications for urban health, past and present.Less
The Romans developed sophisticated methods for managing hygiene, including aqueducts for moving water from one place to another, sewers for removing used water from baths and runoff from walkways and roads, and public and private latrines. Through the archaeological record, graffiti, sanitation-related paintings, and literature, this book explores this little-known world of bathrooms and sewers, offering unique insights into Roman sanitation, engineering, urban planning and development, hygiene, and public health. Focusing on the cities of Pompeii, Herculaneum, Ostia, and Rome, this work challenges common perceptions of Romans’ social customs, beliefs about health, tolerance for filth in their cities, and attitudes toward privacy. In charting the complex history of sanitary customs from the late republic to the early empire, the book reveals the origins of waste removal technologies and their implications for urban health, past and present.
Evelyn M. Perry
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9781469631387
- eISBN:
- 9781469631400
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469631387.003.0005
- Subject:
- Sociology, Race and Ethnicity
To make sense of urban areas, we create mental maps. Our maps break down the city into simplified, manageable chunks that facilitate navigation and guide decisions about where to go, who belongs ...
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To make sense of urban areas, we create mental maps. Our maps break down the city into simplified, manageable chunks that facilitate navigation and guide decisions about where to go, who belongs where, and what to do. Those who share a neighborhood context often share a way of seeing—of reading and responding their environment. This chapter examines the social bases for shared perceptions of specific features of the neighborhood: graffiti and groups of young black and brown men hanging out. Shared meanings of these environmental cues of “disorder” are contested in Riverwest. Local culture offers distinct approaches to social boundary-drawing. Repeated block-level interactions that contextualize neighbors’ behavior further complicate interpretations of the social surround. Through these conflicts over what constitutes a problem, broad social categorization schemes, white normativity, and racialized notions of criminality—though sometimes reinforced—are often challenged.Less
To make sense of urban areas, we create mental maps. Our maps break down the city into simplified, manageable chunks that facilitate navigation and guide decisions about where to go, who belongs where, and what to do. Those who share a neighborhood context often share a way of seeing—of reading and responding their environment. This chapter examines the social bases for shared perceptions of specific features of the neighborhood: graffiti and groups of young black and brown men hanging out. Shared meanings of these environmental cues of “disorder” are contested in Riverwest. Local culture offers distinct approaches to social boundary-drawing. Repeated block-level interactions that contextualize neighbors’ behavior further complicate interpretations of the social surround. Through these conflicts over what constitutes a problem, broad social categorization schemes, white normativity, and racialized notions of criminality—though sometimes reinforced—are often challenged.
Richard I. Cohen (ed.)
- Published in print:
- 2018
- Published Online:
- August 2018
- ISBN:
- 9780190912628
- eISBN:
- 9780190912659
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190912628.003.0028
- Subject:
- Religion, Judaism, Religion and Society
This chapter reviews the book Jewish Spain: A Mediterranean Memory (2014), by Tabea Alexa Linhard. In Jewish Spain, Linhard argues that contemporary Spain—under the influence of a particular cultural ...
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This chapter reviews the book Jewish Spain: A Mediterranean Memory (2014), by Tabea Alexa Linhard. In Jewish Spain, Linhard argues that contemporary Spain—under the influence of a particular cultural phenomenon of nostalgia—continues to look back to Sepharad of the Hebrew Golden Age, a time when Christian, Jewish, and Muslim cultures coexisted. For Spanish Jewry, Sepharad represents the collective memory of a lost utopian dream. In contrast, traditional and progressive Spanish attitudes toward Jews, then as now, contain elements both of philosemitism and antisemitism. Linhard also explores the issue of multidirectional networks of memory, suggesting that these might fruitfully be regarded in light of present-day realities, citing as an example the graffiti, “Palestina Libre,” that defaces a plaque in the Jewish quarter of Barcelona.Less
This chapter reviews the book Jewish Spain: A Mediterranean Memory (2014), by Tabea Alexa Linhard. In Jewish Spain, Linhard argues that contemporary Spain—under the influence of a particular cultural phenomenon of nostalgia—continues to look back to Sepharad of the Hebrew Golden Age, a time when Christian, Jewish, and Muslim cultures coexisted. For Spanish Jewry, Sepharad represents the collective memory of a lost utopian dream. In contrast, traditional and progressive Spanish attitudes toward Jews, then as now, contain elements both of philosemitism and antisemitism. Linhard also explores the issue of multidirectional networks of memory, suggesting that these might fruitfully be regarded in light of present-day realities, citing as an example the graffiti, “Palestina Libre,” that defaces a plaque in the Jewish quarter of Barcelona.
Kymberly N. Pinder
- Published in print:
- 2016
- Published Online:
- April 2017
- ISBN:
- 9780252039928
- eISBN:
- 9780252098086
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252039928.003.0006
- Subject:
- Art, Visual Culture
This chapter examines contemporary black public art in Chicago, including Bernard Williams's black biblical figures in the apse of Saint Edmund's Episcopal Church. As a principal artist in the ...
