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Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850

Mechthild Fend

Published in print:
2017
Published Online:
May 2017
ISBN:
9780719087967
eISBN:
9781526120724
Item type:
book
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719087967.001.0001
Subject:
Art, Art History

Throughout the history of European painting, skin has been the most significant surface for artistic imitation, and flesh has been a privileged site of lifelikeness. Skin and flesh entertain complex ... More


Hermetic borderline

Mechthild Fend

in Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850

Published in print:
2017
Published Online:
May 2017
ISBN:
9780719087967
eISBN:
9781526120724
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719087967.003.0007
Subject:
Art, Art History

This chapter focuses on a set of nudes and portraits by Jean-Auguste-Dominique Ingres. It engages with the artist's ambivalent relationship with artistic anatomy and demonstrates the artist's ... More


Introduction

Mechthild Fend

in Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850

Published in print:
2017
Published Online:
May 2017
ISBN:
9780719087967
eISBN:
9781526120724
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719087967.003.0001
Subject:
Art, Art History

The chapter introduces questions of skin and flesh tones via a discussion of Pedro Almódovar's 2011 film The Skin I live in. The film suggests a number of themes that are pertinent to this book: skin ... More


The surface’s substance

Mechthild Fend

in Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850

Published in print:
2017
Published Online:
May 2017
ISBN:
9780719087967
eISBN:
9781526120724
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719087967.003.0002
Subject:
Art, Art History

The naked areas an artist represents when painting a human body were traditionally not conceived of in terms of skin but of flesh. This chapter discusses notions of flesh and flesh tones in the ... More


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