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This chapter examines contemporary black public art in Chicago, including Bernard Williams's black biblical figures in the apse of Saint Edmund's Episcopal Church. As a principal artist in the Chicago Public Art Group (CPAG), Williams has been the lead restorer for most of murals by William Walker. The Saint Edmund's committee directed the content of Williams's mural at the church in relation to the newly installed stained glass program of important black heroes. Father Richard Tolliver considered murals and stained glass an integral part of his revitalization of Saint Edmund's. Williams also helped restore Frederick D. Jones's mural at the First Church of Deliverance (FCOD) and created a number of local community murals. The chapter concludes with a discussion of Damon Lamar Reed's mural ministry consisting of murals, graffiti, rap music, and T-shirts. Like the conflations of the black Christ with the pastor at Pilgrim Baptist Church and FCOD, Reed's work merges the painted image of Jesus with that of a real black body, the one within the T-shirt.Less
This chapter examines contemporary black public art in Chicago, including Bernard Williams's black biblical figures in the apse of Saint Edmund's Episcopal Church. As a principal artist in the Chicago Public Art Group (CPAG), Williams has been the lead restorer for most of murals by William Walker. The Saint Edmund's committee directed the content of Williams's mural at the church in relation to the newly installed stained glass program of important black heroes. Father Richard Tolliver considered murals and stained glass an integral part of his revitalization of Saint Edmund's. Williams also helped restore Frederick D. Jones's mural at the First Church of Deliverance (FCOD) and created a number of local community murals. The chapter concludes with a discussion of Damon Lamar Reed's mural ministry consisting of murals, graffiti, rap music, and T-shirts. Like the conflations of the black Christ with the pastor at Pilgrim Baptist Church and FCOD, Reed's work merges the painted image of Jesus with that of a real black body, the one within the T-shirt.
Jacques van der Vliet
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9789774167775
- eISBN:
- 9781617978203
- Item type:
- chapter
- Publisher:
- American University in Cairo Press
- DOI:
- 10.5743/cairo/9789774167775.003.0018
- Subject:
- Religion, History of Christianity
Since the 1960s, hundreds of Greek and Coptic graffiti and dipinti of varying length, contents, and interest that have been discovered by French and Swiss missions at the various monastic settlements ...
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Since the 1960s, hundreds of Greek and Coptic graffiti and dipinti of varying length, contents, and interest that have been discovered by French and Swiss missions at the various monastic settlements in and near Kellia. Instead of focusing on the more or less interesting contents of the inscriptions, This chapter proposes a reading of the Kellia inscriptions as monastic epigraphy, that is, as witnesses to monastic life and practices. It first briefly sketches the characteristics of what could be called the “monastic revolution” in epigraphy. It then presents three examples from the Kellia corpus of mural inscriptions to illustrate specific aspects of monastic epigraphy as it was part of the cultural practices of northern Egyptian monasticism. It ends with some conclusions that will not confirm the interpretation of the Kellia graffti as acts of vandalism.Less
Since the 1960s, hundreds of Greek and Coptic graffiti and dipinti of varying length, contents, and interest that have been discovered by French and Swiss missions at the various monastic settlements in and near Kellia. Instead of focusing on the more or less interesting contents of the inscriptions, This chapter proposes a reading of the Kellia inscriptions as monastic epigraphy, that is, as witnesses to monastic life and practices. It first briefly sketches the characteristics of what could be called the “monastic revolution” in epigraphy. It then presents three examples from the Kellia corpus of mural inscriptions to illustrate specific aspects of monastic epigraphy as it was part of the cultural practices of northern Egyptian monasticism. It ends with some conclusions that will not confirm the interpretation of the Kellia graffti as acts of vandalism.
William M. Schniedewind
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9780300176681
- eISBN:
- 9780300199109
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300176681.003.0005
- Subject:
- Religion, Judaism
One byproduct of the rise of the Assyrian empire was urbanization. The Assyrians introduced globalization along with more complex government bureaucracies and economies. Writing became a useful tool ...
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One byproduct of the rise of the Assyrian empire was urbanization. The Assyrians introduced globalization along with more complex government bureaucracies and economies. Writing became a useful tool of the increasingly complex economies of the Near East, including Judah. The number and variety of Hebrew inscriptions from the late monarchy testifies to the growing importance of writing as well as the spread of “craft literacy.” It is during the late Judean monarchy that we witness an increasing use of vowel letters in Epigraphic Hebrew. Along with the use of vowel letters, Hebrew develops its own increasingly distinctive script. All these factors are indications of the democratization of writing—that is, the use of writing outside of narrow scribal elites.Less
One byproduct of the rise of the Assyrian empire was urbanization. The Assyrians introduced globalization along with more complex government bureaucracies and economies. Writing became a useful tool of the increasingly complex economies of the Near East, including Judah. The number and variety of Hebrew inscriptions from the late monarchy testifies to the growing importance of writing as well as the spread of “craft literacy.” It is during the late Judean monarchy that we witness an increasing use of vowel letters in Epigraphic Hebrew. Along with the use of vowel letters, Hebrew develops its own increasingly distinctive script. All these factors are indications of the democratization of writing—that is, the use of writing outside of narrow scribal elites.
